(2fl,str)

SKU: TM.05069SC

Composed by Wilhelm F. Bach. Score. Lucks Music Library #A5587. Published by Lucks Music Library (TM.05069SC).

No score available. Vs pg 336-343.

(2fl,str)

SKU: TM.05069SET

Composed by Wilhelm F. Bach. Set Type: B. Set of parts. Lucks Music Library #A5587. Published by Lucks Music Library (TM.05069SET).

No score available. Vs pg 336-343.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, trumpet, 2 violins, viola, viola da gamba, basso continuo - Grade 3

SKU: CA.3913707

Composed by Georg Philipp Telemann. Edited by Brit Reipsch. This edition: Paperbound. Die Tageszeiten Neuausgabe Reipsch. Sacred vocal music, Cantatas. Study score. TVWV 20:39. Duration 55 minutes. Carus Verlag #CV 39.137/07. Published by Carus Verlag (CA.3913707).

ISBN 9790007135652. Language: German.

The cantata cycle Die Tageszeiten, which was composed in Hamburg in 1757, is one of the outstanding late works of Georg Philipp Telemann. A Symphonie and four cantatas (each of which consists of an aria, accompagnato, aria, and chorus) portray, in a richly sensitive manner, the course of a day, beginning with the awakening of nature to the sunset. The poetry of Friedrich Wilhelm Zachariae and Telemann's music herald the beauty of nature, as well as the greatness of God revealed within it. Colorful instrumentation and pictures in sound corresponding to each time of the day, delicate compositional structure, and an ingenious realization of the text characterize this work, whose musical idiom is at times reminiscent of Haydn. Score available separately - see item CA.3913700.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, trumpet, 2 violins, viola, viola da gamba, basso continuo - Grade 3

SKU: CA.3913719

Composed by Georg Philipp Telemann. Edited by Brit Reipsch. Die Tageszeiten Neuausgabe Reipsch. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed 1729. TVWV 20:39. Duration 55 minutes. Carus Verlag #CV 39.137/19. Published by Carus Verlag (CA.3913719).

ISBN 9790007133115. Language: German.

The cantata cycle Die Tageszeiten, which was composed in Hamburg in 1757, is one of the outstanding late works of Georg Philipp Telemann. A Symphonie and four cantatas (each of which consists of an aria, accompagnato, aria, and chorus) portray, in a richly sensitive manner, the course of a day, beginning with the awakening of nature to the sunset. The poetry of Friedrich Wilhelm Zachariae and Telemann's music herald the beauty of nature, as well as the greatness of God revealed within it. Colorful instrumentation and pictures in sound corresponding to each time of the day, delicate compositional structure, and an ingenious realization of the text characterize this work, whose musical idiom is at times reminiscent of Haydn. Score and parts available separately - see item CA.3913700.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, trumpet, 2 violins, viola, viola da gamba, basso continuo - Grade 3

SKU: CA.3913705

Composed by Georg Philipp Telemann. Edited by Brit Reipsch. Die Tageszeiten Neuausgabe Reipsch. Sacred vocal music, Cantatas. Choral Score. TVWV 20:39. Duration 55 minutes. Carus Verlag #CV 39.137/05. Published by Carus Verlag (CA.3913705).

ISBN 9790007129187. Language: German.

The cantata cycle Die Tageszeiten, which was composed in Hamburg in 1757, is one of the outstanding late works of Georg Philipp Telemann. A Symphonie and four cantatas (each of which consists of an aria, accompagnato, aria, and chorus) portray, in a richly sensitive manner, the course of a day, beginning with the awakening of nature to the sunset. The poetry of Friedrich Wilhelm Zachariae and Telemann's music herald the beauty of nature, as well as the greatness of God revealed within it. Colorful instrumentation and pictures in sound corresponding to each time of the day, delicate compositional structure, and an ingenious realization of the text characterize this work, whose musical idiom is at times reminiscent of Haydn. Score available separately - see item CA.3913700.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, trumpet, 2 violins, viola, viola da gamba, basso continuo - Grade 3

SKU: CA.3913718

Composed by Georg Philipp Telemann. Edited by Brit Reipsch. German title: Die Tageszeiten Neuausgabe Reipsch. Sacred vocal music, Cantatas. Single Part, Viola da gamba. TVWV 20:39. 4 pages. Duration 55 minutes. Carus Verlag #CV 39.137/18. Published by Carus Verlag (CA.3913718).

