| Do justice to all men (Nur jedem das Seine) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 violins, viola, 2 cellos, basso continu...(+)
Orchestra SATB vocal
soli, SATB choir, 2
violins, viola, 2 cellos,
basso continuo SKU:
CA.3116307 Cantata
for the 23rd Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Arranged by Thomas
Riegler. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Sacred vocal music, End
of the church year. Study
score. Composed 1715. BWV
163. 24 pages. Duration
18 minutes. Carus Verlag
#CV 31.163/07. Published
by Carus Verlag
(CA.3116307). ISBN
9790007141516. Language:
German/English. Text:
Franck, Salomo. Text:
Salomo Franck. The
cantata Nur jedem das
Seine (Do justice to all
men) BWV 163, for the
last Sunday of the Church
Year 1714/15, belongs
among to those chamber
music works which Bach
composed for the Weimar
Schlosskirche. The
instruments are limited
to strings, although two
obbligato violoncellos
are included which
together with the solo
bass singer and the
continuo form a bass
quartet unique in Bach's
works. The final chorale
of the cantata is handed
down only as a fragment
and was newly
reconstructed for our
edition by Thomas
Riegler. Score available
separately - see item
CA.3116300. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Do justice to all men (Nur jedem das Seine) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 violins, viola, 2 cellos, basso continuo SKU: ...(+)
SATB vocal soli, SATB
choir, 2 violins, viola,
2 cellos, basso continuo
SKU: CA.3116300
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Arranged by
Thomas Riegler. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, End of the church
year. Full score.
Composed 1715. BWV 163.
24 pages. Duration 18
minutes. Carus Verlag #CV
31.163/00. Published by
Carus Verlag
(CA.3116300). ISBN
9790007097615. Language:
German/English. Text:
Franck, Salomo. Text:
Salomo Franck. The
cantata Nur jedem das
Seine (Do justice to all
men) BWV 163, for the
last Sunday of the Church
Year 1714/15, belongs
among to those chamber
music works which Bach
composed for the Weimar
Schlosskirche. The
instruments are limited
to strings, although two
obbligato violoncellos
are included which
together with the solo
bass singer and the
continuo form a bass
quartet unique in Bach's
works. The final chorale
of the cantata is handed
down only as a fragment
and was newly
reconstructed for our
edition by Thomas
Riegler. $18.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mass C major op. 86 Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Barry Cooper. For SATB v...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Barry Cooper.
For SATB vocal soli, SATB
choir, orchestra (flute
[2], oboe [2], B-flat
clarinet [2], bassoon
[2], horn [2], trumpet
[2], timpani, violin [2],
viola, cello, double
bass, organ). This
edition: urtext edition.
Paperback. Score. Opus
86. Published by
Baerenreiter Verlag
$104.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Mass C major op. 86 Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier [Vocal Score] Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Barry Cooper. Arranged b...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Barry Cooper.
Arranged by Andrea
Campora. For SATB vocal
soli, SATB choir,
orchestra. This edition:
urtext edition.
Paperback. Vocal score.
Opus 86. Published by
Baerenreiter Verlag
$18.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Requiem in C Major Soli, choeur mixte et accompagnement Soli, chœur mixte et piano Carus Verlag
(Arrangement for soli, choir and organ). Composed by Charles Francois Gounod (18...(+)
(Arrangement for soli,
choir and organ).
Composed by Charles
Francois Gounod
(1818-1893). Edited by
Barbara Grolmann.
Arranged by Zsigmond
Szathmary. For SATB vocal
soli, SATB choir, organ.
This edition: Paperbound.
C-Dur (C major). Choir
and Organ. German title:
Requiem. End of the
church year, Mourning,
death. Full score.
Language: Latin. Posth..
48 pages. Duration 35
minutes. Published by
Carus Verlag
$46.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Te Deum for the Victory at the Battle of Dettingen HWV 283 Soli, choeur mixte et accompagnement Soli, chœur mixte et piano [Vocal Score] Barenreiter
Composed by George Frideric Handel (1685-1759). Edited by Amanda Babington. Arra...(+)
Composed by George
Frideric Handel
(1685-1759). Edited by
Amanda Babington.
Arranged by Andreas Kohs.
For alto voice solo,
tenor voice solo, bass
voice solo, SSATB choir,
piano reduction. This
edition: urtext edition.
Paperback. Level 3. Vocal
score. HWV 283. Published
by Baerenreiter Verlag
$26.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Messe a quatre voix Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Soli SATB, Coro SATB, Org, Org ripieno SKU: CA.2706045 Arrangement for...(+)
Soli SATB, Coro SATB,
Org, Org ripieno SKU:
CA.2706045
Arrangement for soli,
choir and 1-2 organs.
Composed by Camille
Saint-Saens. Edited by
Leon Roques. Arranged by
Leon Roques. Carus sheet
music series: Great
choral works in small
scorings. Arrangement for
choir and 1-2 organs.
Sacred vocal music,
Masses, Latin. Full
score. Composed 1856. Op.
