Urtext der Neuen
Mozart-Ausgabe.
Composed by Johann
Sebastian Bach. Edited by
Werner Neumann. This
edition: complete
edition, urtext edition.
Linen. New Bach Edition
(NBA) I/36. Complete
edition, Score,
anthology. Baerenreiter
Verlag #BA05020_01.
Published by Baerenreiter
Verlag (BA.BA05020-01).
ISBN 9790006461813. 33
x 26 cm
inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Bohuslav
Martinu. Edited by Paul
Wingfield. This edition:
complete edition, urtext
edition. Linen. The
Bohuslav Martinu Complete
Edition VI/2/2. Complete
edition, Score,
anthology. Baerenreiter
Verlag #BA10573_01.
Published by Baerenreiter
Verlag (BA.BA10573-01).
ISBN 9790260107922.
33.3 x 26.3 cm inches.
Text Language: Czech.
Preface: Wingfield,
Paul.
The present
volume of the Bohuslav
Martinu Complete Edition
(BMCE) contains two
vocal-instrumental works.
TheField Mass(1939) with
a text by Jiri Mucha
incorporating bible and
liturgy quotes was
created in reaction to
the outbreak of the
Second World War and
intended for outdoor
performances. The
cantataThe Spectre's
Bridewith a text by Karel
Jaromir Erben was
composed in 1932 as part
of the
balletSpalicek(meaningcha
pbook); the composer
later took out the
cantata, making it into a
stand-alone concert
piece.
The
autograph scores served
as primary sources for
both works. The edition
of theField
Mass(including its
performance materials)
also contains the
original version of the
ending with a quote from
the Czech medieval
hymnJezu Kriste, stedry
kneze(Jesu Christ,
bountiful priest) and a
number of contemporary
translations.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Seven
sacred compositions.
Composed by George
Frideric Handel. Edited
by Gerald Hendrie. This
edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Series III,
Volume 9. Complete
edition, Score. Duration
3 hours. Baerenreiter
Verlag #BA04051_00.
Published by Baerenreiter
Verlag (BA.BA04051).
ISBN 9790006443611. 33
x 26 cm inches. Text
Language: English,
German.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed
by Charles Francois
Gounod. Score. Lucks
Music Library #A2607.
Published by Lucks Music
Library (TM.05652SC).
Org in set.
Vocal Score I in Latin
and includes Domine
Salvam. Vocal Score II in
Latin and English, but
does not contain Domine
Salvam. Clothbound
score.
Composed
by Charles Francois
Gounod. Set Type: A. Set
of parts. Lucks Music
Library #A2607. Published
by Lucks Music Library
(TM.05652SET).
Org in set.
Vocal Score I in Latin
and includes Domine
Salvam. Vocal Score II in
Latin and English, but
does not contain Domine
Salvam. Clothbound
score.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Klaus Hofmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Nach dir, Herr, verlanget
mich. Sacred vocal music,
Cantatas. Set of
Orchestra Parts. Composed
circa 1706. BWV 150.
Duration 17 minutes.
Carus Verlag #CV
31.150/19. Published by
Carus Verlag
(CA.3115019).
ISBN
9790007136819. Key: B
minor. Language:
German/English.
The
cantata Nach dir, Herr,
verlanget mich (O my
Lord, I long for thee)
BWV 150 is one of the
earliest cantatas from
Bach's Muhlhausen period.
Its authenticity was long
disputed, partly because
of the stylistic
characteristics of this
early work, but also
because the cantata only
survives in sources
dating from the period
after Bach's death.
However, in recent years
a hidden dedication to
Conrad Meckbach, a member
of the Muhlhausen town
council and patron of
Bach, has been
deciphered: the initial
letters of the free
poetry reveal the
acrostic Doctor Conrad
Meckbach (in the 18th
century spelling),
revealing a link to the
city of Muhlhausen and
almost certainly
confirming Bach's
authorship of the
cantata. The occasion of
the composition of the
work is still unknown.
The small instrumental
scoring for just two
violins, bassoon, and
continuo, plus the fact
that only the soprano is
given a solo movement,
suggest a performance
with modest resources.
Score and parts available
separately - see item
CA.3115000.
Cantata for the 20th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frauke Heinze. Arranged
by Masaaki Suzuki. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas, Whitsun,
Mourning, death. Single
Part, basso continuo.
Composed 1716. BWV 162.
12 pages. Duration 18
minutes. Carus Verlag #CV
31.162/14. Published by
Carus Verlag
(CA.3116214).
ISBN
9790007208936. Text
language:
German/English.
The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki. Score and
part available separately
- see item
CA.3116200.
Cantata for the 20th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frauke Heinze. Arranged
by Masaaki Suzuki. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Whitsun,
Mourning, death. Single
Part, Violin 1. Composed
1716. BWV 162. 4 pages.
Duration 18 minutes.
Carus Verlag #CV
31.162/11. Published by
Carus Verlag
(CA.3116211).
ISBN
9790007208905. Text
language:
German/English.
The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki. Score and
part available separately
- see item
CA.3116200.
Cantata
for the 20th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frauke Heinze.
