SATB vocal soli, SATB choir, bassoon, 2 violins, basso continuo

SKU: CA.3115019

Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Nach dir, Herr, verlanget mich. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed circa 1706. BWV 150. Duration 17 minutes. Carus Verlag #CV 31.150/19. Published by Carus Verlag (CA.3115019).

ISBN 9790007136819. Key: B minor. Language: German/English.

The cantata Nach dir, Herr, verlanget mich (O my Lord, I long for thee) BWV 150 is one of the earliest cantatas from Bach's Muhlhausen period. Its authenticity was long disputed, partly because of the stylistic characteristics of this early work, but also because the cantata only survives in sources dating from the period after Bach's death. However, in recent years a hidden dedication to Conrad Meckbach, a member of the Muhlhausen town council and patron of Bach, has been deciphered: the initial letters of the free poetry reveal the acrostic Doctor Conrad Meckbach (in the 18th century spelling), revealing a link to the city of Muhlhausen and almost certainly confirming Bach's authorship of the cantata. The occasion of the composition of the work is still unknown. The small instrumental scoring for just two violins, bassoon, and continuo, plus the fact that only the soprano is given a solo movement, suggest a performance with modest resources. Score and parts available separately - see item CA.3115000.

By Herbert Howells. For SATB soli, SATB Choir. Choral, Sacred, 20th Century. Sheet Music. 30 pages. Published by Novello and Co Ltd.

Soprano voice solo, tenor voice solo, SATB choir, and piano - Intermediate

SKU: MN.56-0063

Composed by Howard Goodall. 21st Century, Trust/Guidance, Word of God. MorningStar Music Publishers #56-0063. Published by MorningStar Music Publishers (MN.56-0063).

UPC: 688670220661. English. Matthew 25:35-40.

Composed by David Ashley White (1944-). 21st Century. Duration 3 minutes, 30 seconds. Galaxy Music Corporation #1.3429. Published by Galaxy Music Corporation

Composed by Howard Goodall (1958-). Multi-Movement/Large Choral Work. Holy Week, Lent, Triduum/Three Days, Tenebrae, 21st Century. Vocal/choral score. Published by MorningStar Music Publishers

Solo voices, choir, orchestra (Solo SATB voices, Mixed choir, 4Fl(Flote I-III muta in Piccolo-Flote), 2 Ob+EnglHn, 3clar(clar III muta in Bass-clar), 3bsn(bassoonott III muta in Kontra-bassoonott), 4Hn, 4Trp, 3tbn, Tb, 3timp, Tri, Tr-Kl, Be-Hang, Tam, Glsp, Gl, Cel, 2 harp, Org, Str)

SKU: BA.BA06863

September 1927 Version. Composed by Leos Janacek. Edited by Jirí Zahrádka. This edition: complete edition, urtext edition. Linen. Complete Critical Edition of the Works of Leos Janacek. Series B, Volume 5-II. September 1927 Version. Complete edition, Score. 179 pages. Duration 41 minutes, 13 seconds. Baerenreiter Verlag #BA06863_00. Published by Baerenreiter Verlag (BA.BA06863).

ISBN 9790260105317. 34.2 x 27 cm inches. Text Language: Church Slavic.

“The Glagolitic Mass”, one of the 20th century masterpieces of sacred music, has a very complex genesis and constitutes an intricate editorial challenge.

This new critical edition presents two different versions of the work in two separate volumes (B/5-I, BA 6862 und B/5-II, BA 6863): the “September 1927” version which the composer completed before the first rehearsals and subsequent premiere in Brno and the version he partly reworked for the first Prague performance in April 1928. This second version was then revised further and published after Janacek’s death by Universal Edition Wien in 1930. Known as the “final authorised version“, it has been newly edited for this publication which is based on the engraver’s copy of the score prepared by Janacek’s regular copyist Václav Sedlacek.

The new Barenreiter edition also contains an informative preface (Cz/Eng/Ger/Fr/Ru) as well as detailed critical commentary. The “September 1927” version can be seen more as a supplement and appears without text commentary.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso (cello, double bass, organ)

SKU: CA.4068814

Missa in C. Composed by Ludwig van Beethoven. Edited by Ernst Herttrich. Carus sheet music series: Vocal scores XL. Messe In C Op. 86. Innovative practice aids, Sacred vocal music, Masses, Latin. Single Part, Cello. Op. 86. 16 pages. Duration 50 minutes. Carus Verlag #CV 40.688/14. Published by Carus Verlag (CA.4068814).

