| Requiem (Arman-Fassung) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Carus Verlag
(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, B...(+)
(Soli SATB, Coro SATB, 2
Corni di bassetto, 2 Fg,
2 Tr, 3 Trb, Timp, 2 Vl,
Va, Bc) SKU:
CA.5165219
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. Set of
Orchestra Parts. KV 626.
Duration 50 minutes.
Carus Verlag #5165219.
Published by Carus Verlag
(CA.5165219). ISBN
9790007313883. Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozartâs Requiem.
âAnother one?â
you might ask, since this
publication is only the
latest in a long line
reaching back to the
traditional SüÃmayr
version. Yet such is the
enormous power of
Mozartâs score that
the challenge and appeal
of completing it remain
undiminished. After two
decades of intensive
study, Howard
Armanâs additions to
Mozartâs great
original show the
requisite care and
respect while
incorporating many new
insights.
Armanâ
s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozartâs brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrumentâs unique
sound is given an
opportunity to shine.
Armanâs Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather â in the
spirit of Mozart â
on creating a sense of
drama and illuminating
the theme in all its
possible facets.
Mozartâs fragment
ends with the Hostias,
and so does Armanâs
completion.
For
the four following
movements (Sanctus to
Communio) we have nothing
from Mozart, and so here,
where the master is
silent, Arman finally
returns to SüÃmayr,
the man who was closest
to Mozart at the time of
his death and whose
efforts to fill the blank
manuscripts still garner
our respect
today.
Armanâ
s version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike â and
celebrated as offering a
scholarly, entirely fresh
perspective on
Mozartâs
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $240.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem Soli, choeur mixte et accompagnement Soli, chœur mixte et piano [Vocal Score] Carus Verlag
Solo voices, SATB chorus, orchestra (2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Tim...(+)
Solo voices, SATB chorus,
orchestra (2 Corni di
bassetto, 2 Fg, 2 Tr, 3
Trb, Timp, 2 Vl, Va, Bc)
SKU: CA.5165203
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. Vocal
score. KV 626. Duration
50 minutes. Carus Verlag
#5165203. Published by
Carus Verlag
(CA.5165203). ISBN
9790007294243. Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozartâ??s Requiem.
â??Another one?â? you
might ask, since this
publication is only the
latest in a long line
reaching back to the
traditional Sü�mayr
version. Yet such is the
enormous power of
Mozartâ??s score that
the challenge and appeal
of completing it remain
undiminished. After two
decades of intensive
study, Howard Armanâ??s
additions to Mozartâ??s
great original show the
requisite care and
respect while
incorporating many new
insights.
Armanâ?
?s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozartâ??s brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrumentâ??s unique
sound is given an
opportunity to shine.
Armanâ??s Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather â?? in the spirit
of Mozart â?? on
creating a sense of drama
and illuminating the
theme in all its possible
facets. Mozartâ??s
fragment ends with the
Hostias, and so does
Armanâ??s completion.
For the four
following movements
(Sanctus to Communio) we
have nothing from Mozart,
and so here, where the
master is silent, Arman
finally returns to
Sü�mayr, the man who
was closest to Mozart at
the time of his death and
whose efforts to fill the
blank manuscripts still
garner our respect
today.
Armanâ??s
version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike â?? and
celebrated as offering a
scholarly, entirely fresh
perspective on
Mozartâ??s
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, B...(+)
(Soli SATB, Coro SATB, 2
Corni di bassetto, 2 Fg,
2 Tr, 3 Trb, Timp, 2 Vl,
Va, Bc) SKU:
CA.5165205
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. Choral
Score. KV 626. Duration
50 minutes. Carus Verlag
#5165205. Published by
Carus Verlag
(CA.5165205). ISBN
9790007314286. Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozartâs Requiem.
âAnother one?â
you might ask, since this
publication is only the
latest in a long line
reaching back to the
traditional SüÃmayr
version. Yet such is the
enormous power of
Mozartâs score that
the challenge and appeal
of completing it remain
undiminished. After two
decades of intensive
study, Howard
Armanâs additions to
Mozartâs great
original show the
requisite care and
respect while
incorporating many new
insights.
Armanâ
s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozartâs brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrumentâs unique
sound is given an
opportunity to shine.
Armanâs Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather â in the
spirit of Mozart â
on creating a sense of
drama and illuminating
the theme in all its
possible facets.
Mozartâs fragment
ends with the Hostias,
and so does Armanâs
completion.