4. 72 pages. Duration 45
minutes. Carus Verlag #CV
27.060/45. Published by
Carus Verlag
(CA.2706045). ISBN
9790007241018. Language:
Latin. Among the
sacred works by
Saint-Saens there are
just two settings of the
mass: the Messe de
Requiem op. 54 from his
middle period (1878), and
the Mass op. 4 dating
from 1856. This was first
performed on 21 April
1857. As an alternative
to the original version
with large orchestra and
Grand Orgue, Carus-Verlag
is now publishing the
version for organ made by
Saint-Saens's
contemporary Leon Roques.
It contains the original
part for grand orgue as
well as an organ
arrangement of the
orchestral writing in
score notation, but also
provides for the
possibility of a
performance with just one
instrument. The vocal
parts (for soloists and
choir) are identical with
the edition of the
original version, so that
the vocal score and
chorus score of that
version can be used.
Score available
separately - see item
CA.2706000. $61.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Stabat mater Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Fg, Cfg, 2 Cor, 3 Trb, 2 Vl, Va, Vc...(+)
Orchestra Soli STB, Coro
SATB, 2 Fl, 2 Ob, 2 Fg,
Cfg, 2 Cor, 3 Trb, 2 Vl,
Va, Vc, Cb SKU:
CA.7006509 Composed
by Franz Schubert. Edited
by Stefan Schuck. 1x
70.065/21 flute 1, 1x
70.065/22 flute 2, 1x
70.065/23 oboe 1, 1x
70.065/24 oboe 2, 1x
70.065/25 bassoon 1, 1x
70.065/26 bassoon 2, 1x
70.065/27 double bassoon,
1x 70.065/31 horn 1, 1x
70.065/32 horn 2, 1x
70.065/33 trombone 1, 1x
70.065/34 trombone 2, .
Stuttgart Urtext Edition:
Schubert. Harmony parts.
Sacred vocal music, Lent
and Passiontide, Holy
Week, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Set of
Orchestra Parts. D 383.
Duration 37 minutes.
Carus Verlag #CV
70.065/09. Published by
Carus Verlag
(CA.7006509). ISBN
9790007244729. Language:
German. In spring
1816 Franz Schubert, just
nineteen years old,
completed his second
setting of the Stabat
Mater in the midst of a
highly productive period.
In contrast with his
first setting written the
previous year, just five
minutes in length, this
time Schubert used the
German translation by
Klopstock as the basis
for his composition.
Stefan Schuck's edition
is the first one of this
work to be based on a
critical evaluation of
the primary sources, with
complete performance
material. The work, in a
dark F minor, with its
text by Klopstock, places
Jesus Christ, rather than
Mary, at the center of
the contemplation. With
his fugues, but
particularly in the
eight-part lamenting
chorus Wer wird Zahren
sanften Mitleids,
Schubert shows himself at
the height of his
creative output. He
composed his 4th
Symphony, the Tragic, at
almost the same time. The
Stabat Mater is a
rewarding work for choral
societies and choirs to
perform, because the
choir has the largest
portion to sing, and the
choral parts are not too
demanding. The
composition is also a
beautiful introduction to
the choral-symphonic
music of Schubert for
less experienced choirs.
Score and parts available
separately - see item
CA.7006500. $82.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Stabat mater Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Fg, Cfg, 2 Cor, 3 Trb, 2 Vl, Va, Vc...(+)
Orchestra Soli STB, Coro
SATB, 2 Fl, 2 Ob, 2 Fg,
Cfg, 2 Cor, 3 Trb, 2 Vl,
Va, Vc, Cb SKU:
CA.7006503 Composed
by Franz Schubert. Edited
by Stefan Schuck.
Stuttgart Urtext Edition:
Schubert. Sacred vocal
music, Lent and
Passiontide, Holy Week,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Vocal score. D 383.
64 pages. Duration 37
minutes. Carus Verlag #CV
70.065/03. Published by
Carus Verlag
(CA.7006503). ISBN
9790007166007. Language:
German. In spring
1816 Franz Schubert, just
nineteen years old,
completed his second
setting of the Stabat
Mater in the midst of a
highly productive period.
In contrast with his
first setting written the
previous year, just five
minutes in length, this
time Schubert used the
German translation by
Klopstock as the basis
for his composition.
Stefan Schuck's edition
is the first one of this
work to be based on a
critical evaluation of
the primary sources, with
complete performance
material. The work, in a
dark F minor, with its
text by Klopstock, places
Jesus Christ, rather than
Mary, at the center of
the contemplation. With
his fugues, but
particularly in the
eight-part lamenting
chorus Wer wird Zahren
sanften Mitleids,
Schubert shows himself at
the height of his
creative output. He
composed his 4th
Symphony, the Tragic, at
almost the same time. The
Stabat Mater is a
rewarding work for choral
societies and choirs to
perform, because the
choir has the largest
portion to sing, and the
choral parts are not too
demanding. The
composition is also a
beautiful introduction to
the choral-symphonic
music of Schubert for
less experienced choirs.
Score available
separately - see item
CA.7006500. $26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Stabat mater Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Fg, Cfg, 2 Cor, 3 Trb, 2 Vl, Va, Vc...(+)
Orchestra Soli STB, Coro
SATB, 2 Fl, 2 Ob, 2 Fg,
Cfg, 2 Cor, 3 Trb, 2 Vl,
Va, Vc, Cb SKU:
CA.7006513 Composed
by Franz Schubert. Edited
by Stefan Schuck.
