(Version Hellmann/Glockner). Composed by Johann Sebastian Bach (1685-1750). Edited by Andreas Glockner. Arranged by Diethard Hellmann. For SAT vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 violins, viola, 2 viola da gamba, basso continuo, [2 lutes]. This edition: Paperbound. Stuttgart Urtext Edition. German title: Markuspassion Glockner. Oratorios, Passions, Lent and Passiontide, Holy Week. Full score. Language: German. Composed 1723/1964/2001. BWV 247. Duration 75 minutes. Published by Carus Verlag

(Arrangement for soli, choir and organ). Composed by Charles Francois Gounod (1818-1893). Edited by Barbara Grolmann. Arranged by Zsigmond Szathmary. For SATB vocal soli, SATB choir, organ. This edition: Paperbound. C-Dur (C major). Choir and Organ. German title: Requiem. End of the church year, Mourning, death. Full score. Language: Latin. Posth.. 48 pages. Duration 35 minutes. Published by Carus Verlag

(Soli,Ch,Orch)

SKU: BA.BA05938-01

Composed by Johann Sebastian Bach. Edited by Manuel Bärwald. This edition: Edition of selected works, Urtext edition. Linen. Johann Sebastian Bach. Neue Ausgabe samtlicher Werke. Revidierte Edition (NBArev) 6. Edition of selected works, Score. Composed 1725. BWV 245. Baerenreiter Verlag #BA05938_01. Published by Baerenreiter Verlag (BA.BA05938-01).

ISBN 9790006556335. 33 x 26.2 cm inches. Language: German. Preface: Barwald, Manuel.

The St. John Passion, Bach's first passion oratorio, can hardly be understood asonework. Between 1724 and 1750 the work was performed at least four times in various Leipzig churches under the composer's direction and for every one of these occasions it was revised - sometimes quite substantially.

Thi s edition presents the St. John Passion in its second version of 1725, of which only excerpts were rendered in the New Bach Edition volume II/4 (1973). This version as well as the last one of 1749 constitute the two versions that have come down to us almost in their entirety.

Most recently found sources - in particular the libretto print of the passion rediscovered in 2015 - are taken into consideration in this edition for the first time.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Composed by Wilhelm Friedemann Bach (1710-1784). Edited by Felix Schroeder. For SATBar vocal soli, SATB choir, 2 flutes, oboe (oboe d'amore), 2 trumpets, timpani, 2 violins, viola, basso continuo. This edition: Paperbound. German title: Erzittert und fallet F9. Cantatas, Easter and Eastertide. Full score. Language: German/English. Fk 83. Duration 25 minutes. Published by Carus Verlag

Solo voices, SATB chorus, orchestra (2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Bc)

SKU: CA.5165203

Completed and edited by Howard Arman. Composed by Wolfgang Amadeus Mozart. Edited by Howard Arman. Arranged by Howard Arman. Vocal score. KV 626. Duration 50 minutes. Carus Verlag #5165203. Published by Carus Verlag (CA.5165203).

ISBN 9790007294243. Key: D minor. Latin.

The English conductor and composer Howard Arman has presented us with a completed version of Mozartâ??s Requiem. â??Another one?â? you might ask, since this publication is only the latest in a long line reaching back to the traditional SüÃ?mayr version. Yet such is the enormous power of Mozartâ??s score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Armanâ??s additions to Mozartâ??s great original show the requisite care and respect while incorporating many new insights.

Armanâ? ?s approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozartâ??s brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrumentâ??s unique sound is given an opportunity to shine. Armanâ??s Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather â?? in the spirit of Mozart â?? on creating a sense of drama and illuminating the theme in all its possible facets. Mozartâ??s fragment ends with the Hostias, and so does Armanâ??s completion.

For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to Sü�mayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.

Armanâ??s version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike â?? and celebrated as offering a scholarly, entirely fresh perspective on Mozartâ??s masterpiece.