For
the four following
movements (Sanctus to
Communio) we have nothing
from Mozart, and so here,
where the master is
silent, Arman finally
returns to SüÃmayr,
the man who was closest
to Mozart at the time of
his death and whose
efforts to fill the blank
manuscripts still garner
our respect
today.
Armanâ
s version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike â and
celebrated as offering a
scholarly, entirely fresh
perspective on
Mozartâs
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem (Arman-Fassung) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, B...(+)
(Soli SATB, Coro SATB, 2
Corni di bassetto, 2 Fg,
2 Tr, 3 Trb, Timp, 2 Vl,
Va, Bc) SKU:
CA.5165209
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. Set of
Orchestra Parts. KV 626.
Duration 50 minutes.
Carus Verlag #5165209.
Published by Carus Verlag
(CA.5165209). ISBN
9790007313838. Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozartââ¬â¢s
Requiem.
ââ¬ÅAnother
one?ââ¬Â you
might ask, since this
publication is only the
latest in a long line
reaching back to the
traditional
Süßmayr
version. Yet such is the
enormous power of
Mozartââ¬â¢s
score that the challenge
and appeal of completing
it remain undiminished.
After two decades of
intensive study, Howard
Armanââ¬â¢s
additions to
Mozartââ¬â¢s
great original show the
requisite care and
respect while
incorporating many new
insights.
ArmanÃ
â¬â¢s approach
is particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozartââ¬â¢s
brilliant composing
style: The masterly
compositional technique,
the search for innovative
solutions to every
problem, and even the
terse treatment of the
text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrumentââ¬â
s unique sound is given
an opportunity to shine.
Armanââ¬â¢s
Lacrimosa achieves a
lively Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather ââ¬â
in the spirit of Mozart
ââ¬â on
creating a sense of drama
and illuminating the
theme in all its possible
facets.
Mozartââ¬â¢s
fragment ends with the
Hostias, and so does
Armanââ¬â¢s
completion.
For
the four following
movements (Sanctus to
Communio) we have nothing
from Mozart, and so here,
where the master is
silent, Arman finally
returns to
Süßmayr,
the man who was closest
to Mozart at the time of
his death and whose
efforts to fill the blank
manuscripts still garner
our respect
today.
Armanââ
¬â¢s version has
already proven its
practical value. The
premiere with the
Bavarian Radio Choir was
enthusiastically received
by audiences and press
alike ââ¬â
and celebrated as
offering a scholarly,
entirely fresh
perspective on
Mozartââ¬â¢s
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $69.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Esther, HWV 50a (First Version 1720) Soli, choeur mixte et accompagnement [Conducteur] Barenreiter
Oratorio in six scenes. Composed by George Frideric Handel (1685-1759). Edited...(+)
Oratorio in six scenes.
Composed by George
Frideric
Handel (1685-1759).
Edited by
Howard Serwer. This
edition:
complete edition, urtext
edition. Linen. Halle
Handel
Edition (HHA) Series I,
Volume 8. First version.
Score. Composed 1720. HWV
50a. Baerenreiter Verlag
#BA04047-01. Published by
Baerenreiter Verlag
$306.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Consider, Lord, how harsh our path is (Gedenke, Herr, wie es uns gehet) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, flute, 2 violins, viola, basso continuo SKU: CA....(+)
SATB vocal soli, SATB
choir, flute, 2 violins,
viola, basso continuo
SKU: CA.3500513
Kantate zum 1. Sonntag
nach Epiphanias.
Composed by Johann
Sebastian Bach. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Gedenke, Herr, wie es uns
gehet. Sacred vocal
music, Cantatas,
Epiphany. Single Part,
Viola. 8 pages. Duration
14 minutes. Carus Verlag
#CV 35.005/13. Published
by Carus Verlag
(CA.3500513). ISBN
9790007212902. Language:
German/English. Amo
ng the vocal compositions
incorrectly attributed to
Johann Sebastian Bach,
the cantata has a place
of its own, because its
tonal language approaches
the unmistakable style of
the Thomaskantor. This
applies especially to its
choral movements and
recitatives. In the
surviving sources, only
one of which dates back
to the 18th century,
there are certain
compositonal errors which
cannot possibly be
reconciled to Bach's
mature style. The
implication is that this
is not a genuine cantata
by the Leipzig
Thomaskantor, but an
ambitious piece by one of
his pupils. Score and
part available separately
- see item
CA.3500500. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Consider, Lord, how harsh our path is (Gedenke, Herr, wie es uns gehet) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, flute, 2 violins, viola, basso continuo SKU: CA....(+)
SATB vocal soli, SATB
choir, flute, 2 violins,
viola, basso continuo
SKU: CA.3500503
Kantate zum 1. Sonntag
nach Epiphanias.
