By Wolfgang Amadeus Mozart (1756-1791). Edited by Schulze, Willi. Arranged by Paul Horn. For Soli STB, SATB Choir, 2 Clarinos/Trumpets, Timpani, 2 Violins, Basso continuo, [3 Trombones]. This edition: paperbound. KV 193. Full score available separately - see item CA.4005200. Magnificat, Psalms, Latin; Stuttgart Urtext editions; Occasions: Praise and thanks, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Psalms, Daily hours; Use during church year: Epiphany. Level 2. Piano/Vocal score. Language: Latin. Composed 1774. 24 pages. Duration 10 min

By Wolfgang Amadeus Mozart (1756-1791). Arranged by Paul Horn. For Soli SATB, SATB Choir, 2 Violins, Basso continuo, [3 Trombones]. This edition: paperbound. KV 109 (74e). Litanies; Stuttgart Urtext Editions; Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Score. Language: Latin. Composed 1771. 24 pages. Duration 11 min. Published by Carus Verlag

By Wolfgang Amadeus Mozart (1756-1791). Arranged by Paul Horn. For Soli SATB, SATB Choir, 2 Violins, Basso continuo, [3 Trombones]. This edition: paperbound. KV 109 (74e). Score available separately - see item CA.4005400. Litanies; Stuttgart Urtext Editions; Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Piano/Vocal score. Language: Latin. Composed 1771. 20 pages. Duration 11 min. Published by Carus Verlag

By Josef Gabriel Rheinberger. Edited by Theill, Han. For Soli STB, SATB Choir, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, Trombone, 2 Violins, Viola, Cello, Contrabass. This edition: paperbound. Occasions: Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary; Use during chuch year: Lent and Passiontide. Level 2. Score. Language: Latin/German. Composed 1864. 16. 64 pages. Duration 16 min

By Josef Gabriel Rheinberger. Edited by Theill, Han. For Soli STB, SATB Choir, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, Trombone, 2 Violins, Viola, Cello, Contrabass. Full score available separately - see item CA.5001600. Occasions: Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary; Use during chuch year: Lent and Passiontide. Level 2. Piano/Vocal score. Language: Latin/German. Composed 1864. 16. 32 pages. Duration 16 min

Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Fg, Cfg, 2 Cor, 3 Trb, 2 Vl, Va, Vc, Cb

SKU: CA.7006500

Composed by Franz Schubert. Edited by Stefan Schuck. Sacred vocal music; use during church year: Lent and Passiontide, Holy Week; Stuttgart Editions (Urtext): Stuttgart Schubert Edition; occasions: Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Stuttgart Urtext Edition: Schubert. Sacred vocal music, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Full score. D 383. Duration 37 minutes. Carus Verlag #CV 70.065/00. Published by Carus Verlag (CA.7006500).

ISBN 9790007165994. Language: German.

In spring 1816 Franz Schubert, just nineteen years old, completed his second setting of the Stabat Mater in the midst of a highly productive period. In contrast with his first setting written the previous year, just five minutes in length, this time Schubert used the German translation by Klopstock as the basis for his composition. Stefan Schuck's edition is the first one of this work to be based on a critical evaluation of the primary sources, with complete performance material. The work, in a dark F minor, with its text by Klopstock, places Jesus Christ, rather than Mary, at the center of the contemplation. With his fugues, but particularly in the eight-part lamenting chorus Wer wird Zahren sanften Mitleids, Schubert shows himself at the height of his creative output. He composed his 4th Symphony, the Tragic, at almost the same time. The Stabat Mater is a rewarding work for choral societies and choirs to perform, because the choir has the largest portion to sing, and the choral parts are not too demanding. The composition is also a beautiful introduction to the choral-symphonic music of Schubert for less experienced choirs.

Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Fg, Cfg, 2 Cor, 3 Trb, 2 Vl, Va, Vc, Cb

SKU: CA.7006509

Composed by Franz Schubert. Edited by Stefan Schuck. 1x 70.065/21 flute 1, 1x 70.065/22 flute 2, 1x 70.065/23 oboe 1, 1x 70.065/24 oboe 2, 1x 70.065/25 bassoon 1, 1x 70.065/26 bassoon 2, 1x 70.065/27 double bassoon, 1x 70.065/31 horn 1, 1x 70.065/32 horn 2, 1x 70.065/33 trombone 1, 1x 70.065/34 trombone 2, . Stuttgart Urtext Edition: Schubert. Harmony parts. Sacred vocal music, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Set of Orchestra Parts. D 383. Duration 37 minutes. Carus Verlag #CV 70.065/09. Published by Carus Verlag (CA.7006509).

ISBN 9790007244729. Language: German.

In spring 1816 Franz Schubert, just nineteen years old, completed his second setting of the Stabat Mater in the midst of a highly productive period. In contrast with his first setting written the previous year, just five minutes in length, this time Schubert used the German translation by Klopstock as the basis for his composition. Stefan Schuck's edition is the first one of this work to be based on a critical evaluation of the primary sources, with complete performance material. The work, in a dark F minor, with its text by Klopstock, places Jesus Christ, rather than Mary, at the center of the contemplation. With his fugues, but particularly in the eight-part lamenting chorus Wer wird Zahren sanften Mitleids, Schubert shows himself at the height of his creative output. He composed his 4th Symphony, the Tragic, at almost the same time. The Stabat Mater is a rewarding work for choral societies and choirs to perform, because the choir has the largest portion to sing, and the choral parts are not too demanding. The composition is also a beautiful introduction to the choral-symphonic music of Schubert for less experienced choirs. Score and parts available separately - see item CA.7006500.

Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Fg, Cfg, 2 Cor, 3 Trb, 2 Vl, Va, Vc, Cb

SKU: CA.7006503

Composed by Franz Schubert. Edited by Stefan Schuck. Stuttgart Urtext Edition: Schubert. Sacred vocal music, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Vocal score. D 383. 64 pages. Duration 37 minutes. Carus Verlag #CV 70.065/03. Published by Carus Verlag (CA.7006503).

ISBN 9790007166007. Language: German.

In spring 1816 Franz Schubert, just nineteen years old, completed his second setting of the Stabat Mater in the midst of a highly productive period. In contrast with his first setting written the previous year, just five minutes in length, this time Schubert used the German translation by Klopstock as the basis for his composition. Stefan Schuck's edition is the first one of this work to be based on a critical evaluation of the primary sources, with complete performance material. The work, in a dark F minor, with its text by Klopstock, places Jesus Christ, rather than Mary, at the center of the contemplation. With his fugues, but particularly in the eight-part lamenting chorus Wer wird Zahren sanften Mitleids, Schubert shows himself at the height of his creative output. He composed his 4th Symphony, the Tragic, at almost the same time. The Stabat Mater is a rewarding work for choral societies and choirs to perform, because the choir has the largest portion to sing, and the choral parts are not too demanding. The composition is also a beautiful introduction to the choral-symphonic music of Schubert for less experienced choirs. Score available separately - see item CA.7006500.

Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Fg, Cfg, 2 Cor, 3 Trb, 2 Vl, Va, Vc, Cb

SKU: CA.7006513

Composed by Franz Schubert. Edited by Stefan Schuck. Stuttgart Urtext Edition: Schubert. Viola. Sacred vocal music, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Viola. D 383. 16 pages. Duration 37 minutes. Carus Verlag #CV 70.065/13. Published by Carus Verlag (CA.7006513).

ISBN 9790007244705. Language: German.