ISBN 9790007216122. Language: German.

The cantata cycle Die Tageszeiten, which was composed in Hamburg in 1757, is one of the outstanding late works of Georg Philipp Telemann. A Symphonie and four cantatas (each of which consists of an aria, accompagnato, aria, and chorus) portray, in a richly sensitive manner, the course of a day, beginning with the awakening of nature to the sunset. The poetry of Friedrich Wilhelm Zachariae and Telemann's music herald the beauty of nature, as well as the greatness of God revealed within it. Colorful instrumentation and pictures in sound corresponding to each time of the day, delicate compositional structure, and an ingenious realization of the text characterize this work, whose musical idiom is at times reminiscent of Haydn. Score and part available separately - see item CA.3913700.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, trumpet, 2 violins, viola, viola da gamba, basso continuo - Grade 3

SKU: CA.3913709

Composed by Georg Philipp Telemann. Edited by Brit Reipsch. 1x 39.137/18 viola da gamba, 1x 39.137/21 flute 1, 1x 39.137/22 flute 2, 1x 39.137/23 oboe 1, 1x 39.137/24 oboe 2, 1x 39.137/25 bassoon, 1x 39.137/31 trumpet. Die Tageszeiten Neuausgabe Reipsch. Sacred vocal music, Cantatas. Set of Orchestra Parts. TVWV 20:39. 30 pages. Duration 55 minutes. Carus Verlag #CV 39.137/09. Published by Carus Verlag (CA.3913709).

ISBN 9790007216078. Language: German.

The cantata cycle Die Tageszeiten, which was composed in Hamburg in 1757, is one of the outstanding late works of Georg Philipp Telemann. A Symphonie and four cantatas (each of which consists of an aria, accompagnato, aria, and chorus) portray, in a richly sensitive manner, the course of a day, beginning with the awakening of nature to the sunset. The poetry of Friedrich Wilhelm Zachariae and Telemann's music herald the beauty of nature, as well as the greatness of God revealed within it. Colorful instrumentation and pictures in sound corresponding to each time of the day, delicate compositional structure, and an ingenious realization of the text characterize this work, whose musical idiom is at times reminiscent of Haydn. Score and parts available separately - see item CA.3913700.

By Georg Philipp Telemann (1681-1767). Edited by Reipsch, Brit. For SATB Soli, SATB Choir, 2 Flute, 2 Oboe, Bassoon, 2 Violin, Viola, Viola da gamba, Basso Continuo. This edition: paperbound. TVWV 20:39. Full score available separately - see item CA.3913700. Cantatas. Level 3. Piano/Vocal score. Language: German. 52 pages. Duration 55 min

(2+1.3+1.3+1.3+1/6.3.3.1, timp,perc,2hp,str)

SKU: TM.09583SC

Composed by Frederick Delius. Score. Lucks Music Library #A5900. Published by Lucks Music Library (TM.09583SC).

Banda = 3.2.2.2/4.2.0.0. Act III Scene 1 (follows #06975 Introduction). Score pg. 281-290. Banda in related parts.

(2+1.3+1.3+1.3+1/6.3.3.1, timp,perc,2hp,str)

SKU: TM.09583SET

Composed by Frederick Delius. Set Type: D. Set of parts. Lucks Music Library #A5900. Published by Lucks Music Library (TM.09583SET).

Banda = 3.2.2.2/4.2.0.0. Act III Scene 1 (follows #06975 Introduction). Score pg. 281-290. Banda in related parts.

(2.2.0.1/2.0.0.0,cem,str)

SKU: TM.01082SC

Composed by The Great Frederick. Score. Published by Lucks Music Library (TM.01082SC).

Cembalo in score.