Composed by Johann
Sebastian Bach. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Gedenke, Herr, wie es uns
gehet. Sacred vocal
music, Cantatas,
Epiphany. Vocal score. 20
pages. Duration 14
minutes. Carus Verlag #CV
35.005/03. Published by
Carus Verlag
(CA.3500503). ISBN
9790007091699. Language:
German/English. Amo
ng the vocal compositions
incorrectly attributed to
Johann Sebastian Bach,
the cantata has a place
of its own, because its
tonal language approaches
the unmistakable style of
the Thomaskantor. This
applies especially to its
choral movements and
recitatives. In the
surviving sources, only
one of which dates back
to the 18th century,
there are certain
compositonal errors which
cannot possibly be
reconciled to Bach's
mature style. The
implication is that this
is not a genuine cantata
by the Leipzig
Thomaskantor, but an
ambitious piece by one of
his pupils. Score
available separately -
see item CA.3500500. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Consider, Lord, how harsh our path is (Gedenke, Herr, wie es uns gehet) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, flute, 2 violins, viola, basso continuo SKU: CA....(+)
SATB vocal soli, SATB
choir, flute, 2 violins,
viola, basso continuo
SKU: CA.3500511
Kantate zum 1. Sonntag
nach Epiphanias.
Composed by Johann
Sebastian Bach. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Gedenke, Herr, wie es uns
gehet. Sacred vocal
music, Cantatas,
Epiphany. Single Part,
Violin 1. 8 pages.
Duration 14 minutes.
Carus Verlag #CV
35.005/11. Published by
Carus Verlag
(CA.3500511). ISBN
9790007212889. Language:
German/English. Amo
ng the vocal compositions
incorrectly attributed to
Johann Sebastian Bach,
the cantata has a place
of its own, because its
tonal language approaches
the unmistakable style of
the Thomaskantor. This
applies especially to its
choral movements and
recitatives. In the
surviving sources, only
one of which dates back
to the 18th century,
there are certain
compositonal errors which
cannot possibly be
reconciled to Bach's
mature style. The
implication is that this
is not a genuine cantata
by the Leipzig
Thomaskantor, but an
ambitious piece by one of
his pupils. Score and
part available separately
- see item
CA.3500500. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Consider, Lord, how harsh our path is (Gedenke, Herr, wie es uns gehet) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Carus Verlag
SATB vocal soli, SATB choir, flute, 2 violins, viola, basso continuo SKU: CA....(+)
SATB vocal soli, SATB
choir, flute, 2 violins,
viola, basso continuo
SKU: CA.3500500
Kantate zum 1. Sonntag
nach Epiphanias.
Composed by Johann
Sebastian Bach. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Gedenke, Herr, wie es uns
gehet. Sacred vocal
music, Cantatas,
Epiphany. Full score. 40
pages. Duration 14
minutes. Carus Verlag #CV
35.005/00. Published by
Carus Verlag
(CA.3500500). ISBN
9790007103439. Language:
German/English. Amo
ng the vocal compositions
incorrectly attributed to
Johann Sebastian Bach,
the cantata has a place
of its own, because its
tonal language approaches
the unmistakable style of
the Thomaskantor. This
applies especially to its
choral movements and
recitatives. In the
surviving sources, only
one of which dates back
to the 18th century,
there are certain
compositonal errors which
cannot possibly be
reconciled to Bach's
mature style. The
implication is that this
is not a genuine cantata
by the Leipzig
Thomaskantor, but an
ambitious piece by one of
his pupils. $28.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Consider, Lord, how harsh our path is (Gedenke, Herr, wie es uns gehet) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
SATB vocal soli, SATB choir, flute, 2 violins, viola, basso continuo SKU: CA....(+)
SATB vocal soli, SATB
choir, flute, 2 violins,
viola, basso continuo
SKU: CA.3500519
Kantate zum 1. Sonntag
nach Epiphanias.
