Funeral ode. Composed by Johann Sebastian Bach (1685-1750). Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Cantatas. Vocal score. Composed 1727. 56 pages. Duration 35 minutes. Carus Verlag #CV 31.198/03. Published by Carus Verlag (CA.3119803).

SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 trumpets, timpani, 2 violins, 2 viola, basso continuo

SKU: CA.2705305

Schopfungsmesse. Composed by Franz Joseph Haydn. Edited by Armin Kircher. Arranged by Luigi Gatti. Sacred music from Salzburg. Sacred vocal music, Masses, Latin. Choral Score. Duration 35 minutes. Carus Verlag #CV 27.053/05. Published by Carus Verlag (CA.2705305).

ISBN 9790007113520. Key: A major. Language: Latin.

Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score available separately - see item CA.2705300.

SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 trumpets, timpani, 2 violins, 2 viola, basso continuo

SKU: CA.2705314

Schopfungsmesse. Composed by Franz Joseph Haydn. Edited by Armin Kircher. Arranged by Luigi Gatti. Sacred music from Salzburg. Viola 2. Sacred vocal music, Masses, Latin. Single Part, Viola 2. 12 pages. Duration 35 minutes. Carus Verlag #CV 27.053/14. Published by Carus Verlag (CA.2705314).

ISBN 9790007199593. Key: A major. Language: Latin.

Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score and part available separately - see item CA.2705300.

SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 trumpets, timpani, 2 violins, 2 viola, basso continuo

SKU: CA.2705319

Composed by Franz Joseph Haydn. Edited by Armin Kircher. Arranged by Luigi Gatti. Sacred music from Salzburg. German title: Schopfungsmesse. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Duration 35 minutes. Carus Verlag #CV 27.053/19. Published by Carus Verlag (CA.2705319).

ISBN 9790007133887. Key: A major. Language: Latin.

Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score and parts available separately - see item CA.2705300.

SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 trumpets, timpani, 2 violins, 2 viola, basso continuo

SKU: CA.2705349

Schopfungsmesse. Composed by Franz Joseph Haydn. Edited by Armin Kircher. Arranged by Luigi Gatti. Sacred music from Salzburg. Organ. Sacred vocal music, Masses, Latin. Single Part, Organ. 24 pages. Duration 35 minutes. Carus Verlag #CV 27.053/49. Published by Carus Verlag (CA.2705349).

ISBN 9790007199616. Key: A major. Language: Latin.

Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score and part available separately - see item CA.2705300.

SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 trumpets, timpani, 2 violins, 2 viola, basso continuo

SKU: CA.2705309

Schopfungsmesse. Composed by Franz Joseph Haydn. Edited by Armin Kircher. Arranged by Luigi Gatti. 1x 27.053/21 flute 1, 1x 27.053/22 flute 2, 1x 27.053/31 horn 1, 1x 27.053/32 horn 2, 1x 27.053/33 trumpet 1, 1x 27.053/34 trumpet 2, 1x 27.053/41 timpani. Sacred music from Salzburg. Harmony parts. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. 60 pages. Duration 35 minutes. Carus Verlag #CV 27.053/09. Published by Carus Verlag (CA.2705309).

ISBN 9790007199555. Key: A major. Language: Latin.

Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score and parts available separately - see item CA.2705300.

SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 trumpets, timpani, 2 violins, 2 viola, basso continuo

SKU: CA.2705313

Schopfungsmesse. Composed by Franz Joseph Haydn. Edited by Armin Kircher. Arranged by Luigi Gatti. Sacred music from Salzburg. Viola. Sacred vocal music, Masses, Latin. Single Part, Viola. 16 pages. Duration 35 minutes. Carus Verlag #CV 27.053/13. Published by Carus Verlag (CA.2705313).

ISBN 9790007199586. Key: A major. Language: Latin.

Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score and part available separately - see item CA.2705300.

SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 trumpets, timpani, 2 violins, 2 viola, basso continuo

SKU: CA.2705315

Schopfungsmesse. Composed by Franz Joseph Haydn. Edited by Armin Kircher. Arranged by Luigi Gatti. Sacred music from Salzburg. Violoncello/double bass. Sacred vocal music, Masses, Latin. Single Part, Cello/Double Bass. 16 pages. Duration 35 minutes. Carus Verlag #CV 27.053/15. Published by Carus Verlag (CA.2705315).

ISBN 9790007199609. Key: A major. Language: Latin.

Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score and part available separately - see item CA.2705300.

Soli SATB, Coro SATB, 2 Vl, 2 Va, Bc - Level 3

SKU: CA.2732111

Composed by Niccolo Jommelli. Edited by Julia Rosemeyer. Violin 1. Sacred vocal music, Requiem. Part. Duration 48 minutes. Carus Verlag #CV 27.321/11. Published by Carus Verlag (CA.2732111).

ISBN M-007-25435-3. Latin.

The best-known setting of the Requiem Mass before Mozart's unfinished work is by the celebrated opera composer Niccolo Jommelli. The Missa pro defunctis was composed in 1756, during Jommelli's time as Kapellmeister at the court of the Wurttemberg Duke Carl Eugen, on the occasion of the death of the Dowager Duchess Maria Augusta. The work went on to enjoy wide circulation and numerous further performances. Jommelli composed it in the Neapolitan style, with orchestral forces of just strings and basso continuo. The simple but effective choral movements are partly contrapuntal in the stile antico, and partly with solo/tutti alternation and numerous suspended dissonances, whilst in the solo parts the opera composer can be recognized. This beautiful sounding Missa pro defunctis is now published for the first time in a critical edition. Where sections are missing in Jommelli's composition, the Appendix contains settings by another composer from his circle, Nicola Sala. * The best-known setting of the Requiem Mass before Mozart * First critical edition * Effective choral movements with numerous suspended dissonances and solo/tutti alternation * Scored for small instrumental forces of strings and organ.

SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 trumpets, timpani, 2 violins, 2 viola, basso continuo

SKU: CA.2705311

Schopfungsmesse. Composed by Franz Joseph Haydn. Edited by Armin Kircher. Arranged by Luigi Gatti. Sacred music from Salzburg. Violin 1. Sacred vocal music, Masses, Latin. Single Part, Violin 1. 20 pages. Duration 35 minutes. Carus Verlag #CV 27.053/11. Published by Carus Verlag (CA.2705311).

ISBN 9790007199562. Key: A major. Language: Latin.

Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score and part available separately - see item CA.2705300.

SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 trumpets, timpani, 2 violins, 2 viola, basso continuo

SKU: CA.2705312

Schopfungsmesse. Composed by Franz Joseph Haydn. Edited by Armin Kircher. Arranged by Luigi Gatti. Sacred music from Salzburg. Violin 2. Sacred vocal music, Masses, Latin. Single Part, Violin 2. 20 pages. Duration 35 minutes. Carus Verlag #CV 27.053/12. Published by Carus Verlag (CA.2705312).

ISBN 9790007199579. Key: A major. Language: Latin.

Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score and part available separately - see item CA.2705300.

Funeral ode. Composed by Johann Sebastian Bach (1685-1750). Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Trauerode. Cantatas. Orchestral Parts. Composed 1727. BWV 198. Duration 35 minutes. Carus Verlag #CV 31.198/19. Published by Carus Verlag (CA.3119819).

Orchestra SATB vocal soli, SATB choir, 3 flutes, 2 oboes, 2 clarinets, 2 bassoons, contrabassoon, 2 horns, 3 trombones, timpani, 2 violins, viola, cello, double bass, harpsichord - Grade 3

SKU: CA.5199015

Oratorium. Composed by Franz Joseph Haydn. Edited by Wolfgang Gersthofer. This edition: urtext. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. German title: Die Schopfung. Innovative practice aids, Sacred vocal music, Oratorios, Praise and thanks. Single Part, Double Bass. Composed 1798. Hob. XXI:2. 44 pages. Duration 105 minutes. Carus Verlag #CV 51.990/15. Published by Carus Verlag (CA.5199015).