- World premiere by the Bavarian Radio Choir
- Enthusiastically received by audience and press.

By George Frideric Handel ; Donald Burrows (Editor). For Soprano, Tenor, Bass, SATB Choir, Piano Accompaniment. Baroque. Sheet Music. 168 pages. Published by Novello and Co Ltd.

SATB vocal soli, SATB choir, 2 oboes, 2 clarinets, 2 trombones, timpani, violin solo, 2 violins, basso continuo

SKU: CA.2703512

Composed by Karl Ditters von Dittersdorf. Edited by Johannes Kirner. Violin 1. Sacred vocal music, Masses, Latin. Single Part, Violin 1. Composed circa 1769. KreD 326. 20 pages. Duration 42 minutes. Carus Verlag #CV 27.035/12. Published by Carus Verlag (CA.2703512).

ISBN 9790007199173. Key: C major. Language: Latin.

Of the 19 Masses by Dittersdorf which have been handed down, the present Mass, which is being published for the first time, enjoyed a special popularity during the composer's lifetime and it was even performed for the coronation of emperor Franz II in the Frankfurt Cathedral. This solemn, prestigious Mass shows evidence of choral movements in traditional contrapuntal church style as well solo parts with a modern, cantabile character. In addition, the Gloria includes a lengthy virtuosic violin solo, which also lends the work a concertante character (Dittersdorf was a professional violinist). Score and part available separately - see item CA.2703500.

SATB vocal soli, SATB choir, 2 flute, 2 bassoon, 3 oboe, 2 horn, 2 trumpet, timpani, 2 violin, viola, basso continuo

SKU: CA.5070511

Composed by Johann Adolf Hasse. Edited by Wolfgang Hochstein. Arranged by Paul Horn. This edition: Complete edition. Complete editions / Selected works: Johann Adolf Hasse. Selected Works. Missa In G (1783). Sacred vocal music, Masses, Latin. Single Part, Violin 1. 32 pages. Duration 63 minutes. Carus Verlag #CV 50.705/11. Published by Carus Verlag (CA.5070511).

ISBN 9790007224431. Language: Latin.

After Johann Adolf Hasse had ended his career as a composer for the opera stage and finally settled down in Venice, he wrote a number of sacred works. Since he had long been obligated to the Saxon Court, where he served as a composer for three decades until 1763, these works were originally intended for the Catholic Court Church in Dresden. The solemn-pathetic Missa in G minor (1783), with the inserted movement Ad te levavi, is Hasse's final work: a crowning conclusion to an oeuvre whose significance in music history has only recently begun to be recognized and has now received the fitting acknowledgement it deserves. Score and part available separately - see item CA.5070500.

SATB vocal soli, SATB choir, 2 flute, 2 bassoon, 3 oboe, 2 horn, 2 trumpet, timpani, 2 violin, viola, basso continuo

SKU: CA.5070513

Composed by Johann Adolf Hasse. Edited by Wolfgang Hochstein. Arranged by Paul Horn. This edition: Complete edition. Complete editions / Selected works: Johann Adolf Hasse. Selected Works. Missa In G (1783). Sacred vocal music, Masses, Latin. Single Part, Viola. 28 pages. Duration 63 minutes. Carus Verlag #CV 50.705/13. Published by Carus Verlag (CA.5070513).

ISBN 9790007224455. Language: Latin.

After Johann Adolf Hasse had ended his career as a composer for the opera stage and finally settled down in Venice, he wrote a number of sacred works. Since he had long been obligated to the Saxon Court, where he served as a composer for three decades until 1763, these works were originally intended for the Catholic Court Church in Dresden. The solemn-pathetic Missa in G minor (1783), with the inserted movement Ad te levavi, is Hasse's final work: a crowning conclusion to an oeuvre whose significance in music history has only recently begun to be recognized and has now received the fitting acknowledgement it deserves. Score and part available separately - see item CA.5070500.

