| FAUST: Prison Scene - Recit and Duet 'Mon coeur est penetre' (Trio and Finale) Soli, choeur mixte et accompagnement Lucks Music Library
(2.2.2.2/4.2.3.0,timp,per c,hp,org,str,STB soli,chorus) SKU: TM.02142SET ...(+)
(2.2.2.2/4.2.3.0,timp,per
c,hp,org,str,STB
soli,chorus) SKU:
TM.02142SET Composed
by Charles Francois
Gounod. Set Type: D. Set
of parts. Lucks Music
Library #A2816. Published
by Lucks Music Library
(TM.02142SET).
Act V No. 19,
20 (in vs; No. 30 & 31 in
sc), and Finale Alerte
Alerte, through end of
opera. Key in C. Also
contains #03500: Angel
Chorus - Christ est
ressuscite, Finale to
opera. Sung by Margarite,
Faust, Mephistaphele, and
Angel Chorus. $125.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| FAUST: Prison Scene - Recit and Duet 'Mon coeur est penetre' (Trio and Finale) Soli, choeur mixte et accompagnement Lucks Music Library
(2.2.2.2/4.2.3.0,timp,per c,hp,org,str,STB soli,chorus) SKU: TM.02142SC C...(+)
(2.2.2.2/4.2.3.0,timp,per
c,hp,org,str,STB
soli,chorus) SKU:
TM.02142SC Composed
by Charles Francois
Gounod. Score. Lucks
Music Library #A2816.
Published by Lucks Music
Library (TM.02142SC).
Act V No. 19,
20 (in vs; No. 30 & 31 in
sc), and Finale Alerte
Alerte, through end of
opera. Key in C. Also
contains #03500: Angel
Chorus - Christ est
ressuscite, Finale to
opera. Sung by Margarite,
Faust, Mephistaphele, and
Angel Chorus. $25.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| St. John Passion (Johannes-Passion) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Solo tenor voice (Evangelist), solo bass voice (Jesus), SATB vocal soli, SATB ch...(+)
Solo tenor voice
(Evangelist), solo bass
voice (Jesus), SATB vocal
soli, SATB choir, 2
flutes, 2 oboes, 2
violins, viola, viola da
gamba, basso continuo
SKU: CA.3124582
Version IV.
Composed by Johann
Sebastian Bach. Edited by
Peter Wollny. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title:
Johannespassion 1749.
Innovative practice aids,
Sacred vocal music,
Oratorios, Passions, Lent
and Passiontide. Single
Part, Laute. Composed
1749. BWV 245. 4 pages.
Duration 120 minutes.
Carus Verlag #CV
31.245/82. Published by
Carus Verlag
(CA.3124582). ISBN
9790007211448. Language:
German/English. Wit
h the unfinished revision
(1739) as an appendix.
The St. John Passion
ranks among the great
vocal works from Bach's
Leipzig years. In
contrast to his other
large-scale choral works,
however, Bach never gave
this work a definitive
final form. Rather, for
every performance he made
numerous changes. All
previous editions of the
St. John Passion have
combined readings from
various layers of
sources. The wish often
expressed by conductors
to perform an authentic
version is made possible
for the first time with
the present edition in
this fourth and final
version which was
performed under Bach's
direction in 1749. At the
same time, with the aid
of the appendix it is
possible to perform the
work in the traditional
mixed version.. Score and
part available separately
- see item
CA.3124500. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| St. John Passion (Johannes-Passion) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Solo tenor voice (Evangelist), solo bass voice (Jesus), SATB vocal soli, SATB ch...(+)
Solo tenor voice
(Evangelist), solo bass
voice (Jesus), SATB vocal
soli, SATB choir, 2
flutes, 2 oboes, 2
violins, viola, viola da
gamba, basso continuo
SKU: CA.4033140
Version IV.
Composed by Johann
Sebastian Bach. Arranged
by Paul Horn. Hymns by
Martin Luther: War Gott
nicht mit uns diese Zeit.