ISBN 9790007220365. Language: Latin.

With its tonal language of subjective avowal, the first of Beethoven's two masses opens up new worlds of expression for the liturgical texts of the Mass which are expressly modern and point towards the future. Not to be considered a preliminary work to the Missa solemnis, it is an entirely independent work which set standards for the further development of settings of the Mass in the 19th century. Its newness, of which the composer himself was fully aware (I do not speak gladly of my Mass, or of myself, but I do believe that I have treated the text in a manner in which only few have treated it.), paves a way to an hitherto unknown, contemporary avenue to faith which today is still current. Carus presents this important work of church music history in a new critical edition by the Beethoven expert Ernst Herttrich. Score and part available separately - see item CA.4068800.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso (cello, double bass, organ)

SKU: CA.4068813

Missa in C. Composed by Ludwig van Beethoven. Edited by Ernst Herttrich. Carus sheet music series: Vocal scores XL. Messe In C Op. 86. Innovative practice aids, Sacred vocal music, Masses, Latin. Single Part, Viola. Op. 86. 16 pages. Duration 50 minutes. Carus Verlag #CV 40.688/13. Published by Carus Verlag (CA.4068813).

ISBN 9790007220358. Language: Latin.

With its tonal language of subjective avowal, the first of Beethoven's two masses opens up new worlds of expression for the liturgical texts of the Mass which are expressly modern and point towards the future. Not to be considered a preliminary work to the Missa solemnis, it is an entirely independent work which set standards for the further development of settings of the Mass in the 19th century. Its newness, of which the composer himself was fully aware (I do not speak gladly of my Mass, or of myself, but I do believe that I have treated the text in a manner in which only few have treated it.), paves a way to an hitherto unknown, contemporary avenue to faith which today is still current. Carus presents this important work of church music history in a new critical edition by the Beethoven expert Ernst Herttrich. Score and part available separately - see item CA.4068800.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso (cello, double bass, organ)

SKU: CA.4068809

Missa in C. Composed by Ludwig van Beethoven. Edited by Ernst Herttrich. 1x 40.688/21 flute 1, 1x 40.688/22 flute 2, 1x 40.688/23 oboe 1, 1x 40.688/24 oboe 2, 1x 40.688/25 clarinet 1, 1x 40.688/26 clarinet 2, 1x 40.688/27 bassoon 1, 1x 40.688/28 bassoon 2, 1x 40.688/31 horn 1, 1x 40.688/32 horn 2, 1x 40.688/33 trumpet 1, 1x 40. Carus sheet music series: Vocal scores XL. Messe In C Op. 86. Innovative practice aids, Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Op. 86. 120 pages. Duration 50 minutes. Carus Verlag #CV 40.688/09. Published by Carus Verlag (CA.4068809).

ISBN 9790007220327. Language: Latin.

With its tonal language of subjective avowal, the first of Beethoven's two masses opens up new worlds of expression for the liturgical texts of the Mass which are expressly modern and point towards the future. Not to be considered a preliminary work to the Missa solemnis, it is an entirely independent work which set standards for the further development of settings of the Mass in the 19th century. Its newness, of which the composer himself was fully aware (I do not speak gladly of my Mass, or of myself, but I do believe that I have treated the text in a manner in which only few have treated it.), paves a way to an hitherto unknown, contemporary avenue to faith which today is still current. Carus presents this important work of church music history in a new critical edition by the Beethoven expert Ernst Herttrich. Score and parts available separately - see item CA.4068800.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso (cello, double bass, organ)

SKU: CA.4068815

Missa in C. Composed by Ludwig van Beethoven. Edited by Ernst Herttrich. Carus sheet music series: Vocal scores XL. Messe In C Op. 86. Innovative practice aids, Sacred vocal music, Masses, Latin. Single Part, Double Bass. Op. 86. 16 pages. Duration 50 minutes. Carus Verlag #CV 40.688/15. Published by Carus Verlag (CA.4068815).

ISBN 9790007220372. Language: Latin.