In spring 1816 Franz Schubert, just nineteen years old, completed his second setting of the Stabat Mater in the midst of a highly productive period. In contrast with his first setting written the previous year, just five minutes in length, this time Schubert used the German translation by Klopstock as the basis for his composition. Stefan Schuck's edition is the first one of this work to be based on a critical evaluation of the primary sources, with complete performance material. The work, in a dark F minor, with its text by Klopstock, places Jesus Christ, rather than Mary, at the center of the contemplation. With his fugues, but particularly in the eight-part lamenting chorus Wer wird Zahren sanften Mitleids, Schubert shows himself at the height of his creative output. He composed his 4th Symphony, the Tragic, at almost the same time. The Stabat Mater is a rewarding work for choral societies and choirs to perform, because the choir has the largest portion to sing, and the choral parts are not too demanding. The composition is also a beautiful introduction to the choral-symphonic music of Schubert for less experienced choirs. Score and part available separately - see item CA.7006500.

Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Fg, Cfg, 2 Cor, 3 Trb, 2 Vl, Va, Vc, Cb

SKU: CA.7006511

Composed by Franz Schubert. Edited by Stefan Schuck. Stuttgart Urtext Edition: Schubert. Violin 1. Sacred vocal music, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Violin 1. D 383. 16 pages. Duration 37 minutes. Carus Verlag #CV 70.065/11. Published by Carus Verlag (CA.7006511).

ISBN 9790007244736. Language: German.

In spring 1816 Franz Schubert, just nineteen years old, completed his second setting of the Stabat Mater in the midst of a highly productive period. In contrast with his first setting written the previous year, just five minutes in length, this time Schubert used the German translation by Klopstock as the basis for his composition. Stefan Schuck's edition is the first one of this work to be based on a critical evaluation of the primary sources, with complete performance material. The work, in a dark F minor, with its text by Klopstock, places Jesus Christ, rather than Mary, at the center of the contemplation. With his fugues, but particularly in the eight-part lamenting chorus Wer wird Zahren sanften Mitleids, Schubert shows himself at the height of his creative output. He composed his 4th Symphony, the Tragic, at almost the same time. The Stabat Mater is a rewarding work for choral societies and choirs to perform, because the choir has the largest portion to sing, and the choral parts are not too demanding. The composition is also a beautiful introduction to the choral-symphonic music of Schubert for less experienced choirs. Score and part available separately - see item CA.7006500.

Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Fg, Cfg, 2 Cor, 3 Trb, 2 Vl, Va, Vc, Cb

SKU: CA.7006519

Composed by Franz Schubert. Edited by Stefan Schuck. Stuttgart Urtext Edition: Schubert. Complete orchestral parts. Sacred vocal music, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Set of Orchestra Parts. D 383. Duration 37 minutes. Carus Verlag #CV 70.065/19. Published by Carus Verlag (CA.7006519).

ISBN 9790007165970. Language: German.

In spring 1816 Franz Schubert, just nineteen years old, completed his second setting of the Stabat Mater in the midst of a highly productive period. In contrast with his first setting written the previous year, just five minutes in length, this time Schubert used the German translation by Klopstock as the basis for his composition. Stefan Schuck's edition is the first one of this work to be based on a critical evaluation of the primary sources, with complete performance material. The work, in a dark F minor, with its text by Klopstock, places Jesus Christ, rather than Mary, at the center of the contemplation. With his fugues, but particularly in the eight-part lamenting chorus Wer wird Zahren sanften Mitleids, Schubert shows himself at the height of his creative output. He composed his 4th Symphony, the Tragic, at almost the same time. The Stabat Mater is a rewarding work for choral societies and choirs to perform, because the choir has the largest portion to sing, and the choral parts are not too demanding. The composition is also a beautiful introduction to the choral-symphonic music of Schubert for less experienced choirs. Score and parts available separately - see item CA.7006500.

Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Fg, Cfg, 2 Cor, 3 Trb, 2 Vl, Va, Vc, Cb

SKU: CA.7006514

Composed by Franz Schubert. Edited by Stefan Schuck. Stuttgart Urtext Edition: Schubert. Violoncello/double bass. Sacred vocal music, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Cello/Double Bass. D 383. 16 pages. Duration 37 minutes. Carus Verlag #CV 70.065/14. Published by Carus Verlag (CA.7006514).

ISBN 9790007244750. Language: German.

