SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, viola, basso continuo - Level 3

SKU: CA.3107609

Cantata for the 2nd Sunday afer Trinity / Reformation Day. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. 1x 31.076/21 Oboe and Oboe d'amore, 1x 31.076/22 oboe 2, 1x 31.076/31 trumpet. German title: Die Himmel erzahlen die Ehre Gottes 5. Sacred vocal music, Cantatas, Psalms, German. Set of Orchestra Parts. Composed 1723. BWV 76. 24 pages. Duration 35 minutes. Carus Verlag #CV 31.076/09. Published by Carus Verlag (CA.3107609).

ISBN 9790007044930. Key: C major / a minor. Language: German/English.

The cantata Die Himmel erzahlen die Ehre Gottes (The heavens are telling of God in glory) BWV 76 by Johann Sebastian Bach was written for the 2nd Sunday after Trinity, which fell on 6 June 1723 in the year it was first performed. This ambitious two-part work was the second cantata which Bach wrote after taking up the position of Kantor of St. Thomas's in Leipzig. Bach's aim was evidently to demonstrate a particularly wide range of musical forms in both the arias and the recitatives in this cantata. The opening chorus is based on verses 2 and 4 of Psalm 19, with verse 4 structured as a choral fugue. Both parts of the cantata end with a chorale movement with different verses from the Lutheran hymn Es woll uns Gott genadig sein. The text refers loosely to the epistle reading from the 1st letter of St John, but deals more with general thoughts about the temptations of the Christian which can be overcome through love. Bach also performed the first part of the cantata later with minor revisions, but evidently no alterations to the text, on Reformation Day in Leipzig. Score and parts available separately - see item CA.3107600.

SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, viola, basso continuo - Level 3

SKU: CA.3107605

Cantata for the 2nd Sunday afer Trinity / Reformation Day. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. German title: Die Himmel erzahlen die Ehre Gottes. Sacred vocal music, Cantatas, Psalms, German. Choral Score. Composed 1723. BWV 76. 12 pages. Duration 35 minutes. Carus Verlag #CV 31.076/05. Published by Carus Verlag (CA.3107605).

ISBN 9790007044916. Key: C major / a minor. Language: German/English.

The cantata Die Himmel erzahlen die Ehre Gottes (The heavens are telling of God in glory) BWV 76 by Johann Sebastian Bach was written for the 2nd Sunday after Trinity, which fell on 6 June 1723 in the year it was first performed. This ambitious two-part work was the second cantata which Bach wrote after taking up the position of Kantor of St. Thomas's in Leipzig. Bach's aim was evidently to demonstrate a particularly wide range of musical forms in both the arias and the recitatives in this cantata. The opening chorus is based on verses 2 and 4 of Psalm 19, with verse 4 structured as a choral fugue. Both parts of the cantata end with a chorale movement with different verses from the Lutheran hymn Es woll uns Gott genadig sein. The text refers loosely to the epistle reading from the 1st letter of St John, but deals more with general thoughts about the temptations of the Christian which can be overcome through love. Bach also performed the first part of the cantata later with minor revisions, but evidently no alterations to the text, on Reformation Day in Leipzig. Score available separately - see item CA.3107600.

Orchestra SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, viola, basso continuo - Level 3

SKU: CA.3107607

Cantata for the 2nd Sunday afer Trinity / Reformation Day. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. This edition: Paperbound. German title: Die Himmel erzahlen die Ehre Gottes. Sacred vocal music, Cantatas, Psalms, German. Study score. Composed 1723. BWV 76. 72 pages. Duration 35 minutes. Carus Verlag #CV 31.076/07. Published by Carus Verlag (CA.3107607).

ISBN 9790007044923. Key: C major / a minor. Language: German/English.

