H-moll Messe - Mass for Soloists, Chorus and Orchestra. Urtext of the New Bach Edition. (Performance Material for sale = BA 5102). By Johann Sebastian Bach. Edited by Smend, Friedrich. For Soli, Mixed Choir, Orchestra. Neue Bach-Ausgabe. Serie II, Band 1. Critical Commentary; Complete Edition (cloth bound). BWV 232. Published by Baerenreiter-Ausgaben (German import). (BA5001 41)

(piano reduction). By Johann Sebastian Bach (1685-1750). Edited by J. Rifkin / A. Durr. For Soli, Choir and Orchestra. This edition: piano reduction/vocal score. Edition Breitkopf. Piano reduction, Urtext. 228 pages

Soli e Coro SST(A)TB, 2 Fl, 2 Ob, 2 Tr, Timp, 2 Vl, 2 Va (Va, Vl), Vc/ Fg/ Tiorba, Bc

SKU: CA.2103203

Composed by Marc-Antoine Charpentier. Edited by Hans Ryschawy. Sacred vocal music, Motets, Praise and thanks. Vocal score. H 146. 48 pages. Duration 25 minutes. Carus Verlag #CV 21.032/03. Published by Carus Verlag (CA.2103203).

ISBN 9790007186142. Language: Latin.

In 1953, with timpani and trumpets a la Marseillaise, a French piece of music once again captured public attention (Eurovision Hymn) and a composer was rediscovered: the first recording of Marc-Antoine Charpentier's Te Deum H 146 was released. The introductory fanfare not only praised God but the Sun King Louis XIV, and it opens one of the greatest works of French Baroque music. Magnificent celebration and ardent pleading, effective choruses, arias and small ensembles, plus instrumental interludes combine to create a harmonious whole, drawing its higher meaning from Charpentier's musical-theological interpretation of the Latin hymn of praise that it is based on. Score available separately - see item CA.2103200.

(piano reduction). By Ludwig van Beethoven (1770-1827). Edited by Peter Hauschild. For Soli, Choir and Orchestra. Edition Breitkopf. Piano reduction/vocal score. 56 pages

(Urtext der NBArev). By Johann Sebastian Bach (1685-1750). Edited by Uwe Wolf. Vocal soli, mixed choir, orchestra. For 2 soprano voice solos/alto voice solo/tenor voice solo/bass voice solo/SSAATTBB choir/2 flutes/oboe1 (oboe d'amore1, english horn1)/oboe2 (oboe d'amore2, english horn2)/oboe3/2 bassoons/horn/3 trumpets/timpani/2 violins/viola/basso continuo (organ)). This edition: Urtext edition. Level 4. Score (paperbound). Language: Latin, Text language: German/English. BWV 232. Duration 2 hours, 15 minutes. Published by Baerenreiter Verlag

SATB vocal soli, SATB choir, cello/contrabass, organ

SKU: CA.2100305

Composed by Marc-Antoine Charpentier. Edited by Annick Fiaschi. Arranged by Paul Horn. French Sacred Music. German title: Magnificat. Sacred vocal music, Magnificats, Motets, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Choral Score. H. Duration 9 minutes. Carus Verlag #CV 21.003/05. Published by Carus Verlag (CA.2100305).

ISBN 9790007100797. Language: Latin.

Marc-Antoine Charpentier's Magnificat H 78 was composed around 1690 for the Jesuits in Paris. No less than ten works by the composer, in differing vocal and instrumental scoring and form comprise this genre. In the present Magnificat H 78 for five voices (in which alto and bass also have solo roles), two flutes, strings and basso continuo, each of the individual movements contains its own expressive profile in sound. Score available separately - see item CA.2100300.

By Johann Sebastian Bach. Edited by Christoph Wolff. For Solo, Mixed Choir, Instrument. Neue Bach-Ausgabe. Serie I. Band 8/1. Score; Urtext Edition; Complete Edition (cloth bound). Published by Baerenreiter-Ausgaben (German import). (BA5078 01)

Soloists, Mixed choir, Orchestra

SKU: BA.BA04025-01

Composed by George Frideric Handel. Edited by Georg-Friedrich-Händel -Gesellschaft e. V. Risinger and Mark. This edition: Complete edition. Linen. Complete edition, Score. HWV 58. Baerenreiter Verlag #BA04025-01. Published by Baerenreiter Verlag (BA.BA04025-01).

ISBN 9790006443222. 33 x 26 cm inches. Text Language: English.

Handelâ?? s â??Semeleâ?, which premiered in February 1744, is based on an adapted version of William Congreveâ??s opera libretto titled â??The Story of Semeleâ?, originally published in 1706. However, neither Handel nor his librettist referred to â??Semeleâ? as an opera or an oratorio, which, according to the understanding at the time, would have required a biblical and/or Christian subject matter. Contemporary audiences also disagreed on the genre. The problematic classification as an oratorio has persisted into the present day, likely due to the edition labeled as such by Chrysander. The â??Halle Handel Editionâ? (HHA) distances itself from this classification and, considering the available sources, refrains from assigning a genre label.