German title: Faksimile
Johannes-Passion Bwv 245.
Post card. Composed 1749.
BWV 245. 100 pages.
Duration 120 minutes.
Carus Verlag #CV
40.331/40. Published by
Carus Verlag
(CA.4033140). ISBN
9790007104825. Language:
German/English. Wit
h the unfinished revision
(1739) as an appendix.
The St. John Passion
ranks among the great
vocal works from Bach's
Leipzig years. In
contrast to his other
large-scale choral works,
however, Bach never gave
this work a definitive
final form. Rather, for
every performance he made
numerous changes. All
previous editions of the
St. John Passion have
combined readings from
various layers of
sources. The wish often
expressed by conductors
to perform an authentic
version is made possible
for the first time with
the present edition in
this fourth and final
version which was
performed under Bach's
direction in 1749. At the
same time, with the aid
of the appendix it is
possible to perform the
work in the traditional
mixed version.. Score
available separately -
see item CA.4033100. $1.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| St. John Passion (Johannes-Passion) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Solo tenor voice (Evangelist), solo bass voice (Jesus), SATB vocal soli, SATB ch...(+)
Solo tenor voice
(Evangelist), solo bass
voice (Jesus), SATB vocal
soli, SATB choir, 2
flutes, 2 oboes, 2
violins, viola, viola da
gamba, basso continuo
SKU: CA.3124581
Version IV.
Composed by Johann
Sebastian Bach. Edited by
Peter Wollny. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title:
Johannespassion 1749.
Innovative practice aids,
Sacred vocal music,
Oratorios, Passions, Lent
and Passiontide. Single
Part, 2 Violen d'amore.
Composed 1749. BWV 245. 8
pages. Duration 120
minutes. Carus Verlag #CV
31.245/81. Published by
Carus Verlag
(CA.3124581). ISBN
9790007211431. Language:
German/English. Wit
h the unfinished revision
(1739) as an appendix.
The St. John Passion
ranks among the great
vocal works from Bach's
Leipzig years. In
contrast to his other
large-scale choral works,
however, Bach never gave
this work a definitive
final form. Rather, for
every performance he made
numerous changes. All
previous editions of the
St. John Passion have
combined readings from
various layers of
sources. The wish often
expressed by conductors
to perform an authentic
version is made possible
for the first time with
the present edition in
this fourth and final
version which was
performed under Bach's
direction in 1749. At the
same time, with the aid
of the appendix it is
possible to perform the
work in the traditional
mixed version.. Score and
part available separately
- see item
CA.3124500. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Sie werden euch in den Bann tun Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo SKU: C...(+)
SATB vocal soli, SATB
choir, 2 Oboes, 2
Violins, Viola, Basso
continuo SKU:
CA.3104409 Cantata
for Exaudi. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. This
edition: urtext. 1x
31.044/21 oboe 1, 1x
31.044/22 oboe 2.
Stuttgart Urtext Edition:
Bach vocal. Harmony
parts. Sacred vocal
music, Cantatas. Set of
Orchestra Parts. Composed
circa 1724? BWV 44. 12
pages. Duration 22
minutes. Carus Verlag #CV
31.044/09. Published by
Carus Verlag
(CA.3104409). ISBN
9790007205959. Language:
German/English. The
cantata Sie werden euch
in den Bann tun, part of
Bach's first Leipzig
annual cycle of cantatas
and the earlier of two
compositions of the same
name, was probably first
performed on the last
Sunday after Ascension in
May 1724. The text is
concerned with suffering
and the Antichrist, both
of which are overcome by
Christian faith. By
employing all four ranges
in solo capacities Bach
creates the greatest
possible variety. It
opens, unusually, with a
duet for tenor and bass,
accompanied by two oboes
and basso continuo. Score
and parts available
separately - see item
CA.3104400. $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Die Pilgrime auf Golgatha Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 horns, 2 violin, viola, basso ...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes,
2 horns, 2 violin, viola,
basso continuo - Level 3
SKU: CA.3410409
Passions-Oratorium
. Composed by Johann
Christoph Friedrich Bach.