The cantata Die Himmel erzahlen die Ehre Gottes (The heavens are telling of God in glory) BWV 76 by Johann Sebastian Bach was written for the 2nd Sunday after Trinity, which fell on 6 June 1723 in the year it was first performed. This ambitious two-part work was the second cantata which Bach wrote after taking up the position of Kantor of St. Thomas's in Leipzig. Bach's aim was evidently to demonstrate a particularly wide range of musical forms in both the arias and the recitatives in this cantata. The opening chorus is based on verses 2 and 4 of Psalm 19, with verse 4 structured as a choral fugue. Both parts of the cantata end with a chorale movement with different verses from the Lutheran hymn Es woll uns Gott genadig sein. The text refers loosely to the epistle reading from the 1st letter of St John, but deals more with general thoughts about the temptations of the Christian which can be overcome through love. Bach also performed the first part of the cantata later with minor revisions, but evidently no alterations to the text, on Reformation Day in Leipzig. Score available separately - see item CA.3107600.

SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, viola, basso continuo - Level 3

SKU: CA.3107611

Cantata for the 2nd Sunday afer Trinity / Reformation Day. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. German title: Die Himmel erzahlen die Ehre Gottes. Sacred vocal music, Cantatas, Psalms, German. Single Part, Violin 1. Composed 1723. BWV 76. 12 pages. Duration 35 minutes. Carus Verlag #CV 31.076/11. Published by Carus Verlag (CA.3107611).

ISBN 9790007044947. Key: C major / a minor. Language: German/English.

The cantata Die Himmel erzahlen die Ehre Gottes (The heavens are telling of God in glory) BWV 76 by Johann Sebastian Bach was written for the 2nd Sunday after Trinity, which fell on 6 June 1723 in the year it was first performed. This ambitious two-part work was the second cantata which Bach wrote after taking up the position of Kantor of St. Thomas's in Leipzig. Bach's aim was evidently to demonstrate a particularly wide range of musical forms in both the arias and the recitatives in this cantata. The opening chorus is based on verses 2 and 4 of Psalm 19, with verse 4 structured as a choral fugue. Both parts of the cantata end with a chorale movement with different verses from the Lutheran hymn Es woll uns Gott genadig sein. The text refers loosely to the epistle reading from the 1st letter of St John, but deals more with general thoughts about the temptations of the Christian which can be overcome through love. Bach also performed the first part of the cantata later with minor revisions, but evidently no alterations to the text, on Reformation Day in Leipzig. Score and part available separately - see item CA.3107600.

SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, viola, basso continuo - Level 3

SKU: CA.3107612

Cantata for the 2nd Sunday afer Trinity / Reformation Day. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. German title: Die Himmel erzahlen die Ehre Gottes. Sacred vocal music, Cantatas, Psalms, German. Single Part, Violin 2. Composed 1723. BWV 76. 8 pages. Duration 35 minutes. Carus Verlag #CV 31.076/12. Published by Carus Verlag (CA.3107612).

ISBN 9790007044954. Key: C major / a minor. Language: German/English.

The cantata Die Himmel erzahlen die Ehre Gottes (The heavens are telling of God in glory) BWV 76 by Johann Sebastian Bach was written for the 2nd Sunday after Trinity, which fell on 6 June 1723 in the year it was first performed. This ambitious two-part work was the second cantata which Bach wrote after taking up the position of Kantor of St. Thomas's in Leipzig. Bach's aim was evidently to demonstrate a particularly wide range of musical forms in both the arias and the recitatives in this cantata. The opening chorus is based on verses 2 and 4 of Psalm 19, with verse 4 structured as a choral fugue. Both parts of the cantata end with a chorale movement with different verses from the Lutheran hymn Es woll uns Gott genadig sein. The text refers loosely to the epistle reading from the 1st letter of St John, but deals more with general thoughts about the temptations of the Christian which can be overcome through love. Bach also performed the first part of the cantata later with minor revisions, but evidently no alterations to the text, on Reformation Day in Leipzig. Score and part available separately - see item CA.3107600.

SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, viola, basso continuo - Level 3

SKU: CA.3107613

Cantata for the 2nd Sunday afer Trinity / Reformation Day. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. German title: Die Himmel erzahlen die Ehre Gottes. Sacred vocal music, Cantatas, Psalms, German. Single Part, Viola. Composed 1723. BWV 76. 8 pages. Duration 35 minutes. Carus Verlag #CV 31.076/13. Published by Carus Verlag (CA.3107613).

ISBN 9790007044961. Key: C major / a minor. Language: German/English.

