SATB vocal soli, SATB choir, 2 oboes d'amore, ctto, 2 violins, viola, basso continuo

SKU: CA.3113309

Cantata for the 3rd day of Christmas. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Paul Horn. This edition: urtext. 1x 31.133/21 oboe d'amore 1, 1x 31.133/22 oboe d'amore 2, 1x 31.133/31 cornett. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Christmas. Set of Orchestra Parts. Composed 1724. BWV 133. Duration 20 minutes. Carus Verlag #CV 31.133/09. Published by Carus Verlag (CA.3113309).

ISBN 9790007207977. Language: German.

The cantata Ich freue mich in dir was first performed during Bach's second year as Thomaskantor, on the 3rd day of Christmas, and belongs to the so-called annual cycle of chorale cantatas. Here the focus of the composition is the hymn of the same name by Philipp Ziegler, in which the first and final strophes were adopted, word for word, in the first and sixth movements of the cantata. The soprano, which carries the chorale, is supported by the conrnett (Zink), which already at this time had become a seldom-used instrument. The joyful, lively choral movement with instrumental interludes directly follows the first aria, and begins with a marked, ascending motive at the word Getrost! (safely). The oboes d'amore which accompany the alto lend the movement a special color. In the second aria (for soprano), Bach again shows himself to be the master of text interpretation. The words Wie lieblich klingt es in den Ohren are emphasized in an exchange between open strings and sixteenth note figures. Score and parts available separately - see item CA.3113300.

SATB vocal soli, SATB choir, 2 oboes d'amore, ctto, 2 violins, viola, basso continuo

SKU: CA.3113319

Cantata for the 3rd day of Christmas. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Christmas. Set of Orchestra Parts. Composed 1724. BWV 133. 152 pages. Duration 20 minutes. Carus Verlag #CV 31.133/19. Published by Carus Verlag (CA.3113319).

ISBN 9790007141127. Language: German.

The cantata Ich freue mich in dir was first performed during Bach's second year as Thomaskantor, on the 3rd day of Christmas, and belongs to the so-called annual cycle of chorale cantatas. Here the focus of the composition is the hymn of the same name by Philipp Ziegler, in which the first and final strophes were adopted, word for word, in the first and sixth movements of the cantata. The soprano, which carries the chorale, is supported by the conrnett (Zink), which already at this time had become a seldom-used instrument. The joyful, lively choral movement with instrumental interludes directly follows the first aria, and begins with a marked, ascending motive at the word Getrost! (safely). The oboes d'amore which accompany the alto lend the movement a special color. In the second aria (for soprano), Bach again shows himself to be the master of text interpretation. The words Wie lieblich klingt es in den Ohren are emphasized in an exchange between open strings and sixteenth note figures. Score and parts available separately - see item CA.3113300.

SATB vocal soli, SATB choir, 2 oboes d'amore, ctto, 2 violins, viola, basso continuo

SKU: CA.3113349

Cantata for the 3rd day of Christmas. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Christmas. Single Part, Organ. Composed 1724. BWV 133. 16 pages. Duration 20 minutes. Carus Verlag #CV 31.133/49. Published by Carus Verlag (CA.3113349).

ISBN 9790007207984. Language: German.

The cantata Ich freue mich in dir was first performed during Bach's second year as Thomaskantor, on the 3rd day of Christmas, and belongs to the so-called annual cycle of chorale cantatas. Here the focus of the composition is the hymn of the same name by Philipp Ziegler, in which the first and final strophes were adopted, word for word, in the first and sixth movements of the cantata. The soprano, which carries the chorale, is supported by the conrnett (Zink), which already at this time had become a seldom-used instrument. The joyful, lively choral movement with instrumental interludes directly follows the first aria, and begins with a marked, ascending motive at the word Getrost! (safely). The oboes d'amore which accompany the alto lend the movement a special color. In the second aria (for soprano), Bach again shows himself to be the master of text interpretation. The words Wie lieblich klingt es in den Ohren are emphasized in an exchange between open strings and sixteenth note figures. Score and part available separately - see item CA.3113300.

SATB vocal soli, SATB choir, 2 flutes, oboe I/oboe d'amore, oboe II, violin solo, 2 violins, viola, basso continuo

SKU: CA.3103005

Cantata for the Feast of John the Baptist. Composed by Johann Sebastian Bach. Edited by Julia Doht. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Special days. Choral Score. Composed 1738(?). BWV 30. 12 pages. Duration 40 minutes. Carus Verlag #CV 31.030/05. Published by Carus Verlag (CA.3103005).