ISBN 9790007225506. Language: German/English. Text: von Swieten, Gottfried. Text: Baron von Swieten.

The primary source on which the new Carus Urtext edition is based is the first edition of the score from 1800. Contrary to normal custom, Haydn published the score himself in order to avoid unauthorized publications and to present an optimally designed edition from an authentic hand. With this original document, which has been compared with additional relevant sources, Carus now offers a musical text based on the latest musicological findings. The critical report provides all of the important data concerning the edition in a compact form suitable for practical use [practical performance]. A detailed foreword offers insight into the genesis of the work, its construction and reception and illuminates compositional and theological and spiritual-historical aspects. In addition to the score, with singing texts in two languages (G. van Swieten's original German and English text), in the interest of legibility, vocal and choral scores will be offered in two separate editions (German or English). This work is now available in carus music, the choir app. Score and part available separately - see item CA.5199000.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, tamtam, 2 violins, viola, cello, contrabass

SKU: CA.4008509

Requiem. Composed by Franz von Suppe. 1x 40.085/21 flute 1, 1x 40.085/22 flute 2, 1x 40.085/23 oboe 1, 1x 40.085/24 oboe 2, 1x 40.085/25 clarinet 1, 1x 40.085/26 clarinet 2, 1x 40.085/27 bassoon 1, 1x 40.085/28 bassoon 2, 1x 40.085/31 horn 1, 1x 40.085/32 horn 2, 1x 40.085/33 horn 3, 1x 40.08. Missa Pro Defunctis (Requiem). Sacred vocal music, Requiem. Set of Orchestra Parts. Composed 1855. 206 pages. Duration 70 minutes. Carus Verlag #CV 40.085/09. Published by Carus Verlag (CA.4008509).

ISBN 9790007217396. Language: Latin.

Franz Suppe wrote his Requiem not as a humanistic or pantheistic lament for the dead, but as a work created on the basis of firm Christian and Catholic faith. The fact that Suppe succeeded in writing a Requiem which remains within the theological-liturgical bounds without sacrificing the values of an autonomous work of art is perhaps the greatest - although hitherto unrecognized- achievement of this work. Score and parts available separately - see item CA.4008500.

Orchestra SATB vocal soli, SATB choir, 3 flutes, 2 oboes, 2 clarinets, 2 bassoons, contrabassoon, 2 horns, 3 trombones, timpani, 2 violins, viola, cello, double bass, harpsichord - Grade 3

SKU: CA.5199009

Oratorium. Composed by Franz Joseph Haydn. Edited by Wolfgang Gersthofer. This edition: urtext. 1x 51.990/21 flute 1, 1x 51.990/22 flute 2, 1x 51.990/23 flute 3, 1x 51.990/24 oboe 1, 1x 51.990/25 oboe 2, 1x 51.990/26 clarinet 1, 1x 51.990/27 clarinet 2, 1x 51.990/28 bassoon 1, 1x 51.990/29 bassoon 2, 1x 51.990/30 double bassoon, 1x 51.990/31 horn 1,. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. German title: Die Schopfung 18. Innovative practice aids, Sacred vocal music, Oratorios, Praise and thanks. Set of Orchestra Parts. Composed 1798. Hob. XXI:2. 250 pages. Duration 105 minutes. Carus Verlag #CV 51.990/09. Published by Carus Verlag (CA.5199009).

ISBN 9790007225452. Language: German/English. Text: von Swieten, Gottfried. Text: Baron von Swieten.