The cantata Die Himmel erzahlen die Ehre Gottes (The heavens are telling of God in glory) BWV 76 by Johann Sebastian Bach was written for the 2nd Sunday after Trinity, which fell on 6 June 1723 in the year it was first performed. This ambitious two-part work was the second cantata which Bach wrote after taking up the position of Kantor of St. Thomas's in Leipzig. Bach's aim was evidently to demonstrate a particularly wide range of musical forms in both the arias and the recitatives in this cantata. The opening chorus is based on verses 2 and 4 of Psalm 19, with verse 4 structured as a choral fugue. Both parts of the cantata end with a chorale movement with different verses from the Lutheran hymn Es woll uns Gott genadig sein. The text refers loosely to the epistle reading from the 1st letter of St John, but deals more with general thoughts about the temptations of the Christian which can be overcome through love. Bach also performed the first part of the cantata later with minor revisions, but evidently no alterations to the text, on Reformation Day in Leipzig. Score and part available separately - see item CA.3107600.

SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, viola, basso continuo - Level 3

SKU: CA.3107619

Cantata for the 2nd Sunday afer Trinity / Reformation Day. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. German title: Die Himmel erzahlen die Ehre Gottes. Sacred vocal music, Cantatas, Psalms, German. Set of Orchestra Parts. Composed 1723. BWV 76. Duration 35 minutes. Carus Verlag #CV 31.076/19. Published by Carus Verlag (CA.3107619).

ISBN 9790007134082. Key: C major / a minor. Language: German/English.

The cantata Die Himmel erzahlen die Ehre Gottes (The heavens are telling of God in glory) BWV 76 by Johann Sebastian Bach was written for the 2nd Sunday after Trinity, which fell on 6 June 1723 in the year it was first performed. This ambitious two-part work was the second cantata which Bach wrote after taking up the position of Kantor of St. Thomas's in Leipzig. Bach's aim was evidently to demonstrate a particularly wide range of musical forms in both the arias and the recitatives in this cantata. The opening chorus is based on verses 2 and 4 of Psalm 19, with verse 4 structured as a choral fugue. Both parts of the cantata end with a chorale movement with different verses from the Lutheran hymn Es woll uns Gott genadig sein. The text refers loosely to the epistle reading from the 1st letter of St John, but deals more with general thoughts about the temptations of the Christian which can be overcome through love. Bach also performed the first part of the cantata later with minor revisions, but evidently no alterations to the text, on Reformation Day in Leipzig. Score and parts available separately - see item CA.3107600.

Kantate zum 2. Sonntag nach Trinitatis. By Johann Sebastian Bach. Edited by Kubik, Reinhold. Arranged by Reinhold Kubik. For Soli ATB, SATB Choir, 2 Oboes, [4 Trombones], Violin solo, Strings, Organ. BWV 2. Full score available separately - see item CA.3100200. Cantatas; Stuttgart Urtext editions. Piano/Vocal score. Language: German/English. Composed 1724. 32 pages. Duration 20 min. Published by Carus Verlag (German import).

(Kantate zum 2. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Reinhold Kubik. For Soli ATB, SATB choir, 2 oboes, [4 trombones], violin solo, 2 violins, viola, basso continuo. This edition: Paperbound. D-Moll (D minor). Cantatas. Level 3. Full score. Language: German/English. Composed 1724. BWV 2. 48 pages. Duration 20 min. Published by Carus Verlag

Psalmfest by John Rutter (1945-). For Mixed Choir (Orchestra: [2, 2, 2, 2-4, 3, 3, 1], timpani, percussion, harp, strings / Chamber ensemble: flute, oboe, clarinet, organ, optional timpani and percussion, and harp (or synthesizer)). Choral. Longer Choral Work. Contemporary, Choral Works. Vocal Score. 96 pages. Duration 45'. Published by Oxford University Press

By Herbert Howells. For SATB soli, SATB Choir. Choral, Sacred, 20th Century. Sheet Music. 30 pages. Published by Novello and Co Ltd.

By Dietrich Buxtehude. For SATB soli, SATB, organ (piano) (2 trumpet, bassoon, timpani, strings ad lib). (Eng). Sacred Choral Works. Duration 13'. Published by C.F. Peters.