ISBN 9790007205386. Text language: German/English.

The cantata Freue dich, erloste Schar BWV 30 is one of Bach's last church cantatas. Originally composed as a parody of the cantata Angenehmes Wiederau BWV 30a for the Feast of St. John's Day in 1738, it still enjoys a great popularity today. Its extraordinary length (12 movements) made it possible for Bach to employ four vocal soloists who, together with instrumental soloists, choir and orchestra contribute to the generally festive character of this work. Score available separately - see item CA.3103000.

By George Frideric Handel ; Donald Burrows (Editor). For Soprano, Tenor, Bass, SATB Choir, Piano Accompaniment. Baroque. Sheet Music. 168 pages. Published by Novello and Co Ltd.

SATB vocal soli, SATB choir, 2 flutes, oboe I/oboe d'amore, oboe II, violin solo, 2 violins, viola, basso continuo

SKU: CA.3103012

Cantata for the Feast of John the Baptist. Composed by Johann Sebastian Bach. Edited by Julia Doht. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Special days. Single Part, Violin 2. Composed 1738(?). BWV 30. 12 pages. Duration 40 minutes. Carus Verlag #CV 31.030/12. Published by Carus Verlag (CA.3103012).

ISBN 9790007205416. Text language: German/English.

The cantata Freue dich, erloste Schar BWV 30 is one of Bach's last church cantatas. Originally composed as a parody of the cantata Angenehmes Wiederau BWV 30a for the Feast of St. John's Day in 1738, it still enjoys a great popularity today. Its extraordinary length (12 movements) made it possible for Bach to employ four vocal soloists who, together with instrumental soloists, choir and orchestra contribute to the generally festive character of this work. Score and part available separately - see item CA.3103000.

SATB vocal soli, SATB choir, 2 flutes, oboe I/oboe d'amore, oboe II, violin solo, 2 violins, viola, basso continuo

SKU: CA.3103009

Cantata for the Feast of John the Baptist. Composed by Johann Sebastian Bach. Edited by Julia Doht. This edition: urtext. 1x 31.030/21 flute 1, 1x 31.030/22 flute 2, 1x 31.030/23 oboe 1, 1x 31.030/24 oboe 2. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, Special days. Set of Orchestra Parts. Composed 1738(?). BWV 30. Duration 40 minutes. Carus Verlag #CV 31.030/09. Published by Carus Verlag (CA.3103009).

ISBN 9790007205393. Text language: German/English.

The cantata Freue dich, erloste Schar BWV 30 is one of Bach's last church cantatas. Originally composed as a parody of the cantata Angenehmes Wiederau BWV 30a for the Feast of St. John's Day in 1738, it still enjoys a great popularity today. Its extraordinary length (12 movements) made it possible for Bach to employ four vocal soloists who, together with instrumental soloists, choir and orchestra contribute to the generally festive character of this work. Score and parts available separately - see item CA.3103000.

SATB vocal soli, SATB choir, 2 flutes, oboe I/oboe d'amore, oboe II, violin solo, 2 violins, viola, basso continuo

SKU: CA.3103013

Cantata for the Feast of John the Baptist. Composed by Johann Sebastian Bach. Edited by Julia Doht. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Special days. Single Part, Viola. Composed 1738(?). BWV 30. 12 pages. Duration 40 minutes. Carus Verlag #CV 31.030/13. Published by Carus Verlag (CA.3103013).

ISBN 9790007205423. Text language: German/English.

The cantata Freue dich, erloste Schar BWV 30 is one of Bach's last church cantatas. Originally composed as a parody of the cantata Angenehmes Wiederau BWV 30a for the Feast of St. John's Day in 1738, it still enjoys a great popularity today. Its extraordinary length (12 movements) made it possible for Bach to employ four vocal soloists who, together with instrumental soloists, choir and orchestra contribute to the generally festive character of this work. Score and part available separately - see item CA.3103000.

SATB vocal soli, SATB choir, 2 flutes, oboe I/oboe d'amore, oboe II, violin solo, 2 violins, viola, basso continuo

SKU: CA.3103014

Cantata for the Feast of John the Baptist. Composed by Johann Sebastian Bach. Edited by Julia Doht. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violoncello/double bass. Sacred vocal music, Cantatas, Special days. Single Part, Cello/Double Bass. Composed 1738(?). BWV 30. 16 pages. Duration 40 minutes. Carus Verlag #CV 31.030/14. Published by Carus Verlag (CA.3103014).

