| A German Requiem Op. 45 Soli, choeur mixte et accompagnement Breitkopf & Härtel
Solo voices, mixed choir, orchestra Urtext based on the new Complete Edition. ...(+)
Solo voices, mixed choir,
orchestra
Urtext based on the new
Complete Edition.
Composed by
Johannes Brahms
(1833-1897).
Edited by Michael
Musgrave
and Michael Struck.
Breitkopf
and Haertel #OB 16109-30.
Published by Breitkopf
and
Haertel
$114.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| The Choral Symphony - Last Movement (from Symphony No. 9 in D Minor) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Vocal Score] Novello & Co Ltd.
Vocal Score. Composed by Ludwig van Beethoven (1770-1827). Edited by Michael Pil...(+)
Vocal Score. Composed by
Ludwig van Beethoven
(1770-1827). Edited by
Michael Pilkington. New
Novello Choral Edition.
Classical. Book Only. 62
pages. Novello and Co
Ltd. #MUSNOV072490.
Published by Novello and
Co Ltd.
$9.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Cantatas for Michaelmas Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Vocal soli, mixed choir, orchestra (Voices, Mixed choir, Orch) SKU: BA.BA0503...(+)
Vocal soli, mixed choir,
orchestra (Voices, Mixed
choir, Orch) SKU:
BA.BA05036-01
Cantatas BWV 19, 50
(fragment), 130 with
appendix, 149.
Composed by Johann
Sebastian Bach. Edited by
Marianne Helms. This
edition: complete
edition, urtext edition.
Linen. New Bach Edition
(NBA) I/30. Complete
edition, Score,
anthology. BWV 19, 50,
130. Baerenreiter Verlag
#BA05036_01. Published by
Baerenreiter Verlag
(BA.BA05036-01). ISBN
9790006462131. 33 x 26.5
cm inches. Language:
German.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$216.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Missa Sancti Aloysii Soli, choeur mixte et accompagnement [Conducteur] Carus Verlag
Composed by Michael Haydn (1737-1806). Edited by Armin Kircher. This edition: ur...(+)
Composed by Michael Haydn
(1737-1806). Edited by
Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
German title: Missa Sti
Aloysii in B. SSA MH 257.
Latin Masses. Full score.
Composed 1777. MH 257. 56
pages. Duration 30
minutes. Published by
Carus Verlag
(CA.5425700).
$43.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa Sancti Aloysii Soli, choeur mixte et accompagnement [Set de Parties séparées] Carus Verlag
Composed by Michael Haydn (1737-1806). Edited by Armin Kircher. This edition: ur...(+)
Composed by Michael Haydn
(1737-1806). Edited by
Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
German title: Missa Sti
Aloysii in B. SSA MH 257.
Latin Masses. Complete
orchestral parts.
Composed 1777. MH 257.
Duration 30 minutes.
Published by Carus Verlag
(CA.5425719).
$129.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Dream On, Dream On (Choral Score) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier MorningStar Music Publishers
By Hae Jong Kim and Sun Kyung Lee. Arranged by Michael Burkhardt. For SATB choir...(+)
By Hae Jong Kim and Sun
Kyung Lee. Arranged by
Michael Burkhardt. For
SATB choir adult choir,
SATB youth choir, treble
children's choir, piano
accompaniment, handbells,
wind chimes. General.
Moderately Easy.
Published by MorningStar
Music Publishers (MN.50-
$2.65 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The heavens laugh, the earth exults in gladness (Der Himmel lacht! Die Erde jubilieret) Soli, choeur mixte et accompagnement Carus Verlag
Cantata for Easter Sunday. Composed by Johann Sebastian Bach (1685-1750)....(+)
Cantata for Easter
Sunday. Composed by
Johann Sebastian Bach
(1685-1750). Edited by
Michael Marker. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Der Himmel Lacht, Die
Erde Jubilieret. Sacred
vocal music, Cantatas,
Easter and Eastertide.
Full score. Composed
1715. BWV 31. 68 pages.
Duration 24 minutes.
Carus Verlag #CV
31.031/00. Published by
Carus Verlag
(CA.3103100).
$38.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Il trionfo del Tempo e della Verità, HWV 46 b Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Soloists, Mixed choir, Orchestra SKU: BA.BA10726-01 Oratorio in three ...(+)
Soloists, Mixed choir,
Orchestra SKU:
BA.BA10726-01
Oratorio in three
parts. Composed by
George Frideric Handel.