Edited by Ulrich
Leisinger. This edition:
urtext. 1x 34.104/21
flute 1, 1x 34.104/22
flute 2, 1x 34.104/23
oboe 1, 1x 34.104/24 oboe
2, 1x 34.104/31 horn 1,
1x 34.104/32 horn 2.
Stuttgart Urtext Edition:
Bach vocal. Harmony
parts. Sacred vocal
music, Oratorios,
Passions, Lent and
Passiontide. Set of
Orchestra Parts. BR JCFB
D 1. 24 pages. Duration
135 minutes. Carus Verlag
#CV 34.104/09. Published
by Carus Verlag
(CA.3410409). ISBN
9790007212568. Language:
German. An unknown
work from the so-called
Buckeburger Bach, which
at first was ascribed
unjustly to Carl Philipp
Emanuel Bach. The story
of the Suffering of the
Lord is examined from a
different perspective.
Pilgrims have undertaken
a journey to the Holy
Land and when they arrive
they are informed by a
hermit of the suffering
and death of Christ. An
additional figure, an
angel, lends this
representation of the
Passion a heightened form
for communicating the
importance of the
suffering of Christ..
Score and parts available
separately - see item
CA.3410400. $17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Hail! Bright Cecilia. Ode on St. Cecilia's Day 1692 Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
Soli SAATBB, Coro SATB (auch SSAATB), 2 Bfl, 2 Ob, 2 Tr, Timp, 2 Vl, Va, Bc - Gr...(+)
Soli SAATBB, Coro SATB
(auch SSAATB), 2 Bfl, 2
Ob, 2 Tr, Timp, 2 Vl, Va,
Bc - Grade 3 SKU:
CA.1025000 Composed
by Henry Purcell. Edited
by Julia Rosemeyer. Carus
digital: Extra digital
products. Full Score.
Composed 1692. Z 328.
Duration 55 minutes.
Carus Verlag #1025000.
Published by Carus Verlag
(CA.1025000). ISBN
9790007251826. Key: D
major.
English. â??Hail!
bright Cecilia, hail to
thee. Great patroness of
us and harmony!â? â??
this exclamation opens
the final chorus of Henry
Purcellâ??s eponymous
Ode to St. Cecilia from
1692. A paean to the
power of music, the work
is one of the undoubted
masterpieces of English
choral odes of that time.
A resolution of
the Musical Society of
London in 1683 launched
the great tradition of
annual celebrations for
St. Ceciliaâ??s Day
(November 22), featuring
a church service followed
by performances of
specially composed music.
Over the years, Purcell
wrote several odes for
the occasion, of which
this example from 1692 is
one of the most popular.
Four decades later,
Handel would also
contribute to the
celebrations with his
Alexanderâ??s Feast, HWV
75 (Carus 55.075), and
his Ode for St.
Ceciliaâ??s Day, HWV 76
(Carus
55.076).Purcellâ
??s magnificent music,
which features a huge
range of tonal color and
form, offers delightful
parts for a variety of
solo, ensemble, and
choral settings. With its
richly expressive
palette, the Ode to St.
Cecilia is an extremely
rewarding work by the
â??Orpheus
Britannicusâ?, as
Purcell was admiringly
called by
contemporaries.-
Festive, rousing ode to
music- Highlight of
the choral ode genre in
the 17th century $78.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Brockes-Passion. Der fur die Sunde der Welt gemarterte und sterbende Jesu Soli, choeur mixte et accompagnement [Vocal Score] Carus Verlag
(nach der Abschrift von J. S. Bach). By George Frideric Handel (1685-1759). Edit...(+)
(nach der Abschrift von
J. S. Bach). By George
Frideric Handel
(1685-1759). Edited by
Traub, Andreas. For STB
soli, SATB choir, 2
oboes, taille, 2 bassoon,
2 violins, viola and
basso continuo. This
edition: paperbound. HWV
48. Full score available
separately - see item
CA.5504800. Oratorios,
Passions; Stuttgart
Urtext editions; Use
during church year: Lent
and Passiontide, Holy
Week. Piano/Vocal score.