ISBN 9790007205430. Text language: German/English.

The cantata Freue dich, erloste Schar BWV 30 is one of Bach's last church cantatas. Originally composed as a parody of the cantata Angenehmes Wiederau BWV 30a for the Feast of St. John's Day in 1738, it still enjoys a great popularity today. Its extraordinary length (12 movements) made it possible for Bach to employ four vocal soloists who, together with instrumental soloists, choir and orchestra contribute to the generally festive character of this work. Score and part available separately - see item CA.3103000.

SATB vocal soli, SATB choir, 2 flutes, oboe I/oboe d'amore, oboe II, violin solo, 2 violins, viola, basso continuo

SKU: CA.3103019

Cantata for the Feast of John the Baptist. Composed by Johann Sebastian Bach. Edited by Julia Doht. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Cantatas, Special days. Set of Orchestra Parts. Composed 1738(?). BWV 30. Duration 40 minutes. Carus Verlag #CV 31.030/19. Published by Carus Verlag (CA.3103019).

ISBN 9790007140229. Text language: German/English.

The cantata Freue dich, erloste Schar BWV 30 is one of Bach's last church cantatas. Originally composed as a parody of the cantata Angenehmes Wiederau BWV 30a for the Feast of St. John's Day in 1738, it still enjoys a great popularity today. Its extraordinary length (12 movements) made it possible for Bach to employ four vocal soloists who, together with instrumental soloists, choir and orchestra contribute to the generally festive character of this work. Score and parts available separately - see item CA.3103000.

SATB vocal soli, SATB choir, 2 flutes, oboe I/oboe d'amore, oboe II, violin solo, 2 violins, viola, basso continuo

SKU: CA.3103049

Cantata for the Feast of John the Baptist. Composed by Johann Sebastian Bach. Edited by Julia Doht. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Cantatas, Special days. Single Part, Organ. Composed 1738(?). BWV 30. 24 pages. Duration 40 minutes. Carus Verlag #CV 31.030/49. Published by Carus Verlag (CA.3103049).

ISBN 9790007205447. Text language: German/English.

The cantata Freue dich, erloste Schar BWV 30 is one of Bach's last church cantatas. Originally composed as a parody of the cantata Angenehmes Wiederau BWV 30a for the Feast of St. John's Day in 1738, it still enjoys a great popularity today. Its extraordinary length (12 movements) made it possible for Bach to employ four vocal soloists who, together with instrumental soloists, choir and orchestra contribute to the generally festive character of this work. Score and part available separately - see item CA.3103000.

Composed by Ludwig van Beethoven (1770-1827). For SATB vocal soli, SATB choir, piano (orchestra: piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, contrabassoon, 4 horns, 2 trumpets, 3 trombones, timpani, percussion, 2 violins, viola, cello, double bass). Secular choral music. Choral score. Text language: German. Duration 22 minutes. Carus Verlag #CV 23.801/05. Published by Carus Verlag

Composed by Ludwig van Beethoven (1770-1827). Edited by Stefan Schuck. For SATB vocal soli, SATB choir, piano. This edition: softcover. Vocal score. Language: German. Duration 22 mintues. Published by Carus Verlag

Orchestra SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3103607

Cantata for the 1st Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Advent, Christmas. Study score. Composed 1731. BWV 36. 52 pages. Duration 31 minutes. Carus Verlag #CV 31.036/07. Published by Carus Verlag (CA.3103607).

ISBN 9790007244910. Language: German/English.

Bac h's well-known church cantata Schwingt freudig euch empor BWV 36 (Up joyous raise your song), first heard in its final version on First Advent Sunday in 1731 at the Leipzig Nikolaikirche, can be traced back to a secular birthday cantata from 1725. The text is now revised to render the events of Advent - the rejoicing of the opening chorus, the loving veneration and the warm-hearted welcome of the three solo arias retained from the original cantata now all apply to the Messiah, who, as once in Jerusalem, should find a place in the hearts of the faithful. However, their unmistakeable Advent character derives from the fact that Bach contrasts the four festive settings from the secular cantata with three strophes from Luther's Advent chorale, Nun komm, der Heiden Heiland, thus at the same time giving a voice to the Mystery of God made man. Score available separately - see item CA.3103600.