SATB vocal soli, SATB choir, 2 flute, 2 bassoon, 3 oboe, 2 horn, 2 trumpet, timpani, 2 violin, viola, basso continuo

SKU: CA.5070514

Composed by Johann Adolf Hasse. Edited by Wolfgang Hochstein. Arranged by Paul Horn. This edition: Complete edition. Complete editions / Selected works: Johann Adolf Hasse. Selected Works. Missa In G (1783). Sacred vocal music, Masses, Latin. Single Part, basso continuo. 28 pages. Duration 63 minutes. Carus Verlag #CV 50.705/14. Published by Carus Verlag (CA.5070514).

ISBN 9790007224462. Language: Latin.

After Johann Adolf Hasse had ended his career as a composer for the opera stage and finally settled down in Venice, he wrote a number of sacred works. Since he had long been obligated to the Saxon Court, where he served as a composer for three decades until 1763, these works were originally intended for the Catholic Court Church in Dresden. The solemn-pathetic Missa in G minor (1783), with the inserted movement Ad te levavi, is Hasse's final work: a crowning conclusion to an oeuvre whose significance in music history has only recently begun to be recognized and has now received the fitting acknowledgement it deserves. Score and part available separately - see item CA.5070500.

SATB vocal soli, SATB choir, 2 flute, 2 bassoon, 3 oboe, 2 horn, 2 trumpet, timpani, 2 violin, viola, basso continuo

SKU: CA.5070512

Composed by Johann Adolf Hasse. Edited by Wolfgang Hochstein. Arranged by Paul Horn. This edition: Complete edition. Complete editions / Selected works: Johann Adolf Hasse. Selected Works. Missa In G (1783). Sacred vocal music, Masses, Latin. Single Part, Violin 2. 32 pages. Duration 63 minutes. Carus Verlag #CV 50.705/12. Published by Carus Verlag (CA.5070512).

ISBN 9790007224448. Language: Latin.

After Johann Adolf Hasse had ended his career as a composer for the opera stage and finally settled down in Venice, he wrote a number of sacred works. Since he had long been obligated to the Saxon Court, where he served as a composer for three decades until 1763, these works were originally intended for the Catholic Court Church in Dresden. The solemn-pathetic Missa in G minor (1783), with the inserted movement Ad te levavi, is Hasse's final work: a crowning conclusion to an oeuvre whose significance in music history has only recently begun to be recognized and has now received the fitting acknowledgement it deserves. Score and part available separately - see item CA.5070500.

SATB vocal soli, SATB choir, 2 oboes, 2 clarinets, 2 trombones, timpani, violin solo, 2 violins, basso continuo

SKU: CA.2703500

Composed by Karl Ditters von Dittersdorf. Edited by Johannes Kirner. This edition: Paperbound. German title: Missa solemnis in C. Sacred vocal music, Masses, Latin. Full score. Composed circa 1769. KreD 326. Duration 42 minutes. Carus Verlag #CV 27.035/00. Published by Carus Verlag (CA.2703500).

ISBN 9790007005726. Key: C major. Language: Latin.

Of the 19 Masses by Dittersdorf which have been handed down, the present Mass, which is being published for the first time, enjoyed a special popularity during the composer's lifetime and it was even performed for the coronation of emperor Franz II in the Frankfurt Cathedral. This solemn, prestigious Mass shows evidence of choral movements in traditional contrapuntal church style as well solo parts with a modern, cantabile character. In addition, the Gloria includes a lengthy virtuosic violin solo, which also lends the work a concertante character (Dittersdorf was a professional violinist).

SATB vocal soli, SATB choir, 2 flutes, 2 bassoons, 3 oboe, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.5070549

Composed by Johann Adolf Hasse. Edited by Wolfgang Hochstein. Arranged by Paul Horn. This edition: Complete edition. Complete editions / Selected works: Johann Adolf Hasse. Selected Works. Missa In G (1783). Sacred vocal music, Masses, Latin. Single Part, Organ. 44 pages. Duration 63 minutes. Carus Verlag #CV 50.705/49. Published by Carus Verlag (CA.5070549).

