Semele, HWV 58 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Soloists, Mixed choir, Orchestra SKU: BA.BA04025-01 Composed by George Fr...(+)
Soloists, Mixed choir,
Orchestra
SKU:
BA.BA04025-01
Composed by George
Frideric Handel. Edited
by
Georg-Friedrich-Händel
-Gesellschaft e. V.
Risinger and Mark. This
edition: Complete
edition. Linen. Complete
edition, Score. HWV 58.
Baerenreiter Verlag
#BA04025-01. Published by
Baerenreiter Verlag
(BA.BA04025-01).
ISBN
9790006443222. 33 x 26 cm
inches. Text Language:
English.
Handelâ??
s â??Semeleâ?, which
premiered in February
1744, is based on an
adapted version of
William Congreveâ??s
opera libretto titled
â??The Story of
Semeleâ?, originally
published in 1706.
However, neither Handel
nor his librettist
referred to
â??Semeleâ? as an
opera or an oratorio,
which, according to the
understanding at the
time, would have required
a biblical and/or
Christian subject matter.
Contemporary audiences
also disagreed on the
genre. The problematic
classification as an
oratorio has persisted
into the present day,
likely due to the edition
labeled as such by
Chrysander. The â??Halle
Handel Editionâ? (HHA)
distances itself from
this classification and,
considering the available
sources, refrains from
assigning a genre
label.
Congreve
deviates from the
mythological source
multiple times in order
to create tensions among
the characters. The
desired marriage between
Semele and Athamas, whom
she does not love, is an
addition by Congreve to
provoke the envy of her
sister Ino, who desires
Athamas herself.
Therefore, Ino sees her
own advantage in
Semeleâ??s abduction by
Jupiter. While
Jupiterâ??s wife Juno
decides to destroy Semele
out of jealousy for his
relationship with her,
Jupiter brings Ino to his
palace to console Semele.
The vengeful Juno takes
advantage of Inoâ??s
presence and transforms
into her likeness,
persuading Semele to
carry out a plan that
later proves fatal. In
the end, Ino emerges as
the winner, as she is
able to convince their
father, Cadmus, to marry
her to Athamas. The
appearance of Apollo in
the final scene to
announce that Semeleâ??s
immortal son Bacchus was
saved from her ashes
provides little
consolation. However,
this twist allows the
drama to conclude with
exuberant joy and a
magnificent final chorus
after the tragic scenes
in the third act,
culminating in the death
of the
protagonist.
Hande
lâ??s autograph score
shows significant
deviations from and
numerous revisions of the
original version
premiered. All surviving
early versions, the
musical movements deleted
before the premiere, and
the version of the
December 1744, are given
in the appendix to the
HHA.
Commedia in due atti
(comedy in two acts).
Composed by Gioachino
Rossini. Edited by
Patricia B. Brauner. This
edition: Edition of
selected works, Urtext
edition. Linen. Works of
Gioachino Rossini, Volume
2. Edition of selected
works, Score.
Baerenreiter Verlag
#BA10506_01. Published by
Baerenreiter Verlag
(BA.BA10506-01).
ISBN
9790006552009. 33 x 26 cm
inches. Text Language:
Italian. Text: Sterbini,
Cesare.
Barenreiter
's publication of a new
volume of theWorks of
Gioachino Rossini, in
collaboration with the
Center for Italian Opera
Studies at the University
of Chicago, makes
available an edition of
the operaIl barbiere di
Sivigliawhich meets
modern demands. The
editors have recently
identified numerous
carelessly edited places
in the last critical
edition by referring to
additional sources. The
greatest changes relate
to the overture; for the
new edition, no fewer
than twenty different
autograph manuscripts
have been consulted.
A detailed appendix
containing alternative
vocal parts, advice on
ornamentation and
compositions by Rossini
significant in the
performance history of
the opera complete the
volume.
A
420-page Critical
Commentary is published
separately. With this, a
critical edition is now
available to
interpreters, enabling
them to perform Rossini's
,,Barber of Sevillewith
the greatest possible
confidence in the
accuracy of the musical
material. The performance
material is available on
hire, and a vocal score
will be published at the
end of 2009.
Through 1829 Rossini was
an extraordinarily
prolific composer of
operas, comic, serious,
and semiserious, in
Italian and French, as
well as of a great deal
of vocal and instrumental
music. He composed sacred
music, vocal treatises,
cantatas. Then, for many
different reasons, he
wrote very little music
for more than twentyfive
years, if we except some
songs and the ' Stabat
Mater' . Only after he
left Italy definitively
for Paris in 1855 did he
find his voice again.
Between 1857 and
1868 a fresh group of
masterpieces issued from
his pen, the so-called '
Peches de vieillesse'
(Sins of Old Age),
including chamber music,
songs, and the 'Petite
Messe Solennelle'.
Philip Gossett,
General Editor of Works
of Gioachino Rossini, is
the Robert W. Reneker
Distinguished Service
Professor at The
University of Chicago and
a professordi chiara
famaat the University of
RomeLa Sapienza. He is
also general editor of
The Works of Giuseppe
Verdi.
Barenreiter in
cooperation with the
Center for Italian Opera
Studies at The University
of Chicago will publish
ten volumes in the series
Works of Gioachino
Rossini, in critical
editions, during the
period 2007-2011. These
are all volumes that were
not issued in theEdizione
critica delle opere di
Gioachino Rossini.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Mass in C major Soli, choeur mixte et accompagnement [Conducteur d'étude / Miniature] Carus Verlag
Spaur-Messe. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by B...(+)
Spaur-Messe.
Composed by Wolfgang
Amadeus Mozart
(1756-1791). Edited by
Bernhard Janz. Arranged
by Volker Blumenthaler.
This edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Missa in C KV 258
(Spaur-Messe) rev.2003.
Latin Masses. Study
score. Composed circa
1775-1777. KV 258. 64
pages. Duration 20
minutes. Published by
Carus Verlag
(CA.4062707).
Spaur Mass. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Be...(+)
Spaur Mass.
Composed by Wolfgang
Amadeus Mozart
(1756-1791). Edited by
Bernhard Janz. Arranged
by Volker Blumenthaler.
This edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Missa In C Kv 258
(Spaur-Messe) Rev.2003.
Sacred vocal music,
Masses, Latin.
Orchestral Parts.
Composed circa 1775-1777.
KV 258. Duration 20
minutes. Carus Verlag #CV
40.627/19. Published by
Carus Verlag
(CA.4062719).
Arranged by Lake. Set
Type: C. Set of parts.
Published by Lucks Music
Library (TM.08254SET).
The Bowery,
Sidewalks of New York,
Sweet Rosie O'Grady,
Daisy Bell, Comrades,
Little Annie Rooney, The
Band Played On, After the
Ball, She May Have Seen
Better Days. P/C in
set.
Arranged by Witt. Set
Type: C. Set of parts.
Published by Lucks Music
Library (TM.06878SET).
Minstrel Boy,
Savourneen Delish,
Killarney, Come Back to
Erin, Believe Me If All
Those Endearing Young
Charms, The Meeting of
the Waters, The Last Rose
of Summer, The Pretty
Girl Milking Her Cow, The
Dear Little Shamrock,
Wearing the Green, The
Harp that.
Composed
by Georg Philipp
Telemann. Edited by Klaus
Hofmann. Sacred vocal
music, Psalms, Latin.
Choral Score. TVWV 7:7.
12 pages. Duration 20
minutes. Carus Verlag #CV
39.114/05. Published by
Carus Verlag
(CA.3911405).
ISBN
9790007128579. Language:
Latin.
The
prestigious Latin psalm
setting Deus judicium
tuum (Ps. 71/72) is among
the finest from
Telemann's pen. Its
composition is associated
with the beginning of his
eight-month sojourn in
Paris in the fall of
1737, during which time
he celebrated musical
triumphs in the French
metropolis. As he himself
reported, with no little
pride, the piece was
performed twice in three
days by almost one
hundred selected people
in the Concert spirituel.
Three magnificent choral
movements frame a
richly-colored succession
of demanding solo
movements. Score
available separately -
see item CA.3911400.
Spaur Mass.
Composed by Wolfgang
Amadeus Mozart. Edited by
Bernhard Janz. Arranged
by Volker Blumenthaler.
This edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Missa In C Kv 258
(Spaur-Messe) Rev.2003.
Sacred vocal music,
Masses, Latin. Choral
Score. Composed circa
1775-1777. KV 258. 16
pages. Duration 20
minutes. Carus Verlag #CV
40.627/05. Published by
Carus Verlag
(CA.4062705).
ISBN
9790007084684. Key: C
major. Language:
Latin.
The
relatively unspectacular
nature of the Spaur Mass
may be one of the reasons
for the fact that writers
on music generally refer
to it only as a
peripheral work, a little
sister of Mozart's
important church works.
With regard to scoring,
the Spaur Mass belongs to
the category of the missa
solemnis, but its brevity
and its stylistic
character belong far more
to the missa brevis.
Unlike the Organ Solo
Mass KV 259, here the
soloistic element - both
instrumental and vocal -
is clearly integrated to
the background in favour
of the development of the
whole ensemble. Score
available separately -
see item CA.4062700.
Spaur Mass.
Composed by Wolfgang
Amadeus Mozart. Edited by
Bernhard Janz. Arranged
by Volker Blumenthaler.
This edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Missa In C Kv 258
(Spaur-Messe) Rev.2003.
Sacred vocal music,
Masses, Latin. Full
score. Composed circa
1775-1777. KV 258. 64
pages. Duration 20
minutes. Carus Verlag #CV
40.627/00. Published by
Carus Verlag
(CA.4062700).
ISBN
9790007089764. Key: C
major. Language:
Latin.
The
relatively unspectacular
nature of the Spaur Mass
may be one of the reasons
for the fact that writers
on music generally refer
to it only as a
peripheral work, a little
sister of Mozart's
important church works.
With regard to scoring,
the Spaur Mass belongs to
the category of the missa
solemnis, but its brevity
and its stylistic
character belong far more
to the missa brevis.
Unlike the Organ Solo
Mass KV 259, here the
soloistic element - both
instrumental and vocal -
is clearly integrated to
the background in favour
of the development of the
whole ensemble.
Spaur Mass.
Composed by Wolfgang
Amadeus Mozart. Edited by
Bernhard Janz. Arranged
by Volker Blumenthaler.
This edition: urtext. 1x
40.627/21 oboe 1, 1x
40.627/22 oboe 2, 1x
40.627/31 trumpet 1, 1x
40.627/32 trumpet 2, 1x
40.627/33 trombone 1, 1x
40.627/34 trombone 2, 1x
40.627/35 trombone 3, 1x
40.627/41 timpani.
Stuttgart Urtext Edition:
Mozart. German title:
Missa In C Kv 258
(Spaur-Messe) Rev.2003.
Sacred vocal music,
Masses, Latin. Set of
Orchestra Parts. Composed
circa 1775-1777. KV 258.
50 pages. Duration 20
minutes. Carus Verlag #CV
40.627/09. Published by
Carus Verlag
(CA.4062709).
ISBN
9790007084691. Key: C
major. Language:
Latin.
The
relatively unspectacular
nature of the Spaur Mass
may be one of the reasons
for the fact that writers
on music generally refer
to it only as a
peripheral work, a little
sister of Mozart's
important church works.
With regard to scoring,
the Spaur Mass belongs to
the category of the missa
solemnis, but its brevity
and its stylistic
character belong far more
to the missa brevis.
Unlike the Organ Solo
Mass KV 259, here the
soloistic element - both
instrumental and vocal -
is clearly integrated to
the background in favour
of the development of the
whole ensemble. Score and
parts available
separately - see item
CA.4062700.
Spaur Mass.
Composed by Wolfgang
Amadeus Mozart. Edited by
Bernhard Janz. Arranged
by Volker Blumenthaler.
This edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Missa In C Kv 258
(Spaur-Messe) Rev.2003.
Sacred vocal music,
Masses, Latin. Single
Part, Violin 1. Composed
circa 1775-1777. KV 258.
8 pages. Duration 20
minutes. Carus Verlag #CV
40.627/11. Published by
Carus Verlag
(CA.4062711).
ISBN
9790007084707. Key: C
major. Language:
Latin.
The
relatively unspectacular
nature of the Spaur Mass
may be one of the reasons
for the fact that writers
on music generally refer
to it only as a
peripheral work, a little
sister of Mozart's
important church works.
With regard to scoring,
the Spaur Mass belongs to
the category of the missa
solemnis, but its brevity
and its stylistic
character belong far more
to the missa brevis.
Unlike the Organ Solo
Mass KV 259, here the
soloistic element - both
instrumental and vocal -
is clearly integrated to
the background in favour
of the development of the
whole ensemble. Score and
part available separately
- see item
CA.4062700.
Spaur Mass.
Composed by Wolfgang
Amadeus Mozart. Edited by
Bernhard Janz. Arranged
by Volker Blumenthaler.
This edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Missa In C Kv 258
(Spaur-Messe) Rev.2003.
Sacred vocal music,
Masses, Latin. Single
Part, Organ. Composed
circa 1775-1777. KV 258.
12 pages. Duration 20
minutes. Carus Verlag #CV
40.627/49. Published by
Carus Verlag
(CA.4062749).
ISBN
9790007084738. Key: C
major. Language:
Latin.
The
relatively unspectacular
nature of the Spaur Mass
may be one of the reasons
for the fact that writers
on music generally refer
to it only as a
peripheral work, a little
sister of Mozart's
important church works.
With regard to scoring,
the Spaur Mass belongs to
the category of the missa
solemnis, but its brevity
and its stylistic
character belong far more
to the missa brevis.
Unlike the Organ Solo
Mass KV 259, here the
soloistic element - both
instrumental and vocal -
is clearly integrated to
the background in favour
of the development of the
whole ensemble. Score and
part available separately
- see item
CA.4062700.