Composed by Johann
Sebastian Bach. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Epiphany. Set of
Orchestra Parts. Duration
14 minutes. Carus Verlag
#CV 35.005/19. Published
by Carus Verlag
(CA.3500519). ISBN
9790007144456. Text
language:
German/English. Amo
ng the vocal compositions
incorrectly attributed to
Johann Sebastian Bach,
the cantata has a place
of its own, because its
tonal language approaches
the unmistakable style of
the Thomaskantor. This
applies especially to its
choral movements and
recitatives. In the
surviving sources, only
one of which dates back
to the 18th century,
there are certain
compositonal errors which
cannot possibly be
reconciled to Bach's
mature style. The
implication is that this
is not a genuine cantata
by the Leipzig
Thomaskantor, but an
ambitious piece by one of
his pupils. Score and
parts available
separately - see item
CA.3500500. $89.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Consider, Lord, how harsh our path is (Gedenke, Herr, wie es uns gehet) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, flute, 2 violins, viola, basso continuo SKU: CA....(+)
SATB vocal soli, SATB
choir, flute, 2 violins,
viola, basso continuo
SKU: CA.3500505
Kantate zum 1. Sonntag
nach Epiphanias.
Composed by Johann
Sebastian Bach. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Gedenke, Herr, wie es uns
gehet. Sacred vocal
music, Cantatas,
Epiphany. Choral Score. 8
pages. Duration 14
minutes. Carus Verlag #CV
35.005/05. Published by
Carus Verlag
(CA.3500505). ISBN
9790007103446. Language:
German/English. Amo
ng the vocal compositions
incorrectly attributed to
Johann Sebastian Bach,
the cantata has a place
of its own, because its
tonal language approaches
the unmistakable style of
the Thomaskantor. This
applies especially to its
choral movements and
recitatives. In the
surviving sources, only
one of which dates back
to the 18th century,
there are certain
compositonal errors which
cannot possibly be
reconciled to Bach's
mature style. The
implication is that this
is not a genuine cantata
by the Leipzig
Thomaskantor, but an
ambitious piece by one of
his pupils. Score
available separately -
see item CA.3500500. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Consider, Lord, how harsh our path is (Gedenke, Herr, wie es uns gehet) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, flute, 2 violins, viola, basso continuo SKU: CA....(+)
SATB vocal soli, SATB
choir, flute, 2 violins,
viola, basso continuo
SKU: CA.3500549
Kantate zum 1. Sonntag
nach Epiphanias.
Composed by Johann
Sebastian Bach. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Gedenke, Herr, wie es uns
gehet. Sacred vocal
music, Cantatas,
Epiphany. Single Part,
Organ. 12 pages. Duration
14 minutes. Carus Verlag
#CV 35.005/49. Published
by Carus Verlag
(CA.3500549). ISBN
9790007212926. Language:
German/English. Amo
ng the vocal compositions
incorrectly attributed to
Johann Sebastian Bach,
the cantata has a place
of its own, because its
tonal language approaches
the unmistakable style of
the Thomaskantor. This
applies especially to its
choral movements and
recitatives. In the
surviving sources, only
one of which dates back
to the 18th century,
there are certain
compositonal errors which
cannot possibly be
reconciled to Bach's
mature style. The
implication is that this
is not a genuine cantata
by the Leipzig
Thomaskantor, but an
ambitious piece by one of
his pupils. Score and
part available separately
- see item
CA.3500500. $11.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Consider, Lord, how harsh our path is (Gedenke, Herr, wie es uns gehet) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, flute, 2 violins, viola, basso continuo SKU: CA....(+)
SATB vocal soli, SATB
choir, flute, 2 violins,
viola, basso continuo
SKU: CA.3500512
Kantate zum 1. Sonntag
nach Epiphanias.
Composed by Johann
Sebastian Bach. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Gedenke, Herr, wie es uns
gehet. Sacred vocal
music, Cantatas,
Epiphany. Single Part,
Violin 2. 8 pages.
Duration 14 minutes.
Carus Verlag #CV
35.005/12. Published by
Carus Verlag
(CA.3500512). ISBN
9790007212896. Language:
German/English. Amo
ng the vocal compositions
incorrectly attributed to
Johann Sebastian Bach,
the cantata has a place
of its own, because its
tonal language approaches
the unmistakable style of
the Thomaskantor. This
applies especially to its
choral movements and
recitatives. In the
surviving sources, only
one of which dates back
to the 18th century,
there are certain
compositonal errors which
cannot possibly be
reconciled to Bach's
mature style. The
implication is that this
is not a genuine cantata
by the Leipzig
Thomaskantor, but an
ambitious piece by one of
his pupils. Score and
part available separately
- see item
CA.3500500. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Consider, Lord, how harsh our path is (Gedenke, Herr, wie es uns gehet) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, flute, 2 violins, viola, basso continuo SKU: CA....(+)
SATB vocal soli, SATB
choir, flute, 2 violins,
viola, basso continuo
SKU: CA.3500514
Kantate zum 1. Sonntag
nach Epiphanias.