Stuttgart Urtext Edition:
Schubert. Viola. Sacred
vocal music, Lent and
Passiontide, Holy Week,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Single Part, Viola.
D 383. 16 pages. Duration
37 minutes. Carus Verlag
#CV 70.065/13. Published
by Carus Verlag
(CA.7006513). ISBN
9790007244705. Language:
German. In spring
1816 Franz Schubert, just
nineteen years old,
completed his second
setting of the Stabat
Mater in the midst of a
highly productive period.
In contrast with his
first setting written the
previous year, just five
minutes in length, this
time Schubert used the
German translation by
Klopstock as the basis
for his composition.
Stefan Schuck's edition
is the first one of this
work to be based on a
critical evaluation of
the primary sources, with
complete performance
material. The work, in a
dark F minor, with its
text by Klopstock, places
Jesus Christ, rather than
Mary, at the center of
the contemplation. With
his fugues, but
particularly in the
eight-part lamenting
chorus Wer wird Zahren
sanften Mitleids,
Schubert shows himself at
the height of his
creative output. He
composed his 4th
Symphony, the Tragic, at
almost the same time. The
Stabat Mater is a
rewarding work for choral
societies and choirs to
perform, because the
choir has the largest
portion to sing, and the
choral parts are not too
demanding. The
composition is also a
beautiful introduction to
the choral-symphonic
music of Schubert for
less experienced choirs.
Score and part available
separately - see item
CA.7006500. $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Stabat mater Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Fg, Cfg, 2 Cor, 3 Trb, 2 Vl, Va, Vc...(+)
Orchestra Soli STB, Coro
SATB, 2 Fl, 2 Ob, 2 Fg,
Cfg, 2 Cor, 3 Trb, 2 Vl,
Va, Vc, Cb SKU:
CA.7006511 Composed
by Franz Schubert. Edited
by Stefan Schuck.
Stuttgart Urtext Edition:
Schubert. Violin 1.
Sacred vocal music, Lent
and Passiontide, Holy
Week, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Violin 1. D 383. 16
pages. Duration 37
minutes. Carus Verlag #CV
70.065/11. Published by
Carus Verlag
(CA.7006511). ISBN
9790007244736. Language:
German. In spring
1816 Franz Schubert, just
nineteen years old,
completed his second
setting of the Stabat
Mater in the midst of a
highly productive period.
In contrast with his
first setting written the
previous year, just five
minutes in length, this
time Schubert used the
German translation by
Klopstock as the basis
for his composition.
Stefan Schuck's edition
is the first one of this
work to be based on a
critical evaluation of
the primary sources, with
complete performance
material. The work, in a
dark F minor, with its
text by Klopstock, places
Jesus Christ, rather than
Mary, at the center of
the contemplation. With
his fugues, but
particularly in the
eight-part lamenting
chorus Wer wird Zahren
sanften Mitleids,
Schubert shows himself at
the height of his
creative output. He
composed his 4th
Symphony, the Tragic, at
almost the same time. The
Stabat Mater is a
rewarding work for choral
societies and choirs to
perform, because the
choir has the largest
portion to sing, and the
choral parts are not too
demanding. The
composition is also a
beautiful introduction to
the choral-symphonic
music of Schubert for
less experienced choirs.
Score and part available
separately - see item
CA.7006500. $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Stabat mater Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Fg, Cfg, 2 Cor, 3 Trb, 2 Vl, Va, Vc...(+)
Orchestra Soli STB, Coro
SATB, 2 Fl, 2 Ob, 2 Fg,
Cfg, 2 Cor, 3 Trb, 2 Vl,
Va, Vc, Cb SKU:
CA.7006519 Composed
by Franz Schubert. Edited
by Stefan Schuck.
Stuttgart Urtext Edition:
Schubert. Complete
orchestral parts. Sacred
vocal music, Lent and
Passiontide, Holy Week,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Set of Orchestra
Parts. D 383. Duration 37
minutes. Carus Verlag #CV
70.065/19. Published by
Carus Verlag
(CA.7006519). ISBN
9790007165970. Language:
German. In spring
1816 Franz Schubert, just
nineteen years old,
completed his second
setting of the Stabat
Mater in the midst of a
highly productive period.
In contrast with his
first setting written the
previous year, just five
minutes in length, this
time Schubert used the
German translation by
Klopstock as the basis
for his composition.
Stefan Schuck's edition
is the first one of this
work to be based on a
critical evaluation of
the primary sources, with
complete performance
material. The work, in a
dark F minor, with its
text by Klopstock, places
Jesus Christ, rather than
Mary, at the center of
the contemplation. With
his fugues, but
particularly in the
eight-part lamenting
chorus Wer wird Zahren
sanften Mitleids,
Schubert shows himself at
the height of his
creative output. He
composed his 4th
Symphony, the Tragic, at
almost the same time. The
Stabat Mater is a
rewarding work for choral
societies and choirs to
perform, because the
choir has the largest
portion to sing, and the
choral parts are not too
demanding. The
composition is also a
beautiful introduction to
the choral-symphonic
music of Schubert for
less experienced choirs.
