| Alexander's Feast (Vocal Score) Soli, choeur mixte et accompagnement Soli, chœur mixte et piano Novello & Co Ltd.
By George Frideric Handel ; Donald Burrows (Editor). For Soprano, Tenor, Bass, S...(+)
By George Frideric Handel
; Donald Burrows
(Editor). For Soprano,
Tenor, Bass, SATB Choir,
Piano Accompaniment.
Baroque. Sheet Music. 168
pages. Published by
Novello and Co Ltd.
$25.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The heavens are telling the Father's glory (Die Himmel erzahlen die Ehre Gottes) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] - Intermédiaire Carus Verlag
SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, v...(+)
SATB vocal soli, SATB
choir, oboe I/oboe
d'amore, oboe II,
trumpet, 2 violins,
viola, basso continuo -
Level 3 SKU:
CA.3107609 Cantata
for the 2nd Sunday afer
Trinity / Reformation
Day. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. 1x 31.076/21
Oboe and Oboe d'amore, 1x
31.076/22 oboe 2, 1x
31.076/31 trumpet. German
title: Die Himmel
erzahlen die Ehre Gottes
5. Sacred vocal music,
Cantatas, Psalms, German.
Set of Orchestra Parts.
Composed 1723. BWV 76. 24
pages. Duration 35
minutes. Carus Verlag #CV
31.076/09. Published by
Carus Verlag
(CA.3107609). ISBN
9790007044930. Key: C
major / a minor.
Language:
German/English. The
cantata Die Himmel
erzahlen die Ehre Gottes
(The heavens are telling
of God in glory) BWV 76
by Johann Sebastian Bach
was written for the 2nd
Sunday after Trinity,
which fell on 6 June 1723
in the year it was first
performed. This ambitious
two-part work was the
second cantata which Bach
wrote after taking up the
position of Kantor of St.
Thomas's in Leipzig.
Bach's aim was evidently
to demonstrate a
particularly wide range
of musical forms in both
the arias and the
recitatives in this
cantata. The opening
chorus is based on verses
2 and 4 of Psalm 19, with
verse 4 structured as a
choral fugue. Both parts
of the cantata end with a
chorale movement with
different verses from the
Lutheran hymn Es woll uns
Gott genadig sein. The
text refers loosely to
the epistle reading from
the 1st letter of St
John, but deals more with
general thoughts about
the temptations of the
Christian which can be
overcome through love.
Bach also performed the
first part of the cantata
later with minor
revisions, but evidently
no alterations to the
text, on Reformation Day
in Leipzig. Score and
parts available
separately - see item
CA.3107600. $30.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The heavens are telling the Father's glory (Die Himmel erzahlen die Ehre Gottes) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, v...(+)
SATB vocal soli, SATB
choir, oboe I/oboe
d'amore, oboe II,
trumpet, 2 violins,
viola, basso continuo -
Level 3 SKU:
CA.3107605 Cantata
for the 2nd Sunday afer
Trinity / Reformation
Day. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. German title:
Die Himmel erzahlen die
Ehre Gottes. Sacred vocal
music, Cantatas, Psalms,
German. Choral Score.
Composed 1723. BWV 76. 12
pages. Duration 35
minutes. Carus Verlag #CV
31.076/05. Published by
Carus Verlag
(CA.3107605). ISBN
9790007044916. Key: C
major / a minor.
Language:
German/English. The
cantata Die Himmel
erzahlen die Ehre Gottes
(The heavens are telling
of God in glory) BWV 76
by Johann Sebastian Bach
was written for the 2nd
Sunday after Trinity,
which fell on 6 June 1723
in the year it was first
performed. This ambitious
two-part work was the
second cantata which Bach
wrote after taking up the
position of Kantor of St.
Thomas's in Leipzig.