Edited by Michael
Pacholke. This edition:
Complete edition. Linen.
Complete edition, Score.
HWV 46. Baerenreiter
Verlag #BA10726-01.
Published by Baerenreiter
Verlag (BA.BA10726-01).
ISBN 9790006575596. 33
x 26 cm inches. Text
Language: Italian.
Preface: Pacholke,
Michael. In the
brief half-year period
from August 14, 1736, to
January 27, 1737, Georg
Friedrich Handel achieved
an unprecedented level of
productivity in his opera
compositions, creating
three operas.
Additionally, in March
1737, he also composed a
largely new oratorio
titled â??Il trionfo del
Tempo e della
Verità â? (â??The
Triumph of Time and
Truthâ?) HWV 46b. The
libretto of this oratorio
closely corresponds to
that of the oratorio
â??La Bellezza ravveduta
nel trionfo del Tempo e
del Disingannoâ?
(â??Beauty Reconciled in
the Triumph of Time and
Enlightenmentâ?) HWV
46a written in 1707. With
â??La Bellezza
ravvedutaâ?, Handel
composed an allegorical
and particularly dramatic
oratorio right at the
beginning of his oratorio
compositions. In this
work, there is no chorus
inclined towards
reflection. Not only do
the four allegorical
figures, Bellezza
(Beauty), Piacere
(Pleasure), Tempo (Time),
and Disinganno
(Enlightenment), listen
to each other and react
to the ideas presented by
the others, but this
prevailing dramatic
principle of dispute is
also found in the
recitatives.
In
1737, when reworking the
oratorio material as
â??Il trionfo del Tempo
e della Verità â?,
Handel approached the
task pragmatically. He
needed a new non-dramatic
work to fulfill the
eveningâ??s program for
his audience at the
Covent Garden Theatre
during the fasting season
when theatrical
performances were
prohibited. Although he
had excellent Italian
vocal soloists, notorious
for their pronunciation
in Handelâ??s English
oratorios and who
naturally preferred
singing in Italian,
Handel found a solution.
It was evident to Handel
that, in response to the
ban on performances of
his Italian operas during
the fasting season of
1737, he should promptly
create a new oratorio in
the Italian language but
following the three-part
â??Englishâ? oratorio
form that he had
developed in
â??Estherâ? HWV 50b
in 1732. Unlike in Rome
in 1707, he had access to
a chorus in London in
1737, and the English
oratorio, with its
substantial choral
sections, a preference
for concert-like rather
than dramatic
composition, and frequent
inclusion of organ
concertos loosely related
to the narrative, was
already
established.
The
new volume of the HHA
includes the original
version of the 1737
premiere as well as all
the surviving early and
later versions (the
latter being exceptional
highlights) of individual
musical pieces from
â??Il trionfo del Tempo
e della
Verità â?.
$527.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Requiem Soli, choeur mixte et accompagnement Barenreiter
Soloists, Mixed choir (SATB), Orchestra (Soprano solo, Alto solo, Tenor solo, Ba...(+)
Soloists, Mixed choir
(SATB), Orchestra
(Soprano solo, Alto solo,
Tenor solo, Bass solo,
Mixed choir (SATB),
Orchestra) SKU:
BA.BA11310-90
Composed by Wolfgang
Amadeus Mozart. Edited by
Michael Ostrzyga. This
edition: urtext edition.
Paperback. New
Completion. Vocal Score.
Baerenreiter Verlag
#BA11310_90. Published by
Baerenreiter Verlag
(BA.BA11310-90). ISBN
9790006569267. 27 x 19 cm
inches. Text Language:
Latin. This
publication offers a
source-critical edition
of Mozartâ??s
fragmentary
â??Requiemâ? as well
as an alternative to the
traditional Sü�mayr
version. It makes it
possible to perform 1)
the fragment, identified
in print in both the
score and the parts, 2)
the authentic sections
left incomplete by
Mozart, now in a
stylistically appropriate
orchestration, and 3)
those sections missing
entirely in the fragment,
newly added in
Mozartâ??s idiom taking
into account historical
additions by Sü�mayr
and Eybler.