Score and parts available
separately - see item
CA.7006500. $296.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Stabat mater Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Fg, Cfg, 2 Cor, 3 Trb, 2 Vl, Va, Vc...(+)
Orchestra Soli STB, Coro
SATB, 2 Fl, 2 Ob, 2 Fg,
Cfg, 2 Cor, 3 Trb, 2 Vl,
Va, Vc, Cb SKU:
CA.7006500 Composed
by Franz Schubert. Edited
by Stefan Schuck. Sacred
vocal music; use during
church year: Lent and
Passiontide, Holy Week;
Stuttgart Editions
(Urtext): Stuttgart
Schubert Edition;
occasions: Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Stuttgart
Urtext Edition: Schubert.
Sacred vocal music, Lent
and Passiontide, Holy
Week, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Full score.
D 383. Duration 37
minutes. Carus Verlag #CV
70.065/00. Published by
Carus Verlag
(CA.7006500). ISBN
9790007165994. Language:
German. In spring
1816 Franz Schubert, just
nineteen years old,
completed his second
setting of the Stabat
Mater in the midst of a
highly productive period.
In contrast with his
first setting written the
previous year, just five
minutes in length, this
time Schubert used the
German translation by
Klopstock as the basis
for his composition.
Stefan Schuck's edition
is the first one of this
work to be based on a
critical evaluation of
the primary sources, with
complete performance
material. The work, in a
dark F minor, with its
text by Klopstock, places
Jesus Christ, rather than
Mary, at the center of
the contemplation. With
his fugues, but
particularly in the
eight-part lamenting
chorus Wer wird Zahren
sanften Mitleids,
Schubert shows himself at
the height of his
creative output. He
composed his 4th
Symphony, the Tragic, at
almost the same time. The
Stabat Mater is a
rewarding work for choral
societies and choirs to
perform, because the
choir has the largest
portion to sing, and the
choral parts are not too
demanding. The
composition is also a
beautiful introduction to
the choral-symphonic
music of Schubert for
less experienced
choirs. $83.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Stabat mater Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Fg, Cfg, 2 Cor, 3 Trb, 2 Vl, Va, Vc...(+)
Orchestra Soli STB, Coro
SATB, 2 Fl, 2 Ob, 2 Fg,
Cfg, 2 Cor, 3 Trb, 2 Vl,
Va, Vc, Cb SKU:
CA.7006514 Composed
by Franz Schubert. Edited
by Stefan Schuck.
Stuttgart Urtext Edition:
Schubert.
Violoncello/double bass.
Sacred vocal music, Lent
and Passiontide, Holy
Week, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Cello/Double Bass. D 383.
16 pages. Duration 37
minutes. Carus Verlag #CV
70.065/14. Published by
Carus Verlag
(CA.7006514). ISBN
9790007244750. Language:
German. In spring
1816 Franz Schubert, just
nineteen years old,
completed his second
setting of the Stabat
Mater in the midst of a
highly productive period.
In contrast with his
first setting written the
previous year, just five
minutes in length, this
time Schubert used the
German translation by
Klopstock as the basis
for his composition.
Stefan Schuck's edition
is the first one of this
work to be based on a
critical evaluation of
the primary sources, with
complete performance
material. The work, in a
dark F minor, with its
text by Klopstock, places
Jesus Christ, rather than
Mary, at the center of
the contemplation. With
his fugues, but
particularly in the
eight-part lamenting
chorus Wer wird Zahren
sanften Mitleids,
Schubert shows himself at
the height of his
creative output. He
composed his 4th
Symphony, the Tragic, at
almost the same time. The
Stabat Mater is a
rewarding work for choral
societies and choirs to
perform, because the
choir has the largest
portion to sing, and the
choral parts are not too
demanding. The
composition is also a
beautiful introduction to
the choral-symphonic
music of Schubert for
less experienced choirs.
Score and part available
separately - see item
CA.7006500. $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Stabat mater Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Fg, Cfg, 2 Cor, 3 Trb, 2 Vl, Va, Vc...(+)
Orchestra Soli STB, Coro
SATB, 2 Fl, 2 Ob, 2 Fg,
Cfg, 2 Cor, 3 Trb, 2 Vl,
Va, Vc, Cb SKU:
CA.7006512 Composed
by Franz Schubert. Edited
by Stefan Schuck.
Stuttgart Urtext Edition:
Schubert. Violin 2.
Sacred vocal music, Lent
and Passiontide, Holy
Week, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Violin 2. D 383. 16
pages. Duration 37
minutes. Carus Verlag #CV
70.065/12. Published by
Carus Verlag
(CA.7006512). ISBN
9790007244743. Language:
German. In spring
1816 Franz Schubert, just
nineteen years old,
completed his second
setting of the Stabat
Mater in the midst of a
highly productive period.
In contrast with his
first setting written the
previous year, just five
minutes in length, this
time Schubert used the
German translation by
Klopstock as the basis
for his composition.