Bach's aim was evidently
to demonstrate a
particularly wide range
of musical forms in both
the arias and the
recitatives in this
cantata. The opening
chorus is based on verses
2 and 4 of Psalm 19, with
verse 4 structured as a
choral fugue. Both parts
of the cantata end with a
chorale movement with
different verses from the
Lutheran hymn Es woll uns
Gott genadig sein. The
text refers loosely to
the epistle reading from
the 1st letter of St
John, but deals more with
general thoughts about
the temptations of the
Christian which can be
overcome through love.
Bach also performed the
first part of the cantata
later with minor
revisions, but evidently
no alterations to the
text, on Reformation Day
in Leipzig. Score
available separately -
see item CA.3107600. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The heavens are telling the Father's glory (Die Himmel erzahlen die Ehre Gottes) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
Orchestra SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 ...(+)
Orchestra SATB vocal
soli, SATB choir, oboe
I/oboe d'amore, oboe II,
trumpet, 2 violins,
viola, basso continuo -
Level 3 SKU:
CA.3107607 Cantata
for the 2nd Sunday afer
Trinity / Reformation
Day. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. This edition:
Paperbound. German title:
Die Himmel erzahlen die
Ehre Gottes. Sacred vocal
music, Cantatas, Psalms,
German. Study score.
Composed 1723. BWV 76. 72
pages. Duration 35
minutes. Carus Verlag #CV
31.076/07. Published by
Carus Verlag
(CA.3107607). ISBN
9790007044923. Key: C
major / a minor.
Language:
German/English. The
cantata Die Himmel
erzahlen die Ehre Gottes
(The heavens are telling
of God in glory) BWV 76
by Johann Sebastian Bach
was written for the 2nd
Sunday after Trinity,
which fell on 6 June 1723
in the year it was first
performed. This ambitious
two-part work was the
second cantata which Bach
wrote after taking up the
position of Kantor of St.
Thomas's in Leipzig.
Bach's aim was evidently
to demonstrate a
particularly wide range
of musical forms in both
the arias and the
recitatives in this
cantata. The opening
chorus is based on verses
2 and 4 of Psalm 19, with
verse 4 structured as a
choral fugue. Both parts
of the cantata end with a
chorale movement with
different verses from the
Lutheran hymn Es woll uns
Gott genadig sein. The
text refers loosely to
the epistle reading from
the 1st letter of St
John, but deals more with
general thoughts about
the temptations of the
Christian which can be
overcome through love.
Bach also performed the
first part of the cantata
later with minor
revisions, but evidently
no alterations to the
text, on Reformation Day
in Leipzig. Score
available separately -
see item CA.3107600. $16.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The heavens are telling the Father's glory (Die Himmel erzahlen die Ehre Gottes) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, v...(+)
SATB vocal soli, SATB
choir, oboe I/oboe
d'amore, oboe II,
trumpet, 2 violins,
viola, basso continuo -
Level 3 SKU:
CA.3107611 Cantata
for the 2nd Sunday afer
Trinity / Reformation
Day. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. German title:
Die Himmel erzahlen die
Ehre Gottes. Sacred vocal
music, Cantatas, Psalms,
German. Single Part,
Violin 1. Composed 1723.
BWV 76. 12 pages.
Duration 35 minutes.
Carus Verlag #CV
31.076/11. Published by
Carus Verlag
(CA.3107611). ISBN
9790007044947. Key: C
major / a minor.
Language:
German/English. The
cantata Die Himmel
erzahlen die Ehre Gottes
(The heavens are telling
of God in glory) BWV 76
by Johann Sebastian Bach
was written for the 2nd
Sunday after Trinity,
which fell on 6 June 1723
in the year it was first
performed. This ambitious
two-part work was the
second cantata which Bach
wrote after taking up the
position of Kantor of St.
Thomas's in Leipzig.
