| St. Mark Passion Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] Carus Verlag
(Version Hellmann/Glockner). Composed by Johann Sebastian Bach (1685-1750). Edit...(+)
(Version
Hellmann/Glockner).
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Andreas Glockner.
Arranged by Diethard
Hellmann. For SAT vocal
soli, SATB choir, 2
flutes, 2 oboes/2 oboe
d'amore, 2 violins,
viola, 2 viola da gamba,
basso continuo, [2
lutes]. This edition:
Paperbound. Stuttgart
Urtext Edition. German
title: Markuspassion
Glockner. Oratorios,
Passions, Lent and
Passiontide, Holy Week.
Full score. Language:
German. Composed
1723/1964/2001. BWV 247.
Duration 75 minutes.
Published by Carus Verlag
$77.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| St. Mark Passion (Markus-Passion) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 violins, 2 violas, basso con...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2
bassoons, 2 violins, 2
violas, basso continuo
SKU: CA.3550214
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. Edition
Bach-Archiv Leipzig -
Musical Monuments. German
title: Markuspassion.
Sacred vocal music,
Passions, Lent and
Passiontide, Holy Week.
Single Part, Viola 2.
Composed circa 1747. 12
pages. Duration 90
minutes. Carus Verlag #CV
35.502/14. Published by
Carus Verlag
(CA.3550214). ISBN
9790007213459. Language:
German. Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. Score and part
available separately -
see item CA.3550200. $19.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| St. Mark Passion (Markus-Passion) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 violins, 2 violas, basso con...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2
bassoons, 2 violins, 2
violas, basso continuo
SKU: CA.3550249
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. This
edition: Paperbound.
Edition Bach-Archiv
Leipzig - Musical
Monuments. German title:
Markuspassion. Sacred
vocal music, Passions,
Lent and Passiontide,
Holy Week. Single Part,
Organ. Composed circa
1747. 64 pages. Duration
90 minutes. Carus Verlag
#CV 35.502/49. Published
by Carus Verlag
(CA.3550249). ISBN
9790007141202. Language:
German. Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. Score and part
available separately -
see item CA.3550200. $66.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| St. Mark Passion (Markus-Passion) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 violins, 2 violas, basso con...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2
bassoons, 2 violins, 2
violas, basso continuo
SKU: CA.3550213
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. Edition
Bach-Archiv Leipzig -
Musical Monuments. German
title: Markuspassion.
Sacred vocal music,
Passions, Lent and
Passiontide, Holy Week.
Single Part, Viola 1.
Composed circa 1747. 12
pages. Duration 90
minutes. Carus Verlag #CV
35.502/13. Published by
Carus Verlag
(CA.3550213). ISBN
9790007213442. Language:
German. Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. Score and part
available separately -
see item CA.3550200. $19.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| St. Mark Passion (Markus-Passion) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 violins, 2 violas, basso con...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2
bassoons, 2 violins, 2
violas, basso continuo
SKU: CA.3550205
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. Edition
Bach-Archiv Leipzig -
Musical Monuments. German
title: Markuspassion.
Sacred vocal music,
Passions, Lent and
Passiontide, Holy Week.
Choral Score. Composed
circa 1747. 16 pages.
Duration 90 minutes.
Carus Verlag #CV
35.502/05. Published by
Carus Verlag
(CA.3550205). ISBN
9790007213411. Language:
German. Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. Score available
separately - see item
CA.3550200. $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| St. Mark Passion (Markus-Passion) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 violins, 2 violas, basso con...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2
bassoons, 2 violins, 2
violas, basso continuo
SKU: CA.3550219
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. Edition
Bach-Archiv Leipzig -
Musical Monuments. German
title: Markuspassion.
Sacred vocal music,
Passions, Lent and
Passiontide, Holy Week.
Set of Orchestra Parts.
Composed circa 1747.
Duration 90 minutes.