Stefan Schuck's edition
is the first one of this
work to be based on a
critical evaluation of
the primary sources, with
complete performance
material. The work, in a
dark F minor, with its
text by Klopstock, places
Jesus Christ, rather than
Mary, at the center of
the contemplation. With
his fugues, but
particularly in the
eight-part lamenting
chorus Wer wird Zahren
sanften Mitleids,
Schubert shows himself at
the height of his
creative output. He
composed his 4th
Symphony, the Tragic, at
almost the same time. The
Stabat Mater is a
rewarding work for choral
societies and choirs to
perform, because the
choir has the largest
portion to sing, and the
choral parts are not too
demanding. The
composition is also a
beautiful introduction to
the choral-symphonic
music of Schubert for
less experienced choirs.
Score and part available
separately - see item
CA.7006500. $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Stabat mater Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Fg, Cfg, 2 Cor, 3 Trb, 2 Vl, Va, Vc...(+)
Orchestra Soli STB, Coro
SATB, 2 Fl, 2 Ob, 2 Fg,
Cfg, 2 Cor, 3 Trb, 2 Vl,
Va, Vc, Cb SKU:
CA.7006505 Composed
by Franz Schubert. Edited
by Stefan Schuck.
Stuttgart Urtext Edition:
Schubert. Sacred vocal
music, Lent and
Passiontide, Holy Week,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Choral Score. D
383. 24 pages. Duration
37 minutes. Carus Verlag
#CV 70.065/05. Published
by Carus Verlag
(CA.7006505). ISBN
9790007242916. Language:
German. In spring
1816 Franz Schubert, just
nineteen years old,
completed his second
setting of the Stabat
Mater in the midst of a
highly productive period.
In contrast with his
first setting written the
previous year, just five
minutes in length, this
time Schubert used the
German translation by
Klopstock as the basis
for his composition.
Stefan Schuck's edition
is the first one of this
work to be based on a
critical evaluation of
the primary sources, with
complete performance
material. The work, in a
dark F minor, with its
text by Klopstock, places
Jesus Christ, rather than
Mary, at the center of
the contemplation. With
his fugues, but
particularly in the
eight-part lamenting
chorus Wer wird Zahren
sanften Mitleids,
Schubert shows himself at
the height of his
creative output. He
composed his 4th
Symphony, the Tragic, at
almost the same time. The
Stabat Mater is a
rewarding work for choral
societies and choirs to
perform, because the
choir has the largest
portion to sing, and the
choral parts are not too
demanding. The
composition is also a
beautiful introduction to
the choral-symphonic
music of Schubert for
less experienced choirs.
Score available
separately - see item
CA.7006500. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Elijah (Elias) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Arrangement for chamber orchestra (Linckelmann). Composed by Felix Bartholdy ...(+)
Arrangement for chamber
orchestra (Linckelmann).
Composed by Felix
Bartholdy
Mendelssohn (1809-1847).
Arranged by Joachim
Linckelmann. Gattungen
vokal:
Sacred vocal music. Full
Score. MWV A 25, Op. 70.
Duration 130 minutes.
Published by Carus Verlag
$193.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Beethoven: Christus am Olberge Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Carus Verlag
Orchestra Solo STB, Coro SATB (auch Mannerchor TTTBB), 2 Fl, 2 Ob, 2 Clt, 2 Fg, ...(+)
Orchestra Solo STB, Coro
SATB (auch Mannerchor
TTTBB), 2 Fl, 2 Ob, 2
Clt, 2 Fg, 2 Cor, 2 Tr, 3
Trb, Timp, 2 Vl, Va, Vc,
Cb SKU: CA.2302007
Composed by Ludwig van
Beethoven. Edited by
Clemens Harasim.
Innovative practice aids,
Sacred vocal music,
Oratorios. Study score.
Op. 85. Duration 54
minutes. Carus Verlag #CV
23.020/07. Published by
Carus Verlag
(CA.2302007). ISBN
M-007-24884-0.
German/English. Text:
Franz Xaver
Huber. In his
Passion oratorio Christus
am Olberge [The Mount of
Olives], Beethoven
succeeded firstly in
building on the 18th
century tradition, and
secondly in putting his
own personal stamp on the
nascent genre of
German-language oratorio
- the Vienna performances
of Haydn's Die Schopfung
and Die Jahreszeiten had
only taken place a few
years earlier. In
composing the work he
looked towards
contemporary opera, using
a text by an opera
librettist to depict in
music the dramatic
situation of the doubting
Jesus in the Garden of
Gethsemane and his
arrest. Yet we do not do
justice to Beethoven's
work if we simply regard
it as a successor work to
Graun's Der Tod Jesu or
even Bach's St Matthew
Passion. Beethoven's
Christus am Olberge is
characterized less by
religious devotion and
much more by the dramatic
realization of a specific
situation in the Passion
story in deeply-felt
musical scenes. With its
magnificent, almost
operatic music, this is a
different Passion
oratorio which is
definitely worth hearing
and experiencing - and in
this form it is without
doubt unique in the
history of
vocal-instrumental sacred
music. The edition
follows the first printed
edition in music and
text; differences in the
text in the libretto
originally set by
Beethoven are given as a
second text, and a
singable English
translation is underlaid.