ISBN 9790007224479. Language: Latin.

After Johann Adolf Hasse had ended his career as a composer for the opera stage and finally settled down in Venice, he wrote a number of sacred works. Since he had long been obligated to the Saxon Court, where he served as a composer for three decades until 1763, these works were originally intended for the Catholic Court Church in Dresden. The solemn-pathetic Missa in G minor (1783), with the inserted movement Ad te levavi, is Hasse's final work: a crowning conclusion to an oeuvre whose significance in music history has only recently begun to be recognized and has now received the fitting acknowledgement it deserves. Score and part available separately - see item CA.5070500.

SATB vocal soli, SATB choir, 2 flute, 2 bassoon, 3 oboe, 2 horn, 2 trumpet, timpani, 2 violin, viola, basso continuo

SKU: CA.5070505

Composed by Johann Adolf Hasse. Edited by Wolfgang Hochstein. Arranged by Paul Horn. This edition: Complete edition. Complete editions / Selected works: Johann Adolf Hasse. Selected Works. Missa In G (1783). Sacred vocal music, Masses, Latin. Choral Score. Duration 63 minutes. Carus Verlag #CV 50.705/05. Published by Carus Verlag (CA.5070505).

ISBN 9790007162597. Language: Latin.

After Johann Adolf Hasse had ended his career as a composer for the opera stage and finally settled down in Venice, he wrote a number of sacred works. Since he had long been obligated to the Saxon Court, where he served as a composer for three decades until 1763, these works were originally intended for the Catholic Court Church in Dresden. The solemn-pathetic Missa in G minor (1783), with the inserted movement Ad te levavi, is Hasse's final work: a crowning conclusion to an oeuvre whose significance in music history has only recently begun to be recognized and has now received the fitting acknowledgement it deserves. Score available separately - see item CA.5070500.

SATB vocal soli, SATB choir, 2 flutes, 2 bassoons, 3 oboe, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.5070509

Composed by Johann Adolf Hasse. Edited by Wolfgang Hochstein. Arranged by Paul Horn. 1x 50.705/21 flute 1, 1x 50.705/22 flute 2, 1x 50.705/23 oboe 1, 1x 50.705/24 oboe 2, 2x 50.705/25 bassoon 1, 1x 50.705/31 horn 1, 1x 50.705/32 horn 2, 1x 50.705/33 trumpet 1, 1x 50.705/34 trumpet 2, 1x 50.705/41 timpani. Complete editions / Selected works: Johann Adolf Hasse. Selected Works. Missa In G (1783). Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Duration 63 minutes. Carus Verlag #CV 50.705/09. Published by Carus Verlag (CA.5070509).

ISBN 9790007224424. Text language: Latin.

After Johann Adolf Hasse had ended his career as a composer for the opera stage and finally settled down in Venice, he wrote a number of sacred works. Since he had long been obligated to the Saxon Court, where he served as a composer for three decades until 1763, these works were originally intended for the Catholic Court Church in Dresden. The solemn-pathetic Missa in G minor (1783), with the inserted movement Ad te levavi, is Hasse's final work: a crowning conclusion to an oeuvre whose significance in music history has only recently begun to be recognized and has now received the fitting acknowledgement it deserves. Score and parts available separately - see item CA.5070500.

SATB vocal soli, SATB choir, 2 flute, 2 bassoon, 3 oboe, 2 horn, 2 trumpet, timpani, 2 violin, viola, basso continuo

SKU: CA.5070500

Composed by Johann Adolf Hasse. Edited by Wolfgang Hochstein. Arranged by Paul Horn. This edition: Complete edition, linen cover. Complete editions / Selected works: Johann Adolf Hasse. Selected Works. Missa In G (1783). Sacred vocal music, Masses, Latin. Full score (complete edition / selected edition). Duration 63 minutes. Carus Verlag #CV 50.705/00. Published by Carus Verlag (CA.5070500).