Composed by Johann
Sebastian Bach. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Gedenke, Herr, wie es uns
gehet. Sacred vocal
music, Cantatas,
Epiphany. Single Part,
Cello/Double Bass. 8
pages. Duration 14
minutes. Carus Verlag #CV
35.005/14. Published by
Carus Verlag
(CA.3500514). ISBN
9790007212919. Language:
German/English. Amo
ng the vocal compositions
incorrectly attributed to
Johann Sebastian Bach,
the cantata has a place
of its own, because its
tonal language approaches
the unmistakable style of
the Thomaskantor. This
applies especially to its
choral movements and
recitatives. In the
surviving sources, only
one of which dates back
to the 18th century,
there are certain
compositonal errors which
cannot possibly be
reconciled to Bach's
mature style. The
implication is that this
is not a genuine cantata
by the Leipzig
Thomaskantor, but an
ambitious piece by one of
his pupils. Score and
part available separately
- see item
CA.3500500. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Seasonings Soli, choeur mixte et accompagnement [Vocal Score] Theodore Presser Co.
By PDQ Bach. Arranged by Peter Schickele. Text by Peter Schickele. For 2 Trumpet...(+)
By PDQ Bach. Arranged by
Peter Schickele. Text by
Peter Schickele. For 2
Trumpet, 2 Violin, Viola,
Violoncello, Contrabass,
2 Slide Whistles, 2
Kazoos, Tromboon,
Windbreaker, Shower Hose,
Foghorn, Soprano, Alto,
Tenor, Bass, SATB,
Timpani. Piano/Vocal
Score. S. 1! tsp.
Duration 20:0. Published
by Theodore Presser
Company.
$9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jephta HWV 70 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Solo voices, choir, orchestra (2 Soprano Voice Solo, Mezzo Voice Solo, Tenor Voi...(+)
Solo voices, choir,
orchestra (2 Soprano
Voice Solo, Mezzo Voice
Solo, Tenor Voice Solo,
Alto Voice Solo, Bass
Voice Solo, Mixed
choir:SSATB, Fl, 2 Ob, 2
bassoon, 2 Hn, 2 Trp, 3V,
Va, Bassi(Vc, double
bass, bassoon, harpisc.,
Org)) SKU:
BA.BA04014
Oratorio in three
acts. Composed by
George Frideric Handel.
Edited by Kenneth Nott.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Series I,
Volume 30. Complete
edition, Score. HWV 70.
Baerenreiter Verlag
#BA04014_00. Published by
Baerenreiter Verlag
(BA.BA04014). ISBN
9790006442935. 33 x 26 cm
inches. Text Language:
English. Preface: Nott,
Kenneth. Text: Thomas
Morell. “Jeph
tha†is
Handel’s last
oratorio. Handel had to
break off from composing
several times because of
his increasing blindness
in 1751. The first
performance at the Covent
Garden Theatre in
February 1752 was the
last performance he
conducted before he went
completely blind. In
“Jephthaâ€,
Handel succeeded in
achieving the perfect
fusion between a biblical
plot and the spirit of
classical tragedy. With
great intensity and
dramatic expression he
highlighted in particular
the fates of Jephtha and
Iphis , thereby
portraying convincing and
complex
characters.
The
chorus “How Dark, O
Lord, are Thy
Decrees†at the end
of part two is of crucial
importance in the work
and is regarded as the
dramatic high point of
the oratorio.
The
vocal score is based on
volume I/30 of the
“Halle Handel
Edition†(BA 4014),
which contains the
complete critical version
of the music of the
oratorio for the first
time.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$541.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Cantata Misericordium, Op. 69 Soli, choeur mixte et accompagnement [Vocal Score] Boosey and Hawkes
By Benjamin Britten. (Vocal Score). Boosey and Hawkes Large Choral. Size 7.25x1...(+)
By Benjamin Britten.
(Vocal Score). Boosey and
Hawkes Large Choral. Size
7.25x10.25 inches. 45
pages. Published by
Boosey and Hawkes.
$26.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Mass in A major Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] - Intermédiaire/avancé Carus Verlag
Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp...(+)
Orchestra Soli STB, Coro
SATB, 2 Fl, 2 Ob, 2 Clt,
2 Fg, 2 Cor, 2 Tr, 3 Trb,
Timp, 2 Vl, Va, Vc, Cb, 2
Arpe, Org bzw. Soli STB,
Coro SATB, 2 Vl, Va, Vc,
Cb, 2 (1) Arpe, Org -
Level 4 SKU:
CA.4064669
Orchestra version.