Score available
separately - see item
CA.2302000. $37.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Les Indes galantes RCT 44 Soli, choeur mixte et accompagnement Barenreiter
Soloists, Choir, Orchestra (7Sg-S-solo,5Sg-T-solo,4S g-B-solo,Mixed Choir-SATB,2...(+)
Soloists, Choir,
Orchestra
(7Sg-S-solo,5Sg-T-solo,4S
g-B-solo,Mixed
Choir-SATB,2Fl-picc,2Fl,2
Ob,Muset,2bassoon,2Trp,ti
mp.,2V,Va,Vc,Bc) SKU:
BA.BA08860-01
Ballet héroïque
with a prologue and four
acts. Composed by
Jean-Philippe Rameau.
Edited by Sylvie
Bouissou. This edition:
complete edition, urtext
edition. Linen.
Jean-Philippe Rameau.
Opera Omnia (OOR) IV/2+7.
Version 1736. Complete
edition, Score. RCT 44.
Baerenreiter Verlag
#BA08860_01. Published by
Baerenreiter Verlag
(BA.BA08860-01). ISBN
9790006558131. 33.5 x
25.5 cm inches. Text
Language: French.
Preface: Sylvie Bouissou.
Text: Louis
Fuzelier. The main
body of the new edition
of Les Indes galantes,
published in Opera Omnia
Rameau (OOR IV.2, 7),
restores the version
authorised by Rameau in
1736. This basic
editorial decision has
made it possible to
present a fully coherent
and authenticated reading
of the work (after the
adjustments from the
earliest performances).
All other versions before
and after 1736 are
gathered together in 19
complements.
Sylvi
e Bouissou's new edition
differs markedly from
previous modern editions
and all existing
recordings. With its
complements she does
justice to the
performer's need for
Rameau's various
revisions while finally
making accessible a
version actually
authorised by Rameau. For
the first time it is
presented in its complete
stylistic and dramatic
context.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$722.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Stay with us, for it draws on toward evening (Bleib bei uns, denn es will Abend werden) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins...(+)
Orchestra SATB vocal
soli, SATB choir, 2
oboes, oboe d'caccia
(viola), 2 violins,
viola, cello piccolo,
basso continuo - Grade 3
SKU: CA.3100613
Easter Monday.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. German
title: Bleib bei uns,
denn. Sacred vocal music,
Cantatas, Easter and
Eastertide, Morning,
midday, evening. Single
Part, Viola Solo + Viola.
Composed 1725. BWV 6. 8
pages. Duration 26
minutes. Carus Verlag #CV
31.006/13. Published by
Carus Verlag
(CA.3100613). ISBN
9790007041755. Key: C
minor / g minor.
Language:
German/English. Bac
h composed the cantata
Stay with us, for it
draws on toward evening
BWV 6 for Easter Monday
1725. In fact, it is
certain that a chorale
cantata had been planned
for that feast day, but
for some unknown reason,
the annual cycle of
chorale cantatas broke
off just before Easter
1725. For BWV 6, Bach
fell back on a text by an
author whose texts he had
already set numerous
times in his first
Leipzig annual cycle of
cantatas (which are
conspicuous by their ever
constant structure and
use of two chorale
settings). From the
gospel for Easter Monday,
the story of the Emmaus
disciples, only the
disappearing daylight and
the fear of being left
alone are made the
subject of discussion. A
truly magnificent choral
movement opens the
cantata. The first
chorale for soprano and
violoncello piccolo,
which Bach later included
in his Schubler-Chorale,
is also well-known
outside of the cantata.
Score and part available
separately - see item
CA.3100600. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Christmas Story (Die Weihnachtsgeschichte) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 trumpets, 2 violins, viola, basso continuo [2 obo...(+)
SATB vocal soli, SATB
choir, 2 trumpets, 2
violins, viola, basso
continuo [2 oboes] 2
oboes in /11 and /12 only
in nr. 7 ad libitum
SKU: CA.1000812
Composed by Arnold M.
Brunckhorst. German
title: Die
Weihnachtsgeschichte.
Sacred vocal music,
Cantatas, Christmas.
Single Part, Violin 2. 8
pages. Duration 30
minutes. Carus Verlag #CV
10.008/12. Published by
Carus Verlag
(CA.1000812). ISBN
9790007015893. Language:
German. The
Christmas story by the
Celle-born Baroque
composer Arnold Melchior
Brunckhorst (d. 1725)
follows the account of
the Christmas story in St
Luke's Gospel. The text
is set in full in the
composition, with the
biblical text enriched in
a few arias and choruses
by the addition of free
poetry. The demands on
the musicians are
moderate; the scoring is
manageable with 2
trumpets, but at the same
time it is really
festive! Just 30 minutes
in length, the Christmas
story by Brunckhorst is
also very suitable for
performance in church
services. Score and part
available separately -
see item CA.1000800. $8.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Day of reck'ning! Judgment day (Tue Rechnung! Donnerwort) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, basso continuo <...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 2
violins, viola, basso
continuo SKU:
CA.3116803 Cantata
for the 9th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Ulrich Bartels.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Tue Rechnung,
Donnerwort. Sacred vocal
music, Cantatas, Trinity.
