Composed by Michael Haydn (1737-1806). Edited by Charles H. Sherman. For SATB vocal soli, SATB choir, 2 clarinos/trumpets, 2 trumpets, (3 trombones), timpani, 2 violins, basso continuo. This edition: Paperbound. Sacred music from Salzburg. German title: Requiem in c (Schrattenbach) MH 155. Requiem, Sacred music from Salzburg Mourning, death. Level 3. Study score. Language: Latin. Composed 1771. MH 155. 120 pages. Duration 35 minutes. Published by Carus Verlag

SATB vocal soli, SATB choir, 2 clarinos/trumpets, 2 trumpets, (3 trombones), timpani, 2 violins, basso continuo - Level 3

SKU: CA.5032119

Composed by Michael Haydn. Edited by Charles H. Sherman. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. German title: Requiem In C (Schrattenbach) Mh 155. Sacred vocal music, Requiem, Mourning, death. Set of Orchestra Parts. Composed 1771. MH 155. Duration 35 minutes. Carus Verlag #CV 50.321/19. Published by Carus Verlag (CA.5032119).

ISBN 9790007133566. Key: C minor. Language: Latin.

Johann Michael Haydn's Requiem in C minor heavily influenced W. A. Mozart's Requiem. In just two weeks Michael Haydn composed his work in December 1771, on the occasion of the death of his employer, Prince Bishop Sigismund Count Schrattenbach, who was beloved among the people and was a great patron of the arts. The work was written under the impression of personal tragedy: Haydn's only child, Aloisia Josepha, died in January 1771, before completing her first year of life. Parts of the Schrattenbach-Requiem were played together with the completed movements from his second, unfinished Requiem during his own furneral service. During the funeral service in Vienna for Joseph Haydn, parts of his younger brother's C-minor Requiem were also performed. Score and parts available separately - see item CA.5032100.

SATB vocal soli, SATB choir, 2 clarinos/trumpets, 2 trumpets, (3 trombones), timpani, 2 violins, basso continuo - Level 3

SKU: CA.5032109

Composed by Michael Haydn. Edited by Charles H. Sherman. This edition: urtext. 1x 50.321/31 clarino 1, 1x 50.321/32 clarino 2, 1x 50.321/33 trumpet 1, 1x 50.321/34 trumpet 2, 1x 50.321/35 trombone 1, 1x 50.321/36 trombone 2, 1x 50.321/37 trombone 3, 1x 50.321/41 timpani. Stuttgart Urtext Edition: Johann Michael Haydn. Requiem In C (Schrattenbach) Mh 155. Sacred vocal music, Requiem, Mourning, death. Set of Orchestra Parts. Composed 1771. MH 155. 72 pages. Duration 35 minutes. Carus Verlag #CV 50.321/09. Published by Carus Verlag (CA.5032109).

ISBN 9790007081003. Key: C minor. Language: Latin.

Johann Michael Haydn's Requiem in C minor heavily influenced W. A. Mozart's Requiem. In just two weeks Michael Haydn composed his work in December 1771, on the occasion of the death of his employer, Prince Bishop Sigismund Count Schrattenbach, who was beloved among the people and was a great patron of the arts. The work was written under the impression of personal tragedy: Haydn's only child, Aloisia Josepha, died in January 1771, before completing her first year of life. Parts of the Schrattenbach-Requiem were played together with the completed movements from his second, unfinished Requiem during his own furneral service. During the funeral service in Vienna for Joseph Haydn, parts of his younger brother's C-minor Requiem were also performed. Score and parts available separately - see item CA.5032100.

SATB vocal soli, SATB choir, 2 clarinos/trumpets, 2 trumpets, (3 trombones), timpani, 2 violins, basso continuo - Level 3

SKU: CA.5032105

Composed by Michael Haydn. Edited by Charles H. Sherman. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Requiem In C (Schrattenbach) Mh 155. Sacred vocal music, Requiem, Mourning, death. Choral Score. Composed 1771. MH 155. 20 pages. Duration 35 minutes. Carus Verlag #CV 50.321/05. Published by Carus Verlag (CA.5032105).

ISBN 9790007080990. Key: C minor. Language: Latin.

Johann Michael Haydn's Requiem in C minor heavily influenced W. A. Mozart's Requiem. In just two weeks Michael Haydn composed his work in December 1771, on the occasion of the death of his employer, Prince Bishop Sigismund Count Schrattenbach, who was beloved among the people and was a great patron of the arts. The work was written under the impression of personal tragedy: Haydn's only child, Aloisia Josepha, died in January 1771, before completing her first year of life. Parts of the Schrattenbach-Requiem were played together with the completed movements from his second, unfinished Requiem during his own furneral service. During the funeral service in Vienna for Joseph Haydn, parts of his younger brother's C-minor Requiem were also performed. Score available separately - see item CA.5032100.