Carus Verlag #CV
35.502/19. Published by
Carus Verlag
(CA.3550219). ISBN
9790007139629. Language:
German. Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. Score and parts
available separately -
see item CA.3550200. $361.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| St. Mark Passion (Markus-Passion) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 violins, 2 violas, basso con...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2
bassoons, 2 violins, 2
violas, basso continuo
SKU: CA.3550200
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. This
edition: Paperbound.
Edition Bach-Archiv
Leipzig - Musical
Monuments. German title:
Markuspassion. Sacred
vocal music, Passions,
Lent and Passiontide,
Holy Week. Full score.
Composed circa 1747. 136
pages. Duration 90
minutes. Carus Verlag #CV
35.502/00. Published by
Carus Verlag
(CA.3550200). ISBN
9790007096106. Language:
German. Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. $121.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tamerlano HWV 18 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Solo voices, orchestra (Soprano Voice Solo, Mezzo-Soprano Voice Solo, 2 Alto Voi...(+)
Solo voices, orchestra
(Soprano Voice Solo,
Mezzo-Soprano Voice Solo,
2 Alto Voice Solo, Tenor
Voice Solo, Bass Voice
Solo, 2 recorder-A, 2 Fl,
2 Ob, 2 clarinet, Str,
Continuo) SKU:
BA.BA04052 Dramma
per musica in three
Acts. Composed by
George Frideric Handel.
Edited by Terence Best.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Serie II,
Band 15. Complete
edition, Score. HWV 18.
Duration 3 hours.
Baerenreiter Verlag
#BA04052_00. Published by
Baerenreiter Verlag
(BA.BA04052). ISBN
9790006495702. 33.1 x 26
cm inches. Nicola
Francesco
Haym. Handel began
the composition of
Tamerlano, one of the
supreme masterpieces of
Baroque opera seria, on
3rd July 1724. The
libretto was an
adaptation by Nicola Haym
of Agostino Piovene's
Tamerlano, Tragedia per
musica, which had been
set to music by Francesco
Gasparini, and performed
in Venice in 1711. When
Handel dated the last
page of the autograph on
4rd July the work
appeared to be complete;
but during the three
months which passed
before the premiere at
the King's Theatre in the
Haymarket on 31 October,
so many alterations and
revisions were made that
a fresh performing-score
had to be writtern very
late in the proceedings,
to replace an earlier one
which is now
1ost.
There were
twelve performances
between 31 October 1724
and 8 May 1725. Handel
revived the opera only
once, in 1731, for three
performances. For this
revival he marked in the
performing score a number
of cuts in the
recitatives, which are
reproduced in the present
edition; there is more
recitative in Tamerlano
than in any other Handel
opera.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$485.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| All those who seek God's sov'reign guidance Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre - Intermédiaire Carus Verlag
(Chorale cantata). Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited b...(+)
(Chorale cantata).
Composed by Felix
Bartholdy Mendelssohn
(1809-1847). Edited by
Thomas Christian Schmidt.
For soprano voice solo,
SATB choir, 2 violins,
viola, cello/contrabass.
Stuttgart Urtext Edition.
German title: Wer nur den
lieben Gott lasst walten.
Cantatas. Level 3. Choral
score. Language:
German/English. Composed
1829. A 7. Duration 12
minutes. Published by
Carus Verlag
$5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| All those who seek God's sov'reign guidance (Wer nur den lieben Gott lasst walten) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Facile Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo...(+)
Orchestra SATB vocal
soli, SATB choir, 2
Oboes, 2 Violins, Viola,
Basso continuo - Grade 3
SKU: CA.3109305
Cantata for the 5th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. German
title: Wer nur den lieben
Gott lasst walten. Sacred
vocal music, Cantatas,
Whitsun. Choral Score.
Composed 1724. BWV 93. 8
pages. Duration 23
minutes. Carus Verlag #CV
31.093/05. Published by
Carus Verlag
(CA.3109305). ISBN
9790007046545. Key: C
minor. Language:
German/English. Text:
Neumark, Johann Georg.