The primary source on which the new Carus Urtext edition is based is the first edition of the score from 1800. Contrary to normal custom, Haydn published the score himself in order to avoid unauthorized publications and to present an optimally designed edition from an authentic hand. With this original document, which has been compared with additional relevant sources, Carus now offers a musical text based on the latest musicological findings. The critical report provides all of the important data concerning the edition in a compact form suitable for practical use [practical performance]. A detailed foreword offers insight into the genesis of the work, its construction and reception and illuminates compositional and theological and spiritual-historical aspects. In addition to the score, with singing texts in two languages (G. van Swieten's original German and English text), in the interest of legibility, vocal and choral scores will be offered in two separate editions (German or English). This work is now available in carus music, the choir app. Score and parts available separately - see item CA.5199000.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, tamtam, 2 violins, viola, cello, contrabass

SKU: CA.4008519

Requiem. Composed by Franz von Suppe. Missa Pro Defunctis (Requiem). Sacred vocal music, Requiem. Set of Orchestra Parts. Composed 1855. Duration 70 minutes. Carus Verlag #CV 40.085/19. Published by Carus Verlag (CA.4008519).

ISBN 9790007134501. Language: Latin.

Franz Suppe wrote his Requiem not as a humanistic or pantheistic lament for the dead, but as a work created on the basis of firm Christian and Catholic faith. The fact that Suppe succeeded in writing a Requiem which remains within the theological-liturgical bounds without sacrificing the values of an autonomous work of art is perhaps the greatest - although hitherto unrecognized- achievement of this work. Score and parts available separately - see item CA.4008500.

(Requiem). Composed by Franz von Suppe (1819-1895). For SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, tamtam, 2 violins, viola, cello, contrabass. This edition: Paperbound. German title: Missa pro defunctis (Requiem). Requiem. Study score. Language: Latin. Composed 1855. 264 pages. Duration 70 minutes. Published by Carus Verlag

Oratorio. Composed by George Frideric Handel (1685-1759). Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Handel. Oratorios. Vocal score. Composed 1739. HWV 53. 216 pages. Published by Carus Verlag (CA.5505303).

(Funeral Anthem). By George Frideric Handel (1685-1759). Edited by Clifford Bartlett. For SCAB soli, SATB/SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 trumpets, 3 trombones, timpani, 2 violins, viola, 2 basso continuo. This edition: Paperbound. Score available separately - see item CA.5526400. End of the church year Mourning, death. Vocal score. Language: German/English. Composed 1739. 64 pages. Published by Carus Verlag

SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 Lt, 2 violins, viola, 2 violas da gamba, basso continuo

SKU: CA.3119813

Funeral ode. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Trauerode. Cantatas. Single Part, Viola. Composed 1727. BWV 198. 12 pages. Duration 35 minutes. Carus Verlag #CV 31.198/13. Published by Carus Verlag (CA.3119813).

ISBN 9790007210618. Text language: German/English.

Com posed in 1727 for a eulogy and funeral oration for Electress Christiane Eberhardine in the Leipzig University church, the music for the funeral ode is well-known today above all through reconstructions of Bach's St Mark Passion, in which large parts of this cantata were probably re-used, but of which only the text survives. With the funeral ode we have one of Bach's strongest and most fascinating vocal compositions. Although Gottsched's text is associated with a particular occasion, it is distinguished in its literary quality from many secular cantatas and it is entirely appropriate to perform this impressive cantata in concerts. Score and part available separately - see item CA.3119800.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 Lt, 2 violins, viola, 2 violas da gamba, basso continuo

SKU: CA.3119814

Funeral ode. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Trauerode. Cantatas. Single Part, Viola da gamba 1. Composed 1727. BWV 198. 12 pages. Duration 35 minutes. Carus Verlag #CV 31.198/14. Published by Carus Verlag (CA.3119814).

ISBN 9790007210625. Text language: German/English.