(Cantata for Palm Sunday or for the feast of the Annunciation). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For Soli ATB, SATB Choir, Recorder, Violin solo, Violin, 2 Viola, Cello, Basso Continuo. A-Dur (A major) choral score Cantatas, Lent and Passiontide, Holy Week Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary

STB vocal soli, SATB choir, [bassoon], 2 violins, 2 violas, basso continuo - Level 3

SKU: CA.3106119

Cantata for the 1st Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal; Hymns by Martin Luther: Nun komm, der Heiden Heiland. German title: Nun Komm, Der Heiden Heiland I Rev. Sacred vocal music, Cantatas, Advent. Set of Orchestra Parts. Composed 1714. BWV 61. Duration 23 minutes. Carus Verlag #CV 31.061/19. Published by Carus Verlag (CA.3106119).

ISBN 9790007136222. Key: A minor / g major. Language: German/English. Text: Neumeister, Erdmann. Text: Erdmann Neumeister.

The opening chorus uses the first verse of the old plainsong hymn Veni redemptor gentium, which in the paraphrase by Martin Luther has become the most important Advent hymn of the Protestant Church. Bach introduces the traditional plainsong melody in the form of a French overture, here symbolizing the entry of the King of Heaven, thus creating an unusual and splendid opening piece for the beginning of the church year. Score and parts available separately - see item CA.3106100.

ATB vocal soli, SATB choir, recorder, violin solo, violin, 2 viola, cello, basso continuo - Level 3

SKU: CA.3118212

Cantata for Palm Sunday or for the feast of the Annunciation. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Himmelskonig, Sei Willkommen A-Dur. Sacred vocal music, Cantatas, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Viola 1. Composed 1714. BWV 182. 8 pages. Duration 30 minutes. Carus Verlag #CV 31.182/12. Published by Carus Verlag (CA.3118212).

ISBN 9790007050290. Key: A major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

Version in A major (version in G major: Carus 31.182/50) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score and part available separately - see item CA.3118200.

STB vocal soli, SATB choir, 3 trumpets, timpani, 2 oboes, taille (english horn), 2 violins, 2 violas, basso continuo

SKU: CA.3101912

Cantata for Michaelmas. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Es erhub sich ein Streit. Sacred vocal music, Cantatas, Special days. Single Part, Violin 2. Composed 1726. BWV 19. 8 pages. Duration 18 minutes. Carus Verlag #CV 31.019/12. Published by Carus Verlag (CA.3101912).

ISBN 9790007204938. Language: German/English.

Sco re available separately - see item CA.3101900.

(2.2.2.2/4.2.3.1,timp,per c,hp,str,Cotralto solo)

SKU: TM.02532SC

Composed by Edward Elgar. Score. Lucks Music Library #A5724. Published by Lucks Music Library (TM.02532SC).

Five Songs for Contralto: Sea Slumber(G), In Heaven(C), Sabbath Morning at Sea(C), Where Corals Lie(D), The Swimmer(D).

(2.2.0.2/2.2.2.0,timp,str ,B solo)

SKU: TM.03324SC

Composed by Franz Joseph Haydn. Score. Lucks Music Library #A2867. Published by Lucks Music Library (TM.03324SC).

Key of G. Starts at rehearsal #29 on Papageno, Papagena duet (sc pg 202-209). For start of this scene with Papageno alone singing Papagena, Papagena see #03202 Finale to Act II (Sc. pg 189-196). See #11840 for the complete Act II Finale.

(2.2.2.2/4.2.3.1,timp,per c,hp,org,str,Cotralto solo)

SKU: TM.02532SET

Composed by Edward Elgar. Set Type: D. Set of parts. Lucks Music Library #A5724. Published by Lucks Music Library (TM.02532SET).

Org in set. Five Songs for Contralto: Sea Slumber(G), In Heaven(C), Sabbath Morning at Sea(C), Where Corals Lie(D), The Swimmer(D).

(2+1.2+1.2+1.2/4.3.4.0,ti mp,1 perc,hp,str)

SKU: TM.03068SET

Composed by Giacomo Puccini. Set Type: D. Set of parts. Lucks Music Library #A2993. Published by Lucks Music Library (TM.03068SET).