Arranged by Masaaki
Suzuki. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Complete orchestral
parts. Sacred vocal
music, Cantatas, Whitsun,
Mourning, death. Set of
Orchestra Parts. Composed
1716. BWV 162. Duration
18 minutes. Carus Verlag
#CV 31.162/19. Published
by Carus Verlag
(CA.3116219).
ISBN
9790007172244. Language:
German/English.
Scripture: Matthew
22:1-14.
The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki. Score and
parts available
separately - see item
CA.3116200.
Cantata
for the 20th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frauke Heinze.
Arranged by Masaaki
Suzuki. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Organ. Sacred vocal
music, Cantatas, Whitsun,
Mourning, death. Single
Part, Organ. Composed
1716. BWV 162. 16 pages.
Duration 18 minutes.
Carus Verlag #CV
31.162/49. Published by
Carus Verlag
(CA.3116249).
ISBN
9790007208943. Language:
German/English.
Scripture: Matthew
22:1-14.
The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki. Score and
part available separately
- see item
CA.3116200.
Cantata for the 20th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frauke Heinze. Arranged
by Masaaki Suzuki. This
edition: urtext,
paperback. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Whitsun,
Mourning, death. Vocal
score. Composed 1716. BWV
162. 24 pages. Duration
18 minutes. Carus Verlag
#CV 31.162/03. Published
by Carus Verlag
(CA.3116203).
ISBN
9790007171544. Language:
German/English.
Scripture: Matthew
22:1-14.
The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki. Score
available separately -
see item CA.3116200.
Cantata
for the 20th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frauke Heinze.
Arranged by Masaaki
Suzuki. This edition:
urtext. 1x 31.162/21
flute, 1x 31.162/31 horn.
Stuttgart Urtext Edition:
Bach vocal. Harmony
parts. Sacred vocal
music, Cantatas, Whitsun,
Mourning, death. Set of
Orchestra Parts. Composed
1716. BWV 162. Duration
18 minutes. Carus Verlag
#CV 31.162/09. Published
by Carus Verlag
(CA.3116209).
ISBN
9790007208899. Language:
German/English.
Scripture: Matthew
22:1-14.
The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki. Score and
parts available
separately - see item
CA.3116200.
Cantata for the 20th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frauke Heinze. Arranged
by Masaaki Suzuki. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Cantatas,
Whitsun, Mourning, death.
Single Part, Viola.
Composed 1716. BWV 162. 4
pages. Duration 18
minutes. Carus Verlag #CV
31.162/13. Published by
Carus Verlag
(CA.3116213).
ISBN
9790007208929. Text
language:
German/English.
The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki. Score and
part available separately
- see item
CA.3116200.
Cantata
for the 20th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frauke Heinze.
Arranged by Masaaki
Suzuki. This edition:
urtext, paperback.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, Whitsun,
Mourning, death. Full
score. Composed 1716. BWV
162. 28 pages. Duration
18 minutes. Carus Verlag
#CV 31.162/00. Published
by Carus Verlag
(CA.3116200).
ISBN
9790007171452. Language:
German/English.
Scripture: Matthew
22:1-14.
The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki.
Cantata for the 20th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frauke Heinze. Arranged
by Masaaki Suzuki. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, Whitsun,
Mourning, death. Single
Part, Violin 2. Composed
1716. BWV 162. 4 pages.
Duration 18 minutes.
Carus Verlag #CV
31.162/12. Published by
Carus Verlag
(CA.3116212).
ISBN
9790007208912. Text
language:
German/English.
The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki. Score and
part available separately
- see item
CA.3116200.
Cantatas I-III.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Paul Horn. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal; Carus sheet
music series: Vocal
scores XL. German title:
Weihnachtsoratorium 1-3.
Sacred, Oratorios;
Stuttgart Urtext
editions; Use during
church year: Christmas.
Single Part, Organ.
Composed circa 1734. BWV
248. 48 pages. Duration
90 minutes. Carus Verlag
#CV 31.248/49. Published
by Carus Verlag
(CA.3124849).
ISBN
9790007088484. Language:
German/English.
Wit
h the edition of the
Christmas Oratorio within
the framework of the
Stuttgart Bach Editions,
Carus presents a
scholarly edition for
practical performance.
The basis for this
publication are Bach's
autograph score and the
original parts. The
conducting score contains
an appendix with a
concise Critical Report
which provides
information about the
sources and their
readings; when necessary,
the latter are discussed
in more detail,
especially with regard to
how the editor arrived at
solutions for questions
of articulation which
differ from those found
in previous editions. The
representative,
clothbound volume is
supplemented by a study
score as well as a choral
score, a vocal score and
complete orchestral
material. In the
orchestral material short
excerpts containing the
conclusions of the secco
recitatives are rendered
with cue notes in
separate vocal systems
printed above the score
where the
instrumentalists pause,
thus enabling them make
their entrances in the
movements which follow
these recitatives. This
work is also available in
carus music, the choir
app! Score and part
available separately -
see item CA.3124800.