Text: Georg
Neumark. Score
available separately -
see item CA.3109300. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa Sapientiae Soli, choeur mixte et accompagnement - Facile Carus Verlag
Solo voices, Coro SSATTB, orchestra - Grade 3 SKU: CA.4066103 Kyrie in...(+)
Solo voices, Coro SSATTB,
orchestra - Grade 3
SKU: CA.4066103
Kyrie in G minor and
Gloria in G major.
Composed by Antonio
Lotti. Vocal score.
Duration 32 minutes.
Carus Verlag #4066103.
Published by Carus Verlag
(CA.4066103). ISBN
9790007311896. Key: G
minor / g major.
Latin. Antonio
Lotti was employed at St.
Mark’s Basilica in
Venice for almost his
entire life. In 1717,
however, he was lured for
two years to Dresden by
the Saxon court as a
composer of operas. A
score of his Kyrie in G
minor and his Gloria in G
major, combined under the
title Missa Sapientia,
was later found amongst
the personal belongings
of Dresden court composer
Jan Dismas
Zelenka.
Zelenka
was not the only one
person impressed by the
Mass: at least two other
illustrious composers had
copies made, namely
Johann Sebastian Bach and
George Frideric Handel.
Indeed, the Mass is a
magnificent piece,
following the concertante
style of the time, with a
brilliant yet warm string
sound (2 violins and 2
violas). Score available
separately - see item
CA.4066100. $26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| TRISTAN UND ISOLDE: King Mark's Monologue (Bass) Soli, choeur mixte et accompagnement Lucks Music Library
(2+1.2+1.2+1.3/4.3.3.1,ti mp,str, B sol) SKU: TM.03919SET Composed by Ric...(+)
(2+1.2+1.2+1.3/4.3.3.1,ti
mp,str, B sol) SKU:
TM.03919SET Composed
by Richard Wagner. Set
Type: D. Set of parts.
Lucks Music Library
#A3934. Published by
Lucks Music Library
(TM.03919SET).
Act II. $85.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| TRISTAN UND ISOLDE: King Mark's Monologue (Bass) Soli, choeur mixte et accompagnement [Conducteur] Lucks Music Library
(2+1.2+1.2+1.3/4.3.3.1,ti mp,str, B sol) SKU: TM.03919SC Composed by Rich...(+)
(2+1.2+1.2+1.3/4.3.3.1,ti
mp,str, B sol) SKU:
TM.03919SC Composed
by Richard Wagner. Score.
Lucks Music Library
#A3934. Published by
Lucks Music Library
(TM.03919SC).
Act II. $10.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| All those who seek God's sov'reign guidance (Wer nur den lieben Gott lasst walten) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Facile Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo...(+)
Orchestra SATB vocal
soli, SATB choir, 2
Oboes, 2 Violins, Viola,
Basso continuo - Grade 3
SKU: CA.3109349
Cantata for the 5th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. Organ.
Sacred vocal music,
Cantatas, Whitsun. Single
Part, Organ. Composed
1724. BWV 93. 24 pages.
Duration 23 minutes.
Carus Verlag #CV
31.093/49. Published by
Carus Verlag
(CA.3109349). ISBN
9790007240578. Key: C
minor. Language:
German/English. Text:
Neumark, Johann
Georg. Score and
part available separately
- see item
CA.3109300. $22.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| In a Persian Market Soli, choeur mixte et accompagnement Lucks Music Library
(1.1.2.1/2.2.2.0,timp,3 perc,hp,2 sax,str,men's chorus) SKU: TM.05978SET ...(+)
(1.1.2.1/2.2.2.0,timp,3
perc,hp,2 sax,str,men's
chorus) SKU:
TM.05978SET Composed
by Albert Ketelby. Set
Type: D. Set of parts.
Lucks Music Library
#A8118. Published by
Lucks Music Library
(TM.05978SET).