Vocal score. Composed
1725. BWV 168. 24 pages.
Duration 17 minutes.
Carus Verlag #CV
31.168/03. Published by
Carus Verlag
(CA.3116803). ISBN
9790007166724. Language:
German/English. Text:
Franck, Salomo. Text by
Salomo Franck. The
text of Bach's cantata
Tue Rechnung! Donnerwort
was published in 1715,
that is during Bach's
Weimar period, in the
Evangelisches
Andachts-Opffer by
Salomon Frank. This
concisely-written but
powerful work was,
however, only composed
ten years later in
Leipzig, and was heard
for the first time on 29
July 1725, the 9th Sunday
after Trinity. Its main
dramatic-musical emphasis
lies clearly in the first
movement, a dark, almost
operatic movement for
baritone and string
orchestra in B minor. By
contrast, the ensuing
aria for tenor with
obbligato oboe
accompaniment is
distinctly more intimate,
and the duet between
soprano and alto - just
accompanied by continuo -
is more restrained in its
musical language and
expression than the first
movement. In between
there are two extended
recitatives, the first of
which leads into an
arioso. The breadth of
expression within the
cantata is striking, its
opening movement a
masterpiece of Bach's
dramatic writing. Score
available separately -
see item CA.3116800. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa Sancti Hieronymi Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 4 (2) oboe, 2 bassoons, 3 trombones, basso continuo...(+)
SATB vocal soli, SATB
choir, 4 (2) oboe, 2
bassoons, 3 trombones,
basso continuo SKU:
CA.5425411 Composed
by Michael Haydn. Edited
by Armin Kircher.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa Sti Hieronymi Mh
254. Sacred vocal music,
Masses, Latin. Single
Part, Cello/Double Bass.
Composed 1777. MH 254. 16
pages. Duration 40
minutes. Carus Verlag #CV
54.254/11. Published by
Carus Verlag
(CA.5425411). ISBN
9790007226060. Language:
Latin. Just by
reason of its scoring the
Missa Sancti Hieronymi
occupies a special place
not only among the
settings of the Mass by
Haydn, but also in the
repertoire of church
music at the Royal Court
of Salzburg. Other than
the Hieronymus Mass and
the Proprium motet Timete
Dominum MH 256, which is
connected with it, there
are no additional
surviving works in the
Salzburg repertoire with
this type of
instrumentation. The
unusual instrumentation,
the contrapuntal style in
the fugal sections, as
well as the melodic
invention and harmonic
elaboration show that
this Mass is a
masterpiece. Score and
part available separately
- see item
CA.5425400. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tis well with him who on the Lord (Wohl dem, der sich auf seinen Gott) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo],...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 2
violins, viola, [cello
piccolo], basso continuo
SKU: CA.3113949
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, Cantatas,
End of the church year,
Trinity, Praise and
thanks. Single Part,
Organ. Composed 1724. BWV
139. 16 pages. Duration
20 minutes. Carus Verlag
#CV 31.139/49. Published
by Carus Verlag
(CA.3113949). ISBN
9790007208295. Text
language: German/English.
Text: Rube, Johann
Chr. Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and part available
separately - see item
CA.3113900. $23.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa sacra in C minor Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp...(+)
Orchestra Soli STB, Coro
SATB, 2 Fl, 2 Ob, 2 Clt,
2 Fg, 2 Cor, 2 Tr, 3 Trb,
Timp, 2 Vl, Va, Vc, Cb,
Org - Grade 3 SKU:
CA.4068703 Composed
by Robert Schumann.
Edited by Hansjörg
Ewert. Vocal score.
Composed 1852. Op. 147.
Duration 40 minutes.
Carus Verlag #4068703.
Published by Carus Verlag
(CA.4068703). ISBN
9790007239718. Key: C
minor. Latin. A
mass setting by Robert
Schumann? This is still
likely to cause surprise
among audiences –
after all, Schumann is
not generally viewed as a
sacred composer. Indeed,
his little-known late
work, the Missa sacra,
Op. 147, is a discovery
not just for listeners
but often for the
performers themselves.
The mass combines an
acute fascination with
sacred liturgy typical of
Schumann’s time
with the pragmatism of
its intended use by a
local choral society. The
composer employs his
considerable skills to
create a captivating and
varied score that is
almost ethereal in the
Kyrie, leading to
passages of an intimate
and lyrical piano that
alternate with fortissimo
for words of praise,
while always displaying
the utmost sensitivity
and a delight in
dissonance. The composer
declared his setting to
be “fashioned with
great loveâ€.
The demanding
orchestral mass can be
realized with limited
means. The solo parts can
be filled from the choir.
The work, which the
composer himself did not
have published, is here
reissued on the basis of
Schumann’s partial
autograph score.
Carus has also
produced an arrangement
of the work for choir &
organ, enabling
performances without
orchestra in smaller
venues (Carus
40.687/45). $38.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Day of reck'ning! Judgment day (Tue Rechnung! Donnerwort) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo (+)
SATB vocal soli, SATB
choir, 2 oboe d'amore, 2
violins, viola, basso
continuo SKU:
CA.3116809 Cantata
for the 9th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Ulrich Bartels.
