Soli, choeur mixte et accompagnement Soli, chœur mixte et piano [Vocal Score] Galaxy Music Corporation
Composed by Ralph Vaughan Williams (1872-1958). 20th Century and British. Vocal ...(+)
Composed by Ralph Vaughan
Williams (1872-1958).
20th Century and British.
Vocal score. 40 pages.
Galaxy Music Corporation
#1.5038. Published by
Galaxy Music Corporation
(No. 2 from Alpha and Omega ). By Gwyneth W. Walker (1947-). Arranged by Gwynet...(+)
(No. 2 from Alpha and
Omega ). By Gwyneth W.
Walker (1947-). Arranged
by Gwyneth W. Walker. For
SAB vocal soli, SATB
choir, Piano, or Brass
Quint, Percussion, Organ
or Orchestra. Choral,
Christmas. Duration 4
minutes, 45 seconds.
Published by E.C.
Schirmer Publishing
Die erste Walpurgisnacht Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Reduction] Barenreiter
(Ballade von Johann Wolfgang von Goethe). By Felix Bartholdy Mendelssohn (1809-1...(+)
(Ballade von Johann
Wolfgang von Goethe). By
Felix Bartholdy
Mendelssohn (1809-1847).
Edited by John Michael
Cooper. Arranged by Felix
Bartholdy Mendelssohn.
For alto voice solo/tenor
voice solo/baritone voice
solo/bass voice solo/SATB
choir/2 flutes/piccolo/2
oboes/2 clarinets/2
bassoons/2 horns/2
trumpets/3
trombones/timpani/concert
drum/cymbal/2
violins/viola/cello/contr
abass. This edition:
Urtext edition. Level 3.
Piano reduction
(paperbound). Language:
German/English, Text
language: German/English.
Opus 60. Published by
Baerenreiter Verlag
Fairest Lord Jesus, We Love You Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur et Parties séparées + CD] - Intermédiaire Lillenas Publishing Co.
By David Clydesdale. Arranged by David Clydesdale. For SATB choir with vocal sol...(+)
By David Clydesdale.
Arranged by David
Clydesdale. For SATB
choir with vocal solo
(flute 1and2, oboe,
clarinet 1and2, bassoon,
F horn 1/2and3, trumpet
1/2and3, trombone 1and2,
trombone 3/tuba,
percussion 1and2/3and4,
rhythm, harp, violin
1and2, viola, cello,
string bass)
Soli, choeur mixte et accompagnement Soli, chœur mixte et piano [Vocal Score] - Avancé Schirmer
Composed by Pietro Mascagni (1863-1945). Vocal score for SATB chorus, soprano vo...(+)
Composed by Pietro
Mascagni (1863-1945).
Vocal score for SATB
chorus, soprano voice
solo, contra alto voice
solo, baritone voice
solo, tenor voice solo,
mezzo soprano voice solo
and piano accompaniment.
With vocal score, lyrics,
piano reduction and
introductory text.
Series: G. Schirmer Opera
Score Editions. Text
language Italian and
English. Translated by
Machlis. 146 pages.
Published by G. Schirmer,
Inc.
St. Matthew Passion Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Set de Parties séparées] Carus Verlag
Composed by Johann Sebastian Bach (1685-1750). Edited by Klaus Hofmann. This edi...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Klaus Hofmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Matthauspassion.
Passions, Lent and
Passiontide. Complete
orchestral parts. BWV
244. Duration 175
minutes. Published by
Carus Verlag
(CA.3124419).
Te Deum Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier Carus Verlag
Soli SATB, Coro SATB, 2 Pfte, Timp ad lib SKU: CA.2719046 Arrangement ...(+)
Soli SATB, Coro SATB, 2
Pfte, Timp ad lib
SKU:
CA.2719046
Arrangement for soli,
choir, 2 pianos and
timpani ad lib (arr. S.
Bartmann). Composed
by Anton Bruckner.
Arranged by Sebastian
Bartmann. Set of
Orchestra Parts. WAB 45.
Duration 25 minutes.
Carus Verlag #2719046.
Published by Carus Verlag
(CA.2719046).
ISBN
9790007310875.
Latin.
In the 19th
and early 20th centuries,
transcriptions of large
(choral) symphonic works
for two pianos were
extremely popular: They
enabled a large audience
to get to know classical
compositions in an age
before recorded music. In
many cases, world-famous
works were first
performed in such a
version â?? including
Brucknerâ??s Te Deum.