When
completing the fragment,
the editor drew on
comprehensive comparative
and analytical studies of
Mozartâ??s church style
and compositional
workmanship. The
influence of Handel and
Bach manifested in his
final years, particularly
in the â??Requiemâ?
fragment, is taken into
account in those sections
requiring completion or
fresh
composition.
At
two points readers may
choose between
alternative movements (or
sections), since
proceeding from
SüÃ?mayrâ??s
historical version, two
divergent options cannot
be weighed against each
other but each one may
well reflect Mozartâ??s
intentions: the
â??Lacrimosaâ? may
end with or without
â??Amenâ? fugue, and
the â??Sanctusâ? may
begin in the customary D
major or in D minor.
Above all, this makes it
possible to retain the
B-flat major
â??Hosannaâ? from
SüÃ?mayrâ??s
autograph, a movement
which, until now, has not
been appreciated as
compositionally
flawless.
â?¢
Scholarly-critical
edition of the
â??Requiemâ?
fragment â?¢ With
performance material for
presentation of 1) the
fragment, 2) a version
with completions of the
authentic Mozart sections
or 3) a full
completion consistent
with Mozartâ??s musical
idiom â?¢ Missing
sections were completed
by drawing from other
fragmentary sacred works
by Mozart â?¢ Added
or completed sections
incorporate influences
from Bach and Handel
already detectable in the
fragment â?¢
Alternative performance
options for the
â??Lacrimosaâ?,
â??Sanctusâ? and
â??Benedictusâ? â
?¢ Easy-to-play piano
reduction â?¢
Extensive foreword
(Ger/Eng) on the
workâ??s history,
reception and modern
completions, with
analytical stylistic
critique â?¢
Detailed Critical
Commentary (Eng), partly
available on the
Bärenreiter
website â?¢ Tried
and tested on many
occasions, e.g. at
Harvard University, the
Rheingau Music Festival,
the Monadnock Music
Festival (New Hampshire),
in Salt Lake City (Utah),
as well as in radio
broadcasts (NDR, SWR,
WDR) and CD recordings
with Concerto Köln,
Chorwerk Ruhr and Florian
Helgath (â??Le Disque
classique du jourâ?
from francemusique.fr and
three nominations for
Opus Klassik 2021 in the
categories
â??Ensembleâ?,
â??Choral Recordingâ?
and â??Editorial
Achievementâ?)
You will
find a detailed brochure
on the new completion of
Mozart's Requiem
here.
$20.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Mass in A flat major (Messe in As) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
Orchestra SATB vocal soli, SATB choir, flute, 2 oboes, 2 clarinets, 2 bassoons, ...(+)
Orchestra SATB vocal
soli, SATB choir, flute,
2 oboes, 2 clarinets, 2
bassoons, 2 horns, 2
trumpets, 3 trombones,
timpani, 2 violins,
viola, cello, contrabass,
organ - Grade 3 SKU:
CA.4065911 Messe
in As. Composed by
Franz Schubert. Edited by
Michael Heinemann. This
edition: urtext.
Stuttgart Urtext Edition:
Schubert. Messe In As
Rev.2000. Innovative
practice aids, Sacred
vocal music, Masses,
Latin. Single Part,
Violin 1. D 678. 24
pages. Duration 50
minutes. Carus Verlag #CV
40.659/11. Published by
Carus Verlag
(CA.4065911). ISBN
9790007085452. Key: A
flat major. Language:
Latin. Franz
Schubert's Mass in A-flat
major: A work that time
and again occupied the
composer anew, with which
he, in his words, strived
towards the highest in
art - and perhaps only
wished to receive a court
appointment in Vienna.
His efforts to present a
new, individual mass led,
at any rate, to
unconventional solutions
(and an unusual key), a
renunciation of plain
acclamation, a reduction
of pathos in favor of an
exceptionally elaborate
composition, particularly
the first part - a
brilliant missa solemnis
for the ceremonious
organization of the court
church service and, at
the same time, the public
presentation of an
ambitious composer's
artistic competence.