With its tonal language of subjective avowal, the first of Beethoven's two masses opens up new worlds of expression for the liturgical texts of the Mass which are expressly modern and point towards the future. Not to be considered a preliminary work to the Missa solemnis, it is an entirely independent work which set standards for the further development of settings of the Mass in the 19th century. Its newness, of which the composer himself was fully aware (I do not speak gladly of my Mass, or of myself, but I do believe that I have treated the text in a manner in which only few have treated it.), paves a way to an hitherto unknown, contemporary avenue to faith which today is still current. Carus presents this important work of church music history in a new critical edition by the Beethoven expert Ernst Herttrich. Score and part available separately - see item CA.4068800.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso (cello, double bass, organ)

SKU: CA.4068819

Messe in C op. 86. Composed by Ludwig van Beethoven. Edited by Ernst Herttrich. Carus sheet music series: Vocal scores XL. Messe In C Op. 86. Innovative practice aids, Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Op. 86. Duration 50 minutes. Carus Verlag #CV 40.688/19. Published by Carus Verlag (CA.4068819).

ISBN 9790007097219. Language: Latin.

With its tonal language of subjective avowal, the first of Beethoven's two masses opens up new worlds of expression for the liturgical texts of the Mass which are expressly modern and point towards the future. Not to be considered a preliminary work to the Missa solemnis, it is an entirely independent work which set standards for the further development of settings of the Mass in the 19th century. Its newness, of which the composer himself was fully aware (I do not speak gladly of my Mass, or of myself, but I do believe that I have treated the text in a manner in which only few have treated it.), paves a way to an hitherto unknown, contemporary avenue to faith which today is still current. Carus presents this important work of church music history in a new critical edition by the Beethoven expert Ernst Herttrich. Score and parts available separately - see item CA.4068800.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso (cello, double bass, organ)

SKU: CA.4068805

Messe in C. Composed by Ludwig van Beethoven. Edited by Ernst Herttrich. Carus sheet music series: Vocal scores XL. Messe In C Op. 86. Innovative practice aids, Sacred vocal music, Masses, Latin. Choral Score. Op. 86. Duration 50 minutes. Carus Verlag #CV 40.688/05. Published by Carus Verlag (CA.4068805).

ISBN 9790007131012. Language: Latin.

With its tonal language of subjective avowal, the first of Beethoven's two masses opens up new worlds of expression for the liturgical texts of the Mass which are expressly modern and point towards the future. Not to be considered a preliminary work to the Missa solemnis, it is an entirely independent work which set standards for the further development of settings of the Mass in the 19th century. Its newness, of which the composer himself was fully aware (I do not speak gladly of my Mass, or of myself, but I do believe that I have treated the text in a manner in which only few have treated it.), paves a way to an hitherto unknown, contemporary avenue to faith which today is still current. Carus presents this important work of church music history in a new critical edition by the Beethoven expert Ernst Herttrich. Score available separately - see item CA.4068800.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 violin, viola, basso continuo

SKU: CA.3710449

Passions-Cantate, nach der Poesie des Herrn Buschmann. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Paperbound, Complete edition. Gottfried August Homilius - Selected Works. Passionskantate I Ein Lammlein Ga 4. Sacred vocal music, Cantatas, Lent and Passiontide. Single Part, Organ. HoWV I.2. 60 pages. Duration 95 minutes. Carus Verlag #CV 37.104/49. Published by Carus Verlag (CA.3710449).

ISBN 9790007091347. Language: German.

He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passionskantate was well received and widely disseminated during the 18th and 19th centuries: Thanks to its popularity it was published in 1775 by Breitkopf as a full score - a rare honor, accorded to only one other Passion in the 18th century (Graun's Tod Jesu). The text describes the events of the Passion from a very personal point of view: The story focuses less on the actual events, then upon the feelings of the observers of these events. The subjective nature of the narrative is reflected in a very dramatically marked style of recitative, which presents a charming contrast to the expressive choral writing and the melodically accented arias. With the release of a new music editions and a SACD/CD the Passionskantate can now be rediscovered.. Score and part available separately - see item CA.3710400.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 violin, viola, basso continuo

SKU: CA.3710400

Passions-Cantate, nach der Poesie des Herrn Buschmann. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Paperbound, Complete edition. Gottfried August Homilius - Selected Works. German title: Passionskantate I Ein Lammlein Ga 4. Sacred vocal music, Cantatas, Lent and Passiontide. Full score (complete edition / selected edition). HoWV I.2. Duration 95 minutes. Carus Verlag #CV 37.104/00. Published by Carus Verlag (CA.3710400).