Congreve deviates from the mythological source multiple times in order to create tensions among the characters. The desired marriage between Semele and Athamas, whom she does not love, is an addition by Congreve to provoke the envy of her sister Ino, who desires Athamas herself. Therefore, Ino sees her own advantage in Semeleâ??s abduction by Jupiter. While Jupiterâ??s wife Juno decides to destroy Semele out of jealousy for his relationship with her, Jupiter brings Ino to his palace to console Semele. The vengeful Juno takes advantage of Inoâ??s presence and transforms into her likeness, persuading Semele to carry out a plan that later proves fatal. In the end, Ino emerges as the winner, as she is able to convince their father, Cadmus, to marry her to Athamas. The appearance of Apollo in the final scene to announce that Semeleâ??s immortal son Bacchus was saved from her ashes provides little consolation. However, this twist allows the drama to conclude with exuberant joy and a magnificent final chorus after the tragic scenes in the third act, culminating in the death of the protagonist.

Hande lâ??s autograph score shows significant deviations from and numerous revisions of the original version premiered. All surviving early versions, the musical movements deleted before the premiere, and the version of the December 1744, are given in the appendix to the HHA.

Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal; Carus sheet music series: Vocal scores XL. Complete orchestral parts. Innovative practice aids, Masses, Latin, Lent and Passiontide. Orchestral Parts. BWV 232. Duration 100 minutes. Carus Verlag #CV 31.232/19. Published by Carus Verlag (CA.3123219).

By Johann Sebastian Bach (1685-1750). For vocal solo(s), mixed choir, orchestra. Partitur-Bibliothek (Score Library). Score. 32 pages. Published by Breitkopf and Haertel score

By Wolfgang Amadeus Mozart. For Solo Parts, Mixed Choir, Orchestra. Breitkopf Full Scores. Published by Breitkopf and Haertel (German import).

Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Franz Beyer. Partitur-Bibliothek (Score Library). Study score. Published by Breitkopf and Haertel (BR.PB-5615-07).

Composed by Johann Sebastian Bach (1685-1750). Edited by Otto Schroder. For vocal solo(s), mixed choir, orchestra. This edition: paperback. Edition Breitkopf. Piano reduction. 24 pages. Published by Breitkopf and Haertel

SATB vocal soli, SATB choir, 2 trumpets, 2 trombones, timpani, 2 violin, basso continuo

SKU: CA.5030519

Composed by Michael Haydn. Edited by Charles H. Sherman. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Missa Beatiss.Virginis Mariae Mh 15. Sacred vocal music, Masses, Latin, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Set of Orchestra Parts. Composed circa 1758-1760. MH 15. Duration 30 minutes. Carus Verlag #CV 50.305/19. Published by Carus Verlag (CA.5030519).

ISBN 9790007145477. Key: C major. Language: Latin.

The Missa Beatissimae Virginis Maria was composed ca. 1758-1760, between the end of his tenure as a singer in the choir of St. Stephen's in Vienna and the beginning of his first position as violinist and music director for the Bishop of Grosswardein. The scoring of SATB (for soli as well as choir) and church trio was augmented by two trumpets (clarini) and timpani, as well as two trombones. The latter instruments double the alto and tenor voices in tutti passages but in the Et incarnatus est they are also employed in an obbligato role. On the one hand, as an early work this Mass is in the style of the festive baroque tradition, as practiced in south-German regions until the middle of the eighteenth century; on the other hand it already shows the subjective inspiration which distinguished it from many of the mass settings by Haydn's contemporaries. Score and parts available separately - see item CA.5030500.

SATB vocal soli, SATB choir, 2 trumpets, 2 trombones, timpani, 2 violin, basso continuo

SKU: CA.5030549

Composed by Michael Haydn. Edited by Charles H. Sherman. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Missa Beatiss.Virginis Mariae Mh 15. Sacred vocal music, Masses, Latin, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Organ. Composed circa 1758-1760. MH 15. 24 pages. Duration 30 minutes. Carus Verlag #CV 50.305/49. Published by Carus Verlag (CA.5030549).

ISBN 9790007223762. Key: C major. Language: Latin.

The Missa Beatissimae Virginis Maria was composed ca. 1758-1760, between the end of his tenure as a singer in the choir of St. Stephen's in Vienna and the beginning of his first position as violinist and music director for the Bishop of Grosswardein. The scoring of SATB (for soli as well as choir) and church trio was augmented by two trumpets (clarini) and timpani, as well as two trombones. The latter instruments double the alto and tenor voices in tutti passages but in the Et incarnatus est they are also employed in an obbligato role. On the one hand, as an early work this Mass is in the style of the festive baroque tradition, as practiced in south-German regions until the middle of the eighteenth century; on the other hand it already shows the subjective inspiration which distinguished it from many of the mass settings by Haydn's contemporaries. Score and part available separately - see item CA.5030500.