In set: P/C,
Synopsis, Chorus of Mens
Voices. $100.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| In a Persian Market Soli, choeur mixte et accompagnement [Conducteur] Lucks Music Library
(1.1.2.1/2.2.2.0,timp,3 perc,hp,2 sax,str,men's chorus) SKU: TM.05978SC C...(+)
(1.1.2.1/2.2.2.0,timp,3
perc,hp,2 sax,str,men's
chorus) SKU:
TM.05978SC Composed
by Albert Ketelby. Score.
Lucks Music Library
#A8118. Published by
Lucks Music Library
(TM.05978SC).
In set: P/C,
Synopsis, Chorus of Mens
Voices. $35.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| All those who seek God's sov'reign guidance Soli, choeur mixte et accompagnement [Conducteur] Carus Verlag
(Chorale cantata). Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited b...(+)
(Chorale cantata).
Composed by Felix
Bartholdy Mendelssohn
(1809-1847). Edited by
Thomas Christian Schmidt.
For soprano voice solo,
SATB choir, 2 violins,
viola, cello/contrabass.
This edition: Paperbound.
Stuttgart Urtext Edition.
German title: Wer nur den
lieben Gott lasst walten.
Cantatas. Level 3. Full
score. Language:
German/English. Composed
1829. A 7. 32 pages.
Duration 12 minutes.
Published by Carus Verlag
$23.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| All those who seek God's sov'reign guidance Soli, choeur mixte et accompagnement Carus Verlag
(Chorale cantata). Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited b...(+)
(Chorale cantata).
Composed by Felix
Bartholdy Mendelssohn
(1809-1847). Edited by
Thomas Christian Schmidt.
For soprano voice solo,
SATB choir, 2 violins,
viola, cello/contrabass.
Stuttgart Urtext Edition.
German title: Wer nur den
lieben Gott lasst.
Cantatas. Level 3.
Complete orchestral
parts. Language:
German/English. Composed
1829. A 7. Duration 12
minutes. Published by
Carus Verlag
$46.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Semele, HWV 58 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Soloists, Mixed choir, Orchestra SKU: BA.BA04025-01 Composed by George Fr...(+)
Soloists, Mixed choir,
Orchestra SKU:
BA.BA04025-01
Composed by George
Frideric Handel. Edited
by
Georg-Friedrich-Händel
-Gesellschaft e. V.
Risinger and Mark. This
edition: Complete
edition. Linen. Complete
edition, Score. HWV 58.
Baerenreiter Verlag
#BA04025-01. Published by
Baerenreiter Verlag
(BA.BA04025-01). ISBN
9790006443222. 33 x 26 cm
inches. Text Language:
English. Handelâ??
s â??Semeleâ?, which
premiered in February
1744, is based on an
adapted version of
William Congreveâ??s
opera libretto titled
â??The Story of
Semeleâ?, originally
published in 1706.
However, neither Handel
nor his librettist
referred to
â??Semeleâ? as an
opera or an oratorio,
which, according to the
understanding at the
time, would have required
a biblical and/or
Christian subject matter.
Contemporary audiences
also disagreed on the
genre. The problematic
classification as an
oratorio has persisted
into the present day,
likely due to the edition
labeled as such by
Chrysander. The â??Halle
Handel Editionâ? (HHA)
distances itself from
this classification and,
considering the available
sources, refrains from
assigning a genre
label.
Congreve
deviates from the
mythological source
multiple times in order
to create tensions among
the characters. The
desired marriage between
Semele and Athamas, whom
she does not love, is an
addition by Congreve to
provoke the envy of her
sister Ino, who desires
Athamas herself.
Therefore, Ino sees her
own advantage in
Semeleâ??s abduction by
Jupiter. While
Jupiterâ??s wife Juno
decides to destroy Semele
out of jealousy for his
relationship with her,
Jupiter brings Ino to his
palace to console Semele.