Bach's aim was evidently
to demonstrate a
particularly wide range
of musical forms in both
the arias and the
recitatives in this
cantata. The opening
chorus is based on verses
2 and 4 of Psalm 19, with
verse 4 structured as a
choral fugue. Both parts
of the cantata end with a
chorale movement with
different verses from the
Lutheran hymn Es woll uns
Gott genadig sein. The
text refers loosely to
the epistle reading from
the 1st letter of St
John, but deals more with
general thoughts about
the temptations of the
Christian which can be
overcome through love.
Bach also performed the
first part of the cantata
later with minor
revisions, but evidently
no alterations to the
text, on Reformation Day
in Leipzig. Score and
part available separately
- see item
CA.3107600. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The heavens are telling the Father's glory (Die Himmel erzahlen die Ehre Gottes) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, v...(+)
SATB vocal soli, SATB
choir, oboe I/oboe
d'amore, oboe II,
trumpet, 2 violins,
viola, basso continuo -
Level 3 SKU:
CA.3107612 Cantata
for the 2nd Sunday afer
Trinity / Reformation
Day. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. German title:
Die Himmel erzahlen die
Ehre Gottes. Sacred vocal
music, Cantatas, Psalms,
German. Single Part,
Violin 2. Composed 1723.
BWV 76. 8 pages. Duration
35 minutes. Carus Verlag
#CV 31.076/12. Published
by Carus Verlag
(CA.3107612). ISBN
9790007044954. Key: C
major / a minor.
Language:
German/English. The
cantata Die Himmel
erzahlen die Ehre Gottes
(The heavens are telling
of God in glory) BWV 76
by Johann Sebastian Bach
was written for the 2nd
Sunday after Trinity,
which fell on 6 June 1723
in the year it was first
performed. This ambitious
two-part work was the
second cantata which Bach
wrote after taking up the
position of Kantor of St.
Thomas's in Leipzig.
Bach's aim was evidently
to demonstrate a
particularly wide range
of musical forms in both
the arias and the
recitatives in this
cantata. The opening
chorus is based on verses
2 and 4 of Psalm 19, with
verse 4 structured as a
choral fugue. Both parts
of the cantata end with a
chorale movement with
different verses from the
Lutheran hymn Es woll uns
Gott genadig sein. The
text refers loosely to
the epistle reading from
the 1st letter of St
John, but deals more with
general thoughts about
the temptations of the
Christian which can be
overcome through love.
Bach also performed the
first part of the cantata
later with minor
revisions, but evidently
no alterations to the
text, on Reformation Day
in Leipzig. Score and
part available separately
- see item
CA.3107600. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The heavens are telling the Father's glory (Die Himmel erzahlen die Ehre Gottes) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, v...(+)
SATB vocal soli, SATB
choir, oboe I/oboe
d'amore, oboe II,
trumpet, 2 violins,
viola, basso continuo -
Level 3 SKU:
CA.3107613 Cantata
for the 2nd Sunday afer
Trinity / Reformation
Day. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. German title:
Die Himmel erzahlen die
Ehre Gottes. Sacred vocal
music, Cantatas, Psalms,
German. Single Part,
Viola. Composed 1723. BWV
76. 8 pages. Duration 35
minutes. Carus Verlag #CV
31.076/13. Published by
Carus Verlag
(CA.3107613). ISBN
9790007044961. Key: C
major / a minor.
Language:
German/English. The
cantata Die Himmel
erzahlen die Ehre Gottes
(The heavens are telling
of God in glory) BWV 76
by Johann Sebastian Bach
was written for the 2nd
Sunday after Trinity,
which fell on 6 June 1723
in the year it was first
performed. This ambitious
two-part work was the
second cantata which Bach
wrote after taking up the
position of Kantor of St.
Thomas's in Leipzig.
Bach's aim was evidently
to demonstrate a
particularly wide range
of musical forms in both
the arias and the
recitatives in this
cantata. The opening
chorus is based on verses
2 and 4 of Psalm 19, with
verse 4 structured as a
choral fugue. Both parts
of the cantata end with a
chorale movement with
different verses from the
Lutheran hymn Es woll uns
Gott genadig sein. The
text refers loosely to
the epistle reading from
the 1st letter of St
John, but deals more with
general thoughts about
the temptations of the
Christian which can be
overcome through love.
Bach also performed the
first part of the cantata
later with minor
revisions, but evidently
no alterations to the
text, on Reformation Day
in Leipzig. Score and
part available separately
- see item
CA.3107600. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The heavens are telling the Father's glory (Die Himmel erzahlen die Ehre Gottes) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] - Intermédiaire Carus Verlag
SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, v...(+)
SATB vocal soli, SATB
choir, oboe I/oboe
d'amore, oboe II,
trumpet, 2 violins,
viola, basso continuo -
Level 3 SKU:
CA.3107619 Cantata
for the 2nd Sunday afer
Trinity / Reformation
Day. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. German title:
Die Himmel erzahlen die
Ehre Gottes. Sacred vocal
music, Cantatas, Psalms,
German. Set of Orchestra
Parts. Composed 1723. BWV
76. Duration 35 minutes.
Carus Verlag #CV
31.076/19. Published by
Carus Verlag
(CA.3107619). ISBN
9790007134082. Key: C
major / a minor.
Language:
German/English. The
cantata Die Himmel
erzahlen die Ehre Gottes
(The heavens are telling
of God in glory) BWV 76
by Johann Sebastian Bach
was written for the 2nd
Sunday after Trinity,
which fell on 6 June 1723
in the year it was first
performed. This ambitious
two-part work was the
second cantata which Bach
wrote after taking up the
position of Kantor of St.
Thomas's in Leipzig.
Bach's aim was evidently
to demonstrate a
particularly wide range
of musical forms in both
the arias and the
recitatives in this
cantata. The opening
chorus is based on verses
2 and 4 of Psalm 19, with
verse 4 structured as a
choral fugue. Both parts
of the cantata end with a
chorale movement with
different verses from the
Lutheran hymn Es woll uns
Gott genadig sein. The
text refers loosely to
the epistle reading from
the 1st letter of St
John, but deals more with
general thoughts about
the temptations of the
Christian which can be
overcome through love.
Bach also performed the
first part of the cantata
later with minor
revisions, but evidently
no alterations to the
text, on Reformation Day
in Leipzig. Score and
parts available
separately - see item
CA.3107600. $148.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Let, Princess, let but one more ray (Lass, Furstin, lass noch einen Strahl) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 Lt, 2 violins, viola, ...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes
d'amore, 2 Lt, 2 violins,
viola, 2 violas da gamba,
basso continuo SKU:
CA.3119813 Funeral
ode. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Trauerode.
Cantatas. Single Part,
Viola. Composed 1727. BWV
198. 12 pages. Duration
35 minutes. Carus Verlag
#CV 31.198/13. Published
by Carus Verlag
(CA.3119813). ISBN
9790007210618. Text
language:
German/English. Com
posed in 1727 for a
eulogy and funeral
oration for Electress
Christiane Eberhardine in
the Leipzig University
church, the music for the
funeral ode is well-known
today above all through
reconstructions of Bach's
St Mark Passion, in which
large parts of this
cantata were probably
re-used, but of which
only the text survives.
With the funeral ode we
have one of Bach's
strongest and most
fascinating vocal
compositions. Although
Gottsched's text is
associated with a
particular occasion, it
is distinguished in its
literary quality from
many secular cantatas and
it is entirely
appropriate to perform
this impressive cantata
in concerts. Score and
part available separately
- see item
CA.3119800. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Let, Princess, let but one more ray (Lass, Furstin, lass noch einen Strahl) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 Lt, 2 violins, viola, ...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes
d'amore, 2 Lt, 2 violins,
viola, 2 violas da gamba,
basso continuo SKU:
CA.3119814 Funeral
ode. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Trauerode.
Cantatas. Single Part,
Viola da gamba 1.
Composed 1727. BWV 198.
12 pages. Duration 35
minutes. Carus Verlag #CV
31.198/14. Published by
Carus Verlag
(CA.3119814). ISBN
9790007210625. Text
language:
German/English. Com
posed in 1727 for a
eulogy and funeral
oration for Electress
Christiane Eberhardine in
the Leipzig University
church, the music for the
funeral ode is well-known
today above all through
reconstructions of Bach's
St Mark Passion, in which
large parts of this
cantata were probably
re-used, but of which
only the text survives.
With the funeral ode we
have one of Bach's
strongest and most
fascinating vocal
compositions. Although
Gottsched's text is
associated with a
particular occasion, it
is distinguished in its
literary quality from
many secular cantatas and
it is entirely
appropriate to perform
this impressive cantata
in concerts. Score and
part available separately
- see item
CA.3119800. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Let, Princess, let but one more ray (Lass, Furstin, lass noch einen Strahl) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 Lt, 2 violins, viola, ...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes
d'amore, 2 Lt, 2 violins,
viola, 2 violas da gamba,
basso continuo SKU:
CA.3119816 Funeral
ode. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Trauerode.
Cantatas. Single Part,
basso continuo. Composed
1727. BWV 198. 20 pages.
Duration 35 minutes.
Carus Verlag #CV
31.198/16. Published by
Carus Verlag
(CA.3119816). ISBN
9790007210649. Text
language:
German/English. Com
posed in 1727 for a
eulogy and funeral
oration for Electress
Christiane Eberhardine in
the Leipzig University
church, the music for the
funeral ode is well-known
today above all through
reconstructions of Bach's
St Mark Passion, in which
large parts of this
cantata were probably
re-used, but of which
only the text survives.
With the funeral ode we
have one of Bach's
strongest and most
fascinating vocal
compositions. Although
Gottsched's text is
associated with a
particular occasion, it
is distinguished in its
literary quality from
many secular cantatas and
it is entirely
appropriate to perform
this impressive cantata
in concerts. Score and
part available separately
- see item
CA.3119800. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Let, Princess, let but one more ray (Lass, Furstin, lass noch einen Strahl) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 lutes, 2 violins, viol...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes
d'amore, 2 lutes, 2
violins, viola, 2 violas
da gamba, basso continuo
SKU: CA.3119849
Funeral ode.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Trauerode. Cantatas.
Single Part, Organ.
Composed 1727. BWV 198.
24 pages. Duration 35
minutes. Carus Verlag #CV
31.198/49. Published by
Carus Verlag
(CA.3119849). ISBN
9790007210656. Language:
German/English. Com
posed in 1727 for a
eulogy and funeral
oration for Electress
Christiane Eberhardine in
the Leipzig University
church, the music for the
funeral ode is well-known
today above all through
reconstructions of Bach's
St Mark Passion, in which
large parts of this
cantata were probably
re-used, but of which
only the text survives.
With the funeral ode we
have one of Bach's
strongest and most
fascinating vocal
compositions. Although
Gottsched's text is
associated with a
particular occasion, it
is distinguished in its
literary quality from
many secular cantatas and
it is entirely
appropriate to perform
this impressive cantata
in concerts. Score and
part available separately
- see item
CA.3119800. $25.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Let, Princess, let but one more ray (Lass, Furstin, lass noch einen Strahl) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 Lt, 2 violins, viola, ...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes
d'amore, 2 Lt, 2 violins,
viola, 2 violas da gamba,
basso continuo SKU:
CA.3119809 Funeral
ode. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf. This
edition: urtext. 1x
31.198/21 flute 1, 1x
31.198/22 flute 2, 1x
31.198/23 oboe 1, 1x
31.198/24 oboe 2, 2x
31.198/41 lute 1+2.
Stuttgart Urtext Edition:
Bach vocal. Trauerode.
Cantatas. Set of
Orchestra Parts. Composed
1727. BWV 198. Duration
35 minutes. Carus Verlag
#CV 31.198/09. Published
by Carus Verlag
(CA.3119809). ISBN
9790007210588. Text
language:
German/English. Com
posed in 1727 for a
eulogy and funeral
oration for Electress
Christiane Eberhardine in
the Leipzig University
church, the music for the
funeral ode is well-known
today above all through
reconstructions of Bach's
St Mark Passion, in which
large parts of this
cantata were probably
re-used, but of which
only the text survives.
With the funeral ode we
have one of Bach's
strongest and most
fascinating vocal
compositions. Although
Gottsched's text is
associated with a
particular occasion, it
is distinguished in its
literary quality from
many secular cantatas and
it is entirely
appropriate to perform
this impressive cantata
in concerts. Score and
parts available
separately - see item
CA.3119800. $30.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Let, Princess, let but one more ray (Lass, Furstin, lass noch einen Strahl) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 Lt, 2 violins, viola, ...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes
d'amore, 2 Lt, 2 violins,
viola, 2 violas da gamba,
basso continuo SKU:
CA.3119812 Funeral
ode. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Trauerode.
Cantatas. Single Part,
Violin 2. Composed 1727.
BWV 198. 12 pages.
Duration 35 minutes.
Carus Verlag #CV
31.198/12. Published by
Carus Verlag
(CA.3119812). ISBN
9790007210601. Text
language:
German/English. Com
posed in 1727 for a
eulogy and funeral
oration for Electress
Christiane Eberhardine in
the Leipzig University
church, the music for the
funeral ode is well-known
today above all through
reconstructions of Bach's
St Mark Passion, in which
large parts of this
cantata were probably
re-used, but of which
only the text survives.
With the funeral ode we
have one of Bach's
strongest and most
fascinating vocal
compositions. Although
Gottsched's text is
associated with a
particular occasion, it
is distinguished in its
literary quality from
many secular cantatas and
it is entirely
appropriate to perform
this impressive cantata
in concerts. Score and
part available separately
- see item
CA.3119800. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Let, Princess, let but one more ray (Lass, Furstin, lass noch einen Strahl) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 Lt, 2 violins, viola, ...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes
d'amore, 2 Lt, 2 violins,
viola, 2 violas da gamba,
basso continuo SKU:
CA.3119815 Funeral
ode. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Trauerode.
Cantatas. Single Part,
Viola da gamba 2.
Composed 1727. BWV 198.
12 pages. Duration 35
minutes. Carus Verlag #CV
31.198/15. Published by
Carus Verlag
(CA.3119815). ISBN
9790007210632. Text
language:
German/English. Com
posed in 1727 for a
eulogy and funeral
oration for Electress
Christiane Eberhardine in
the Leipzig University
church, the music for the
funeral ode is well-known
today above all through
reconstructions of Bach's
St Mark Passion, in which
large parts of this
cantata were probably
re-used, but of which
only the text survives.
With the funeral ode we
have one of Bach's
strongest and most
fascinating vocal
compositions. Although
Gottsched's text is
associated with a
particular occasion, it
is distinguished in its
literary quality from
many secular cantatas and
it is entirely
appropriate to perform
this impressive cantata
in concerts. Score and
part available separately
- see item
CA.3119800. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Let, Princess, let but one more ray (Lass, Furstin, lass noch einen Strahl) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 Lt, 2 violins, viola, ...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes
d'amore, 2 Lt, 2 violins,
viola, 2 violas da gamba,
basso continuo SKU:
CA.3119811 Funeral
ode. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Trauerode.
Cantatas. Single Part,
Violin 1. Composed 1727.
BWV 198. 12 pages.
Duration 35 minutes.
Carus Verlag #CV
31.198/11. Published by
Carus Verlag
(CA.3119811). ISBN
9790007210595. Text
language:
German/English. Com
posed in 1727 for a
eulogy and funeral
oration for Electress
Christiane Eberhardine in
the Leipzig University
church, the music for the
funeral ode is well-known
today above all through
reconstructions of Bach's
St Mark Passion, in which
large parts of this
cantata were probably
re-used, but of which
only the text survives.
With the funeral ode we
have one of Bach's
strongest and most
fascinating vocal
compositions. Although
Gottsched's text is
associated with a
particular occasion, it
is distinguished in its
literary quality from
many secular cantatas and
it is entirely
appropriate to perform
this impressive cantata
in concerts. Score and
part available separately
- see item
CA.3119800. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Let, Princess, let but one more ray Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Vocal Score] Carus Verlag
Funeral ode. Composed by Johann Sebastian Bach (1685-1750). Edited by Uwe...(+)
Funeral ode.
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Uwe Wolf. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Cantatas. Vocal score.
Composed 1727. 56 pages.
Duration 35 minutes.
Carus Verlag #CV
31.198/03. Published by
Carus Verlag
(CA.3119803).
$17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Let, Princess, let but one more ray (Lass, Furstin, lass noch einen Strahl) Soli, choeur mixte et accompagnement Carus Verlag
Funeral ode. Composed by Johann Sebastian Bach (1685-1750). Edited by Uwe...(+)
Funeral ode.
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Uwe Wolf. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Trauerode. Cantatas.
Orchestral Parts.
Composed 1727. BWV 198.
Duration 35 minutes.
Carus Verlag #CV
31.198/19. Published by
Carus Verlag
(CA.3119819).
$140.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| SWAN LAKE BALLET: Dance of Swans (Original) Soli, choeur mixte et accompagnement Lucks Music Library
(2+1.2.2.2/4.2+2.3.1,timp ,2 perc,hp,str) SKU: TM.14735SET Composed by Pe...(+)
(2+1.2.2.2/4.2+2.3.1,timp
,2 perc,hp,str) SKU:
TM.14735SET Composed
by Peter Illich
Tschaikowsky. Set Type:
D. Set of parts.
Published by Lucks Music
Library (TM.14735SET).
Act II-follows
Scene III. No. 13 in
score. Contains 7 dances:
No. 4 = the famous Dance
of the Little Swans. See
#14429 for Dance of the
Little Swans from Act IV.
Pas d'Action with
Tschaikowsky's ending.
See #06921 Swan Lake
Suite for Pas d'Action
with Drigo ending. This
edition is extracted from
the Original manuscript
ballet #13811. See #14036
for the edition edited by
Simpson. $175.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| SWAN LAKE BALLET: Dance of Swans (Original) Soli, choeur mixte et accompagnement [Conducteur] Lucks Music Library
(2+1.2.2.2/4.2+2.3.1,timp ,2 perc,hp,str) SKU: TM.14735SC Composed by Pet...(+)
(2+1.2.2.2/4.2+2.3.1,timp
,2 perc,hp,str) SKU:
TM.14735SC Composed
by Peter Illich
Tschaikowsky. Score.
Published by Lucks Music
Library (TM.14735SC).
Act II-follows
Scene III. No. 13 in
score. Contains 7 dances:
No. 4 = the famous Dance
of the Little Swans. See
#14429 for Dance of the
Little Swans from Act IV.
Pas d'Action with
Tschaikowsky's ending.
See #06921 Swan Lake
Suite for Pas d'Action
with Drigo ending. This
edition is extracted from
the Original manuscript
ballet #13811. See #14036
for the edition edited by
Simpson. $75.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Children's Corner, Complete (Andre Caplet) Soli, choeur mixte et accompagnement Lucks Music Library
(2.2.2.2/4.2.0.0,4 perc,hp,str) SKU: TM.05333SET Composed by Claude Debus...(+)
(2.2.2.2/4.2.0.0,4
perc,hp,str) SKU:
TM.05333SET Composed
by Claude Debussy. Edited
by Andre Caplet. Set
Type: D. Set of parts.