Unfortunately, only a few
bars of this
transcription have
survived.The
Stuttgart composer,
pianist and experienced
piano-duo performer
Sebastian Bartmann was
commissioned by the
Landesakademie für die
musizierende Jugend in
Baden-Württemberg
Ochsenhausen to newly
arrange Brucknerâ??s Te
Deum and the Mass in D
minor for soloists, choir
and two pianos. A timpani
part (ad libitum)
provides additional
color. The arrangements
are based on the original
Carus editions. The vocal
scores and choral scores
of the original version
can also be
used.Today the Te
Deum is Brucknerâ??s
most frequently performed
vocal work. The greatest
challenges for any choir
are the high register and
the enormous
orchestration of this
extremely effective
piece: The singers are
often required to declaim
against a large orchestra
performing forte
fortissimo! This problem
is resolved in the
arrangement for two
pianos; moreover, the
scaling back of the sonic
forces helps reveal
compositional structures
that otherwise can all
too easily get lost in
the intoxicating
orchestral sound..
Score and parts available
separately - see item
CA.2719000.
Te Deum Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier Carus Verlag
Soli SATB, Coro SATB, 2 Pfte, Timp ad lib SKU: CA.2719044 Arrangement ...(+)
Soli SATB, Coro SATB, 2
Pfte, Timp ad lib
SKU:
CA.2719044
Arrangement for soli,
choir, 2 pianos and
timpani ad lib (arr. S.
Bartmann). Composed
by Anton Bruckner.
Arranged by Sebastian
Bartmann. Gattungen
vokal: Sacred vocal
music. Full Score. WAB
45. Duration 25 minutes.
Carus Verlag #2719044.
Published by Carus Verlag
(CA.2719044).
ISBN
9790007303327.
Latin.
In the 19th
and early 20th centuries,
transcriptions of large
(choral) symphonic works
for two pianos were
extremely popular: They
enabled a large audience
to get to know classical
compositions in an age
before recorded music. In
many cases, world-famous
works were first
performed in such a
version ââ¬â
including
Brucknerââ¬â¢s
Te Deum. Unfortunately,
only a few bars of this
transcription have
survived.The
Stuttgart composer,
pianist and experienced
piano-duo performer
Sebastian Bartmann was
commissioned by the
Landesakademie für
die musizierende Jugend
in
Baden-Württemberg
Ochsenhausen to newly
arrange
Brucknerââ¬â¢s
Te Deum and the Mass in D
minor for soloists, choir
and two pianos. A timpani
part (ad libitum)
provides additional
color. The arrangements
are based on the original
Carus editions. The vocal
scores and choral scores
of the original version
can also be
used.Today the Te
Deum is
Brucknerââ¬â¢s
most frequently performed
vocal work. The greatest
challenges for any choir
are the high register and
the enormous
orchestration of this
extremely effective
piece: The singers are
often required to declaim
against a large orchestra
performing forte
fortissimo! This problem
is resolved in the
arrangement for two
pianos; moreover, the
scaling back of the sonic
forces helps reveal
compositional structures
that otherwise can all
too easily get lost in
the intoxicating
orchestral sound..
Score available
separately - see item
CA.2719000.
Utrecht Te Deum Soli, choeur mixte et accompagnement Carus Verlag
Soli SSAATB, Coro SSA(A)T(T)B, Fl, 2 Ob, Fg, 2 Tr, 2 (3) Vl, Va, Vc, Bc SKU: ...(+)
Soli SSAATB, Coro
SSA(A)T(T)B, Fl, 2 Ob,
Fg, 2 Tr, 2 (3) Vl, Va,
Vc, Bc
SKU:
CA.5527803
Composed
by George Frideric
Handel. Edited by Felix
Loy. Stuttgart Urtext
Edition: Handel.
Innovative practice aids,
Sacred vocal music. Vocal
score. HWV 278. Duration
24 minutes. Carus Verlag
#CV 55.278/03. Published
by Carus Verlag
(CA.5527803).
ISBN
9790007188528. Language:
English.
Handel's
Utrecht Te Deum HWV 278
enthralled London
audiences right from its
first performance, and it
continues to do so today
in concert halls and
churches all over the
world. It was performed
for the first time in a
festive service on 13
July 1713 in St. Paul's
Cathedral to celebrate
the Peace marking the end
of the twelve year-long
War of the Spanish
Succession in 1713. The
Te Deum was the first
commission by the English
royal house and was also
Handel's first sacred
work in the English
language. For Handel the
Utrecht Te Deum was an
important milestone at
the beginning of his
London career. The
composition brought him
an annual pension from
Queen Anne and helped him
to establish himself as a
composer of prestigious
music for the English
royal family. Four
further settings of the
Ambrosian hymn of praise
by Handel followed,
including the equally
popular Dettingen Te Deum
(Carus 55.238). The six
soloists required can in
practice be reduced to
four, and the Te Deum
does not contain any
stand-alone arias. The
chorus is scored in five
parts in a few movements
(SSATB), with the
concluding doxology
beginning in double-choir
scoring (SST/AATB). For
this frequently-performed
work Carus offers a
musical text reflecting
the latest scholarly
discoveries. The Critical
Report contains
information on all the
important facts about the
work in a practicable,
compact form. A detailed
foreword contains
insights into the
creation of the work and
its reception. The vocal
score, chorus score, and
orchestral parts provide
for the needs of
practical performance;
these are complemented by
carus music, the choir
app for practising the
choral parts, as well as
the Carus Choir Coach
practice CDs and a Vocal
Score XL in
reader-friendly large
print.
Composed
by Anton Bruckner. Edited
by Ernst Herttrich. This
edition: urtext.
Stuttgart Urtext Edition:
Urtext Editions; Carus
sheet music series: Vocal
scores XL. Violoncello.
Innovative practice aids,
Sacred vocal music,
Praise and thanks. Single
Part, Cello. WAB 45. 12
pages. Duration 25
minutes. Carus Verlag #CV
27.190/14. Published by
Carus Verlag
(CA.2719014).
ISBN
9790007200770. Text
language:
Latin.
Anton
Bruckner's Te Deum - a
high point in the
composer's output and one
of the most important
works of the sacred
choral repertoire in the
19th century - is now
available in a modern,
scholarly edition. The
Carus edition draws on
both the two sources
regarded as important,
the autograph score and
the first printed
edition, with careful
consideration given to
variant readings. And so
a music text has been
prepared which reflects
the composer's intentions
as closely as possible.
Great emphasis has been
placed on a clear-to-read
layout of the full score
pages, as well as
excellent legibility for
the parts, which are
available on sale. With
current performance
practice in mind, the
clarinet parts are
notated in B flat instead
of A, corresponding with
the first printed
edition. The vocal score
has been newly prepared
to reflect current
practical requirements.
As an economical
alternative, a chorus
score is available.
Bruckner's Te Deum is
also available in carus
music, the choir app. The
app contains the music
and a recording, as well
as a coach to help with
learning each choral
part. In preparation:
arrangement of the Te
Deum for soli, choir,
brass quintet and organ.
Score and part available
separately - see item
CA.2719000.
Actus
tragicus.
Trauermusik. Composed
by Johann Sebastian Bach.
Edited by Peter
Thalheimer. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Actus
Tragicus. Sacred vocal
music, Cantatas,
Mourning, death. Single
Part, Viola da gamba 1.
Composed 1707/1708. BWV
106. 4 pages. Duration 23
minutes. Carus Verlag #CV
31.106/11. Published by
Carus Verlag
(CA.3110611).
ISBN
9790007207021. Key: F
major. Language:
German/English.
The
Actus tragicus or Gottes
Zeit ist die allerbeste
Zeit BWV 106 remains one
of Bach's best-known and
most admired works, one
which continues to
resonate to this day - a
work of genius such as
even great masters seldom
achieve (Alfred Durr).
The cantata is one of the
earliest known vocal
works by Johann Sebastian
Bach. It was written
during his time at
Muhlhausen, probably in
1707, when Bach took up
the position of organist
at the Divi Blasii
Church. A possible
occasion for its
composition may have been
the funeral of the mayor
of Muhlhausen, Adolph
Strecker. The short, slow
Sonatina with two
recorders, two gambas and
continuo gets the
listener into the mood of
the character of the
cantata. This
instrumental combination
is unique in Bach's vocal
output, but could derive
from a central German
tradition. This new
edition is a
critical-practical
edition which combines
both the latest
discoveries in Bach
research with a detailed
Critical Report as well
as addressing current
questions on performance
practice. Score and part
available separately -
see item CA.3110600.
Actus
tragicus.
Trauermusik. Composed
by Johann Sebastian Bach.
Edited by Peter
Thalheimer. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Actus
Tragicus. Sacred vocal
music, Cantatas,
Mourning, death. Single
Part, Viola da gamba 2.