Com posed in 1727 for a eulogy and funeral oration for Electress Christiane Eberhardine in the Leipzig University church, the music for the funeral ode is well-known today above all through reconstructions of Bach's St Mark Passion, in which large parts of this cantata were probably re-used, but of which only the text survives. With the funeral ode we have one of Bach's strongest and most fascinating vocal compositions. Although Gottsched's text is associated with a particular occasion, it is distinguished in its literary quality from many secular cantatas and it is entirely appropriate to perform this impressive cantata in concerts. Score and part available separately - see item CA.3119800.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 Lt, 2 violins, viola, 2 violas da gamba, basso continuo

SKU: CA.3119816

Funeral ode. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Trauerode. Cantatas. Single Part, basso continuo. Composed 1727. BWV 198. 20 pages. Duration 35 minutes. Carus Verlag #CV 31.198/16. Published by Carus Verlag (CA.3119816).

ISBN 9790007210649. Text language: German/English.

Com posed in 1727 for a eulogy and funeral oration for Electress Christiane Eberhardine in the Leipzig University church, the music for the funeral ode is well-known today above all through reconstructions of Bach's St Mark Passion, in which large parts of this cantata were probably re-used, but of which only the text survives. With the funeral ode we have one of Bach's strongest and most fascinating vocal compositions. Although Gottsched's text is associated with a particular occasion, it is distinguished in its literary quality from many secular cantatas and it is entirely appropriate to perform this impressive cantata in concerts. Score and part available separately - see item CA.3119800.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 lutes, 2 violins, viola, 2 violas da gamba, basso continuo

SKU: CA.3119849

Funeral ode. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Trauerode. Cantatas. Single Part, Organ. Composed 1727. BWV 198. 24 pages. Duration 35 minutes. Carus Verlag #CV 31.198/49. Published by Carus Verlag (CA.3119849).

ISBN 9790007210656. Language: German/English.

Com posed in 1727 for a eulogy and funeral oration for Electress Christiane Eberhardine in the Leipzig University church, the music for the funeral ode is well-known today above all through reconstructions of Bach's St Mark Passion, in which large parts of this cantata were probably re-used, but of which only the text survives. With the funeral ode we have one of Bach's strongest and most fascinating vocal compositions. Although Gottsched's text is associated with a particular occasion, it is distinguished in its literary quality from many secular cantatas and it is entirely appropriate to perform this impressive cantata in concerts. Score and part available separately - see item CA.3119800.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 Lt, 2 violins, viola, 2 violas da gamba, basso continuo

SKU: CA.3119809

Funeral ode. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. 1x 31.198/21 flute 1, 1x 31.198/22 flute 2, 1x 31.198/23 oboe 1, 1x 31.198/24 oboe 2, 2x 31.198/41 lute 1+2. Stuttgart Urtext Edition: Bach vocal. Trauerode. Cantatas. Set of Orchestra Parts. Composed 1727. BWV 198. Duration 35 minutes. Carus Verlag #CV 31.198/09. Published by Carus Verlag (CA.3119809).

ISBN 9790007210588. Text language: German/English.

Com posed in 1727 for a eulogy and funeral oration for Electress Christiane Eberhardine in the Leipzig University church, the music for the funeral ode is well-known today above all through reconstructions of Bach's St Mark Passion, in which large parts of this cantata were probably re-used, but of which only the text survives. With the funeral ode we have one of Bach's strongest and most fascinating vocal compositions. Although Gottsched's text is associated with a particular occasion, it is distinguished in its literary quality from many secular cantatas and it is entirely appropriate to perform this impressive cantata in concerts. Score and parts available separately - see item CA.3119800.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 Lt, 2 violins, viola, 2 violas da gamba, basso continuo

SKU: CA.3119812

Funeral ode. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Trauerode. Cantatas. Single Part, Violin 2. Composed 1727. BWV 198. 12 pages. Duration 35 minutes. Carus Verlag #CV 31.198/12. Published by Carus Verlag (CA.3119812).

ISBN 9790007210601. Text language: German/English.