Soprano voice solo, SATB choir, and piano (E-flat Soprano saxophone, 2 Horns in F, Piano, Organ (or digital keyboard), Double String Quartet, Double Bass) - Early Intermediate

SKU: MN.56-0108

Composed by Howard Goodall. Lent, Holy Week, Triduum/Three Days, Tenebrae, 21st Century. Score & instrument parts. Duration 6 minutes, 19 seconds. MorningStar Music Publishers #56-0108. Published by MorningStar Music Publishers (MN.56-0108).

UPC: 688670221255. English, Latin. Psalms 142; Jeremiah 3:48, 52, 56.

Invictus: A Passion addresses one of the world’s most powerful stories through the lens of the modern world. The texts, written or inspired by women, describe not only human suffering and persecution but also the human capacity for love and humility in the face of tyranny. Composer Howard Goodall is uniquely suited to bring these texts to life with music of emotional clarity and sweeping force. This excerpt is scored for soprano solo, SATB choir and piano. This fourth movement of the larger work is inspired by the extraordinary story of Irena Sendler née Krzyżanowska, a Polish nurse and head of Żegota, the Polish Council to Aid Jews in the Second World War, whose personal interventions saved the lives of approximately 2,500 Jewish children in the Warsaw Ghetto, smuggling them to safety, acts of humanitarian bravery that eventually caused her arrest and torture by the Gestapo. She is honoured as Righteous Amongst the Nations at Yad Vashem, Jerusalem. The Latin texts of this movement are taken from the Book of Lamentations (“My eye hath run down with streams of water, for the destruction of the daughter of my people. My enemies have chased me and caught me like a bird, without cause…”) and from Psalm 142, the Old Testament being the meeting-point of Sendler’s Catholicism and the Jewish tradition of those whose lives she saved. Duration 6:19.

Soprano voice solo, SATB choir, and piano (E-flat Soprano saxophone, 2 Horns in F, Piano, Organ (or digital keyboard), Double String Quartet, Double Bass) - Beginning

SKU: MN.56-0106

Composed by Howard Goodall. Lent, Holy Week, Triduum/Three Days, Tenebrae, 21st Century. Score & instrument parts. Duration 6 minutes, 47 seconds. MorningStar Music Publishers #56-0106. Published by MorningStar Music Publishers (MN.56-0106).

UPC: 688670221231. English, Latin.

Invictus: A Passion addresses one of the world’s most powerful stories through the lens of the modern world. The texts, written or inspired by women, describe not only human suffering and persecution but also the human capacity for love and humility in the face of tyranny. Composer Howard Goodall is uniquely suited to bring these texts to life with music of emotional clarity and sweeping force. This movement, scored for soprano solo, SATB choir and piano, expresses the unimaginable pain felt by a mother seeing her child torn away from her at a slave auction. To this harrowing account are appended the words of William Wilberforce, spoken in the House of Commons on 18th April 1791, “You may choose to look the other way but you can never say again that you did not know.” Duration 6:47.

Soprano voice solo, SATB choir, and piano (E-flat Soprano saxophone, 2 Horns in F, Piano, Organ (or digital keyboard), Double String Quartet, Double Bass) - Early Intermediate

SKU: MN.56-0109

Composed by Howard Goodall. Holy Week, Triduum/Three Days, Tenebrae, 21st Century. Score & instrument parts. Duration 6 minutes, 57 seconds. MorningStar Music Publishers #56-0109. Published by MorningStar Music Publishers (MN.56-0109).

UPC: 688670221262. English, Latin. John 20:1.

Invictus: A Passion addresses one of the world’s most powerful stories through the lens of the modern world. The texts, written or inspired by women, describe not only human suffering and persecution but also the human capacity for love and humility in the face of tyranny. Composer Howard Goodall is uniquely suited to bring these texts to life with music of emotional clarity and sweeping force. This excerpt is scored for soprano solo, tenor solo, SATB choir and piano. The text is by Christina Georgina Rossetti, Isaac Watts (“When I survey the wondrous cross,”) and drawn from John 20:1 (this text in Latin). The music is serene, acknowledging the grief of those who are left to mourn. Duration 6:57.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes/oboe d'amore, 2 horns, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3119512

Wedding cantata. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Dem Gerechten Muss Das Licht Immer Wieder. Sacred vocal music, Cantatas, Wedding. Single Part, Violin 2. BWV 195. 8 pages. Duration 16 minutes. Carus Verlag #CV 31.195/12. Published by Carus Verlag (CA.3119512).

ISBN 9790007210397. Text language: German/English.

The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afield. The only surviving version of the work dates from the last years of Bach's life. The opulently-scored first part begins and ends with grand choral movements, and Bach scored both parts for soloists and for chorus. At the centre of the cantata is an exceptionally sensitive bass aria, probably one of Bach's most modern vocal compositions of all. A chorale movement (Nun danket all and bringet Ehr/ Now thank we all and offer praise) with obbligato horns concludes the cantata as the second part after the consummation. Score and part available separately - see item CA.3119500.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes/oboe d'amore, 2 horns, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3119511

Wedding cantata. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Dem Gerechten Muss Das Licht Immer Wieder. Sacred vocal music, Cantatas, Wedding. Single Part, Violin 1. BWV 195. 8 pages. Duration 16 minutes. Carus Verlag #CV 31.195/11. Published by Carus Verlag (CA.3119511).