Psalmfest by John Rutter (1945-). For Mixed Choir (Orchestra: [2, 2, 2, 2-4, 3, 3, 1], timpani, percussion, harp, strings / Chamber ensemble: flute, oboe, clarinet, organ, optional timpani and percussion, and harp (or synthesizer)). Choral. Longer Choral Work. Contemporary, Choral Works. Vocal Score. 96 pages. Duration 45'. Published by Oxford University Press

Vocal Score. Composed by Ludwig van Beethoven (1770-1827). Edited by Michael Pilkington. New Novello Choral Edition. Classical. Book Only. 62 pages. Novello and Co Ltd. #MUSNOV072490. Published by Novello and Co Ltd.

(2.2+1.3.3D1/4.3.3.1,str)

SKU: TM.02687SC

Composed by George Frideric Handel. Score. Published by Lucks Music Library (TM.02687SC).

Angels We Have Heard on High: Key of G; 1 min. in duration. Joy to the World: Key of D; 1 min. in duration. French Carol.

Choralkantate. By Max Reger. Edited by Massenkeil, Gunther. For Soli SATB, SATB Choir, Congregation, 2 Violins, Viola, Cello, Contrabass, Organ. Occasions: Mourning, Death. Score. Language: German/English. Composed 1903. 44 pages. Duration 15 min. Published by Carus Verlag (German import).

SATB vocal soli, SATB choir, congregation, 2 violins, viola, cello, contrabass, organ

SKU: CA.5040515

Chorale cantata. Composed by Max Reger. Edited by Gunther Massenkeil. German title: O wie selig seid ihr doch. Sacred vocal music, Mourning, death. Single Part, Double Bass. Composed 1903. Op. WoO V/4 Nr. 2. 2 pages. Duration 15 minutes. Carus Verlag #CV 50.405/15. Published by Carus Verlag (CA.5040515).

ISBN 9790007081751. Key: D minor. Language: German/English.

The choral cantatas are Reger's most personal and most substantial contribution to one of the principal categories of Protestant church music, and they are only major works in this field by one of the foremost composers of his time. This is true despite the fact that Reger himself does not appear to have considered the cantatas to figure among his principal compositions, as he gave them no opus numbers. In contrast to the three other chorale cantatas of Reger which exist in a definitive form, there is no record of the place or date of the first performance of O wie selig, or indeed of any performance of it during the composer's lifetime. Score and part available separately - see item CA.5040500.

(Cantata for the 3rd day of Christmas). Composed by Johann Sebastian Bach (1685-1750). Edited by Tobias Rimek. Arranged by Paul Horn. For SATB vocal soli, SATB choir, 2 oboe d'amore, horn/cornet, 2 violins, viola, basso continuo. This edition: Paperbound. Stuttgart Urtext Edition. German title: Ich freue mich in dir. Christmas. Vocal score. Language: German/English. Composed 1724. BWV 133. 24 pages. Duration 20 minutes. Published by Carus Verlag

(Missa in honorem Beatissimae Virginis Mariae). Composed by Franz Joseph Haydn (1732-1809). Edited by Christoph Grosspietsch. For SATB vocal soli, SATB choir, 2 english horn, 2 horns, 2 violins, cello/contrabass, organ solo, [2 clarinos/trumpets, timpani]. This edition: Paperbound. Es-Dur (E-flat major). Stuttgart Urtext Edition. Score available separately - see item CA.4060300. Latin Masses. Vocal score. Language: Latin. Hob. XXII:4. 64 pages. Duration 40 minutes. Published by Carus Verlag

(1.1.2.2/4.3.3.1,str,(SAT B chorus))

SKU: TM.02340SC

Composed by Johann Sebastian Bach. Arranged by Luck. Score. Published by Lucks Music Library (TM.02340SC).

Transposed: Cl 1&2. Original keys: Hn in F, Tpt in Bb, Tbn 1&2 in Bass. Key of G. Brass should be played only in absence of chorus.

(2.1.2.1/2.2.2.0,perc,str ,chorus)

SKU: TM.11714SC

Composed by Sir Arthur Seymour Sullivan. Score. Lucks Music Library #A4868. Published by Lucks Music Library (TM.11714SC).

Allegretto, Idylle, Valse. Solo/pf.