Composed 1707/1708. BWV
106. 12 pages. Duration
23 minutes. Carus Verlag
#CV 31.106/12. Published
by Carus Verlag
(CA.3110612).
ISBN
9790007207038. Key: F
major. Language:
German/English.
The
Actus tragicus or Gottes
Zeit ist die allerbeste
Zeit BWV 106 remains one
of Bach's best-known and
most admired works, one
which continues to
resonate to this day - a
work of genius such as
even great masters seldom
achieve (Alfred Durr).
The cantata is one of the
earliest known vocal
works by Johann Sebastian
Bach. It was written
during his time at
Muhlhausen, probably in
1707, when Bach took up
the position of organist
at the Divi Blasii
Church. A possible
occasion for its
composition may have been
the funeral of the mayor
of Muhlhausen, Adolph
Strecker. The short, slow
Sonatina with two
recorders, two gambas and
continuo gets the
listener into the mood of
the character of the
cantata. This
instrumental combination
is unique in Bach's vocal
output, but could derive
from a central German
tradition. This new
edition is a
critical-practical
edition which combines
both the latest
discoveries in Bach
research with a detailed
Critical Report as well
as addressing current
questions on performance
practice. Score and part
available separately -
see item CA.3110600.
Actus
tragicus.
Trauermusik. Composed
by Johann Sebastian Bach.
Edited by Peter
Thalheimer. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Actus Tragicus. Sacred
vocal music, Cantatas,
Mourning, death. Single
Part, Organ. Composed
1707/1708. BWV 106. 12
pages. Duration 23
minutes. Carus Verlag #CV
31.106/49. Published by
Carus Verlag
(CA.3110649).
ISBN
9790007207052. Key: F
major. Language:
German/English.
The
Actus tragicus or Gottes
Zeit ist die allerbeste
Zeit BWV 106 remains one
of Bach's best-known and
most admired works, one
which continues to
resonate to this day - a
work of genius such as
even great masters seldom
achieve (Alfred Durr).
The cantata is one of the
earliest known vocal
works by Johann Sebastian
Bach. It was written
during his time at
Muhlhausen, probably in
1707, when Bach took up
the position of organist
at the Divi Blasii
Church. A possible
occasion for its
composition may have been
the funeral of the mayor
of Muhlhausen, Adolph
Strecker. The short, slow
Sonatina with two
recorders, two gambas and
continuo gets the
listener into the mood of
the character of the
cantata. This
instrumental combination
is unique in Bach's vocal
output, but could derive
from a central German
tradition. This new
edition is a
critical-practical
edition which combines
both the latest
discoveries in Bach
research with a detailed
Critical Report as well
as addressing current
questions on performance
practice. Score and part
available separately -
see item CA.3110600.
Actus
tragicus.
Trauermusik. Composed
by Johann Sebastian Bach.
Edited by Peter
Thalheimer. Arranged by
Paul Horn. This edition:
urtext. 1x 31.106/21
recorder 1, 1x 31.106/22
recorder 2. Stuttgart
Urtext Edition: Bach
vocal. German title:
Actus Tragicus. Sacred
vocal music, Cantatas,
Mourning, death. Set of
Orchestra Parts. Composed
1707/1708. BWV 106. 8
pages. Duration 23
minutes. Carus Verlag #CV
31.106/09. Published by
Carus Verlag
(CA.3110609).
ISBN
9790007207014. Key: F
major. Language:
German/English.
The
Actus tragicus or Gottes
Zeit ist die allerbeste
Zeit BWV 106 remains one
of Bach's best-known and
most admired works, one
which continues to
resonate to this day - a
work of genius such as
even great masters seldom
achieve (Alfred Durr).
The cantata is one of the
earliest known vocal
works by Johann Sebastian
Bach. It was written
during his time at
Muhlhausen, probably in
1707, when Bach took up
the position of organist
at the Divi Blasii
Church. A possible
occasion for its
composition may have been
the funeral of the mayor
of Muhlhausen, Adolph
Strecker. The short, slow
Sonatina with two
recorders, two gambas and
continuo gets the
listener into the mood of
the character of the
cantata. This
instrumental combination
is unique in Bach's vocal
output, but could derive
from a central German
tradition. This new
edition is a
critical-practical
edition which combines
both the latest
discoveries in Bach
research with a detailed
Critical Report as well
as addressing current
questions on performance
practice. Score and parts
available separately -
see item CA.3110600.