Composed by Cesar Auguste
Franck. Edited by
Wolfgang Hochstein. Set
of Orchestra Parts.
Composed 1860. FWV 12.
Duration 46 minutes.
Carus Verlag #4064600.
Published by Carus Verlag
(CA.4064669). ISBN
9790007293598. Key: A
major. Latin. The
Mass in A major published
here is one of the
compositions which Franck
wrote for liturgical use
at Ste. Clotilde. It
received ist first
performance there, under
the composer's direction,
on the 2nd April 1861.
Regarding the vocal
scoring of the Mass it is
noticeable that only a
few bars in the
Ordinarium movements are
expressly given to the
solo vooices. Several
other passages can,
however, by sung by the
soloists rather than the
choir, and in this
edition these are
indicated. Score and
parts available
separately - see item
CA.4064600. $194.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| L'Étoile Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Solo voices, choir, orchestra (5 Soprano, 4 Mezzo, 4 Tenor, Baritone, 2 Bass Voi...(+)
Solo voices, choir,
orchestra (5 Soprano, 4
Mezzo, 4 Tenor, Baritone,
2 Bass Voice Solos, 2
speaker, Mixed choir, 2
Fl(2 Fl-picc), Ob, 2
clarinet, bassoon, 2
Horn, 2 Corenets,
trombone, timpani, Gl,
Tr-B, Be, Tri, 2 Violin,
Viola, Cello, Double
Bass) SKU:
BA.BA08708-01
Opéra-bouffe in
three acts. Composed
by Alexis Emmanuel
Chabrier. Edited by Hugh
MacDonald and Paul
Prévost. This edition:
complete edition, urtext
edition. Linen. L'Opera
francais. Complete
edition, Score. Duration
2 hours, 15 minutes.
Baerenreiter Verlag
#BA08708_01. Published by
Baerenreiter Verlag
(BA.BA08708-01). ISBN
9790006537846. 33 x 27 cm
inches. Text Language:
French. Preface:
Prévost, Paul /
Macdonald, Hugh. Text:
Leterrier, Eugène /
Vanloo,
Albert. WithL'Etoil
e, Chabrier composed a
light-hearted opera which
has increasingly enjoyed
revivals in recent
years. The plot
is introduced by King Ouf
I who offers his subjects
an execution every year
on his birthday.
Unfortunately the problem
now arises that no crime
has recently been
committed which might
serve as a reason for an
execution. Finally, he
finds a would-be victim
in the young Lazuli.
However, according to
predictions by the
astrologer Siroco,
Lazuli's fate is closely
linked to the king's own
life. The comic opera is
further bolstered by a
story of mistaken
identities which involves
a great deal of
diplomacy, a love story
and a large number of
refined, yet catchy
melodies. Chabrier was
a master of the sensitive
and complicated art of
musical comedy, a field
where he can be compared
in equal measure to
Offenbach, Rossini and
Mozart.
This vocal
score is based on the
full score edited by Hugh
Macdonald which is
published as part of the
seriesL'Opera
francais. -
Authoritative Urtext
edition based on the
seriesL'Opera
francais - Original
French text with a German
singing translation -
Comprehensive foreword
(Ger/Eng/Fr)
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$773.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Acis and Galatea HWV 49b (2nd version) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Solo voices, choir, orchestra (3 Soprano Voice Solo, 3Alto Voice Solo, Tenor Voi...(+)
Solo voices, choir,
orchestra (3 Soprano
Voice Solo, 3Alto Voice
Solo, Tenor Voice Solo,
Bass Voice Solo, Mixed
choir: SATTB,
Flauti1(Fl-picc,
recorder1, Fl), Flauti2
(Fl-picc, recorder2 ,
Fl), 2 Ob, 2 Hn, Trp, 2
V, Va, Bassi(Vc, double
bass,
bassoon)Continuo(Erzlaute
, harpisc., Org)) SKU:
BA.BA10700
Serenade in three
parts. Composed by
George Frideric Handel.
Edited by Artie Heinrich.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) I, 9.2. 2nd
version. Complete
edition, Score. HWV 49.
Duration 1 hour, 20
minutes. Baerenreiter
Verlag #BA10700_00.
Published by Baerenreiter
Verlag (BA.BA10700).