The vengeful Juno takes
advantage of Inoâ??s
presence and transforms
into her likeness,
persuading Semele to
carry out a plan that
later proves fatal. In
the end, Ino emerges as
the winner, as she is
able to convince their
father, Cadmus, to marry
her to Athamas. The
appearance of Apollo in
the final scene to
announce that Semeleâ??s
immortal son Bacchus was
saved from her ashes
provides little
consolation. However,
this twist allows the
drama to conclude with
exuberant joy and a
magnificent final chorus
after the tragic scenes
in the third act,
culminating in the death
of the
protagonist.
Hande
lâ??s autograph score
shows significant
deviations from and
numerous revisions of the
original version
premiered. All surviving
early versions, the
musical movements deleted
before the premiere, and
the version of the
December 1744, are given
in the appendix to the
HHA.
$861.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Mass in D major Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] - Facile Carus Verlag
(Orchesterfassung). By Antonin Dvorak (1841-1904). Edited by Klaus Doge. For Orc...(+)
(Orchesterfassung). By
Antonin Dvorak
(1841-1904). Edited by
Klaus Doge. For Orchestra
version: Soli SATB, SATB
Choir, 2 Oboes, 2
Bassoons, 3 Horns, 2
Trumpets, 3 Trombones,
Timpani, 2 Violins,
Viola, Cello, Contrabass,
Organ; Organ version:
Soli SATB, SATB Choir,
Organ. This edition:
Paperbound. D-Dur (D
major). Masses, Latin.
Level 3. Full score.
Language: Latin. Composed
1887. Opus 86. 160 pages.
Duration 43 min.
Published by Carus Verlag
$62.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Let, Princess, let but one more ray (Lass, Furstin, lass noch einen Strahl) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 Lt, 2 violins, viola, ...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes
d'amore, 2 Lt, 2 violins,
viola, 2 violas da gamba,
basso continuo SKU:
CA.3119813 Funeral
ode. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Trauerode.
Cantatas. Single Part,
Viola. Composed 1727. BWV
198. 12 pages. Duration
35 minutes. Carus Verlag
#CV 31.198/13. Published
by Carus Verlag
(CA.3119813). ISBN
9790007210618. Text
language:
German/English. Com
posed in 1727 for a
eulogy and funeral
oration for Electress
Christiane Eberhardine in
the Leipzig University
church, the music for the
funeral ode is well-known
today above all through
reconstructions of Bach's
St Mark Passion, in which
large parts of this
cantata were probably
re-used, but of which
only the text survives.
With the funeral ode we
have one of Bach's
strongest and most
fascinating vocal
compositions. Although
Gottsched's text is
associated with a
particular occasion, it
is distinguished in its
literary quality from
many secular cantatas and
it is entirely
appropriate to perform
this impressive cantata
in concerts. Score and
part available separately
- see item
CA.3119800. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Let, Princess, let but one more ray (Lass, Furstin, lass noch einen Strahl) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 Lt, 2 violins, viola, ...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes
d'amore, 2 Lt, 2 violins,
viola, 2 violas da gamba,
basso continuo SKU:
CA.3119814 Funeral
ode. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Trauerode.
Cantatas. Single Part,
Viola da gamba 1.
Composed 1727. BWV 198.
12 pages. Duration 35
minutes. Carus Verlag #CV
31.198/14. Published by
Carus Verlag
(CA.3119814). ISBN
9790007210625. Text
language:
German/English. Com
posed in 1727 for a
eulogy and funeral
oration for Electress
Christiane Eberhardine in
the Leipzig University
church, the music for the
funeral ode is well-known
today above all through
reconstructions of Bach's
St Mark Passion, in which
large parts of this
cantata were probably
re-used, but of which
only the text survives.