Com posed in 1727 for a eulogy and funeral oration for Electress Christiane Eberhardine in the Leipzig University church, the music for the funeral ode is well-known today above all through reconstructions of Bach's St Mark Passion, in which large parts of this cantata were probably re-used, but of which only the text survives. With the funeral ode we have one of Bach's strongest and most fascinating vocal compositions. Although Gottsched's text is associated with a particular occasion, it is distinguished in its literary quality from many secular cantatas and it is entirely appropriate to perform this impressive cantata in concerts. Score and part available separately - see item CA.3119800.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 Lt, 2 violins, viola, 2 violas da gamba, basso continuo

SKU: CA.3119815

Funeral ode. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Trauerode. Cantatas. Single Part, Viola da gamba 2. Composed 1727. BWV 198. 12 pages. Duration 35 minutes. Carus Verlag #CV 31.198/15. Published by Carus Verlag (CA.3119815).

ISBN 9790007210632. Text language: German/English.

Com posed in 1727 for a eulogy and funeral oration for Electress Christiane Eberhardine in the Leipzig University church, the music for the funeral ode is well-known today above all through reconstructions of Bach's St Mark Passion, in which large parts of this cantata were probably re-used, but of which only the text survives. With the funeral ode we have one of Bach's strongest and most fascinating vocal compositions. Although Gottsched's text is associated with a particular occasion, it is distinguished in its literary quality from many secular cantatas and it is entirely appropriate to perform this impressive cantata in concerts. Score and part available separately - see item CA.3119800.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 Lt, 2 violins, viola, 2 violas da gamba, basso continuo

SKU: CA.3119811

Funeral ode. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Trauerode. Cantatas. Single Part, Violin 1. Composed 1727. BWV 198. 12 pages. Duration 35 minutes. Carus Verlag #CV 31.198/11. Published by Carus Verlag (CA.3119811).

ISBN 9790007210595. Text language: German/English.

Com posed in 1727 for a eulogy and funeral oration for Electress Christiane Eberhardine in the Leipzig University church, the music for the funeral ode is well-known today above all through reconstructions of Bach's St Mark Passion, in which large parts of this cantata were probably re-used, but of which only the text survives. With the funeral ode we have one of Bach's strongest and most fascinating vocal compositions. Although Gottsched's text is associated with a particular occasion, it is distinguished in its literary quality from many secular cantatas and it is entirely appropriate to perform this impressive cantata in concerts. Score and part available separately - see item CA.3119800.

By Franz Joseph Haydn. For STB, SATB. 3223 2230 timpani, strings. Full Score. Published by C.F. Peters.

Orchestra Solo STB, Coro SATB (auch Mannerchor TTTBB), 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb

SKU: CA.2302007

Composed by Ludwig van Beethoven. Edited by Clemens Harasim. Innovative practice aids, Sacred vocal music, Oratorios. Study score. Op. 85. Duration 54 minutes. Carus Verlag #CV 23.020/07. Published by Carus Verlag (CA.2302007).

ISBN M-007-24884-0. German/English. Text: Franz Xaver Huber.

In his Passion oratorio Christus am Olberge [The Mount of Olives], Beethoven succeeded firstly in building on the 18th century tradition, and secondly in putting his own personal stamp on the nascent genre of German-language oratorio - the Vienna performances of Haydn's Die Schopfung and Die Jahreszeiten had only taken place a few years earlier. In composing the work he looked towards contemporary opera, using a text by an opera librettist to depict in music the dramatic situation of the doubting Jesus in the Garden of Gethsemane and his arrest. Yet we do not do justice to Beethoven's work if we simply regard it as a successor work to Graun's Der Tod Jesu or even Bach's St Matthew Passion. Beethoven's Christus am Olberge is characterized less by religious devotion and much more by the dramatic realization of a specific situation in the Passion story in deeply-felt musical scenes. With its magnificent, almost operatic music, this is a different Passion oratorio which is definitely worth hearing and experiencing - and in this form it is without doubt unique in the history of vocal-instrumental sacred music. The edition follows the first printed edition in music and text; differences in the text in the libretto originally set by Beethoven are given as a second text, and a singable English translation is underlaid. Score available separately - see item CA.2302000.