In spring 1816 Franz Schubert, just nineteen years old, completed his second setting of the Stabat Mater in the midst of a highly productive period. In contrast with his first setting written the previous year, just five minutes in length, this time Schubert used the German translation by Klopstock as the basis for his composition. Stefan Schuck's edition is the first one of this work to be based on a critical evaluation of the primary sources, with complete performance material. The work, in a dark F minor, with its text by Klopstock, places Jesus Christ, rather than Mary, at the center of the contemplation. With his fugues, but particularly in the eight-part lamenting chorus Wer wird Zahren sanften Mitleids, Schubert shows himself at the height of his creative output. He composed his 4th Symphony, the Tragic, at almost the same time. The Stabat Mater is a rewarding work for choral societies and choirs to perform, because the choir has the largest portion to sing, and the choral parts are not too demanding. The composition is also a beautiful introduction to the choral-symphonic music of Schubert for less experienced choirs. Score and part available separately - see item CA.7006500.

Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Fg, Cfg, 2 Cor, 3 Trb, 2 Vl, Va, Vc, Cb

SKU: CA.7006512

Composed by Franz Schubert. Edited by Stefan Schuck. Stuttgart Urtext Edition: Schubert. Violin 2. Sacred vocal music, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Violin 2. D 383. 16 pages. Duration 37 minutes. Carus Verlag #CV 70.065/12. Published by Carus Verlag (CA.7006512).

ISBN 9790007244743. Language: German.

In spring 1816 Franz Schubert, just nineteen years old, completed his second setting of the Stabat Mater in the midst of a highly productive period. In contrast with his first setting written the previous year, just five minutes in length, this time Schubert used the German translation by Klopstock as the basis for his composition. Stefan Schuck's edition is the first one of this work to be based on a critical evaluation of the primary sources, with complete performance material. The work, in a dark F minor, with its text by Klopstock, places Jesus Christ, rather than Mary, at the center of the contemplation. With his fugues, but particularly in the eight-part lamenting chorus Wer wird Zahren sanften Mitleids, Schubert shows himself at the height of his creative output. He composed his 4th Symphony, the Tragic, at almost the same time. The Stabat Mater is a rewarding work for choral societies and choirs to perform, because the choir has the largest portion to sing, and the choral parts are not too demanding. The composition is also a beautiful introduction to the choral-symphonic music of Schubert for less experienced choirs. Score and part available separately - see item CA.7006500.

Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Fg, Cfg, 2 Cor, 3 Trb, 2 Vl, Va, Vc, Cb

SKU: CA.7006505

Composed by Franz Schubert. Edited by Stefan Schuck. Stuttgart Urtext Edition: Schubert. Sacred vocal music, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Choral Score. D 383. 24 pages. Duration 37 minutes. Carus Verlag #CV 70.065/05. Published by Carus Verlag (CA.7006505).

ISBN 9790007242916. Language: German.

In spring 1816 Franz Schubert, just nineteen years old, completed his second setting of the Stabat Mater in the midst of a highly productive period. In contrast with his first setting written the previous year, just five minutes in length, this time Schubert used the German translation by Klopstock as the basis for his composition. Stefan Schuck's edition is the first one of this work to be based on a critical evaluation of the primary sources, with complete performance material. The work, in a dark F minor, with its text by Klopstock, places Jesus Christ, rather than Mary, at the center of the contemplation. With his fugues, but particularly in the eight-part lamenting chorus Wer wird Zahren sanften Mitleids, Schubert shows himself at the height of his creative output. He composed his 4th Symphony, the Tragic, at almost the same time. The Stabat Mater is a rewarding work for choral societies and choirs to perform, because the choir has the largest portion to sing, and the choral parts are not too demanding. The composition is also a beautiful introduction to the choral-symphonic music of Schubert for less experienced choirs. Score available separately - see item CA.7006500.