2x 31.168/21 oboe d'amore
1 + 2. Stuttgart Urtext
Edition: Bach vocal. Tue
Rechnung, Donnerwort.
Sacred vocal music,
Cantatas, Trinity. Set of
Orchestra Parts. Composed
1725. BWV 168. Duration
17 minutes. Carus Verlag
#CV 31.168/09. Published
by Carus Verlag
(CA.3116809). ISBN
9790007209254. Language:
German/English. Text:
Franck, Salomo. The
text of Bach's cantata
Tue Rechnung! Donnerwort
was published in 1715,
that is during Bach's
Weimar period, in the
Evangelisches
Andachts-Opffer by
Salomon Frank. This
concisely-written but
powerful work was,
however, only composed
ten years later in
Leipzig, and was heard
for the first time on 29
July 1725, the 9th Sunday
after Trinity. Its main
dramatic-musical emphasis
lies clearly in the first
movement, a dark, almost
operatic movement for
baritone and string
orchestra in B minor. By
contrast, the ensuing
aria for tenor with
obbligato oboe
accompaniment is
distinctly more intimate,
and the duet between
soprano and alto - just
accompanied by continuo -
is more restrained in its
musical language and
expression than the first
movement. In between
there are two extended
recitatives, the first of
which leads into an
arioso. The breadth of
expression within the
cantata is striking, its
opening movement a
masterpiece of Bach's
dramatic writing. Score
and parts available
separately - see item
CA.3116800. $11.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem in C minor Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
SATB vocal soli, SATB choir, 2 clarinos/trumpets, 2 trumpets, (3 trombones), tim...(+)
SATB vocal soli, SATB
choir, 2
clarinos/trumpets, 2
trumpets, (3 trombones),
timpani, 2 violins, basso
continuo - Level 3
SKU: CA.5032109
Composed by Michael
Haydn. Edited by Charles
H. Sherman. This edition:
urtext. 1x 50.321/31
clarino 1, 1x 50.321/32
clarino 2, 1x 50.321/33
trumpet 1, 1x 50.321/34
trumpet 2, 1x 50.321/35
trombone 1, 1x 50.321/36
trombone 2, 1x 50.321/37
trombone 3, 1x 50.321/41
timpani. Stuttgart Urtext
Edition: Johann Michael
Haydn. Requiem In C
(Schrattenbach) Mh 155.
Sacred vocal music,
Requiem, Mourning, death.
Set of Orchestra Parts.
Composed 1771. MH 155. 72
pages. Duration 35
minutes. Carus Verlag #CV
50.321/09. Published by
Carus Verlag
(CA.5032109). ISBN
9790007081003. Key: C
minor. Language:
Latin. Johann
Michael Haydn's Requiem
in C minor heavily
influenced W. A. Mozart's
Requiem. In just two
weeks Michael Haydn
composed his work in
December 1771, on the
occasion of the death of
his employer, Prince
Bishop Sigismund Count
Schrattenbach, who was
beloved among the people
and was a great patron of
the arts. The work was
written under the
impression of personal
tragedy: Haydn's only
child, Aloisia Josepha,
died in January 1771,
before completing her
first year of life. Parts
of the
Schrattenbach-Requiem
were played together with
the completed movements
from his second,
unfinished Requiem during
his own furneral service.
During the funeral
service in Vienna for
Joseph Haydn, parts of
his younger brother's
C-minor Requiem were also
performed. Score and
parts available
separately - see item
CA.5032100. $49.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Day of reck'ning! Judgment day (Tue Rechnung! Donnerwort) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo (+)
SATB vocal soli, SATB
choir, 2 oboe d'amore, 2
violins, viola, basso
continuo SKU:
CA.3116805 Cantata
for the 9th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Ulrich Bartels.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Tue Rechnung,
Donnerwort. Sacred vocal
music, Cantatas, Trinity.
Choral Score. Composed
1725. BWV 168. 2 pages.
Duration 17 minutes.
Carus Verlag #CV
31.168/05. Published by
Carus Verlag
(CA.3116805). ISBN
9790007166731. Text
language: German/English.
Text: Franck,
Salomo. The text of
Bach's cantata Tue
Rechnung! Donnerwort was
published in 1715, that
is during Bach's Weimar
period, in the
Evangelisches
Andachts-Opffer by
Salomon Frank. This
concisely-written but
powerful work was,
however, only composed
ten years later in
Leipzig, and was heard
for the first time on 29
July 1725, the 9th Sunday
after Trinity. Its main
dramatic-musical emphasis
lies clearly in the first
movement, a dark, almost
operatic movement for
baritone and string
orchestra in B minor. By
contrast, the ensuing
aria for tenor with
obbligato oboe
accompaniment is
distinctly more intimate,
and the duet between
soprano and alto - just
accompanied by continuo -
is more restrained in its
musical language and
expression than the first
movement. In between
there are two extended
recitatives, the first of
which leads into an
arioso. The breadth of
expression within the
cantata is striking, its
opening movement a
masterpiece of Bach's
dramatic writing. Score
available separately -
see item CA.3116800. $3.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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