Language: German. 152
pages. Duration 150 min
(1)$38.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Joyful be, O ransomed flock (Freue dich, erloste Schar) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, oboe I/oboe d'amore, oboe II, violin solo...(+)
SATB vocal soli, SATB
choir, 2 flutes, oboe
I/oboe d'amore, oboe II,
violin solo, 2 violins,
viola, basso continuo
SKU: CA.3103009
Cantata for the Feast
of John the Baptist.
Composed by Johann
Sebastian Bach. Edited by
Julia Doht. This edition:
urtext. 1x 31.030/21
flute 1, 1x 31.030/22
flute 2, 1x 31.030/23
oboe 1, 1x 31.030/24 oboe
2. Stuttgart Urtext
Edition: Bach vocal.
Harmony parts. Sacred
vocal music, Cantatas,
Special days. Set of
Orchestra Parts. Composed
1738(?). BWV 30. Duration
40 minutes. Carus Verlag
#CV 31.030/09. Published
by Carus Verlag
(CA.3103009). ISBN
9790007205393. Text
language:
German/English. The
cantata Freue dich,
erloste Schar BWV 30 is
one of Bach's last church
cantatas. Originally
composed as a parody of
the cantata Angenehmes
Wiederau BWV 30a for the
Feast of St. John's Day
in 1738, it still enjoys
a great popularity today.
Its extraordinary length
(12 movements) made it
possible for Bach to
employ four vocal
soloists who, together
with instrumental
soloists, choir and
orchestra contribute to
the generally festive
character of this work.
Score and parts available
separately - see item
CA.3103000. $28.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| From the Highlands (Scotch) Soli, choeur mixte et accompagnement Lucks Music Library
(1.1.2.1/2.2.1.0,timp,per c,str) SKU: TM.06051SET Composed by Otto Langey...(+)
(1.1.2.1/2.2.1.0,timp,per
c,str) SKU:
TM.06051SET Composed
by Otto Langey. Set Type:
C. Set of parts.
Published by Lucks Music
Library (TM.06051SET).
Come Under My
Plaidie, Blue Bonnets,
Speed Bonnie Boat, Within
a Mile of Edinboro' Town,
Lock Lomond, Charlie is
My Darling, A Highland
Lad, Leezy Lindsey,
Duncan Gray, Robin Adair,
Scots Wha Hae Wi' Wallace
Bled, Turn Ye to Me,
There's Nae Luck Aboot
the. $95.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Hail! Bright Cecilia. Ode on St. Cecilia's Day 1692 Soli, choeur mixte et accompagnement - Intermédiaire Carus Verlag
(Soli SAATBB, Coro SATB (auch SSAATB), 2 Bfl, 2 Ob, 2 Tr, Timp, 2 Vl, Va, Bc) - ...(+)
(Soli SAATBB, Coro SATB
(auch SSAATB), 2 Bfl, 2
Ob, 2 Tr, Timp, 2 Vl, Va,
Bc) - Grade 3 SKU:
CA.1025014 Composed
by Henry Purcell. Edited
by Julia Rosemeyer.
Single Part, basso
continuo. Composed 1692.
Z 328. Duration 55
minutes. Carus Verlag
#1025014. Published by
Carus Verlag
(CA.1025014). ISBN
9790007329792. Key: D
major.
English. �Hail
! bright Cecilia, hail to
thee. Great patroness of
us and harmony!�
� this exclamation
opens the final chorus of
Henry Purcell�s
eponymous Ode to St.
Cecilia from 1692. A
paean to the power of
music, the work is one of
the undoubted
masterpieces of English
choral odes of that time.