Score and part available
separately - see item
CA.4065900. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mass in A flat major (Messe in As) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
Orchestra SATB vocal soli, SATB choir, flute, 2 oboes, 2 clarinets, 2 bassoons, ...(+)
Orchestra SATB vocal
soli, SATB choir, flute,
2 oboes, 2 clarinets, 2
bassoons, 2 horns, 2
trumpets, 3 trombones,
timpani, 2 violins,
viola, cello, contrabass,
organ - Grade 3 SKU:
CA.4065912 Messe
in As. Composed by
Franz Schubert. Edited by
Michael Heinemann. This
edition: urtext.
Stuttgart Urtext Edition:
Schubert. Messe In As
Rev.2000. Innovative
practice aids, Sacred
vocal music, Masses,
Latin. Single Part,
Violin 2. D 678. 24
pages. Duration 50
minutes. Carus Verlag #CV
40.659/12. Published by
Carus Verlag
(CA.4065912). ISBN
9790007085469. Key: A
flat major. Language:
Latin. Franz
Schubert's Mass in A-flat
major: A work that time
and again occupied the
composer anew, with which
he, in his words, strived
towards the highest in
art - and perhaps only
wished to receive a court
appointment in Vienna.
His efforts to present a
new, individual mass led,
at any rate, to
unconventional solutions
(and an unusual key), a
renunciation of plain
acclamation, a reduction
of pathos in favor of an
exceptionally elaborate
composition, particularly
the first part - a
brilliant missa solemnis
for the ceremonious
organization of the court
church service and, at
the same time, the public
presentation of an
ambitious composer's
artistic competence.
Score and part available
separately - see item
CA.4065900. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mass in A flat major (Messe in As) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
Orchestra SATB vocal soli, SATB choir, flute, 2 oboes, 2 clarinets, 2 bassoons, ...(+)
Orchestra SATB vocal
soli, SATB choir, flute,
2 oboes, 2 clarinets, 2
bassoons, 2 horns, 2
trumpets, 3 trombones,
timpani, 2 violins,
viola, cello, contrabass,
organ - Grade 3 SKU:
CA.4065949 Messe
in As. Composed by
Franz Schubert. Edited by
Michael Heinemann. This
edition: urtext.
Stuttgart Urtext Edition:
Schubert. Messe In As
Rev.2000. Innovative
practice aids, Sacred
vocal music, Masses,
Latin. Single Part,
Organ. Composed 1828. D
678. 36 pages. Duration
50 minutes. Carus Verlag
#CV 40.659/49. Published
by Carus Verlag
(CA.4065949). ISBN
9790007085506. Key: A
flat major. Language:
Latin. Franz
Schubert's Mass in A-flat
major: A work that time
and again occupied the
composer anew, with which
he, in his words, strived
towards the highest in
art - and perhaps only
wished to receive a court
appointment in Vienna.
His efforts to present a
new, individual mass led,
at any rate, to
unconventional solutions
(and an unusual key), a
renunciation of plain
acclamation, a reduction
of pathos in favor of an
exceptionally elaborate
composition, particularly
the first part - a
brilliant missa solemnis
for the ceremonious
organization of the court
church service and, at
the same time, the public
presentation of an
ambitious composer's
artistic competence.
Score and part available
separately - see item
CA.4065900. $28.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mass in A flat major (Messe in As) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
Orchestra SATB vocal soli, SATB choir, flute, 2 oboes, 2 clarinets, 2 bassoons, ...(+)
Orchestra SATB vocal
soli, SATB choir, flute,
2 oboes, 2 clarinets, 2
bassoons, 2 horns, 2
trumpets, 3 trombones,
timpani, 2 violins,
viola, cello, contrabass,
organ - Grade 3 SKU:
CA.4065913 Messe
in As. Composed by
Franz Schubert. Edited by
Michael Heinemann. This
edition: urtext.
Stuttgart Urtext Edition:
Schubert. Messe In As
Rev.2000. Innovative
practice aids, Sacred
vocal music, Masses,
Latin. Single Part,
Viola. D 678. 16 pages.
Duration 50 minutes.
Carus Verlag #CV
40.659/13. Published by
Carus Verlag
(CA.4065913). ISBN
9790007085476. Key: A
flat major. Language:
Latin. Franz
Schubert's Mass in A-flat
major: A work that time
and again occupied the
composer anew, with which
he, in his words, strived
towards the highest in
art - and perhaps only
wished to receive a court
appointment in Vienna.