ISBN 9790007090821. Language: German.

He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passionskantate was well received and widely disseminated during the 18th and 19th centuries: Thanks to its popularity it was published in 1775 by Breitkopf as a full score - a rare honor, accorded to only one other Passion in the 18th century (Graun's Tod Jesu). The text describes the events of the Passion from a very personal point of view: The story focuses less on the actual events, then upon the feelings of the observers of these events. The subjective nature of the narrative is reflected in a very dramatically marked style of recitative, which presents a charming contrast to the expressive choral writing and the melodically accented arias. With the release of a new music editions and a SACD/CD the Passionskantate can now be rediscovered..

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 violin, viola, basso continuo

SKU: CA.3710409

Passions-Cantate, nach der Poesie des Herrn Buschmann. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Complete edition. 1x 37.104/21 flute 1, 1x 37.104/22 flute 2, 1x 37.104/23 oboe 1, 1x 37.104/24 oboe 2, 2x 37.104/25 2 bassoons. Gottfried August Homilius - Selected Works. Passionskantate I Ein Lammlein Ga 4. Sacred vocal music, Cantatas, Lent and Passiontide. Set of Orchestra Parts. HoWV I.2. 96 pages. Duration 95 minutes. Carus Verlag #CV 37.104/09. Published by Carus Verlag (CA.3710409).

ISBN 9790007214289. Language: German.

He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passionskantate was well received and widely disseminated during the 18th and 19th centuries: Thanks to its popularity it was published in 1775 by Breitkopf as a full score - a rare honor, accorded to only one other Passion in the 18th century (Graun's Tod Jesu). The text describes the events of the Passion from a very personal point of view: The story focuses less on the actual events, then upon the feelings of the observers of these events. The subjective nature of the narrative is reflected in a very dramatically marked style of recitative, which presents a charming contrast to the expressive choral writing and the melodically accented arias. With the release of a new music editions and a SACD/CD the Passionskantate can now be rediscovered.. Score and parts available separately - see item CA.3710400.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 violin, viola, basso continuo

SKU: CA.3710419

Passions-Cantate, nach der Poesie des Herrn Buschmann. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Complete edition. Gottfried August Homilius - Selected Works. Passionskantate I Ein Lammlein Ga 4. Sacred vocal music, Cantatas, Lent and Passiontide. Set of Orchestra Parts. HoWV I.2. Duration 95 minutes. Carus Verlag #CV 37.104/19. Published by Carus Verlag (CA.3710419).

ISBN 9790007134310. Language: German.

He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passionskantate was well received and widely disseminated during the 18th and 19th centuries: Thanks to its popularity it was published in 1775 by Breitkopf as a full score - a rare honor, accorded to only one other Passion in the 18th century (Graun's Tod Jesu). The text describes the events of the Passion from a very personal point of view: The story focuses less on the actual events, then upon the feelings of the observers of these events. The subjective nature of the narrative is reflected in a very dramatically marked style of recitative, which presents a charming contrast to the expressive choral writing and the melodically accented arias. With the release of a new music editions and a SACD/CD the Passionskantate can now be rediscovered.. Score and parts available separately - see item CA.3710400.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 violin, viola, basso continuo

SKU: CA.3710405

Passions-Cantate, nach der Poesie des Herrn Buschmann. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Complete edition. Gottfried August Homilius - Selected Works. Passionskantate I Ein Lammlein Ga 4. Sacred vocal music, Cantatas, Lent and Passiontide. Choral Score. HoWV I.2. Duration 95 minutes. Carus Verlag #CV 37.104/05. Published by Carus Verlag (CA.3710405).

ISBN 9790007127442. Language: German.

