Dramma per musica. Klavierauszug nach dem Urtext der Haydn- Gesamtausgabe (italienisch/deutsch). By Franz Joseph Haydn. Arranged by Barthel, Ernst R. For 3 Soprano solo, Tenor solo, 2 Bass solo, Mixed Choir-SATB, 2 Flute, 2 Oboe, 2 Eh, 2 Clarinet (b flat), 2 Bassoon, 2 Horn, 2 Trumpet, Kettledrum, Harp, Strings, Basso continuo. Piano Reduction/Vocal Score (paperbound). Hob. XXVIII:13. Published by Baerenreiter-Ausgaben (German import).

(0.0.0.0/2.0.0.0,cem,str)

SKU: TM.01557SC

Composed by Christoph W. von Gluck. Score. Lucks Music Library #A1492. Published by Lucks Music Library (TM.01557SC).

Cello II (or Bass).

(0.0.0.0/2.0.0.0,cem,str)

SKU: TM.01557SET

Composed by Christoph W. von Gluck. Set Type: D. Set of parts. Lucks Music Library #A1492. Published by Lucks Music Library (TM.01557SET).

Cello II (or Bass).

Dramma per musica in tre atti. Klavierauszug nach dem Urtext der Hallischen H0ndel-Ausgabe (italienisch/deutsch). By George Frideric Handel. Edited by Siegfried Flesch. Arranged by Kroupova, Olga;T!Pel, Michael. For soprano solo (3), mezzo-soprano solo, alto solo, tenor solo, bass solo, mixed choir-SSATB, piccolo, alto recorder (f,g) (2), oboe (2), bassoon, horn (2), Violin Solo, Cello Solo, strings, basso continuo. Piano Reduction/Vocal Score (paperbound). HWV 34. Duration 195'. Published by Baerenreiter-Ausgaben (German import). (BA4061 90)

(Heitere Opera in three acts). Composed by Georg Philipp Telemann (1681-1767). Edited by Bernd Baselt. For solo voices, choir, orchestra (3 soprano voice solos, mezzo-soprano voice solo, tenor voice solo, baritone voice solo, 2 bass voice solos, mixed choir, 2 flutes, 2 oboes, 2 bassoons, 2 corno d'caccia, strings, basso continuo). This edition: Urtext edition. Linen. Telemann Musical Works. Volume 21. Hamburg 1724. Score. TWV 21:8. Duration 1 hour, 39 minutes, 59 seconds. Published by Baerenreiter Verlag

(Festspiel in zwei Teilen (Italienisch), mit Anhang: Ballo.). By Wolfgang Amadeus Mozart (1756-1791). Edited by Luigi Ferdinando Tagliavini. For Soprano Solo (3), Mezzo-Soprano Solo, Tenor Solo, Mixed Choir, Ball, Flute (2), Oboe 1, Oboe 2/English Horn, Bassoon (2), Horn (4), Trumpet (2), Kettledrum, Strings, Basso Continuo. Neue Mozart-Ausgabe. Serie II, Werkgruppe 5/5. Musiktheater, Tanz, Klassik (Concert Music, Dance, Classical). Score; Urtext Edition; Complete Edition (cloth bound). KV 111. Duration 150'

Arrangement for chamber orchestra (Linckelmann). Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by Joachim Linckelmann. Gattungen vokal: Sacred vocal music. Full Score. MWV A 25, Op. 70. Duration 130 minutes. Published by Carus Verlag

(1D1.2.2.2/4.2.3.0,timp,p erc,str,TBBari soli)

SKU: TM.03430SC

Composed by Gaetano Donizetti. Score. Lucks Music Library #A3464. Published by Lucks Music Library (TM.03430SC).

Voice line in score. Starts with just voice & strings.

(1D1.2.2.2/4.2.3.0,timp,p erc,str,TBBari soli)

SKU: TM.03430SET

Composed by Gaetano Donizetti. Set Type: D. Set of parts. Lucks Music Library #A3464. Published by Lucks Music Library (TM.03430SET).

Voice line in score. Starts with just voice & strings.

Composed by Bob Chilcott. For mezzo-soprano voice solo, baritone voice solo, SATB choir and piano/orchestra (2 flutes, 2 oboes, 2 Bb clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 percussion, harp and strings). This edition: paperback. Christmas. Level B-C (easy - moderately difficult). Vocal score. 60 pages. Duration 25 minutes. Published by Oxford University Press

Alto voice solo, tenor voice solo, bass voice solo, mixed choir, orchestral strings, basso continuo (Soli, Mixed choir, Orch)

SKU: BA.BA05858

Cantatas from the first Advent to the Sunday after Christmas. Composed by Georg Philipp Telemann. Edited by Ute Poetzsch. This edition: Edition of selected works, Urtext edition. Linen. Telemann Musical Works. Volume 39. Continuo realization by Andreas Kohs. Edition of selected works, Score, anthology. Baerenreiter Verlag #BA05858_00. Published by Baerenreiter Verlag (BA.BA05858).

ISBN 9790006497973. 33 x 27 cm inches. Language: German. Preface: Ute Poetzsch.

Continuo- Aussetzung von Andreas Kohs.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

(2.2.2.2/3.2.0.0,perc,str )

SKU: TM.01700SC

Composed by Ignaz Bruell. Score. Lucks Music Library #A3478. Published by Lucks Music Library (TM.01700SC).

Scored for strings and double winds - each with 2 oboes and 1 bassoon.

(0.2+da caccia.0.0/1.0.0.0,cem,or g,str,SATB soli,SATB chorus)

SKU: TM.01751SC

Composed by Johann Sebastian Bach. Score. Lucks Music Library #A2501. Published by Lucks Music Library (TM.01751SC).

Sandra Dackow Little Known Gem - Grade IV+. Ed. by Hoffmann. This delightful set of works in the keys of G, A, and B-flat major takes full advantage of multiple stops, chords, and fiddle writing that lays easily under the hand and is fun to play. The fast movements are vigorous and the contrasting slow movements are not particularly fussy or florid, though they include some ornamentation. In the Allegro sections, musicians should approach the playing as they would a work by Haydn or Mozart: eighth and quarter notes off the string and at the frog, and sixteenth notes on the string. Stamitz's players would have followed the general rule of the down bow, where the strong beat would begin with a down bow. In Concerto No. 1 in G, the Violin I parts reach to sixth position, requiring high G's. Unusual writing for its time, these passages are both logical and easy for players to find and hear. