(Weihnachtsoratorium). By Gottfried August Homilius. Edited by Uwe Wolf. For SATB soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 3 horns, 3 trumpets, timpani, 2 violins, viola, cello/contrabass. This edition: paperbound. HoWV I.4. Full score available separately - see item CA.3710500. Oratorios; Use during church year: Christmas. Piano/Vocal score. Language: German. 48 pages. Duration 45 min

Opera in five acts. Composed by Charles Francois Gounod (1818-1893). Edited by Paul Prevost. Arranged by Karl- Heinz Muller. This edition: urtext edition. Paperback. Barenreiter Urtext. Version with recitatives. Vocal Score. Baerenreiter Verlag #BA08713-90. Published by Baerenreiter Verlag

SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, viola, basso continuo - Level 3

SKU: CA.3107609

Cantata for the 2nd Sunday afer Trinity / Reformation Day. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. 1x 31.076/21 Oboe and Oboe d'amore, 1x 31.076/22 oboe 2, 1x 31.076/31 trumpet. German title: Die Himmel erzahlen die Ehre Gottes 5. Sacred vocal music, Cantatas, Psalms, German. Set of Orchestra Parts. Composed 1723. BWV 76. 24 pages. Duration 35 minutes. Carus Verlag #CV 31.076/09. Published by Carus Verlag (CA.3107609).

ISBN 9790007044930. Key: C major / a minor. Language: German/English.

The cantata Die Himmel erzahlen die Ehre Gottes (The heavens are telling of God in glory) BWV 76 by Johann Sebastian Bach was written for the 2nd Sunday after Trinity, which fell on 6 June 1723 in the year it was first performed. This ambitious two-part work was the second cantata which Bach wrote after taking up the position of Kantor of St. Thomas's in Leipzig. Bach's aim was evidently to demonstrate a particularly wide range of musical forms in both the arias and the recitatives in this cantata. The opening chorus is based on verses 2 and 4 of Psalm 19, with verse 4 structured as a choral fugue. Both parts of the cantata end with a chorale movement with different verses from the Lutheran hymn Es woll uns Gott genadig sein. The text refers loosely to the epistle reading from the 1st letter of St John, but deals more with general thoughts about the temptations of the Christian which can be overcome through love. Bach also performed the first part of the cantata later with minor revisions, but evidently no alterations to the text, on Reformation Day in Leipzig. Score and parts available separately - see item CA.3107600.

SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, viola, basso continuo - Level 3

SKU: CA.3107605

Cantata for the 2nd Sunday afer Trinity / Reformation Day. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. German title: Die Himmel erzahlen die Ehre Gottes. Sacred vocal music, Cantatas, Psalms, German. Choral Score. Composed 1723. BWV 76. 12 pages. Duration 35 minutes. Carus Verlag #CV 31.076/05. Published by Carus Verlag (CA.3107605).

ISBN 9790007044916. Key: C major / a minor. Language: German/English.

The cantata Die Himmel erzahlen die Ehre Gottes (The heavens are telling of God in glory) BWV 76 by Johann Sebastian Bach was written for the 2nd Sunday after Trinity, which fell on 6 June 1723 in the year it was first performed. This ambitious two-part work was the second cantata which Bach wrote after taking up the position of Kantor of St. Thomas's in Leipzig. Bach's aim was evidently to demonstrate a particularly wide range of musical forms in both the arias and the recitatives in this cantata. The opening chorus is based on verses 2 and 4 of Psalm 19, with verse 4 structured as a choral fugue. Both parts of the cantata end with a chorale movement with different verses from the Lutheran hymn Es woll uns Gott genadig sein. The text refers loosely to the epistle reading from the 1st letter of St John, but deals more with general thoughts about the temptations of the Christian which can be overcome through love. Bach also performed the first part of the cantata later with minor revisions, but evidently no alterations to the text, on Reformation Day in Leipzig. Score available separately - see item CA.3107600.

Orchestra SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, viola, basso continuo - Level 3

SKU: CA.3107607

Cantata for the 2nd Sunday afer Trinity / Reformation Day. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. This edition: Paperbound. German title: Die Himmel erzahlen die Ehre Gottes. Sacred vocal music, Cantatas, Psalms, German. Study score. Composed 1723. BWV 76. 72 pages. Duration 35 minutes. Carus Verlag #CV 31.076/07. Published by Carus Verlag (CA.3107607).

ISBN 9790007044923. Key: C major / a minor. Language: German/English.

The cantata Die Himmel erzahlen die Ehre Gottes (The heavens are telling of God in glory) BWV 76 by Johann Sebastian Bach was written for the 2nd Sunday after Trinity, which fell on 6 June 1723 in the year it was first performed. This ambitious two-part work was the second cantata which Bach wrote after taking up the position of Kantor of St. Thomas's in Leipzig. Bach's aim was evidently to demonstrate a particularly wide range of musical forms in both the arias and the recitatives in this cantata. The opening chorus is based on verses 2 and 4 of Psalm 19, with verse 4 structured as a choral fugue. Both parts of the cantata end with a chorale movement with different verses from the Lutheran hymn Es woll uns Gott genadig sein. The text refers loosely to the epistle reading from the 1st letter of St John, but deals more with general thoughts about the temptations of the Christian which can be overcome through love. Bach also performed the first part of the cantata later with minor revisions, but evidently no alterations to the text, on Reformation Day in Leipzig. Score available separately - see item CA.3107600.

SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, viola, basso continuo - Level 3

SKU: CA.3107611

Cantata for the 2nd Sunday afer Trinity / Reformation Day. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. German title: Die Himmel erzahlen die Ehre Gottes. Sacred vocal music, Cantatas, Psalms, German. Single Part, Violin 1. Composed 1723. BWV 76. 12 pages. Duration 35 minutes. Carus Verlag #CV 31.076/11. Published by Carus Verlag (CA.3107611).

ISBN 9790007044947. Key: C major / a minor. Language: German/English.

The cantata Die Himmel erzahlen die Ehre Gottes (The heavens are telling of God in glory) BWV 76 by Johann Sebastian Bach was written for the 2nd Sunday after Trinity, which fell on 6 June 1723 in the year it was first performed. This ambitious two-part work was the second cantata which Bach wrote after taking up the position of Kantor of St. Thomas's in Leipzig. Bach's aim was evidently to demonstrate a particularly wide range of musical forms in both the arias and the recitatives in this cantata. The opening chorus is based on verses 2 and 4 of Psalm 19, with verse 4 structured as a choral fugue. Both parts of the cantata end with a chorale movement with different verses from the Lutheran hymn Es woll uns Gott genadig sein. The text refers loosely to the epistle reading from the 1st letter of St John, but deals more with general thoughts about the temptations of the Christian which can be overcome through love. Bach also performed the first part of the cantata later with minor revisions, but evidently no alterations to the text, on Reformation Day in Leipzig. Score and part available separately - see item CA.3107600.

SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, viola, basso continuo - Level 3

SKU: CA.3107612

Cantata for the 2nd Sunday afer Trinity / Reformation Day. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. German title: Die Himmel erzahlen die Ehre Gottes. Sacred vocal music, Cantatas, Psalms, German. Single Part, Violin 2. Composed 1723. BWV 76. 8 pages. Duration 35 minutes. Carus Verlag #CV 31.076/12. Published by Carus Verlag (CA.3107612).

ISBN 9790007044954. Key: C major / a minor. Language: German/English.

The cantata Die Himmel erzahlen die Ehre Gottes (The heavens are telling of God in glory) BWV 76 by Johann Sebastian Bach was written for the 2nd Sunday after Trinity, which fell on 6 June 1723 in the year it was first performed. This ambitious two-part work was the second cantata which Bach wrote after taking up the position of Kantor of St. Thomas's in Leipzig. Bach's aim was evidently to demonstrate a particularly wide range of musical forms in both the arias and the recitatives in this cantata. The opening chorus is based on verses 2 and 4 of Psalm 19, with verse 4 structured as a choral fugue. Both parts of the cantata end with a chorale movement with different verses from the Lutheran hymn Es woll uns Gott genadig sein. The text refers loosely to the epistle reading from the 1st letter of St John, but deals more with general thoughts about the temptations of the Christian which can be overcome through love. Bach also performed the first part of the cantata later with minor revisions, but evidently no alterations to the text, on Reformation Day in Leipzig. Score and part available separately - see item CA.3107600.

SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, viola, basso continuo - Level 3

SKU: CA.3107613

Cantata for the 2nd Sunday afer Trinity / Reformation Day. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. German title: Die Himmel erzahlen die Ehre Gottes. Sacred vocal music, Cantatas, Psalms, German. Single Part, Viola. Composed 1723. BWV 76. 8 pages. Duration 35 minutes. Carus Verlag #CV 31.076/13. Published by Carus Verlag (CA.3107613).

ISBN 9790007044961. Key: C major / a minor. Language: German/English.

The cantata Die Himmel erzahlen die Ehre Gottes (The heavens are telling of God in glory) BWV 76 by Johann Sebastian Bach was written for the 2nd Sunday after Trinity, which fell on 6 June 1723 in the year it was first performed. This ambitious two-part work was the second cantata which Bach wrote after taking up the position of Kantor of St. Thomas's in Leipzig. Bach's aim was evidently to demonstrate a particularly wide range of musical forms in both the arias and the recitatives in this cantata. The opening chorus is based on verses 2 and 4 of Psalm 19, with verse 4 structured as a choral fugue. Both parts of the cantata end with a chorale movement with different verses from the Lutheran hymn Es woll uns Gott genadig sein. The text refers loosely to the epistle reading from the 1st letter of St John, but deals more with general thoughts about the temptations of the Christian which can be overcome through love. Bach also performed the first part of the cantata later with minor revisions, but evidently no alterations to the text, on Reformation Day in Leipzig. Score and part available separately - see item CA.3107600.

SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, viola, basso continuo - Level 3

SKU: CA.3107619

Cantata for the 2nd Sunday afer Trinity / Reformation Day. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. German title: Die Himmel erzahlen die Ehre Gottes. Sacred vocal music, Cantatas, Psalms, German. Set of Orchestra Parts. Composed 1723. BWV 76. Duration 35 minutes. Carus Verlag #CV 31.076/19. Published by Carus Verlag (CA.3107619).

ISBN 9790007134082. Key: C major / a minor. Language: German/English.

The cantata Die Himmel erzahlen die Ehre Gottes (The heavens are telling of God in glory) BWV 76 by Johann Sebastian Bach was written for the 2nd Sunday after Trinity, which fell on 6 June 1723 in the year it was first performed. This ambitious two-part work was the second cantata which Bach wrote after taking up the position of Kantor of St. Thomas's in Leipzig. Bach's aim was evidently to demonstrate a particularly wide range of musical forms in both the arias and the recitatives in this cantata. The opening chorus is based on verses 2 and 4 of Psalm 19, with verse 4 structured as a choral fugue. Both parts of the cantata end with a chorale movement with different verses from the Lutheran hymn Es woll uns Gott genadig sein. The text refers loosely to the epistle reading from the 1st letter of St John, but deals more with general thoughts about the temptations of the Christian which can be overcome through love. Bach also performed the first part of the cantata later with minor revisions, but evidently no alterations to the text, on Reformation Day in Leipzig. Score and parts available separately - see item CA.3107600.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 3 horns, 3 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.3710509

Christmas oratorio. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Complete edition. 1x 37.105/21 flute 1, 1x 37.105/22 flute 2, 1x 37.105/23 oboe 1, 1x 37.105/24 oboe 2, 2x 37.105/25 2 bassoons, 1x 37.105/31 horn 1, 1x 37.105/32 horn 2, 1x 37.105/33 horn 3, 4x 37.105/34 trumpet/timpani. Gottfried August Homilius - Selected Works. Die Freude Der Hirten Ga 5. Innovative practice aids, Sacred vocal music, Oratorios, Christmas. Set of Orchestra Parts. HoWV I.1. 68 pages. Duration 45 minutes. Carus Verlag #CV 37.105/09. Published by Carus Verlag (CA.3710509).

ISBN 9790007214333. Language: German. Text: Buschmann, Ernst August. Text: Ernst August Buschmann.

After the Passions-Cantate ,,Ein Lammlein geht und tragt die Schuld of 1775, the Christmas Oratorio is the second major vocal work by Homilius to appear in print during his lifetime. With an unusually large instrumental contingent, Homilius set the, at that time, much beloved pastoral theme of the shepherds in a most sophisticated manner. Each movement presents a clearly differentiated, atmospheric scene, distinct from all the other movements. This applies to the varied pastoral music, as well as to the representation of the mighty God by an angel, whose entrance is accompanied by trumpets and timpani. Score and parts available separately - see item CA.3710500.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 3 horns, 3 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.3710514

Christmas oratorio. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Complete edition. Gottfried August Homilius - Selected Works. Die Freude Der Hirten Ga 5. Innovative practice aids, Sacred vocal music, Oratorios, Christmas. Single Part, Cello/Double Bass. HoWV I.1. 16 pages. Duration 45 minutes. Carus Verlag #CV 37.105/14. Published by Carus Verlag (CA.3710514).

ISBN 9790007214371. Language: German. Text: Buschmann, Ernst August. Text: Ernst August Buschmann.

After the Passions-Cantate ,,Ein Lammlein geht und tragt die Schuld of 1775, the Christmas Oratorio is the second major vocal work by Homilius to appear in print during his lifetime. With an unusually large instrumental contingent, Homilius set the, at that time, much beloved pastoral theme of the shepherds in a most sophisticated manner. Each movement presents a clearly differentiated, atmospheric scene, distinct from all the other movements. This applies to the varied pastoral music, as well as to the representation of the mighty God by an angel, whose entrance is accompanied by trumpets and timpani. Score and part available separately - see item CA.3710500.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 3 horns, 3 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.3710512

Christmas oratorio. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Complete edition. Gottfried August Homilius - Selected Works. Die Freude Der Hirten Ga 5. Innovative practice aids, Sacred vocal music, Oratorios, Christmas. Single Part, Violin 2. HoWV I.1. 16 pages. Duration 45 minutes. Carus Verlag #CV 37.105/12. Published by Carus Verlag (CA.3710512).

ISBN 9790007214357. Language: German. Text: Buschmann, Ernst August. Text: Ernst August Buschmann.

After the Passions-Cantate ,,Ein Lammlein geht und tragt die Schuld of 1775, the Christmas Oratorio is the second major vocal work by Homilius to appear in print during his lifetime. With an unusually large instrumental contingent, Homilius set the, at that time, much beloved pastoral theme of the shepherds in a most sophisticated manner. Each movement presents a clearly differentiated, atmospheric scene, distinct from all the other movements. This applies to the varied pastoral music, as well as to the representation of the mighty God by an angel, whose entrance is accompanied by trumpets and timpani. Score and part available separately - see item CA.3710500.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 3 horns, 3 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.3710513

Christmas oratorio. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Complete edition. Gottfried August Homilius - Selected Works. Die Freude Der Hirten Ga 5. Innovative practice aids, Sacred vocal music, Oratorios, Christmas. Single Part, Viola. HoWV I.1. 12 pages. Duration 45 minutes. Carus Verlag #CV 37.105/13. Published by Carus Verlag (CA.3710513).

ISBN 9790007214364. Language: German. Text: Buschmann, Ernst August. Text: Ernst August Buschmann.

After the Passions-Cantate ,,Ein Lammlein geht und tragt die Schuld of 1775, the Christmas Oratorio is the second major vocal work by Homilius to appear in print during his lifetime. With an unusually large instrumental contingent, Homilius set the, at that time, much beloved pastoral theme of the shepherds in a most sophisticated manner. Each movement presents a clearly differentiated, atmospheric scene, distinct from all the other movements. This applies to the varied pastoral music, as well as to the representation of the mighty God by an angel, whose entrance is accompanied by trumpets and timpani. Score and part available separately - see item CA.3710500.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 3 horns, 3 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.3710519

Christmas oratorio. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Complete edition. Gottfried August Homilius - Selected Works. Die Freude Der Hirten Ga 5. Innovative practice aids, Sacred vocal music, Oratorios, Christmas. Set of Orchestra Parts. HoWV I.1. Duration 45 minutes. Carus Verlag #CV 37.105/19. Published by Carus Verlag (CA.3710519).

ISBN 9790007134327. Language: German. Text: Buschmann, Ernst August. Text: Ernst August Buschmann.

After the Passions-Cantate ,,Ein Lammlein geht und tragt die Schuld of 1775, the Christmas Oratorio is the second major vocal work by Homilius to appear in print during his lifetime. With an unusually large instrumental contingent, Homilius set the, at that time, much beloved pastoral theme of the shepherds in a most sophisticated manner. Each movement presents a clearly differentiated, atmospheric scene, distinct from all the other movements. This applies to the varied pastoral music, as well as to the representation of the mighty God by an angel, whose entrance is accompanied by trumpets and timpani. Score and parts available separately - see item CA.3710500.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 3 horns, 3 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.3710549

Christmas oratorio. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Paperbound, Complete edition. Gottfried August Homilius - Selected Works. Die Freude Der Hirten Ga 5. Innovative practice aids, Sacred vocal music, Oratorios, Christmas. Single Part, Organ. HoWV I.1. 24 pages. Duration 45 minutes. Carus Verlag #CV 37.105/49. Published by Carus Verlag (CA.3710549).

ISBN 9790007214388. Language: German. Text: Buschmann, Ernst August. Text: Ernst August Buschmann.

After the Passions-Cantate ,,Ein Lammlein geht und tragt die Schuld of 1775, the Christmas Oratorio is the second major vocal work by Homilius to appear in print during his lifetime. With an unusually large instrumental contingent, Homilius set the, at that time, much beloved pastoral theme of the shepherds in a most sophisticated manner. Each movement presents a clearly differentiated, atmospheric scene, distinct from all the other movements. This applies to the varied pastoral music, as well as to the representation of the mighty God by an angel, whose entrance is accompanied by trumpets and timpani. Score and part available separately - see item CA.3710500.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 3 horns, 3 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.3710511

Christmas oratorio. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Complete edition. Gottfried August Homilius - Selected Works. Die Freude Der Hirten Ga 5. Innovative practice aids, Sacred vocal music, Oratorios, Christmas. Single Part, Violin 1. HoWV I.1. 16 pages. Duration 45 minutes. Carus Verlag #CV 37.105/11. Published by Carus Verlag (CA.3710511).

ISBN 9790007214340. Language: German. Text: Buschmann, Ernst August. Text: Ernst August Buschmann.

After the Passions-Cantate ,,Ein Lammlein geht und tragt die Schuld of 1775, the Christmas Oratorio is the second major vocal work by Homilius to appear in print during his lifetime. With an unusually large instrumental contingent, Homilius set the, at that time, much beloved pastoral theme of the shepherds in a most sophisticated manner. Each movement presents a clearly differentiated, atmospheric scene, distinct from all the other movements. This applies to the varied pastoral music, as well as to the representation of the mighty God by an angel, whose entrance is accompanied by trumpets and timpani. Score and part available separately - see item CA.3710500.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 3 horns, 3 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.3710500

Christmas oratorio. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Paperbound, Complete edition. Gottfried August Homilius - Selected Works. German title: Die Freude Der Hirten Ga 5. Innovative practice aids, Sacred vocal music, Oratorios, Christmas. Full score (complete edition / selected edition). HoWV I.1. Duration 45 minutes. Carus Verlag #CV 37.105/00. Published by Carus Verlag (CA.3710500).

ISBN 9790007091583. Language: German. Text: Buschmann, Ernst August. Text: Ernst August Buschmann.

After the Passions-Cantate ,,Ein Lammlein geht und tragt die Schuld of 1775, the Christmas Oratorio is the second major vocal work by Homilius to appear in print during his lifetime. With an unusually large instrumental contingent, Homilius set the, at that time, much beloved pastoral theme of the shepherds in a most sophisticated manner. Each movement presents a clearly differentiated, atmospheric scene, distinct from all the other movements. This applies to the varied pastoral music, as well as to the representation of the mighty God by an angel, whose entrance is accompanied by trumpets and timpani.

Composed by Howard Goodall (1958-). Multi-Movement/Large Choral Work. Holy Week, Lent, Triduum/Three Days, Tenebrae, 21st Century. Vocal/choral score. Published by MorningStar Music Publishers

Soprano voice solo, SATB choir, and piano (E-flat Soprano saxophone, 2 Horns in F, Piano, Organ (or digital keyboard), Double String Quartet, Double Bass) - Early Intermediate

SKU: MN.56-0108

Composed by Howard Goodall. Lent, Holy Week, Triduum/Three Days, Tenebrae, 21st Century. Score & instrument parts. Duration 6 minutes, 19 seconds. MorningStar Music Publishers #56-0108. Published by MorningStar Music Publishers (MN.56-0108).

UPC: 688670221255. English, Latin. Psalms 142; Jeremiah 3:48, 52, 56.

Invictus: A Passion addresses one of the world’s most powerful stories through the lens of the modern world. The texts, written or inspired by women, describe not only human suffering and persecution but also the human capacity for love and humility in the face of tyranny. Composer Howard Goodall is uniquely suited to bring these texts to life with music of emotional clarity and sweeping force. This excerpt is scored for soprano solo, SATB choir and piano. This fourth movement of the larger work is inspired by the extraordinary story of Irena Sendler née Krzyżanowska, a Polish nurse and head of Żegota, the Polish Council to Aid Jews in the Second World War, whose personal interventions saved the lives of approximately 2,500 Jewish children in the Warsaw Ghetto, smuggling them to safety, acts of humanitarian bravery that eventually caused her arrest and torture by the Gestapo. She is honoured as Righteous Amongst the Nations at Yad Vashem, Jerusalem. The Latin texts of this movement are taken from the Book of Lamentations (“My eye hath run down with streams of water, for the destruction of the daughter of my people. My enemies have chased me and caught me like a bird, without cause…”) and from Psalm 142, the Old Testament being the meeting-point of Sendler’s Catholicism and the Jewish tradition of those whose lives she saved. Duration 6:19.

(1.1.2.1/2.2.1.0,timp,str ,soli crnt/trbn)

SKU: TM.06495SET

Composed by Charles Francois Gounod. Set Type: D. Set of parts. Published by Lucks Music Library (TM.06495SET).

P/C in set.

(1+2.2.2.2/4.2.3.1,timp,p erc,str)

SKU: TM.05190SET

Composed by Alexander Borodin. Set Type: D. Set of parts. Lucks Music Library #A5712. Published by Lucks Music Library (TM.05190SET).

Der Schauspieldirektor. Vocal Score I = in English; Vocal Score II = in German. Clothbound score.

(1+2.2.2.2/4.2.3.1,timp,p erc,str)

SKU: TM.05190SC

Composed by Alexander Borodin. Score. Lucks Music Library #A5712. Published by Lucks Music Library (TM.05190SC).

Der Schauspieldirektor. Vocal Score I = in English; Vocal Score II = in German. Clothbound score.

Soloists, Mixed choir, Orchestra

SKU: BA.BA04025-01

Composed by George Frideric Handel. Edited by Georg-Friedrich-Händel -Gesellschaft e. V. Risinger and Mark. This edition: Complete edition. Linen. Complete edition, Score. HWV 58. Baerenreiter Verlag #BA04025-01. Published by Baerenreiter Verlag (BA.BA04025-01).

ISBN 9790006443222. 33 x 26 cm inches. Text Language: English.

Handelâ?? s â??Semeleâ?, which premiered in February 1744, is based on an adapted version of William Congreveâ??s opera libretto titled â??The Story of Semeleâ?, originally published in 1706. However, neither Handel nor his librettist referred to â??Semeleâ? as an opera or an oratorio, which, according to the understanding at the time, would have required a biblical and/or Christian subject matter. Contemporary audiences also disagreed on the genre. The problematic classification as an oratorio has persisted into the present day, likely due to the edition labeled as such by Chrysander. The â??Halle Handel Editionâ? (HHA) distances itself from this classification and, considering the available sources, refrains from assigning a genre label.

Congreve deviates from the mythological source multiple times in order to create tensions among the characters. The desired marriage between Semele and Athamas, whom she does not love, is an addition by Congreve to provoke the envy of her sister Ino, who desires Athamas herself. Therefore, Ino sees her own advantage in Semeleâ??s abduction by Jupiter. While Jupiterâ??s wife Juno decides to destroy Semele out of jealousy for his relationship with her, Jupiter brings Ino to his palace to console Semele. The vengeful Juno takes advantage of Inoâ??s presence and transforms into her likeness, persuading Semele to carry out a plan that later proves fatal. In the end, Ino emerges as the winner, as she is able to convince their father, Cadmus, to marry her to Athamas. The appearance of Apollo in the final scene to announce that Semeleâ??s immortal son Bacchus was saved from her ashes provides little consolation. However, this twist allows the drama to conclude with exuberant joy and a magnificent final chorus after the tragic scenes in the third act, culminating in the death of the protagonist.

Hande lâ??s autograph score shows significant deviations from and numerous revisions of the original version premiered. All surviving early versions, the musical movements deleted before the premiere, and the version of the December 1744, are given in the appendix to the HHA.

Soprano voice solo, SATB choir, and piano (E-flat Soprano saxophone, 2 Horns in F, Piano, Organ (or digital keyboard), Double String Quartet, Double Bass) - Beginning

SKU: MN.56-0106

Composed by Howard Goodall. Lent, Holy Week, Triduum/Three Days, Tenebrae, 21st Century. Score & instrument parts. Duration 6 minutes, 47 seconds. MorningStar Music Publishers #56-0106. Published by MorningStar Music Publishers (MN.56-0106).

UPC: 688670221231. English, Latin.

Invictus: A Passion addresses one of the world’s most powerful stories through the lens of the modern world. The texts, written or inspired by women, describe not only human suffering and persecution but also the human capacity for love and humility in the face of tyranny. Composer Howard Goodall is uniquely suited to bring these texts to life with music of emotional clarity and sweeping force. This movement, scored for soprano solo, SATB choir and piano, expresses the unimaginable pain felt by a mother seeing her child torn away from her at a slave auction. To this harrowing account are appended the words of William Wilberforce, spoken in the House of Commons on 18th April 1791, “You may choose to look the other way but you can never say again that you did not know.” Duration 6:47.