ISBN 9790007144951. Language: Latin.

After Johann Adolf Hasse had ended his career as a composer for the opera stage and finally settled down in Venice, he wrote a number of sacred works. Since he had long been obligated to the Saxon Court, where he served as a composer for three decades until 1763, these works were originally intended for the Catholic Court Church in Dresden. The solemn-pathetic Missa in G minor (1783), with the inserted movement Ad te levavi, is Hasse's final work: a crowning conclusion to an oeuvre whose significance in music history has only recently begun to be recognized and has now received the fitting acknowledgement it deserves.

SATB vocal soli, SATB choir, 2 oboes, 2 clarinets, 2 trombones, timpani, violin solo, 2 violins, basso continuo

SKU: CA.2703549

Composed by Karl Ditters von Dittersdorf. Edited by Johannes Kirner. This edition: Paperbound. Organ. Sacred vocal music, Masses, Latin. Single Part, Organ. Composed circa 1769. KreD 326. 36 pages. Duration 42 minutes. Carus Verlag #CV 27.035/49. Published by Carus Verlag (CA.2703549).

ISBN 9790007023256. Key: C major. Language: Latin.

Of the 19 Masses by Dittersdorf which have been handed down, the present Mass, which is being published for the first time, enjoyed a special popularity during the composer's lifetime and it was even performed for the coronation of emperor Franz II in the Frankfurt Cathedral. This solemn, prestigious Mass shows evidence of choral movements in traditional contrapuntal church style as well solo parts with a modern, cantabile character. In addition, the Gloria includes a lengthy virtuosic violin solo, which also lends the work a concertante character (Dittersdorf was a professional violinist). Score and part available separately - see item CA.2703500.

SATB vocal soli, SATB choir, 2 flute, 2 bassoon, 3 oboe, 2 horn, 2 trumpet, timpani, 2 violin, viola, basso continuo

SKU: CA.5070503

Composed by Johann Adolf Hasse. Edited by Wolfgang Hochstein. Arranged by Paul Horn. This edition: Paperbound, Complete edition. Complete editions / Selected works: Johann Adolf Hasse. Selected Works. Missa In G (1783). Sacred vocal music, Masses, Latin. Vocal score. Duration 63 minutes. Carus Verlag #CV 50.705/03. Published by Carus Verlag (CA.5070503).

ISBN 9790007145194. Language: Latin.

After Johann Adolf Hasse had ended his career as a composer for the opera stage and finally settled down in Venice, he wrote a number of sacred works. Since he had long been obligated to the Saxon Court, where he served as a composer for three decades until 1763, these works were originally intended for the Catholic Court Church in Dresden. The solemn-pathetic Missa in G minor (1783), with the inserted movement Ad te levavi, is Hasse's final work: a crowning conclusion to an oeuvre whose significance in music history has only recently begun to be recognized and has now received the fitting acknowledgement it deserves. Score available separately - see item CA.5070500.

SATB vocal soli, SATB choir, 2 flutes, 2 bassoons, 3 oboe, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.5070519

Composed by Johann Adolf Hasse. Edited by Wolfgang Hochstein. Arranged by Paul Horn. This edition: Complete edition. Complete editions / Selected works: Johann Adolf Hasse. Selected Works. Missa In G (1783). Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Duration 63 minutes. Carus Verlag #CV 50.705/19. Published by Carus Verlag (CA.5070519).

ISBN 9790007145798. Language: Latin.

After Johann Adolf Hasse had ended his career as a composer for the opera stage and finally settled down in Venice, he wrote a number of sacred works. Since he had long been obligated to the Saxon Court, where he served as a composer for three decades until 1763, these works were originally intended for the Catholic Court Church in Dresden. The solemn-pathetic Missa in G minor (1783), with the inserted movement Ad te levavi, is Hasse's final work: a crowning conclusion to an oeuvre whose significance in music history has only recently begun to be recognized and has now received the fitting acknowledgement it deserves. Score and parts available separately - see item CA.5070500.