ISBN 9790006550135. 33
x 26 cm inches. Text
Language: English,
Italian. Preface:
Heinrich, Artie. Text:
Gay, John / Hughes, John
/ Pope, Alexander /
Giuvo,
Nicola. Handel set
the myth about the love
of the shepherd Acis for
the sea nymph Galatea
from Ovid’s
“Metamorphosesâ€
a total of three
times: in the cantata
“Aci, Galatea e
Polifemo†HWV 72
(1708), the masque
“Acis and
Galatea†HWV 49a
(1718) and finally the
pasticcio-like serenata
“Acis and
Galatea†HWV 49b
(1732) of which the
original version is now
made available in its
complete form for the
first time.
A
particular charm is
provided by the use of
two languages in the
serenata. The work was
originally conceived in
English, as was required
for the first
performance. However,
Handel’s Italian
singers were criticised
for their poor command of
English, – so in
the end, many numbers
were sung in Italian.
The extensive
appendix to the vocal
score includes the
additional arias and
newly composed movements
for the versions used in
the 1734 and 1736
performances.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$638.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| My joy is all in thee (Ich freue mich in dir) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, ctto, 2 violins, viola, basso cont...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore,
ctto, 2 violins, viola,
basso continuo SKU:
CA.3113309 Cantata
for the 3rd day of
Christmas. Composed
by Johann Sebastian Bach.
Edited by Tobias Rimek.
Arranged by Paul Horn.
This edition: urtext. 1x
31.133/21 oboe d'amore 1,
1x 31.133/22 oboe d'amore
2, 1x 31.133/31 cornett.
Stuttgart Urtext Edition:
Bach vocal. Harmony
parts. Sacred vocal
music, Christmas. Set of
Orchestra Parts. Composed
1724. BWV 133. Duration
20 minutes. Carus Verlag
#CV 31.133/09. Published
by Carus Verlag
(CA.3113309). ISBN
9790007207977. Language:
German. The cantata
Ich freue mich in dir was
first performed during
Bach's second year as
Thomaskantor, on the 3rd
day of Christmas, and
belongs to the so-called
annual cycle of chorale
cantatas. Here the focus
of the composition is the
hymn of the same name by
Philipp Ziegler, in which
the first and final
strophes were adopted,
word for word, in the
first and sixth movements
of the cantata. The
soprano, which carries
the chorale, is supported
by the conrnett (Zink),
which already at this
time had become a
seldom-used instrument.
The joyful, lively choral
movement with
instrumental interludes
directly follows the
first aria, and begins
with a marked, ascending
motive at the word
Getrost! (safely). The
oboes d'amore which
accompany the alto lend
the movement a special
color. In the second aria
(for soprano), Bach again
shows himself to be the
master of text
interpretation. The words
Wie lieblich klingt es in
den Ohren are emphasized
in an exchange between
open strings and
sixteenth note figures.
Score and parts available
separately - see item
CA.3113300. $17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| My joy is all in thee (Ich freue mich in dir) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, ctto, 2 violins, viola, basso cont...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore,
ctto, 2 violins, viola,
basso continuo SKU:
CA.3113319 Cantata
for the 3rd day of
Christmas. Composed
by Johann Sebastian Bach.
Edited by Tobias Rimek.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music, Christmas.
Set of Orchestra Parts.
Composed 1724. BWV 133.
152 pages. Duration 20
minutes. Carus Verlag #CV
31.133/19. Published by
Carus Verlag
(CA.3113319). ISBN
9790007141127. Language:
German. The cantata
Ich freue mich in dir was
first performed during
Bach's second year as
Thomaskantor, on the 3rd
day of Christmas, and
belongs to the so-called
annual cycle of chorale
cantatas. Here the focus
of the composition is the
hymn of the same name by
Philipp Ziegler, in which
the first and final
strophes were adopted,
word for word, in the
first and sixth movements
of the cantata. The
soprano, which carries
the chorale, is supported
by the conrnett (Zink),
which already at this
time had become a
seldom-used instrument.
The joyful, lively choral
movement with
instrumental interludes
directly follows the
first aria, and begins
with a marked, ascending
motive at the word
Getrost! (safely). The
oboes d'amore which
accompany the alto lend
the movement a special
color. In the second aria
(for soprano), Bach again
shows himself to be the
master of text
interpretation. The words
Wie lieblich klingt es in
den Ohren are emphasized
in an exchange between
open strings and
sixteenth note figures.
Score and parts available
separately - see item
CA.3113300. $94.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| My joy is all in thee (Ich freue mich in dir) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, cornetto, 2 violins, viola, basso ...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore,
cornetto, 2 violins,
viola, basso continuo
SKU: CA.3113300
Cantata for the 3rd
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Tobias Rimek. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Sacred vocal music,
Christmas. Full score.