(2.2.0.1/2.0.0.0,cem,str)

SKU: TM.01082SET

Composed by The Great Frederick. Set Type: D. Set of parts. Published by Lucks Music Library (TM.01082SET).

Cembalo in score.

Orchestra SSATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.4048311

Composed by Felix Bartholdy Mendelssohn. Edited by Pietro Zappala. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. Violin 1. Innovative practice aids, Sacred vocal music, Mass sections, Christmas. Single Part, Violin 1. Composed 1821/22. MWV A 1. 8 pages. Duration 21 minutes. Carus Verlag #CV 40.483/11. Published by Carus Verlag (CA.4048311).

ISBN 9790007218768. Key: E flat major. Language: Latin.

The Gloria, composed in early 1822 at the age of 13, is Mendelssohn's first creative venture in the field of church music on a larger scale. It is a direct result of his composition studies under the director of the Berlin Singakademie Carl Friedrich Zelter, but was no longer wholly a student work because the young composer hoped that Zelter would provide him with an opportunity to perform this work with the Singakademie. The enthusiasm for Handel and Bach which was sustained by the performances at the Singakademie influenced Mendelssohn's early creative style. In the Gloria Mendelssohn sought to emulate the model of the large-scale baroque cantata. The concluding fugue, the mysterious Qui tollis and lyrical solos ensembles in the place of solo arias give testimony to Mendelssohn's great talent and willingness to experiment. Score and part available separately - see item CA.4048300.

Orchestra SSATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.4048319

Composed by Felix Bartholdy Mendelssohn. Edited by Pietro Zappala. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. German title: Gloria. Innovative practice aids, Sacred vocal music, Mass sections, Christmas. Set of Orchestra Parts. Composed 1821/22. MWV A 1. Duration 21 minutes. Carus Verlag #CV 40.483/19. Published by Carus Verlag (CA.4048319).

ISBN 9790007137953. Key: E flat major. Language: Latin.

The Gloria, composed in early 1822 at the age of 13, is Mendelssohn's first creative venture in the field of church music on a larger scale. It is a direct result of his composition studies under the director of the Berlin Singakademie Carl Friedrich Zelter, but was no longer wholly a student work because the young composer hoped that Zelter would provide him with an opportunity to perform this work with the Singakademie. The enthusiasm for Handel and Bach which was sustained by the performances at the Singakademie influenced Mendelssohn's early creative style. In the Gloria Mendelssohn sought to emulate the model of the large-scale baroque cantata. The concluding fugue, the mysterious Qui tollis and lyrical solos ensembles in the place of solo arias give testimony to Mendelssohn's great talent and willingness to experiment. Score and parts available separately - see item CA.4048300.

Orchestra SSATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.4048314

Composed by Felix Bartholdy Mendelssohn. Edited by Pietro Zappala. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. Violoncello/double bass. Innovative practice aids, Sacred vocal music, Mass sections, Christmas. Single Part, Cello/Double Bass. Composed 1821/22. MWV A 1. 8 pages. Duration 21 minutes. Carus Verlag #CV 40.483/14. Published by Carus Verlag (CA.4048314).

ISBN 9790007218799. Key: E flat major. Language: Latin.

The Gloria, composed in early 1822 at the age of 13, is Mendelssohn's first creative venture in the field of church music on a larger scale. It is a direct result of his composition studies under the director of the Berlin Singakademie Carl Friedrich Zelter, but was no longer wholly a student work because the young composer hoped that Zelter would provide him with an opportunity to perform this work with the Singakademie. The enthusiasm for Handel and Bach which was sustained by the performances at the Singakademie influenced Mendelssohn's early creative style. In the Gloria Mendelssohn sought to emulate the model of the large-scale baroque cantata. The concluding fugue, the mysterious Qui tollis and lyrical solos ensembles in the place of solo arias give testimony to Mendelssohn's great talent and willingness to experiment. Score and part available separately - see item CA.4048300.