A resolution of
the Musical Society of
London in 1683 launched
the great tradition of
annual celebrations for
St. Cecilia�s Day
(November 22), featuring
a church service followed
by performances of
specially composed music.
Over the years, Purcell
wrote several odes for
the occasion, of which
this example from 1692 is
one of the most popular.
Four decades later,
Handel would also
contribute to the
celebrations with his
Alexander�s Feast,
HWV 75 (Carus 55.075),
and his Ode for St.
Cecilia�s Day, HWV
76 (Carus
55.076).
Purcellï
¿½s magnificent music,
which features a huge
range of tonal color and
form, offers delightful
parts for a variety of
solo, ensemble, and
choral settings. With its
richly expressive
palette, the Ode to St.
Cecilia is an extremely
rewarding work by the
�Orpheus
Britannicus�, as
Purcell was admiringly
called by
contemporaries.
-
Festive, rousing ode to
music - Highlight of
the choral ode genre in
the 17th century .
Score and part available
separately - see item
CA.1025000. $17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Day of reck'ning! Judgment day (Tue Rechnung! Donnerwort) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, basso continuo <...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 2
violins, viola, basso
continuo SKU:
CA.3116803 Cantata
for the 9th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Ulrich Bartels.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Tue Rechnung,
Donnerwort. Sacred vocal
music, Cantatas, Trinity.
Vocal score. Composed
1725. BWV 168. 24 pages.
Duration 17 minutes.
Carus Verlag #CV
31.168/03. Published by
Carus Verlag
(CA.3116803). ISBN
9790007166724. Language:
German/English. Text:
Franck, Salomo. Text by
Salomo Franck. The
text of Bach's cantata
Tue Rechnung! Donnerwort
was published in 1715,
that is during Bach's
Weimar period, in the
Evangelisches
Andachts-Opffer by
Salomon Frank. This
concisely-written but
powerful work was,
however, only composed
ten years later in
Leipzig, and was heard
for the first time on 29
July 1725, the 9th Sunday
after Trinity. Its main
dramatic-musical emphasis
lies clearly in the first
movement, a dark, almost
operatic movement for
baritone and string
orchestra in B minor. By
contrast, the ensuing
aria for tenor with
obbligato oboe
accompaniment is
distinctly more intimate,
and the duet between
soprano and alto - just
accompanied by continuo -
is more restrained in its
musical language and
expression than the first
movement. In between
there are two extended
recitatives, the first of
which leads into an
arioso. The breadth of
expression within the
cantata is striking, its
opening movement a
masterpiece of Bach's
dramatic writing. Score
available separately -
see item CA.3116800. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Day of reck'ning! Judgment day (Tue Rechnung! Donnerwort) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo (+)
SATB vocal soli, SATB
choir, 2 oboe d'amore, 2
violins, viola, basso
continuo SKU:
CA.3116809 Cantata
for the 9th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Ulrich Bartels.
2x 31.168/21 oboe d'amore
1 + 2. Stuttgart Urtext
Edition: Bach vocal. Tue
Rechnung, Donnerwort.
Sacred vocal music,
Cantatas, Trinity. Set of
Orchestra Parts. Composed
1725. BWV 168. Duration
17 minutes. Carus Verlag
#CV 31.168/09. Published
by Carus Verlag
(CA.3116809). ISBN
9790007209254. Language:
German/English. Text:
Franck, Salomo. The
text of Bach's cantata
Tue Rechnung! Donnerwort
was published in 1715,
that is during Bach's
Weimar period, in the
Evangelisches
Andachts-Opffer by
Salomon Frank. This
concisely-written but
powerful work was,
however, only composed
ten years later in
Leipzig, and was heard
for the first time on 29
July 1725, the 9th Sunday
after Trinity. Its main
dramatic-musical emphasis
lies clearly in the first
movement, a dark, almost
operatic movement for
baritone and string
orchestra in B minor. By
contrast, the ensuing
aria for tenor with
obbligato oboe
accompaniment is
distinctly more intimate,
and the duet between
soprano and alto - just
accompanied by continuo -
is more restrained in its
musical language and
expression than the first
movement. In between
there are two extended
recitatives, the first of
which leads into an
arioso. The breadth of
expression within the
cantata is striking, its
opening movement a
masterpiece of Bach's
dramatic writing. Score
and parts available
separately - see item
CA.3116800. $11.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| You, who the name of Christ have taken (Ihr, die ihr euch von Christo nennet) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes,
2 violins, viola, basso
continuo SKU:
CA.3116414 Cantata
for the 13th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas, Whitsun.