His efforts to present a
new, individual mass led,
at any rate, to
unconventional solutions
(and an unusual key), a
renunciation of plain
acclamation, a reduction
of pathos in favor of an
exceptionally elaborate
composition, particularly
the first part - a
brilliant missa solemnis
for the ceremonious
organization of the court
church service and, at
the same time, the public
presentation of an
ambitious composer's
artistic competence.
Score and part available
separately - see item
CA.4065900. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mass in A flat major (Messe in As) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
Orchestra SATB vocal soli, SATB choir, flute, 2 oboes, 2 clarinets, 2 bassoons, ...(+)
Orchestra SATB vocal
soli, SATB choir, flute,
2 oboes, 2 clarinets, 2
bassoons, 2 horns, 2
trumpets, 3 trombones,
timpani, 2 violins,
viola, cello, contrabass,
organ - Grade 3 SKU:
CA.4065915 Messe
in As. Composed by
Franz Schubert. Edited by
Michael Heinemann. This
edition: urtext.
Stuttgart Urtext Edition:
Schubert. Messe In As
Rev.2000. Innovative
practice aids, Sacred
vocal music, Masses,
Latin. Single Part,
Double Bass. D 678. 16
pages. Duration 50
minutes. Carus Verlag #CV
40.659/15. Published by
Carus Verlag
(CA.4065915). ISBN
9790007085490. Key: A
flat major. Language:
Latin. Franz
Schubert's Mass in A-flat
major: A work that time
and again occupied the
composer anew, with which
he, in his words, strived
towards the highest in
art - and perhaps only
wished to receive a court
appointment in Vienna.
His efforts to present a
new, individual mass led,
at any rate, to
unconventional solutions
(and an unusual key), a
renunciation of plain
acclamation, a reduction
of pathos in favor of an
exceptionally elaborate
composition, particularly
the first part - a
brilliant missa solemnis
for the ceremonious
organization of the court
church service and, at
the same time, the public
presentation of an
ambitious composer's
artistic competence.
Score and part available
separately - see item
CA.4065900. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mass in A flat major (Messe in As) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
Orchestra SATB vocal soli, SATB choir, flute, 2 oboes, 2 clarinets, 2 bassoons, ...(+)
Orchestra SATB vocal
soli, SATB choir, flute,
2 oboes, 2 clarinets, 2
bassoons, 2 horns, 2
trumpets, 3 trombones,
timpani, 2 violins,
viola, cello, contrabass,
organ - Grade 3 SKU:
CA.4065914 Messe
in As. Composed by
Franz Schubert. Edited by
Michael Heinemann. This
edition: urtext.
Stuttgart Urtext Edition:
Schubert. Messe In As
Rev.2000. Innovative
practice aids, Sacred
vocal music, Masses,
Latin. Single Part,
Cello. D 678. 20 pages.
Duration 50 minutes.
Carus Verlag #CV
40.659/14. Published by
Carus Verlag
(CA.4065914). ISBN
9790007085483. Key: A
flat major. Language:
Latin. Franz
Schubert's Mass in A-flat
major: A work that time
and again occupied the
composer anew, with which
he, in his words, strived
towards the highest in
art - and perhaps only
wished to receive a court
appointment in Vienna.
His efforts to present a
new, individual mass led,
at any rate, to
unconventional solutions
(and an unusual key), a
renunciation of plain
acclamation, a reduction
of pathos in favor of an
exceptionally elaborate
composition, particularly
the first part - a
brilliant missa solemnis
for the ceremonious
organization of the court
church service and, at
the same time, the public
presentation of an
ambitious composer's
artistic competence.
Score and part available
separately - see item
CA.4065900. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mass in A flat major (Messe in As) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
Orchestra SATB vocal soli, SATB choir, flute, 2 oboes, 2 clarinets, 2 bassoons, ...(+)
Orchestra SATB vocal
soli, SATB choir, flute,
2 oboes, 2 clarinets, 2
bassoons, 2 horns, 2
trumpets, 3 trombones,
timpani, 2 violins,
viola, cello, contrabass,
organ - Grade 3 SKU:
CA.4065909 Messe
in As. Composed by
Franz Schubert. Edited by
Michael Heinemann. This
edition: urtext. 1x
40.659/21 flute, 1x
40.659/22 oboe 1, 1x
40.659/23 oboe 2, 1x
40.659/24 clarinet 1, 1x
40.659/25 clarinet 2, 1x
40.659/26 bassoon 1, 1x
40.659/27 bassoon 2, 1x
40.659/31 horn 1, 1x
40.659/32 horn 2, 1x
40.659/33 trumpet 1, 1x
40.659/34 trumpet 2, 1x
40. Stuttgart Urtext
Edition: Schubert. Messe
In As Rev.2000.