By Francesco Durante (1684-1755). For Soli SATB, SATB Choir, 2 Violins, Viola, Basso continuo. Full score available separately - see item CA.1027000. Genres: Magnificat; Use / Occasion: Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary; Use during church year: Advent, Christmas. Primary Part: Violoncello/Contrabass. Language: Latin. 4 pages. Published by Carus Verlag

By Francesco Durante (1684-1755). For Soli SATB, SATB Choir, 2 Violins, Viola, Basso continuo. Full score available separately - see item CA.1027000. Genres: Magnificat; Use / Occasion: Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary; Use during church year: Advent, Christmas. Primary Part: Violin 1. Language: Latin. 8 pages. Published by Carus Verlag

By Francesco Durante (1684-1755). For Soli SATB, SATB Choir, 2 Violins, Viola, Basso continuo. Full score available separately - see item CA.1027000. Genres: Magnificat; Use / Occasion: Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary; Use during church year: Advent, Christmas. Primary Part: Viola. Language: Latin. 8 pages. Published by Carus Verlag

By Francesco Durante (1684-1755). For Soli SATB, SATB Choir, 2 Violins, Viola, Basso continuo. Full score available separately - see item CA.1027000. Genres: Magnificat; Use / Occasion: Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary; Use during church year: Advent, Christmas. Primary Part: Violin 2. Language: Latin. 8 pages. Published by Carus Verlag

(Arrangement for soli, choir and organ). Composed by Charles Francois Gounod (1818-1893). Edited by Barbara Grolmann. Arranged by Zsigmond Szathmary. For SATB vocal soli, SATB choir, organ. This edition: Paperbound. C-Dur (C major). Choir and Organ. German title: Requiem. End of the church year, Mourning, death. Full score. Language: Latin. Posth.. 48 pages. Duration 35 minutes. Published by Carus Verlag

(Passion Oratorio in three parts). By Carl Loewe (1796-1869). Edited by Claudia Mucke. For voice, mixed choir, orchestra (soprano voice solo/alto voice solo/2 tenor voice solos/2 bass voice solos/SATB choir/2 violins/viola/cello/doubl e bass/timpani). This edition: Paperback, Urtext edition. Level 3. Score. Language: German, Text Language: German. WoO. 144 pages. Duration 2 hours 15 minutes. Published by Baerenreiter Verlag

Composed by Claudio Monteverdi (1567-1643). Edited by Uwe Wolf. For SSATTBB vocal soli, SATB/SATB choir, 2 flutes, 2 fifari, 3 horns, 3 trombones, 2 violins, 3 violas, cello, violone, basso continuo. This edition: paperback. Stuttgart Urtext edition. Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Study score. Text language: Latin. No. 206. 192 pages. Duration 90 minutes. Published by Carus Verlag

Composed by Jan Dismas Zelenka (1679-1745). Edited by Wolfgang Horn. For SA vocal soli, SATB choir, 2 oboes, bassoon, 2 violins, 2 violas, basso continuo, [2 trumpets, timpani]. D-Dur (D major). German title: Magnificat in D. Magnificats, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Level 3. Complete orchestral parts. Language: Latin. Composed 1725. ZWV 108. Duration 11 minutes. Published by Carus Verlag

(1D.2.2.2/2.0+2.1.0,perc, pf,str)

SKU: TM.06036SET

Composed by Walther Lampe. Set Type: C. Set of parts. Published by Lucks Music Library (TM.06036SET).

P/C in set. Hail Columbia, Battle Hymn of the Republic, Marching Through Georgia, Bugle Call Assembly, America, The Girl I Left Behind Me, The Red White and Blue, Yankee Doodle, Maryland My Maryland, Dixie Land, Dance, Star Spangled Banner.

(1.1.2.1/2.2.1.0,perc,str )

SKU: TM.07275SET

Composed by Victor Bendix. Set Type: C. Set of parts. Published by Lucks Music Library (TM.07275SET).