Single Part, basso
continuo. Composed 1725.
BWV 164. 12 pages.
Duration 17 minutes.
Carus Verlag #CV
31.164/14. Published by
Carus Verlag
(CA.3116414). ISBN
9790007209056. Text
language:
German/English. Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and part
available separately -
see item CA.3116400. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Day of reck'ning! Judgment day (Tue Rechnung! Donnerwort) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo (+)
SATB vocal soli, SATB
choir, 2 oboe d'amore, 2
violins, viola, basso
continuo SKU:
CA.3116805 Cantata
for the 9th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Ulrich Bartels.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Tue Rechnung,
Donnerwort. Sacred vocal
music, Cantatas, Trinity.
Choral Score. Composed
1725. BWV 168. 2 pages.
Duration 17 minutes.
Carus Verlag #CV
31.168/05. Published by
Carus Verlag
(CA.3116805). ISBN
9790007166731. Text
language: German/English.
Text: Franck,
Salomo. The text of
Bach's cantata Tue
Rechnung! Donnerwort was
published in 1715, that
is during Bach's Weimar
period, in the
Evangelisches
Andachts-Opffer by
Salomon Frank. This
concisely-written but
powerful work was,
however, only composed
ten years later in
Leipzig, and was heard
for the first time on 29
July 1725, the 9th Sunday
after Trinity. Its main
dramatic-musical emphasis
lies clearly in the first
movement, a dark, almost
operatic movement for
baritone and string
orchestra in B minor. By
contrast, the ensuing
aria for tenor with
obbligato oboe
accompaniment is
distinctly more intimate,
and the duet between
soprano and alto - just
accompanied by continuo -
is more restrained in its
musical language and
expression than the first
movement. In between
there are two extended
recitatives, the first of
which leads into an
arioso. The breadth of
expression within the
cantata is striking, its
opening movement a
masterpiece of Bach's
dramatic writing. Score
available separately -
see item CA.3116800. $3.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| You, who the name of Christ have taken (Ihr, die ihr euch von Christo nennet) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes,
2 violins, viola, basso
continuo SKU:
CA.3116412 Cantata
for the 13th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, Whitsun. Single
Part, Violin 2. Composed
1725. BWV 164. 8 pages.
Duration 17 minutes.
Carus Verlag #CV
31.164/12. Published by
Carus Verlag
(CA.3116412). ISBN
9790007209032. Text
language:
German/English. Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and part
available separately -
see item CA.3116400. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| You, who the name of Christ have taken (Ihr, die ihr euch von Christo nennet) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes,
2 violins, viola, basso
continuo SKU:
CA.3116413 Cantata
for the 13th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Cantatas,
Whitsun. Single Part,
Viola. Composed 1725. BWV
164. 4 pages. Duration 17
minutes. Carus Verlag #CV
31.164/13. Published by
Carus Verlag
(CA.3116413). ISBN
9790007209049. Text
language:
German/English. Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and part
available separately -
see item CA.3116400. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Day of reck'ning! Judgment day (Tue Rechnung! Donnerwort) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso c...(+)
Orchestra SATB vocal
soli, SATB choir, 2 oboe
d'amore, 2 violins,
viola, basso continuo
SKU: CA.3116807
Cantata for the 9th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Bartels. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Trinity.