SATB vocal soli, SATB choir, 2 oboes, 2 clarinets, 2 trombones, timpani, violin solo, 2 violins, basso continuo

SKU: CA.2703509

Composed by Karl Ditters von Dittersdorf. Edited by Johannes Kirner. 1x 27.035/21 oboe 1, 1x 27.035/22 oboe 2, 1x 27.035/31 clarino 1, 1x 27.035/32 clarino 2, 1x 27.035/33 trumpet 1, 1x 27.035/34 trumpet 2, 1x 27.035/41 timpani. Harmony parts. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed circa 1769. KreD 326. 44 pages. Duration 42 minutes. Carus Verlag #CV 27.035/09. Published by Carus Verlag (CA.2703509).

ISBN 9790007199159. Key: C major. Language: Latin.

Of the 19 Masses by Dittersdorf which have been handed down, the present Mass, which is being published for the first time, enjoyed a special popularity during the composer's lifetime and it was even performed for the coronation of emperor Franz II in the Frankfurt Cathedral. This solemn, prestigious Mass shows evidence of choral movements in traditional contrapuntal church style as well solo parts with a modern, cantabile character. In addition, the Gloria includes a lengthy virtuosic violin solo, which also lends the work a concertante character (Dittersdorf was a professional violinist). Score and parts available separately - see item CA.2703500.

SATB vocal soli, SATB choir, 2 oboes, 2 clarinets, 2 trombones, timpani, violin solo, 2 violins, basso continuo

SKU: CA.2703513

Composed by Karl Ditters von Dittersdorf. Edited by Johannes Kirner. Violin 2. Sacred vocal music, Masses, Latin. Single Part, Violin 2. Composed circa 1769. KreD 326. 20 pages. Duration 42 minutes. Carus Verlag #CV 27.035/13. Published by Carus Verlag (CA.2703513).

ISBN 9790007199180. Key: C major. Language: Latin.

Of the 19 Masses by Dittersdorf which have been handed down, the present Mass, which is being published for the first time, enjoyed a special popularity during the composer's lifetime and it was even performed for the coronation of emperor Franz II in the Frankfurt Cathedral. This solemn, prestigious Mass shows evidence of choral movements in traditional contrapuntal church style as well solo parts with a modern, cantabile character. In addition, the Gloria includes a lengthy virtuosic violin solo, which also lends the work a concertante character (Dittersdorf was a professional violinist). Score and part available separately - see item CA.2703500.

SATB vocal soli, SATB choir, 2 oboes, 2 clarinets, 2 trombones, timpani, violin solo, 2 violins, basso continuo

SKU: CA.2703511

Composed by Karl Ditters von Dittersdorf. Edited by Johannes Kirner. Violin solo. Sacred vocal music, Masses, Latin. Single Part, Violin Solo. Composed circa 1769. KreD 326. 4 pages. Duration 42 minutes. Carus Verlag #CV 27.035/11. Published by Carus Verlag (CA.2703511).

ISBN 9790007199166. Key: C major. Language: Latin.

Of the 19 Masses by Dittersdorf which have been handed down, the present Mass, which is being published for the first time, enjoyed a special popularity during the composer's lifetime and it was even performed for the coronation of emperor Franz II in the Frankfurt Cathedral. This solemn, prestigious Mass shows evidence of choral movements in traditional contrapuntal church style as well solo parts with a modern, cantabile character. In addition, the Gloria includes a lengthy virtuosic violin solo, which also lends the work a concertante character (Dittersdorf was a professional violinist). Score and part available separately - see item CA.2703500.