He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passionskantate was well received and widely disseminated during the 18th and 19th centuries: Thanks to its popularity it was published in 1775 by Breitkopf as a full score - a rare honor, accorded to only one other Passion in the 18th century (Graun's Tod Jesu). The text describes the events of the Passion from a very personal point of view: The story focuses less on the actual events, then upon the feelings of the observers of these events. The subjective nature of the narrative is reflected in a very dramatically marked style of recitative, which presents a charming contrast to the expressive choral writing and the melodically accented arias. With the release of a new music editions and a SACD/CD the Passionskantate can now be rediscovered.. Score available separately - see item CA.3710400.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones, 2 violins, viola, basso continuo

SKU: CA.9700312

Viennese version. Composed by Giovanni Battista Pergolesi. Edited by Martin Haselbock. Arranged by Ignaz Xaver Ritter von Seyfried, Joseph Leopold Eybler, and Otto Nicolai. Stabat Mater (Satb Arr.Salieri) Spira. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Violin 2. Composed 1736/1800/1843. 16 pages. Duration 35 minutes. Carus Verlag #CV 97.003/12. Published by Carus Verlag (CA.9700312).

ISBN 9790007238766. Language: Latin.

Following his death, Pergolesi's last larger composition, the Stabat Mater of 1736, immediately became one of the most popular sacred works of the late baroque-early classical era. Numerous publications made this icon of Italian sacred music known throughout Europe. It was arranged by, among others, J. S. Bach (Tilge, Hochster, meine Sunden, BWV 1083), J. A. Hiller and Abbe Vogler. The most popular arrangement was the one made around 1800 for the Vienna Court Kapelle, in which Antonio Salieri, Franz Xaver Sussmayr and I. X. Ritter von Seyfried added woodwind instruments and obbligato trombones to the string accompaniment. In addition the 2-part texture of the upper voices in the original was arranged for 4 parts with obbligato soli. It was only in this opulent, sonorous version, which Otto Nicolai and three composer colleagues offered to 19th century Viennese music lovers. The piece is of medium difficulty. In the Viennese version it is a rarity that offers an enrichment to the repertoire for choirs wishing to discover something new. Score and part available separately - see item CA.9700300.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones, 2 violins, viola, basso continuo

SKU: CA.9700313

Viennese version. Composed by Giovanni Battista Pergolesi. Edited by Martin Haselbock. Arranged by Ignaz Xaver Ritter von Seyfried, Joseph Leopold Eybler, and Otto Nicolai. Stabat Mater (Satb Arr.Salieri) Spira. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Viola. Composed 1736/1800/1843. 16 pages. Duration 35 minutes. Carus Verlag #CV 97.003/13. Published by Carus Verlag (CA.9700313).

ISBN 9790007238773. Language: Latin.

Following his death, Pergolesi's last larger composition, the Stabat Mater of 1736, immediately became one of the most popular sacred works of the late baroque-early classical era. Numerous publications made this icon of Italian sacred music known throughout Europe. It was arranged by, among others, J. S. Bach (Tilge, Hochster, meine Sunden, BWV 1083), J. A. Hiller and Abbe Vogler. The most popular arrangement was the one made around 1800 for the Vienna Court Kapelle, in which Antonio Salieri, Franz Xaver Sussmayr and I. X. Ritter von Seyfried added woodwind instruments and obbligato trombones to the string accompaniment. In addition the 2-part texture of the upper voices in the original was arranged for 4 parts with obbligato soli. It was only in this opulent, sonorous version, which Otto Nicolai and three composer colleagues offered to 19th century Viennese music lovers. The piece is of medium difficulty. In the Viennese version it is a rarity that offers an enrichment to the repertoire for choirs wishing to discover something new. Score and part available separately - see item CA.9700300.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones, 2 violins, viola, basso continuo

SKU: CA.9700349

Viennese version. Composed by Giovanni Battista Pergolesi. Edited by Martin Haselbock. Arranged by Ignaz Xaver Ritter von Seyfried, Joseph Leopold Eybler, and Otto Nicolai. Stabat Mater (Satb Arr.Salieri) Spira. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Organ. Composed 1736/1800/1843. 28 pages. Duration 35 minutes. Carus Verlag #CV 97.003/49. Published by Carus Verlag (CA.9700349).

ISBN 9790007238797. Language: Latin.

Following his death, Pergolesi's last larger composition, the Stabat Mater of 1736, immediately became one of the most popular sacred works of the late baroque-early classical era. Numerous publications made this icon of Italian sacred music known throughout Europe. It was arranged by, among others, J. S. Bach (Tilge, Hochster, meine Sunden, BWV 1083), J. A. Hiller and Abbe Vogler. The most popular arrangement was the one made around 1800 for the Vienna Court Kapelle, in which Antonio Salieri, Franz Xaver Sussmayr and I. X. Ritter von Seyfried added woodwind instruments and obbligato trombones to the string accompaniment. In addition the 2-part texture of the upper voices in the original was arranged for 4 parts with obbligato soli. It was only in this opulent, sonorous version, which Otto Nicolai and three composer colleagues offered to 19th century Viennese music lovers. The piece is of medium difficulty. In the Viennese version it is a rarity that offers an enrichment to the repertoire for choirs wishing to discover something new. Score and part available separately - see item CA.9700300.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones, 2 violins, viola, basso continuo

SKU: CA.9700305

Viennese version. Composed by Giovanni Battista Pergolesi. Edited by Martin Haselbock. Arranged by Ignaz Xaver Ritter von Seyfried, Joseph Leopold Eybler, and Otto Nicolai. Stabat Mater (Satb Arr.Salieri) Spira. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Choral Score. Composed 1736/1800/1843. 12 pages. Duration 35 minutes. Carus Verlag #CV 97.003/05. Published by Carus Verlag (CA.9700305).

ISBN 9790007131777. Language: Latin.

Following his death, Pergolesi's last larger composition, the Stabat Mater of 1736, immediately became one of the most popular sacred works of the late baroque-early classical era. Numerous publications made this icon of Italian sacred music known throughout Europe. It was arranged by, among others, J. S. Bach (Tilge, Hochster, meine Sunden, BWV 1083), J. A. Hiller and Abbe Vogler. The most popular arrangement was the one made around 1800 for the Vienna Court Kapelle, in which Antonio Salieri, Franz Xaver Sussmayr and I. X. Ritter von Seyfried added woodwind instruments and obbligato trombones to the string accompaniment. In addition the 2-part texture of the upper voices in the original was arranged for 4 parts with obbligato soli. It was only in this opulent, sonorous version, which Otto Nicolai and three composer colleagues offered to 19th century Viennese music lovers. The piece is of medium difficulty. In the Viennese version it is a rarity that offers an enrichment to the repertoire for choirs wishing to discover something new. Score available separately - see item CA.9700300.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones, 2 violins, viola, basso continuo

SKU: CA.9700314

Viennese version. Composed by Giovanni Battista Pergolesi. Edited by Martin Haselbock. Arranged by Ignaz Xaver Ritter von Seyfried, Joseph Leopold Eybler, and Otto Nicolai. Stabat Mater (Satb Arr.Salieri) Spira. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Cello/Double Bass. Composed 1736/1800/1843. 12 pages. Duration 35 minutes. Carus Verlag #CV 97.003/14. Published by Carus Verlag (CA.9700314).

ISBN 9790007238780. Language: Latin.

Following his death, Pergolesi's last larger composition, the Stabat Mater of 1736, immediately became one of the most popular sacred works of the late baroque-early classical era. Numerous publications made this icon of Italian sacred music known throughout Europe. It was arranged by, among others, J. S. Bach (Tilge, Hochster, meine Sunden, BWV 1083), J. A. Hiller and Abbe Vogler. The most popular arrangement was the one made around 1800 for the Vienna Court Kapelle, in which Antonio Salieri, Franz Xaver Sussmayr and I. X. Ritter von Seyfried added woodwind instruments and obbligato trombones to the string accompaniment. In addition the 2-part texture of the upper voices in the original was arranged for 4 parts with obbligato soli. It was only in this opulent, sonorous version, which Otto Nicolai and three composer colleagues offered to 19th century Viennese music lovers. The piece is of medium difficulty. In the Viennese version it is a rarity that offers an enrichment to the repertoire for choirs wishing to discover something new. Score and part available separately - see item CA.9700300.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones, 2 violins, viola, basso continuo

SKU: CA.9700300

Viennese version. Composed by Giovanni Battista Pergolesi. Edited by Martin Haselbock. Arranged by Ignaz Xaver Ritter von Seyfried, Joseph Leopold Eybler, and Otto Nicolai. This edition: Paperbound. German title: Stabat Mater (Satb Arr.Salieri) Spira. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Full score. Composed 1736/1800/1843. 128 pages. Duration 35 minutes. Carus Verlag #CV 97.003/00. Published by Carus Verlag (CA.9700300).

ISBN 9790007113124. Language: Latin.

Following his death, Pergolesi's last larger composition, the Stabat Mater of 1736, immediately became one of the most popular sacred works of the late baroque-early classical era. Numerous publications made this icon of Italian sacred music known throughout Europe. It was arranged by, among others, J. S. Bach (Tilge, Hochster, meine Sunden, BWV 1083), J. A. Hiller and Abbe Vogler. The most popular arrangement was the one made around 1800 for the Vienna Court Kapelle, in which Antonio Salieri, Franz Xaver Sussmayr and I. X. Ritter von Seyfried added woodwind instruments and obbligato trombones to the string accompaniment. In addition the 2-part texture of the upper voices in the original was arranged for 4 parts with obbligato soli. It was only in this opulent, sonorous version, which Otto Nicolai and three composer colleagues offered to 19th century Viennese music lovers. The piece is of medium difficulty. In the Viennese version it is a rarity that offers an enrichment to the repertoire for choirs wishing to discover something new.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones, 2 violins, viola, basso continuo

SKU: CA.9700311

Viennese version. Composed by Giovanni Battista Pergolesi. Edited by Martin Haselbock. Arranged by Ignaz Xaver Ritter von Seyfried, Joseph Leopold Eybler, and Otto Nicolai. Stabat Mater (Satb Arr.Salieri) Spira. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Violin 1. Composed 1736/1800/1843. 16 pages. Duration 35 minutes. Carus Verlag #CV 97.003/11. Published by Carus Verlag (CA.9700311).

ISBN 9790007238759. Language: Latin.

Following his death, Pergolesi's last larger composition, the Stabat Mater of 1736, immediately became one of the most popular sacred works of the late baroque-early classical era. Numerous publications made this icon of Italian sacred music known throughout Europe. It was arranged by, among others, J. S. Bach (Tilge, Hochster, meine Sunden, BWV 1083), J. A. Hiller and Abbe Vogler. The most popular arrangement was the one made around 1800 for the Vienna Court Kapelle, in which Antonio Salieri, Franz Xaver Sussmayr and I. X. Ritter von Seyfried added woodwind instruments and obbligato trombones to the string accompaniment. In addition the 2-part texture of the upper voices in the original was arranged for 4 parts with obbligato soli. It was only in this opulent, sonorous version, which Otto Nicolai and three composer colleagues offered to 19th century Viennese music lovers. The piece is of medium difficulty. In the Viennese version it is a rarity that offers an enrichment to the repertoire for choirs wishing to discover something new. Score and part available separately - see item CA.9700300.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones, 2 violins, viola, basso continuo

SKU: CA.9700319

Viennese version. Composed by Giovanni Battista Pergolesi. Edited by Martin Haselbock. Arranged by Ignaz Xaver Ritter von Seyfried, Joseph Leopold Eybler, and Otto Nicolai. Stabat Mater (Satb Arr.Salieri) Spira. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Set of Orchestra Parts. Composed 1736/1800/1843. Duration 35 minutes. Carus Verlag #CV 97.003/19. Published by Carus Verlag (CA.9700319).

ISBN 9790007133757. Language: Latin.

Following his death, Pergolesi's last larger composition, the Stabat Mater of 1736, immediately became one of the most popular sacred works of the late baroque-early classical era. Numerous publications made this icon of Italian sacred music known throughout Europe. It was arranged by, among others, J. S. Bach (Tilge, Hochster, meine Sunden, BWV 1083), J. A. Hiller and Abbe Vogler. The most popular arrangement was the one made around 1800 for the Vienna Court Kapelle, in which Antonio Salieri, Franz Xaver Sussmayr and I. X. Ritter von Seyfried added woodwind instruments and obbligato trombones to the string accompaniment. In addition the 2-part texture of the upper voices in the original was arranged for 4 parts with obbligato soli. It was only in this opulent, sonorous version, which Otto Nicolai and three composer colleagues offered to 19th century Viennese music lovers. The piece is of medium difficulty. In the Viennese version it is a rarity that offers an enrichment to the repertoire for choirs wishing to discover something new. Score and parts available separately - see item CA.9700300.

SSATB vocal soli, SATB choir, 2 horns, 2 flutes, 2 oboes, 2 bassoons, 2 violins, viola, basso continuo

SKU: CA.3710349

Der Fromme stirbt. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Paperbound, Complete edition. Gottfried August Homilius - Selected Works. Johannespassion Ga 3. Innovative practice aids, Sacred vocal music, Passions. Single Part, Organ. HoWV I.4. 80 pages. Duration 119 minutes. Carus Verlag #CV 37.103/49. Published by Carus Verlag (CA.3710349).

ISBN 9790007091354. Language: German.

The oratorio Passions by Homilius were among the last compositions of their kind in the 18th century. In an oratorio Passion the chorus is restricted mainly to singing the chorales and the interjections of the crowd; only the conclusion of a Passion provides an opportunity for an extensive choral movement. In the St. John Passion the final chorus emphasizes the supreme importance of the Crucifixion as the climax of St. John's Gospel. The free elements of the composition take the forms customary at the time: da capo arias are predominant. Score and part available separately - see item CA.3710300.

SSATB vocal soli, SATB choir, 2 horns, 2 flutes, 2 oboes, 2 bassoons, 2 violins, viola, basso continuo

SKU: CA.3710309

Der Fromme stirbt. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Complete edition. 1x 37.103/21 flute 1, 1x 37.103/22 flute 2, 1x 37.103/23 oboe 1, 1x 37.103/24 oboe 2, 2x 37.103/25 bassoon, 1x 37.103/31 horn 1, 1x 37.103/32 horn 2. Gottfried August Homilius - Selected Works. Johannespassion Ga 3. Innovative practice aids, Sacred vocal music, Passions. Set of Orchestra Parts. HoWV I.4. 136 pages. Duration 119 minutes. Carus Verlag #CV 37.103/09. Published by Carus Verlag (CA.3710309).

ISBN 9790007214234. Language: German.

The oratorio Passions by Homilius were among the last compositions of their kind in the 18th century. In an oratorio Passion the chorus is restricted mainly to singing the chorales and the interjections of the crowd; only the conclusion of a Passion provides an opportunity for an extensive choral movement. In the St. John Passion the final chorus emphasizes the supreme importance of the Crucifixion as the climax of St. John's Gospel. The free elements of the composition take the forms customary at the time: da capo arias are predominant. Score and parts available separately - see item CA.3710300.

SSATB vocal soli, SATB choir, 2 horns, 2 flutes, 2 oboes, 2 bassoons, 2 violins, viola, basso continuo

SKU: CA.3710319

Der Fromme stirbt. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Complete edition. Gottfried August Homilius - Selected Works. Johannespassion Ga 3. Innovative practice aids, Sacred vocal music, Passions. Set of Orchestra Parts. HoWV I.4. Duration 119 minutes. Carus Verlag #CV 37.103/19. Published by Carus Verlag (CA.3710319).

ISBN 9790007134303. Language: German.

The oratorio Passions by Homilius were among the last compositions of their kind in the 18th century. In an oratorio Passion the chorus is restricted mainly to singing the chorales and the interjections of the crowd; only the conclusion of a Passion provides an opportunity for an extensive choral movement. In the St. John Passion the final chorus emphasizes the supreme importance of the Crucifixion as the climax of St. John's Gospel. The free elements of the composition take the forms customary at the time: da capo arias are predominant. Score and parts available separately - see item CA.3710300.

Orchestra SSATB vocal soli, SATB choir, 2 horns, 2 flutes, 2 oboes, 2 bassoons, 2 violins, viola, basso continuo

SKU: CA.3710307

Der Fromme stirbt. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Paperbound, Complete edition. Gottfried August Homilius - Selected Works. Johannespassion Ga 3. Innovative practice aids, Sacred vocal music, Passions. Study score. HoWV I.4. Duration 119 minutes. Carus Verlag #CV 37.103/07. Published by Carus Verlag (CA.3710307).

ISBN 9790007142742. Language: German.

The oratorio Passions by Homilius were among the last compositions of their kind in the 18th century. In an oratorio Passion the chorus is restricted mainly to singing the chorales and the interjections of the crowd; only the conclusion of a Passion provides an opportunity for an extensive choral movement. In the St. John Passion the final chorus emphasizes the supreme importance of the Crucifixion as the climax of St. John's Gospel. The free elements of the composition take the forms customary at the time: da capo arias are predominant. Score available separately - see item CA.3710300.