Orchestra SSATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.4048313

Composed by Felix Bartholdy Mendelssohn. Edited by Pietro Zappala. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. Viola. Innovative practice aids, Sacred vocal music, Mass sections, Christmas. Single Part, Viola. Composed 1821/22. MWV A 1. 8 pages. Duration 21 minutes. Carus Verlag #CV 40.483/13. Published by Carus Verlag (CA.4048313).

ISBN 9790007218782. Key: E flat major. Language: Latin.

The Gloria, composed in early 1822 at the age of 13, is Mendelssohn's first creative venture in the field of church music on a larger scale. It is a direct result of his composition studies under the director of the Berlin Singakademie Carl Friedrich Zelter, but was no longer wholly a student work because the young composer hoped that Zelter would provide him with an opportunity to perform this work with the Singakademie. The enthusiasm for Handel and Bach which was sustained by the performances at the Singakademie influenced Mendelssohn's early creative style. In the Gloria Mendelssohn sought to emulate the model of the large-scale baroque cantata. The concluding fugue, the mysterious Qui tollis and lyrical solos ensembles in the place of solo arias give testimony to Mendelssohn's great talent and willingness to experiment. Score and part available separately - see item CA.4048300.

Orchestra SSATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.4048309

Composed by Felix Bartholdy Mendelssohn. Edited by Pietro Zappala. This edition: urtext. 1x 40.483/21 flute 1, 1x 40.483/22 flute 2, 1x 40.483/23 oboe 1, 1x 40.483/24 oboe 2, 1x 40.483/25 clarinet 1, 1x 40.483/26 clarinet 2, 1x 40.483/27 bassoon 1, 1x 40.483/28 bassoon 2, 1x 40.483/31 horn 1, 1x 40.483/32 horn 2, 1x 40.483/33 trumpet 1, 1x 40. Stuttgart Urtext Edition: Mendelssohn. Harmony parts. Innovative practice aids, Sacred vocal music, Mass sections, Christmas. Set of Orchestra Parts. Composed 1821/22. MWV A 1. 42 pages. Duration 21 minutes. Carus Verlag #CV 40.483/09. Published by Carus Verlag (CA.4048309).

ISBN 9790007218751. Key: E flat major. Language: Latin.

The Gloria, composed in early 1822 at the age of 13, is Mendelssohn's first creative venture in the field of church music on a larger scale. It is a direct result of his composition studies under the director of the Berlin Singakademie Carl Friedrich Zelter, but was no longer wholly a student work because the young composer hoped that Zelter would provide him with an opportunity to perform this work with the Singakademie. The enthusiasm for Handel and Bach which was sustained by the performances at the Singakademie influenced Mendelssohn's early creative style. In the Gloria Mendelssohn sought to emulate the model of the large-scale baroque cantata. The concluding fugue, the mysterious Qui tollis and lyrical solos ensembles in the place of solo arias give testimony to Mendelssohn's great talent and willingness to experiment. Score and parts available separately - see item CA.4048300.

Orchestra SSATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.4048307

Composed by Felix Bartholdy Mendelssohn. Edited by Pietro Zappala. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. Innovative practice aids, Sacred vocal music, Mass sections, Christmas. Study score. Composed 1821/22. MWV A 1. Duration 21 minutes. Carus Verlag #CV 40.483/07. Published by Carus Verlag (CA.4048307).

ISBN 9790007092597. Key: E flat major. Language: Latin.

The Gloria, composed in early 1822 at the age of 13, is Mendelssohn's first creative venture in the field of church music on a larger scale. It is a direct result of his composition studies under the director of the Berlin Singakademie Carl Friedrich Zelter, but was no longer wholly a student work because the young composer hoped that Zelter would provide him with an opportunity to perform this work with the Singakademie. The enthusiasm for Handel and Bach which was sustained by the performances at the Singakademie influenced Mendelssohn's early creative style. In the Gloria Mendelssohn sought to emulate the model of the large-scale baroque cantata. The concluding fugue, the mysterious Qui tollis and lyrical solos ensembles in the place of solo arias give testimony to Mendelssohn's great talent and willingness to experiment. Score available separately - see item CA.4048300.