Innovative practice aids,
Sacred vocal music,
Masses, Latin. Set of
Orchestra Parts. D 678.
144 pages. Duration 50
minutes. Carus Verlag #CV
40.659/09. Published by
Carus Verlag
(CA.4065909). ISBN
9790007085445. Key: A
flat major. Language:
Latin. Franz
Schubert's Mass in A-flat
major: A work that time
and again occupied the
composer anew, with which
he, in his words, strived
towards the highest in
art - and perhaps only
wished to receive a court
appointment in Vienna.
His efforts to present a
new, individual mass led,
at any rate, to
unconventional solutions
(and an unusual key), a
renunciation of plain
acclamation, a reduction
of pathos in favor of an
exceptionally elaborate
composition, particularly
the first part - a
brilliant missa solemnis
for the ceremonious
organization of the court
church service and, at
the same time, the public
presentation of an
ambitious composer's
artistic competence.
Score and parts available
separately - see item
CA.4065900. $106.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
New Completion. Composed by Wolfgang Amadeus Mozart (1756- 1791). Edited by Mic...(+)
New Completion. Composed
by
Wolfgang Amadeus Mozart
(1756-
1791). Edited by Michael
Ostrzyga. This edition:
Urtext. Paperback
Binding.
Baerenreiter Urtext.
Classical
Period. Score.
Baerenreiter
Verlag #BA11310.
Published by
Baerenreiter Verlag
$92.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Creation Mass in A-major after Joseph Haydn (Schopfungsmesse in A nach Joseph Haydn) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 trumpets, timpani, 2 violins, ...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 horns,
2 trumpets, timpani, 2
violins, 2 viola, basso
continuo SKU:
CA.2705305
Schopfungsmesse.
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Arranged by
Luigi Gatti. Sacred music
from Salzburg. Sacred
vocal music, Masses,
Latin. Choral Score.
Duration 35 minutes.
Carus Verlag #CV
27.053/05. Published by
Carus Verlag
(CA.2705305). ISBN
9790007113520. Key: A
major. Language:
Latin. Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score available
separately - see item
CA.2705300. $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Creation Mass in A-major after Joseph Haydn (Schopfungsmesse in A nach Joseph Haydn) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 trumpets, timpani, 2 violins, ...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 horns,
2 trumpets, timpani, 2
violins, 2 viola, basso
continuo SKU:
CA.2705314
Schopfungsmesse.
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Arranged by
Luigi Gatti. Sacred music
from Salzburg. Viola 2.
Sacred vocal music,
Masses, Latin. Single
Part, Viola 2. 12 pages.
Duration 35 minutes.
Carus Verlag #CV
27.053/14. Published by
Carus Verlag
(CA.2705314). ISBN
9790007199593. Key: A
major. Language:
Latin. Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score and part
available separately -
see item CA.2705300. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Creation Mass in A-major after Joseph Haydn (Schopfungsmesse in A nach Joseph Haydn) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 trumpets, timpani, 2 violins, ...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 horns,
2 trumpets, timpani, 2
violins, 2 viola, basso
continuo SKU:
CA.2705319 Composed
by Franz Joseph Haydn.
Edited by Armin Kircher.
Arranged by Luigi Gatti.
Sacred music from
Salzburg. German title:
Schopfungsmesse. Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. Duration 35
minutes. Carus Verlag #CV
27.053/19. Published by
Carus Verlag
(CA.2705319). ISBN
9790007133887. Key: A
major. Language:
Latin. Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score and parts
available separately -
see item CA.2705300. $202.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Creation Mass in A-major after Joseph Haydn (Schopfungsmesse in A nach Joseph Haydn) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 trumpets, timpani, 2 violins, ...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 horns,
2 trumpets, timpani, 2
violins, 2 viola, basso
continuo SKU:
CA.2705349
Schopfungsmesse.