Composed by Antonin Dvorak (1841-1904). Edited by Haig Utidjian. This edition: urtext edition. Paperback. Barenreiter Urtext. Organ version. Organ reduction. Opus 86. Baerenreiter Verlag #BA10434-90. Published by Baerenreiter Verlag

Soloists, Choir, Orchestra (Soli,Ch,Orch,Instr-Tast)

SKU: BA.BA10573-01

Composed by Bohuslav Martinu. Edited by Paul Wingfield. This edition: complete edition, urtext edition. Linen. The Bohuslav Martinu Complete Edition VI/2/2. Complete edition, Score, anthology. Baerenreiter Verlag #BA10573_01. Published by Baerenreiter Verlag (BA.BA10573-01).

ISBN 9790260107922. 33.3 x 26.3 cm inches. Text Language: Czech. Preface: Wingfield, Paul.

The present volume of the Bohuslav Martinu Complete Edition (BMCE) contains two vocal-instrumental works. TheField Mass(1939) with a text by Jiri Mucha incorporating bible and liturgy quotes was created in reaction to the outbreak of the Second World War and intended for outdoor performances. The cantataThe Spectre's Bridewith a text by Karel Jaromir Erben was composed in 1932 as part of the balletSpalicek(meaningcha pbook); the composer later took out the cantata, making it into a stand-alone concert piece.

The autograph scores served as primary sources for both works. The edition of theField Mass(including its performance materials) also contains the original version of the ending with a quote from the Czech medieval hymnJezu Kriste, stedry kneze(Jesu Christ, bountiful priest) and a number of contemporary translations.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
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SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3912709

Psalm 121. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. 1x 39.127/21 oboe 1, 1x 39.127/22 oboe 2. Stuttgart Urtext Edition: Telemann-Archiv. Ich Hebe Meine Augen Auf (Psalm 121). Sacred vocal music, Psalms, German, Psalms. Set of Orchestra Parts. TVWV 7:16. Duration 12 minutes. Carus Verlag #CV 39.127/09. Published by Carus Verlag (CA.3912709).

ISBN 9790007215774. Language: German.

Telemann's setting of Psalm 121 I lift up mine eyes to the hills reveals him to be an admirer of French music. Constructed on the example of a grand motet, each of the movements is patterned after the French model: the model of an overture for the first movement, the echoes of a chaconne in the second, the dotted gigue rhythms of the Canarie in the third. In addition there is the lively exchange between choir and solo ensemble, and much more. The music is full of poetic imagery, whenever the occasion arises, as at the very beginning with the words Ich hebe meine Augen auf, or in a later passage with the text Siehe, der Hüter Israel schläft noch schlummert nicht (Behold, he that keepeth Israel shall neither slumber nor sleep). Score and parts available separately - see item CA.3912700.

By Johann Michael Haydn. Edited by Sherman, Charles H. For Soli SATB, SATB Choir, 2 Clarinos/Trumpets, 2 Trumpets, (3 Trombones), Timpani, 2 Violins, Basso continuo. MH 155. Full score available separately - see item CA.5032100. Requiem; Sacred Music from Salzburg; Occasions: Mourning, Death. Piano/Vocal score. Language: Latin. Composed 1771. 72 pages. Duration 35 min. Published by Carus Verlag (German import).

SATB vocal soli, SATB choir, 2 clarinets/trumpets, timpani, 2 violins, basso continuo - Level 3

SKU: CA.5034411

Composed by Michael Haydn. Edited by Charles H. Sherman. German title: Veni Sancte Spiritus Mh 39. Sacred vocal music, Hymns, Whitsun. Single Part, Violin 1. Composed 1761. MH 39. 2 pages. Duration 5 minutes. Carus Verlag #CV 50.344/11. Published by Carus Verlag (CA.5034411).

ISBN 9790007081331. Key: C major. Language: Latin. Text: Langton, Stephen. Text: Stephan Langton.

Score available separately - see item CA.5034400.

Orchestra SATB vocal soli, SATB choir, 2 oboes, 2 trumpets, timpani, 2 violins, viola, basso continuo - Grade 4

SKU: CA.5032805

Composed by Michael Haydn. Edited by Sherman, Charles H. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. German title: Missa Stae Theresiae In D Mh 796. Masses, Latin. Choral Score. Composed 1801. MH 797. 32 pages. Duration 40 minutes. Carus Verlag #CV 50.328/05. Published by Carus Verlag (CA.5032805).

ISBN 9790007223847. Key: D major. Language: Latin.

Score available separately - see item CA.5032800.