Composed 1724. BWV 133.
36 pages. Duration 20
minutes. Carus Verlag #CV
31.133/00. Published by
Carus Verlag
(CA.3113300). ISBN
9790007097486. Language:
German. The cantata
Ich freue mich in dir was
first performed during
Bach's second year as
Thomaskantor, on the 3rd
day of Christmas, and
belongs to the so-called
annual cycle of chorale
cantatas. Here the focus
of the composition is the
hymn of the same name by
Philipp Ziegler, in which
the first and final
strophes were adopted,
word for word, in the
first and sixth movements
of the cantata. The
soprano, which carries
the chorale, is supported
by the conrnett (Zink),
which already at this
time had become a
seldom-used instrument.
The joyful, lively choral
movement with
instrumental interludes
directly follows the
first aria, and begins
with a marked, ascending
motive at the word
Getrost! (safely). The
oboes d'amore which
accompany the alto lend
the movement a special
color. In the second aria
(for soprano), Bach again
shows himself to be the
master of text
interpretation. The words
Wie lieblich klingt es in
den Ohren are emphasized
in an exchange between
open strings and
sixteenth note
figures. $22.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| My joy is all in thee (Ich freue mich in dir) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, ctto, 2 violins, viola, basso cont...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore,
ctto, 2 violins, viola,
basso continuo SKU:
CA.3113349 Cantata
for the 3rd day of
Christmas. Composed
by Johann Sebastian Bach.
Edited by Tobias Rimek.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, Christmas.
Single Part, Organ.
Composed 1724. BWV 133.
16 pages. Duration 20
minutes. Carus Verlag #CV
31.133/49. Published by
Carus Verlag
(CA.3113349). ISBN
9790007207984. Language:
German. The cantata
Ich freue mich in dir was
first performed during
Bach's second year as
Thomaskantor, on the 3rd
day of Christmas, and
belongs to the so-called
annual cycle of chorale
cantatas. Here the focus
of the composition is the
hymn of the same name by
Philipp Ziegler, in which
the first and final
strophes were adopted,
word for word, in the
first and sixth movements
of the cantata. The
soprano, which carries
the chorale, is supported
by the conrnett (Zink),
which already at this
time had become a
seldom-used instrument.
The joyful, lively choral
movement with
instrumental interludes
directly follows the
first aria, and begins
with a marked, ascending
motive at the word
Getrost! (safely). The
oboes d'amore which
accompany the alto lend
the movement a special
color. In the second aria
(for soprano), Bach again
shows himself to be the
master of text
interpretation. The words
Wie lieblich klingt es in
den Ohren are emphasized
in an exchange between
open strings and
sixteenth note figures.
Score and part available
separately - see item
CA.3113300. $19.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| O my Lord, I long for thee (Nach dir, Herr, verlanget mich) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
SATB vocal soli, SATB choir, bassoon, 2 violins, basso continuo SKU: CA.31150...(+)
SATB vocal soli, SATB
choir, bassoon, 2
violins, basso continuo
SKU: CA.3115019
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Klaus Hofmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Nach dir, Herr, verlanget
mich. Sacred vocal music,
Cantatas. Set of
Orchestra Parts. Composed
circa 1706. BWV 150.
Duration 17 minutes.
Carus Verlag #CV
31.150/19. Published by
Carus Verlag
(CA.3115019). ISBN
9790007136819. Key: B
minor. Language:
German/English. The
cantata Nach dir, Herr,
verlanget mich (O my
Lord, I long for thee)
BWV 150 is one of the
earliest cantatas from
Bach's Muhlhausen period.
Its authenticity was long
disputed, partly because
of the stylistic
characteristics of this
early work, but also
because the cantata only
survives in sources
dating from the period
after Bach's death.
However, in recent years
a hidden dedication to
Conrad Meckbach, a member
of the Muhlhausen town
council and patron of
Bach, has been
deciphered: the initial
letters of the free
poetry reveal the
acrostic Doctor Conrad
Meckbach (in the 18th
century spelling),
revealing a link to the
city of Muhlhausen and
almost certainly
confirming Bach's
authorship of the
cantata. The occasion of
the composition of the
work is still unknown.
The small instrumental
scoring for just two
violins, bassoon, and
continuo, plus the fact
that only the soprano is
given a solo movement,
suggest a performance
with modest resources.
Score and parts available
separately - see item
CA.3115000. $78.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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