Study score. Composed
1725. BWV 168. 28 pages.
Duration 17 minutes.
Carus Verlag #CV
31.168/07. Published by
Carus Verlag
(CA.3116807). ISBN
9790007242220. Language:
German/English. Text:
Franck, Salomo. The
text of Bach's cantata
Tue Rechnung! Donnerwort
was published in 1715,
that is during Bach's
Weimar period, in the
Evangelisches
Andachts-Opffer by
Salomon Frank. This
concisely-written but
powerful work was,
however, only composed
ten years later in
Leipzig, and was heard
for the first time on 29
July 1725, the 9th Sunday
after Trinity. Its main
dramatic-musical emphasis
lies clearly in the first
movement, a dark, almost
operatic movement for
baritone and string
orchestra in B minor. By
contrast, the ensuing
aria for tenor with
obbligato oboe
accompaniment is
distinctly more intimate,
and the duet between
soprano and alto - just
accompanied by continuo -
is more restrained in its
musical language and
expression than the first
movement. In between
there are two extended
recitatives, the first of
which leads into an
arioso. The breadth of
expression within the
cantata is striking, its
opening movement a
masterpiece of Bach's
dramatic writing. Score
available separately -
see item CA.3116800. $13.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| You, who the name of Christ have taken (Ihr, die ihr euch von Christo nennet) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes,
2 violins, viola, basso
continuo SKU:
CA.3116411 Cantata
for the 13th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Whitsun. Single
Part, Violin 1. Composed
1725. BWV 164. 8 pages.
Duration 17 minutes.
Carus Verlag #CV
31.164/11. Published by
Carus Verlag
(CA.3116411). ISBN
9790007209025. Text
language:
German/English. Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and part
available separately -
see item CA.3116400. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Day of reck'ning! Judgment day (Tue Rechnung! Donnerwort) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, basso continuo <...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 2
violins, viola, basso
continuo SKU:
CA.3116819 Cantata
for the 9th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Ulrich Bartels.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Tue Rechnung,
Donnerwort. Sacred vocal
music, Cantatas, Trinity.
Set of Orchestra Parts.
Composed 1725. BWV 168.
Duration 17 minutes.
Carus Verlag #CV
31.168/19. Published by
Carus Verlag
(CA.3116819). ISBN
9790007166786. Language:
German/English. Text:
Franck, Salomo. Text by
Salomo Franck. The
text of Bach's cantata
Tue Rechnung! Donnerwort
was published in 1715,
that is during Bach's
Weimar period, in the
Evangelisches
Andachts-Opffer by
Salomon Frank. This
concisely-written but
powerful work was,
however, only composed
ten years later in
Leipzig, and was heard
for the first time on 29
July 1725, the 9th Sunday
after Trinity. Its main
dramatic-musical emphasis
lies clearly in the first
movement, a dark, almost
operatic movement for
baritone and string
orchestra in B minor. By
contrast, the ensuing
aria for tenor with
obbligato oboe
accompaniment is
distinctly more intimate,
and the duet between
soprano and alto - just
accompanied by continuo -
is more restrained in its
musical language and
expression than the first
movement. In between
there are two extended
recitatives, the first of
which leads into an
arioso. The breadth of
expression within the
cantata is striking, its
opening movement a
masterpiece of Bach's
dramatic writing. Score
and parts available
separately - see item
CA.3116800. $72.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Saul Soli, choeur mixte et accompagnement [Vocal Score] Carus Verlag
Oratorio. Composed by George Frideric Handel (1685-1759). Edited by Felix...(+)
Oratorio. Composed
by George Frideric Handel
(1685-1759). Edited by
Felix Loy. This edition:
urtext. Stuttgart Urtext
Edition: Handel.
Oratorios. Vocal score.
Composed 1739. HWV 53.
216 pages. Published by
Carus Verlag
(CA.5505303).
$48.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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