Five Songs for Contralto: Sea Slumber(G), In Heaven(C), Sabbath Morning at Sea(C), Where Corals Lie(D), The Swimmer(D).

(2.2.0.2/2.2.2.0,timp,str ,B solo)

SKU: TM.03324SET

Composed by Franz Joseph Haydn. Set Type: A. Set of parts. Lucks Music Library #A2867. Published by Lucks Music Library (TM.03324SET).

Does not include the recit. (Cosi stai misurando). Edition containing recit. available on special request.

(1+1.2.2.2/4.2.3.1timp,st r)

SKU: TM.03071SC

Composed by Giuseppe Verdi. Score. Lucks Music Library #A3084. Published by Lucks Music Library (TM.03071SC).

Five Songs for Contralto: Sea Slumber(G), In Heaven(C), Sabbath Morning at Sea(C), Where Corals Lie(D), The Swimmer(D).

(1+1.2.2.2/4.2.3.1timp,st r)

SKU: TM.03071SET

Composed by Giuseppe Verdi. Set Type: D. Set of parts. Lucks Music Library #A3084. Published by Lucks Music Library (TM.03071SET).

Five Songs for Contralto: Sea Slumber(G), In Heaven(C), Sabbath Morning at Sea(C), Where Corals Lie(D), The Swimmer(D).

Soprano voice solo, tenor voice solo, SATB choir, and piano - Intermediate

SKU: MN.56-0063

Composed by Howard Goodall. 21st Century, Trust/Guidance, Word of God. MorningStar Music Publishers #56-0063. Published by MorningStar Music Publishers (MN.56-0063).

UPC: 688670220661. English. Matthew 25:35-40.

Soprano voice solo, SATB choir, and piano - Intermediate

SKU: MN.56-0064

Composed by Howard Goodall. 21st Century, Commitment/Discipleship, Word of God. MorningStar Music Publishers #56-0064. Published by MorningStar Music Publishers (MN.56-0064).

UPC: 688670220678. English. Matthew 5:3-11.

Soprano voice solo, SATB choir, and piano - Intermediate

SKU: MN.56-0055

Composed by Howard Goodall. Lent, Triduum/Three Days, Tenebrae, 21st Century, Heaven, Lament/Grief/Sorrow. Duration 4 minutes, 4 seconds. MorningStar Music Publishers #56-0055. Published by MorningStar Music Publishers (MN.56-0055).

UPC: 688670220586. English.

Arranged for SATB choir, two keyboards, strings, and optional harp, with soprano, tenor (optional) and baritone soloists, this fresh and unorthodox interpretation reflects on the words of the Latin Mass by juxtaposing them with poems in English. For soprano solo and SATB choir, this movement begins with the choir on the English text by Phineas Fletcher (1633). A 32-measure soprano solo follows, which covers the majority of the English text. The soloist then begins the “Recordare,� �¢â‚¬Â a calm, descending melodic line with the choir singing the opening “Drop, drop” motif as accompaniment. The choir then concludes with the slow, descending lines “Jesu pie, Jesu pie.” Duration 4:04.

Soprano voice solo, SATB choir, and piano - Intermediate

SKU: MN.56-0049

Composed by Howard Goodall. Lent, Triduum/Three Days, Tenebrae, 21st Century, Heaven, Lament/Grief/Sorrow. Duration 9 minutes, 13 seconds. MorningStar Music Publishers #56-0049. Published by MorningStar Music Publishers (MN.56-0049).

UPC: 688670220524. English.

Arranged for SATB choir, two keyboards, strings, and optional harp, with soprano, tenor (optional) and baritone soloists, this fresh and unorthodox interpretation reflects on the words of the Latin Mass by juxtaposing them with poems in English. The “Kyrie” uses Francis Quarles’ “Close now thine eyes and rest secure” as the opposing English text. After the choir begins the requiem text in Latin (“Requiem aeternam” through the “Kyrie eleison,”) the soprano soloist has a 27-measure solo in which the English text appears. Then the solo is repeated over choir accompaniment and the opening Latin text reappears to close the movement. Duration 9:13.