ISBN 9790007210380. Text language: German/English.

The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afield. The only surviving version of the work dates from the last years of Bach's life. The opulently-scored first part begins and ends with grand choral movements, and Bach scored both parts for soloists and for chorus. At the centre of the cantata is an exceptionally sensitive bass aria, probably one of Bach's most modern vocal compositions of all. A chorale movement (Nun danket all and bringet Ehr/ Now thank we all and offer praise) with obbligato horns concludes the cantata as the second part after the consummation. Score and part available separately - see item CA.3119500.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes/oboe d'amore, 2 horns, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3119505

Wedding cantata. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Dem Gerechten Muss Das Licht Immer Wieder. Sacred vocal music, Cantatas, Wedding. Choral Score. BWV 195. 20 pages. Duration 16 minutes. Carus Verlag #CV 31.195/05. Published by Carus Verlag (CA.3119505).

ISBN 9790007181383. Text language: German/English.

The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afield. The only surviving version of the work dates from the last years of Bach's life. The opulently-scored first part begins and ends with grand choral movements, and Bach scored both parts for soloists and for chorus. At the centre of the cantata is an exceptionally sensitive bass aria, probably one of Bach's most modern vocal compositions of all. A chorale movement (Nun danket all and bringet Ehr/ Now thank we all and offer praise) with obbligato horns concludes the cantata as the second part after the consummation. Score available separately - see item CA.3119500.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes/oboe d'amore, 2 horns, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3119513

Wedding cantata. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Dem Gerechten Muss Das Licht Immer Wieder. Sacred vocal music, Cantatas, Wedding. Single Part, Viola. BWV 195. 8 pages. Duration 16 minutes. Carus Verlag #CV 31.195/13. Published by Carus Verlag (CA.3119513).

ISBN 9790007210403. Text language: German/English.

The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afield. The only surviving version of the work dates from the last years of Bach's life. The opulently-scored first part begins and ends with grand choral movements, and Bach scored both parts for soloists and for chorus. At the centre of the cantata is an exceptionally sensitive bass aria, probably one of Bach's most modern vocal compositions of all. A chorale movement (Nun danket all and bringet Ehr/ Now thank we all and offer praise) with obbligato horns concludes the cantata as the second part after the consummation. Score and part available separately - see item CA.3119500.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes/oboe d'amore, 2 horns, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3119514

Wedding cantata. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Dem Gerechten Muss Das Licht Immer Wieder. Sacred vocal music, Cantatas, Wedding. Single Part, basso continuo. BWV 195. 12 pages. Duration 16 minutes. Carus Verlag #CV 31.195/14. Published by Carus Verlag (CA.3119514).

ISBN 9790007210410. Text language: German/English.

The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afield. The only surviving version of the work dates from the last years of Bach's life. The opulently-scored first part begins and ends with grand choral movements, and Bach scored both parts for soloists and for chorus. At the centre of the cantata is an exceptionally sensitive bass aria, probably one of Bach's most modern vocal compositions of all. A chorale movement (Nun danket all and bringet Ehr/ Now thank we all and offer praise) with obbligato horns concludes the cantata as the second part after the consummation. Score and part available separately - see item CA.3119500.

Orchestra Soli SATB, Coro SATB, 2 Fl, 2 Ob/Obda, 2 Cor, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.3119507

Wedding cantata. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Wedding. Study score. BWV 195. 96 pages. Duration 16 minutes. Carus Verlag #CV 31.195/07. Published by Carus Verlag (CA.3119507).

ISBN 9790007242404. Language: German/English.

The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afield. The only surviving version of the work dates from the last years of Bach's life. The opulently-scored first part begins and ends with grand choral movements, and Bach scored both parts for soloists and for chorus. At the centre of the cantata is an exceptionally sensitive bass aria, probably one of Bach's most modern vocal compositions of all. A chorale movement (Nun danket all and bringet Ehr/ Now thank we all and offer praise) with obbligato horns concludes the cantata as the second part after the consummation. Score available separately - see item CA.3119500.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes/oboe d'amore, 2 horns, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3119500

Wedding cantata. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Dem Gerechten Muss Das Licht Immer Wieder. Sacred vocal music, Cantatas, Wedding. Full score. BWV 195. 96 pages. Duration 16 minutes. Carus Verlag #CV 31.195/00. Published by Carus Verlag (CA.3119500).

ISBN 9790007171674. Language: German/English.

The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afield. The only surviving version of the work dates from the last years of Bach's life. The opulently-scored first part begins and ends with grand choral movements, and Bach scored both parts for soloists and for chorus. At the centre of the cantata is an exceptionally sensitive bass aria, probably one of Bach's most modern vocal compositions of all. A chorale movement (Nun danket all and bringet Ehr/ Now thank we all and offer praise) with obbligato horns concludes the cantata as the second part after the consummation.