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Arranged by
Luigi Gatti. Sacred music
from Salzburg. Organ.
Sacred vocal music,
Masses, Latin. Single
Part, Organ. 24 pages.
Duration 35 minutes.
Carus Verlag #CV
27.053/49. Published by
Carus Verlag
(CA.2705349). ISBN
9790007199616. Key: A
major. Language:
Latin. Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score and part
available separately -
see item CA.2705300. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Creation Mass in A-major after Joseph Haydn (Schopfungsmesse in A nach Joseph Haydn) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 trumpets, timpani, 2 violins, ...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 horns,
2 trumpets, timpani, 2
violins, 2 viola, basso
continuo SKU:
CA.2705309
Schopfungsmesse.
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Arranged by
Luigi Gatti. 1x 27.053/21
flute 1, 1x 27.053/22
flute 2, 1x 27.053/31
horn 1, 1x 27.053/32 horn
2, 1x 27.053/33 trumpet
1, 1x 27.053/34 trumpet
2, 1x 27.053/41 timpani.
Sacred music from
Salzburg. Harmony parts.
Sacred vocal music,
Masses, Latin. Set of
Orchestra Parts. 60
pages. Duration 35
minutes. Carus Verlag #CV
27.053/09. Published by
Carus Verlag
(CA.2705309). ISBN
9790007199555. Key: A
major. Language:
Latin. Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score and parts
available separately -
see item CA.2705300. $46.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Creation Mass in A-major after Joseph Haydn (Schopfungsmesse in A nach Joseph Haydn) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 trumpets, timpani, 2 violins, ...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 horns,
2 trumpets, timpani, 2
violins, 2 viola, basso
continuo SKU:
CA.2705313
Schopfungsmesse.
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Arranged by
Luigi Gatti. Sacred music
from Salzburg. Viola.
Sacred vocal music,
Masses, Latin. Single
Part, Viola. 16 pages.
Duration 35 minutes.
Carus Verlag #CV
27.053/13. Published by
Carus Verlag
(CA.2705313). ISBN
9790007199586. Key: A
major. Language:
Latin. Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score and part
available separately -
see item CA.2705300. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Creation Mass in A-major after Joseph Haydn (Schopfungsmesse in A nach Joseph Haydn) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 trumpets, timpani, 2 violins, ...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 horns,
2 trumpets, timpani, 2
violins, 2 viola, basso
continuo SKU:
CA.2705315
Schopfungsmesse.
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Arranged by
Luigi Gatti. Sacred music
from Salzburg.
Violoncello/double bass.
Sacred vocal music,
Masses, Latin. Single
Part, Cello/Double Bass.
16 pages. Duration 35
minutes. Carus Verlag #CV
27.053/15. Published by
Carus Verlag
(CA.2705315). ISBN
9790007199609. Key: A
major. Language:
Latin. Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score and part
available separately -
see item CA.2705300. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Creation Mass in A-major after Joseph Haydn (Schopfungsmesse in A nach Joseph Haydn) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 trumpets, timpani, 2 violins, ...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 horns,
2 trumpets, timpani, 2
violins, 2 viola, basso
continuo SKU:
CA.2705311
Schopfungsmesse.
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Arranged by
Luigi Gatti. Sacred music
from Salzburg. Violin 1.
Sacred vocal music,
Masses, Latin. Single
Part, Violin 1. 20 pages.
Duration 35 minutes.
Carus Verlag #CV
27.053/11. Published by
Carus Verlag
(CA.2705311). ISBN
9790007199562. Key: A
major. Language:
Latin. Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score and part
available separately -
see item CA.2705300. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Creation Mass in A-major after Joseph Haydn (Schopfungsmesse in A nach Joseph Haydn) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 trumpets, timpani, 2 violins, ...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 horns,
2 trumpets, timpani, 2
violins, 2 viola, basso
continuo SKU:
CA.2705312
Schopfungsmesse.
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Arranged by
Luigi Gatti. Sacred music
from Salzburg. Violin 2.
Sacred vocal music,
Masses, Latin. Single
Part, Violin 2. 20 pages.
Duration 35 minutes.
Carus Verlag #CV
27.053/12. Published by
Carus Verlag
(CA.2705312). ISBN
9790007199579. Key: A
major. Language:
Latin. Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score and part
available separately -
see item CA.2705300. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
1 |