SATB vocal soli, SATB choir, 2 oboes, 2 clarinets, 2 trombones, timpani, violin solo, 2 violins, basso continuo

SKU: CA.2703505

Composed by Karl Ditters von Dittersdorf. Edited by Johannes Kirner. Sacred vocal music, Masses, Latin. Choral Score. Composed circa 1769. KreD 326. 32 pages. Duration 42 minutes. Carus Verlag #CV 27.035/05. Published by Carus Verlag (CA.2703505).

ISBN 9790007108984. Key: C major. Language: Latin.

Of the 19 Masses by Dittersdorf which have been handed down, the present Mass, which is being published for the first time, enjoyed a special popularity during the composer's lifetime and it was even performed for the coronation of emperor Franz II in the Frankfurt Cathedral. This solemn, prestigious Mass shows evidence of choral movements in traditional contrapuntal church style as well solo parts with a modern, cantabile character. In addition, the Gloria includes a lengthy virtuosic violin solo, which also lends the work a concertante character (Dittersdorf was a professional violinist). Score available separately - see item CA.2703500.

Composed by Ludwig van Beethoven (1770-1827). Edited by Stefan Schuck. For SATB vocal soli, SATB choir, piano. This edition: softcover. Vocal score. Language: German. Duration 22 mintues. Published by Carus Verlag

(2 hn,org,str,ATB soli,SATB chorus)

SKU: TM.12114SET

Composed by Georg Telemann. Set Type: A. Set of parts. Lucks Music Library #A6332. Published by Lucks Music Library (TM.12114SET).

You Can't Keep A Good Girl Down, Look For the Silver Lining, On with the Dance, Sally, Wild Rose, The Church Around The Corner, Look for the Silver Lining Reprise.

Soprano voice solo, SATB choir, and piano (E-flat Soprano saxophone, 2 Horns in F, Piano, Organ (or digital keyboard), Double String Quartet, Double Bass) - Early Intermediate

SKU: MN.56-0108

Composed by Howard Goodall. Lent, Holy Week, Triduum/Three Days, Tenebrae, 21st Century. Score & instrument parts. Duration 6 minutes, 19 seconds. MorningStar Music Publishers #56-0108. Published by MorningStar Music Publishers (MN.56-0108).

UPC: 688670221255. English, Latin. Psalms 142; Jeremiah 3:48, 52, 56.

Invictus: A Passion addresses one of the world’s most powerful stories through the lens of the modern world. The texts, written or inspired by women, describe not only human suffering and persecution but also the human capacity for love and humility in the face of tyranny. Composer Howard Goodall is uniquely suited to bring these texts to life with music of emotional clarity and sweeping force. This excerpt is scored for soprano solo, SATB choir and piano. This fourth movement of the larger work is inspired by the extraordinary story of Irena Sendler née Krzyżanowska, a Polish nurse and head of Żegota, the Polish Council to Aid Jews in the Second World War, whose personal interventions saved the lives of approximately 2,500 Jewish children in the Warsaw Ghetto, smuggling them to safety, acts of humanitarian bravery that eventually caused her arrest and torture by the Gestapo. She is honoured as Righteous Amongst the Nations at Yad Vashem, Jerusalem. The Latin texts of this movement are taken from the Book of Lamentations (“My eye hath run down with streams of water, for the destruction of the daughter of my people. My enemies have chased me and caught me like a bird, without cause…”) and from Psalm 142, the Old Testament being the meeting-point of Sendler’s Catholicism and the Jewish tradition of those whose lives she saved. Duration 6:19.

(1.1.2.1/2.2.1.0,perc,str )

SKU: TM.09859SET

Composed by Jerome Kern. Arranged by Anderson. Set Type: D. Set of parts. Lucks Music Library #A8164. Published by Lucks Music Library (TM.09859SET).

You Can't Keep A Good Girl Down, Look For the Silver Lining, On with the Dance, Sally, Wild Rose, The Church Around The Corner, Look for the Silver Lining Reprise.