With the funeral ode we
have one of Bach's
strongest and most
fascinating vocal
compositions. Although
Gottsched's text is
associated with a
particular occasion, it
is distinguished in its
literary quality from
many secular cantatas and
it is entirely
appropriate to perform
this impressive cantata
in concerts. Score and
part available separately
- see item
CA.3119800. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Let, Princess, let but one more ray (Lass, Furstin, lass noch einen Strahl) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 Lt, 2 violins, viola, ...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes
d'amore, 2 Lt, 2 violins,
viola, 2 violas da gamba,
basso continuo SKU:
CA.3119816 Funeral
ode. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Trauerode.
Cantatas. Single Part,
basso continuo. Composed
1727. BWV 198. 20 pages.
Duration 35 minutes.
Carus Verlag #CV
31.198/16. Published by
Carus Verlag
(CA.3119816). ISBN
9790007210649. Text
language:
German/English. Com
posed in 1727 for a
eulogy and funeral
oration for Electress
Christiane Eberhardine in
the Leipzig University
church, the music for the
funeral ode is well-known
today above all through
reconstructions of Bach's
St Mark Passion, in which
large parts of this
cantata were probably
re-used, but of which
only the text survives.
With the funeral ode we
have one of Bach's
strongest and most
fascinating vocal
compositions. Although
Gottsched's text is
associated with a
particular occasion, it
is distinguished in its
literary quality from
many secular cantatas and
it is entirely
appropriate to perform
this impressive cantata
in concerts. Score and
part available separately
- see item
CA.3119800. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Let, Princess, let but one more ray (Lass, Furstin, lass noch einen Strahl) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 lutes, 2 violins, viol...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes
d'amore, 2 lutes, 2
violins, viola, 2 violas
da gamba, basso continuo
SKU: CA.3119849
Funeral ode.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Trauerode. Cantatas.
Single Part, Organ.
Composed 1727. BWV 198.
24 pages. Duration 35
minutes. Carus Verlag #CV
31.198/49. Published by
Carus Verlag
(CA.3119849). ISBN
9790007210656. Language:
German/English. Com
posed in 1727 for a
eulogy and funeral
oration for Electress
Christiane Eberhardine in
the Leipzig University
church, the music for the
funeral ode is well-known
today above all through
reconstructions of Bach's
St Mark Passion, in which
large parts of this
cantata were probably
re-used, but of which
only the text survives.
With the funeral ode we
have one of Bach's
strongest and most
fascinating vocal
compositions. Although
Gottsched's text is
associated with a
particular occasion, it
is distinguished in its
literary quality from
many secular cantatas and
it is entirely
appropriate to perform
this impressive cantata
in concerts. Score and
part available separately
- see item
CA.3119800. $25.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Let, Princess, let but one more ray (Lass, Furstin, lass noch einen Strahl) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 Lt, 2 violins, viola, ...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes
d'amore, 2 Lt, 2 violins,
viola, 2 violas da gamba,
basso continuo SKU:
CA.3119809 Funeral
ode. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf. This
edition: urtext. 1x
31.198/21 flute 1, 1x
31.198/22 flute 2, 1x
31.198/23 oboe 1, 1x
31.198/24 oboe 2, 2x
31.198/41 lute 1+2.
Stuttgart Urtext Edition:
Bach vocal. Trauerode.
Cantatas. Set of
Orchestra Parts. Composed
1727. BWV 198. Duration
35 minutes. Carus Verlag
#CV 31.198/09. Published
by Carus Verlag
(CA.3119809). ISBN
9790007210588. Text
language:
German/English. Com
posed in 1727 for a
eulogy and funeral
oration for Electress
Christiane Eberhardine in
the Leipzig University
church, the music for the
funeral ode is well-known
today above all through
reconstructions of Bach's
St Mark Passion, in which
large parts of this
cantata were probably
re-used, but of which
only the text survives.
With the funeral ode we
have one of Bach's
strongest and most
fascinating vocal
compositions. Although
Gottsched's text is
associated with a
particular occasion, it
is distinguished in its
literary quality from
many secular cantatas and
it is entirely
appropriate to perform
this impressive cantata
in concerts. Score and
parts available
separately - see item
CA.3119800. $30.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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