Piano only - no score. Keller's American Hymn, Maryland My Maryland, Old Zip Coon, Bonny Eloise, Reveille, Tenting Tonight, Dixie, Carry Me Back to Old Virginny, High Level Hornpipe, Massa's in the Cold Ground, Arkansas Traveler, Star Spangles Banner.

SATB vocal soli, SATB choir, 2 trumpets, 2 trombones, timpani, 2 violin, basso continuo

SKU: CA.5030519

Composed by Michael Haydn. Edited by Charles H. Sherman. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Missa Beatiss.Virginis Mariae Mh 15. Sacred vocal music, Masses, Latin, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Set of Orchestra Parts. Composed circa 1758-1760. MH 15. Duration 30 minutes. Carus Verlag #CV 50.305/19. Published by Carus Verlag (CA.5030519).

ISBN 9790007145477. Key: C major. Language: Latin.

The Missa Beatissimae Virginis Maria was composed ca. 1758-1760, between the end of his tenure as a singer in the choir of St. Stephen's in Vienna and the beginning of his first position as violinist and music director for the Bishop of Grosswardein. The scoring of SATB (for soli as well as choir) and church trio was augmented by two trumpets (clarini) and timpani, as well as two trombones. The latter instruments double the alto and tenor voices in tutti passages but in the Et incarnatus est they are also employed in an obbligato role. On the one hand, as an early work this Mass is in the style of the festive baroque tradition, as practiced in south-German regions until the middle of the eighteenth century; on the other hand it already shows the subjective inspiration which distinguished it from many of the mass settings by Haydn's contemporaries. Score and parts available separately - see item CA.5030500.

SATB vocal soli, SATB choir, 2 trumpets, 2 trombones, timpani, 2 violin, basso continuo

SKU: CA.5030549

Composed by Michael Haydn. Edited by Charles H. Sherman. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Missa Beatiss.Virginis Mariae Mh 15. Sacred vocal music, Masses, Latin, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Organ. Composed circa 1758-1760. MH 15. 24 pages. Duration 30 minutes. Carus Verlag #CV 50.305/49. Published by Carus Verlag (CA.5030549).

ISBN 9790007223762. Key: C major. Language: Latin.

The Missa Beatissimae Virginis Maria was composed ca. 1758-1760, between the end of his tenure as a singer in the choir of St. Stephen's in Vienna and the beginning of his first position as violinist and music director for the Bishop of Grosswardein. The scoring of SATB (for soli as well as choir) and church trio was augmented by two trumpets (clarini) and timpani, as well as two trombones. The latter instruments double the alto and tenor voices in tutti passages but in the Et incarnatus est they are also employed in an obbligato role. On the one hand, as an early work this Mass is in the style of the festive baroque tradition, as practiced in south-German regions until the middle of the eighteenth century; on the other hand it already shows the subjective inspiration which distinguished it from many of the mass settings by Haydn's contemporaries. Score and part available separately - see item CA.5030500.

SATB vocal soli, SATB choir, 2 violins, basso continuo, [3 trombones]

SKU: CA.4005405

Composed by Wolfgang Amadeus Mozart. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Mozart. Litaniae Lauretanae In B Rev.2002. Innovative practice aids, Litanies, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Choral Score. Composed 1771. KV 109 (74e). Duration 11 minutes. Carus Verlag #CV 40.054/05. Published by Carus Verlag (CA.4005405).

ISBN 9790007059286. Key: B flat major. Language: Latin.

This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the church trio of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. Score available separately - see item CA.4005400.

SATB vocal soli, SATB choir, 2 violins, basso continuo, [3 trombones]

SKU: CA.4005449

Composed by Wolfgang Amadeus Mozart. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Mozart. Litaniae Lauretanae In B Rev.2002. Innovative practice aids, Litanies, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Organ. Composed 1771. KV 109 (74e). 8 pages. Duration 11 minutes. Carus Verlag #CV 40.054/49. Published by Carus Verlag (CA.4005449).

ISBN 9790007059330. Key: B flat major. Language: Latin.

This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the church trio of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. Score and part available separately - see item CA.4005400.