Cantatas I-III.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Paul Horn. This
edition: urtext. 1x
31.248/21 flute 1, 1x
31.248/22 flute 2, 1x
31.248/23 oboe 1, 1x
31.248/24 oboe 2, 1x
31.248/25 English horn 1,
1x 31.248/26 English horn
2, 4x 31.248/31 3
trumpets and timpani.
Stuttgart Urtext Edition:
Bach vocal; Carus sheet
music series: Vocal
scores XL. German title:
Weihnachtsoratorium 1-3.
Sacred, Oratorios;
Stuttgart Urtext
editions; Use during
church year: Christmas.
Set of Orchestra Parts.
Composed circa 1734. BWV
248. 106 pages. Duration
90 minutes. Carus Verlag
#CV 31.248/09. Published
by Carus Verlag
(CA.3124809).
ISBN
9790007211462. Language:
German/English.
Wit
h the edition of the
Christmas Oratorio within
the framework of the
Stuttgart Bach Editions,
Carus presents a
scholarly edition for
practical performance.
The basis for this
publication are Bach's
autograph score and the
original parts. The
conducting score contains
an appendix with a
concise Critical Report
which provides
information about the
sources and their
readings; when necessary,
the latter are discussed
in more detail,
especially with regard to
how the editor arrived at
solutions for questions
of articulation which
differ from those found
in previous editions. The
representative,
clothbound volume is
supplemented by a study
score as well as a choral
score, a vocal score and
complete orchestral
material. In the
orchestral material short
excerpts containing the
conclusions of the secco
recitatives are rendered
with cue notes in
separate vocal systems
printed above the score
where the
instrumentalists pause,
thus enabling them make
their entrances in the
movements which follow
these recitatives. This
work is also available in
carus music, the choir
app! Score and parts
available separately -
see item CA.3124800.
Cantatas I-III.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Paul Horn. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal; Carus sheet
music series: Vocal
scores XL.
Weihnachtsoratorium 1-3.
Innovative practice aids,
Sacred vocal music,
Oratorios, Christmas.
Vocal score. Composed
circa 1734. BWV 248. 88
pages. Duration 90
minutes. Carus Verlag #CV
31.248/02. Published by
Carus Verlag
(CA.3124802).
ISBN
9790007170837. Text
language:
German/English.
Wit
h the edition of the
Christmas Oratorio within
the framework of the
Stuttgart Bach Editions,
Carus presents a
scholarly edition for
practical performance.
The basis for this
publication are Bach's
autograph score and the
original parts. The
conducting score contains
an appendix with a
concise Critical Report
which provides
information about the
sources and their
readings; when necessary,
the latter are discussed
in more detail,
especially with regard to
how the editor arrived at
solutions for questions
of articulation which
differ from those found
in previous editions. The
representative,
clothbound volume is
supplemented by a study
score as well as a choral
score, a vocal score and
complete orchestral
material. In the
orchestral material short
excerpts containing the
conclusions of the secco
recitatives are rendered
with cue notes in
separate vocal systems
printed above the score
where the
instrumentalists pause,
thus enabling them make
their entrances in the
movements which follow
these recitatives. This
work is also available in
carus music, the choir
app! Score available
separately - see item
CA.3124800.
Cantatas I-III.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Paul Horn. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal; Carus sheet
music series: Vocal
scores XL.
Weihnachtsoratorium 1-3.
Innovative practice aids,
Sacred vocal music,
Oratorios, Christmas.
Vocal score. Composed
circa 1734. BWV 248. 88
pages. Duration 90
minutes. Carus Verlag #CV
31.248/04. Published by
Carus Verlag
(CA.3124804).
ISBN
9790007170820. Text
language:
German/English.
Wit
h the edition of the
Christmas Oratorio within
the framework of the
Stuttgart Bach Editions,
Carus presents a
scholarly edition for
practical performance.
The basis for this
publication are Bach's
autograph score and the
original parts. The
conducting score contains
an appendix with a
concise Critical Report
which provides
information about the
sources and their
readings; when necessary,
the latter are discussed
in more detail,
especially with regard to
how the editor arrived at
solutions for questions
of articulation which
differ from those found
in previous editions. The
representative,
clothbound volume is
supplemented by a study
score as well as a choral
score, a vocal score and
complete orchestral
material. In the
orchestral material short
excerpts containing the
conclusions of the secco
recitatives are rendered
with cue notes in
separate vocal systems
printed above the score
where the
instrumentalists pause,
thus enabling them make
their entrances in the
movements which follow
these recitatives. This
work is also available in
carus music, the choir
app! Score available
separately - see item
CA.3124800.
Cantatas on the
Purification of the
Virgin Mary. Composed
by Johann Sebastian Bach.
Edited by Matthias Wendt
and Uwe Wolf. This
edition: complete
edition, urtext edition.
Linen. New Bach Edition
(NBA) I/28/1. Complete
edition, Score,
anthology. BWV 82, 83,
125, 200. Baerenreiter
Verlag #BA05084_01.
Published by Baerenreiter
Verlag (BA.BA05084-01).
ISBN 9790006464005.
33.1 x 25.8 cm
inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding