By Johann Sebastian Bach; Neil Jenkins (Editor). For 2 Soprano, Alto, Tenor, Bas...(+)
By Johann Sebastian Bach;
Neil Jenkins (Editor).
For 2 Soprano, Alto,
Tenor, Bass Soli, SSATB
Chorus, Piano. Baroque,
Sacred, Choral. Sheet
Music. 204 pages.
Published by Novello and
Co Ltd.
Soli, choeur mixte et accompagnement Soli, chœur mixte et piano [Vocal Score] - Avancé Schirmer
Composed by Pietro Mascagni (1863-1945). Vocal score for SATB chorus, soprano vo...(+)
Composed by Pietro
Mascagni (1863-1945).
Vocal score for SATB
chorus, soprano voice
solo, contra alto voice
solo, baritone voice
solo, tenor voice solo,
mezzo soprano voice solo
and piano accompaniment.
With vocal score, lyrics,
piano reduction and
introductory text.
Series: G. Schirmer Opera
Score Editions. Text
language Italian and
English. Translated by
Machlis. 146 pages.
Published by G. Schirmer,
Inc.
By George Frideric Handel ; Donald Burrows (Editor). For Soprano, Tenor, Bass, S...(+)
By George Frideric Handel
; Donald Burrows
(Editor). For Soprano,
Tenor, Bass, SATB Choir,
Piano Accompaniment.
Baroque. Sheet Music. 168
pages. Published by
Novello and Co Ltd.
Dramma per musica. Klavierauszug nach dem Urtext der Haydn- Gesamtausgabe (itali...(+)
Dramma per musica.
Klavierauszug nach dem
Urtext der Haydn-
Gesamtausgabe
(italienisch/deutsch). By
Franz Joseph Haydn.
Arranged by Barthel,
Ernst R. For 3 Soprano
solo, Tenor solo, 2 Bass
solo, Mixed Choir-SATB, 2
Flute, 2 Oboe, 2 Eh, 2
Clarinet (b flat), 2
Bassoon, 2 Horn, 2
Trumpet, Kettledrum,
Harp, Strings, Basso
continuo. Piano
Reduction/Vocal Score
(paperbound). Hob.
XXVIII:13. Published by
Baerenreiter-Ausgaben
(German import).
By Wolfgang Amadeus Mozart (1756-1791). Arranged by Paul Horn. For Soli SATB, SA...(+)
By Wolfgang Amadeus
Mozart (1756-1791).
Arranged by Paul Horn.
For Soli SATB, SATB
Choir, 2 Violins, Basso
continuo, [3 Trombones].
This edition: paperbound.
KV 109 (74e). Score
available separately -
see item CA.4005400.
Litanies; Stuttgart
Urtext Editions; Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary.
Piano/Vocal score.
Language: Latin. Composed
1771. 20 pages. Duration
11 min. Published by
Carus Verlag
By Franz Schubert (1797-1828). Edited by Manuela Jahrmarker. For Soli SATB, SATB...(+)
By Franz Schubert
(1797-1828). Edited by
Manuela Jahrmarker. For
Soli SATB, SATB Choir, 2
Oboes, 2 Bassoons, 2
Trumpets, Timpani, 2
Violins, Viola,
Cello/Contrabass, Organ,
[2 Horns, 3 Trombones].
This edition: paperbound.
D 324. Full score
available separately -
see item CA.4065700.
Latin Masses; Stuttgart
Urtext editions.
Piano/Vocal score.
Language: Latin. Composed
1815. 60 pages. Duration
30 min. Published by
Carus Verlag
By Wolfgang Amadeus Mozart (1756-1791). Edited by Bernhard Janz. Arranged by Pau...(+)
By Wolfgang Amadeus
Mozart (1756-1791).
Edited by Bernhard Janz.
Arranged by Paul Horn.
For Soli SATB, SATB
Choir, 2 Violins, Basso
continuo, [3 Trombones].
This edition: paperbound.
KV 275 (272b). Score
available separately -
see item CA.4062900.
Missa brevis, Latin;
Stuttgart Urtext
Editions. Level 3.
Piano/Vocal score.
Language: Latin. Composed
1777. 44 pages. Duration
24 min. Published by
Carus Verlag
Stabat Mater, Op. 58 / B. 71 Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier [Vocal Score] Serenissima
By Antonin Dvorak (1841-1904). Edited by Otakar Sourek. Arranged by Josef Zubay....(+)
By Antonin Dvorak
(1841-1904). Edited by
Otakar Sourek. Arranged
by Josef Zubay. Choir and
piano. For Soprano voice,
Alto voice, Tenor voice,
and Bass voice (Soli),
SATB Choir, Piano. This
edition: Paperback.
Choral, Transcriptions,
Original Works,
Liturgical. Romantic
Period; Sacred/Hymns,
Czech. Vocal Score. 166
pages. Published by
Serenissima
Soloists, Mixed choir, Orchestra SKU: BA.BA10726-01 Oratorio in three ...(+)
Soloists, Mixed choir,
Orchestra
SKU:
BA.BA10726-01
Oratorio in three
parts. Composed by
George Frideric Handel.
Edited by Michael
Pacholke. This edition:
Complete edition. Linen.
Complete edition, Score.
HWV 46. Baerenreiter
Verlag #BA10726-01.
Published by Baerenreiter
Verlag (BA.BA10726-01).
ISBN 9790006575596. 33
x 26 cm inches. Text
Language: Italian.
Preface: Pacholke,
Michael.
In the
brief half-year period
from August 14, 1736, to
January 27, 1737, Georg
Friedrich Handel achieved
an unprecedented level of
productivity in his opera
compositions, creating
three operas.
Additionally, in March
1737, he also composed a
largely new oratorio
titled â??Il trionfo del
Tempo e della
Verità â? (â??The
Triumph of Time and
Truthâ?) HWV 46b. The
libretto of this oratorio
closely corresponds to
that of the oratorio
â??La Bellezza ravveduta
nel trionfo del Tempo e
del Disingannoâ?
(â??Beauty Reconciled in
the Triumph of Time and
Enlightenmentâ?) HWV
46a written in 1707. With
â??La Bellezza
ravvedutaâ?, Handel
composed an allegorical
and particularly dramatic
oratorio right at the
beginning of his oratorio
compositions. In this
work, there is no chorus
inclined towards
reflection. Not only do
the four allegorical
figures, Bellezza
(Beauty), Piacere
(Pleasure), Tempo (Time),
and Disinganno
(Enlightenment), listen
to each other and react
to the ideas presented by
the others, but this
prevailing dramatic
principle of dispute is
also found in the
recitatives.
In
1737, when reworking the
oratorio material as
â??Il trionfo del Tempo
e della Verità â?,
Handel approached the
task pragmatically. He
needed a new non-dramatic
work to fulfill the
eveningâ??s program for
his audience at the
Covent Garden Theatre
during the fasting season
when theatrical
performances were
prohibited. Although he
had excellent Italian
vocal soloists, notorious
for their pronunciation
in Handelâ??s English
oratorios and who
naturally preferred
singing in Italian,
Handel found a solution.
It was evident to Handel
that, in response to the
ban on performances of
his Italian operas during
the fasting season of
1737, he should promptly
create a new oratorio in
the Italian language but
following the three-part
â??Englishâ? oratorio
form that he had
developed in
â??Estherâ? HWV 50b
in 1732. Unlike in Rome
in 1707, he had access to
a chorus in London in
1737, and the English
oratorio, with its
substantial choral
sections, a preference
for concert-like rather
than dramatic
composition, and frequent
inclusion of organ
concertos loosely related
to the narrative, was
already
established.
The
new volume of the HHA
includes the original
version of the 1737
premiere as well as all
the surviving early and
later versions (the
latter being exceptional
highlights) of individual
musical pieces from
â??Il trionfo del Tempo
e della
Verità â?.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Paul Horn. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. Litaniae
Lauretanae In B Rev.2002.
Innovative practice aids,
Litanies, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Choral
Score. Composed 1771. KV
109 (74e). Duration 11
minutes. Carus Verlag #CV
40.054/05. Published by
Carus Verlag
(CA.4005405).
ISBN
9790007059286. Key: B
flat major. Language:
Latin.
This Litany
of the Blessed Virgin
Mary is the first and
most straightforward of
four litanies which
Mozart composed from 1771
to 1776 in Salzburg. Its
light instrumental
scoring - only the church
trio of two violins and
continuo, with trombones
used merely to reinforce
the choir - suggest that
this piece was intended
for Marian devotions in
the small Court Chapel of
Schloss Mirabell. Score
available separately -
see item CA.4005400.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Paul Horn. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. Litaniae
Lauretanae In B Rev.2002.
Innovative practice aids,
Litanies, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Organ. Composed 1771. KV
109 (74e). 8 pages.
Duration 11 minutes.
Carus Verlag #CV
40.054/49. Published by
Carus Verlag
(CA.4005449).
ISBN
9790007059330. Key: B
flat major. Language:
Latin.
This Litany
of the Blessed Virgin
Mary is the first and
most straightforward of
four litanies which
Mozart composed from 1771
to 1776 in Salzburg. Its
light instrumental
scoring - only the church
trio of two violins and
continuo, with trombones
used merely to reinforce
the choir - suggest that
this piece was intended
for Marian devotions in
the small Court Chapel of
Schloss Mirabell. Score
and part available
separately - see item
CA.4005400.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Paul Horn. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. Litaniae
Lauretanae In B Rev.2002.
Innovative practice aids,
Litanies, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Violin 1. Composed 1771.
KV 109 (74e). 4 pages.
Duration 11 minutes.
Carus Verlag #CV
40.054/11. Published by
Carus Verlag
(CA.4005411).
ISBN
9790007059309. Key: B
flat major. Language:
Latin.
This Litany
of the Blessed Virgin
Mary is the first and
most straightforward of
four litanies which
Mozart composed from 1771
to 1776 in Salzburg. Its
light instrumental
scoring - only the church
trio of two violins and
continuo, with trombones
used merely to reinforce
the choir - suggest that
this piece was intended
for Marian devotions in
the small Court Chapel of
Schloss Mirabell. Score
and part available
separately - see item
CA.4005400.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Paul Horn. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. Litaniae
Lauretanae In B Rev.2002.
Innovative practice aids,
Litanies, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Cello/Double Bass.
Composed 1771. KV 109
(74e). 4 pages. Duration
11 minutes. Carus Verlag
#CV 40.054/13. Published
by Carus Verlag
(CA.4005413).
ISBN
9790007059323. Key: B
flat major. Language:
Latin.
This Litany
of the Blessed Virgin
Mary is the first and
most straightforward of
four litanies which
Mozart composed from 1771
to 1776 in Salzburg. Its
light instrumental
scoring - only the church
trio of two violins and
continuo, with trombones
used merely to reinforce
the choir - suggest that
this piece was intended
for Marian devotions in
the small Court Chapel of
Schloss Mirabell. Score
and part available
separately - see item
CA.4005400.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Paul Horn. This
edition: urtext. 1x
40.054/31 trombone 1, 1x
40.054/32 trombone 2, 1x
40.054/33 trombone 3.
Stuttgart Urtext Edition:
Mozart. Litaniae
Lauretanae In B Rev.2002.
Innovative practice aids,
Litanies, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Set of
Orchestra Parts. Composed
1771. KV 109 (74e). 6
pages. Duration 11
minutes. Carus Verlag #CV
40.054/09. Published by
Carus Verlag
(CA.4005409).
ISBN
9790007059293. Key: B
flat major. Language:
Latin.
This Litany
of the Blessed Virgin
Mary is the first and
most straightforward of
four litanies which
Mozart composed from 1771
to 1776 in Salzburg. Its
light instrumental
scoring - only the church
trio of two violins and
continuo, with trombones
used merely to reinforce
the choir - suggest that
this piece was intended
for Marian devotions in
the small Court Chapel of
Schloss Mirabell. Score
and parts available
separately - see item
CA.4005400.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Paul Horn. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. Litaniae
Lauretanae In B Rev.2002.
Innovative practice aids,
Litanies, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Violin 2. Composed 1771.
KV 109 (74e). 4 pages.
Duration 11 minutes.
Carus Verlag #CV
40.054/12. Published by
Carus Verlag
(CA.4005412).
ISBN
9790007059316. Key: B
flat major. Language:
Latin.
This Litany
of the Blessed Virgin
Mary is the first and
most straightforward of
four litanies which
Mozart composed from 1771
to 1776 in Salzburg. Its
light instrumental
scoring - only the church
trio of two violins and
continuo, with trombones
used merely to reinforce
the choir - suggest that
this piece was intended
for Marian devotions in
the small Court Chapel of
Schloss Mirabell. Score
and part available
separately - see item
CA.4005400.
Le comte Ory Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] Barenreiter
(Opera in two acts). Composed by Gioachino Rossini (1792-1868). Edited by Damien...(+)
(Opera in two acts).
Composed by Gioachino
Rossini (1792-1868).
Edited by Damien Colas.
For soprano voice solo/5
mezzo-soprano voice
solos/4 tenor voice
solos/4 baritone voice
solos/mixed choir/female
choir/men's
choir/orchestra (flute/2
flutes/2 oboe/2
clarinet/2 bassoon/4
horn/2 trumpet/3
trombone/timpani/percussi
on/2
violins/viola/cello/keybo
ard). This edition:
Edition of selected
works, Urtext edition.
Linen. Works of Gioachino
Rossini 5a b. Score.
Language: France, Text
Language:
France/English/Italian.
Published by Baerenreiter
Verlag
By Antonio Salieri (1750-1825). Edited by Kelber, Rudolf. For SATB Soli, SATB Ch...(+)
By Antonio Salieri
(1750-1825). Edited by
Kelber, Rudolf. For SATB
Soli, SATB Choir, 2
Flutes, 2 Oboes, 2
Bassoons, 2 Horns, 2
Contrabassoons, Timpani,
2 Violins, Viola, Basso
Continuo. This edition:
paperbound. Full score
available separately -
see item CA.4094200.
Passions; Use during
church year: Lent and
Passiontide, Holy Week.
Piano/Vocal score.
Language: Latin. Composed
1776. 160 pages. Duration
105 min
Messe B-Dur op. post.141 D 324 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Vocal Score] Barenreiter
(Klavierauszug nach dem Urtext der Neuen Schubert-Ausgabe). By Franz Schubert (1...(+)
(Klavierauszug nach dem
Urtext der Neuen
Schubert-Ausgabe). By
Franz Schubert
(1797-1828). Edited by
Rossana Dalmonte.
Arranged by Olga
Kroupova. For soprano
voice solo/alto voice
solo/tenor voice
solo/bass voice solo/SATB
choir/orchestra. This
edition: Urtext edition.
Level 4. Piano reduction.
Language: Latin, Text
language: German/English.
Opus post.141: D 324.
Published by Baerenreiter
Verlag
Idomeneo Soli, choeur mixte et accompagnement [Vocal Score] Barenreiter
Opera seria in 3 acts. Vocal Score (Italian/German) based on the Urtext of the N...(+)
Opera seria in 3 acts.
Vocal Score
(Italian/German) based on
the Urtext of the New
Mozart Edition. By
Wolfgang Amadeus Mozart.
Edited by Heartz, Daniel.
Arranged by Kluge,
Hans-Georg. For Soprano
solo (2), Soprano/ Tenor
solo, Tenor solo (3),
Bass solo, Mixed Choir,
Ball, Piccolo, Flute (2),
Oboe (2), Clarinet (b
flat) (2), Bassoon (2),
Horn (4), Trumpet (2),
Trombone (3), Kettledrum,
Strings, Basso continuo.
Piano Reduction/Vocal
Score; Urtext Edition
(hard bound). KV 366.
Duration 210`. Published
by Baerenreiter-Ausgaben
(German import). (BA4562
90)
By Wolfgang Amadeus Mozart (1756-1791). Arranged by Paul Horn. For Soli SATB, SA...(+)
By Wolfgang Amadeus
Mozart (1756-1791).
Arranged by Paul Horn.
For Soli SATB, SATB
Choir, 2 Oboes, 2 Horns,
2 Violins, Viola, Basso
continuo, [3 Trombones].
This edition: paperbound.
KV 195 (186d). Score
available separately -
see item CA.4005600.
Litanies; Stuttgart
Urtext Editions; Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary.
Piano/Vocal score.
Language: Latin. Composed
1774. 52 pages. Duration
28 min. Published by
Carus Verlag