Lucks Music Library
#A6135. Published by
Lucks Music Library
(TM.05333SET).
Dr. Gradus As
Parnassum, Jimbo's
Lullaby, Serenade for the
Doll, The Snow is
Dancing, The Little
Shepherd, Golliwogg's
Cakewalk. Clothbound
score. $100.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Children's Corner, Complete (Andre Caplet) Soli, choeur mixte et accompagnement [Conducteur] Lucks Music Library
(2.2.2.2/4.2.0.0,4 perc,hp,str) SKU: TM.05333SC Composed by Claude Debuss...(+)
(2.2.2.2/4.2.0.0,4
perc,hp,str) SKU:
TM.05333SC Composed
by Claude Debussy. Edited
by Andre Caplet. Score.
Lucks Music Library
#A6135. Published by
Lucks Music Library
(TM.05333SC).
Dr. Gradus As
Parnassum, Jimbo's
Lullaby, Serenade for the
Doll, The Snow is
Dancing, The Little
Shepherd, Golliwogg's
Cakewalk. Clothbound
score. $50.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Messiah Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Vocal Score] Oxford University Press
By George Frideric Handel. Arranged by Bartlett. For Longer Choral Work: Vocal S...(+)
By George Frideric
Handel. Arranged by
Bartlett. For Longer
Choral Work: Vocal Score.
Published by Oxford
University Press.
$14.99 - Voir plus => Acheter | | |
| SWAN LAKE BALLET: Suite, Op. 20a Soli, choeur mixte et accompagnement Lucks Music Library
(2+1.2.2.2/4.2+2.3.1,timp ,perc,hp,str) SKU: TM.06921SET Composed by Pete...(+)
(2+1.2.2.2/4.2+2.3.1,timp
,perc,hp,str) SKU:
TM.06921SET Composed
by Peter Illich
Tschaikowsky. Set Type:
D. Set of parts.
Published by Lucks Music
Library (TM.06921SET).
8 Movement
version Suite (1954). For
original 6 Movement
version (1900), use
Movements 1-5 + #14565
Movement 6 Scene and
Finale. 8 Movements:
Scene, Valse, Dance of
the Swans (including the
famous Pas de Quatre
Dance of Little Swans No.
4), Scene (Pas d'Action),
Czardas, Spanish Dance,
Neapolitan Dance,
Mazurka. Transposed: Cl
1&2, Tpt 1&2, Cor 1&2,
Tbn 1&2; Hns orig in F.
#298892 Dover score does
not match these parts.
Clothbound score. No. 4
Scene (Pas d'Action)
contains Drigo ending.
See #14036 Dance of the
Swans for Pas d'Action
with Tschaikowsky's
ending. $295.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| SWAN LAKE BALLET: Suite, Op. 20a Soli, choeur mixte et accompagnement [Conducteur] Lucks Music Library
(2+1.2.2.2/4.2+2.3.1,timp ,perc,hp,str) SKU: TM.06921SC Composed by Peter...(+)
(2+1.2.2.2/4.2+2.3.1,timp
,perc,hp,str) SKU:
TM.06921SC Composed
by Peter Illich
Tschaikowsky. Score.
Published by Lucks Music
Library (TM.06921SC).
8 Movement
version Suite (1954). For
original 6 Movement
version (1900), use
Movements 1-5 + #14565
Movement 6 Scene and
Finale. 8 Movements:
Scene, Valse, Dance of
the Swans (including the
famous Pas de Quatre
Dance of Little Swans No.
4), Scene (Pas d'Action),
Czardas, Spanish Dance,
Neapolitan Dance,
Mazurka. Transposed: Cl
1&2, Tpt 1&2, Cor 1&2,
Tbn 1&2; Hns orig in F.
#298892 Dover score does
not match these parts.
Clothbound score. No. 4
Scene (Pas d'Action)
contains Drigo ending.
See #14036 Dance of the
Swans for Pas d'Action
with Tschaikowsky's
ending. $75.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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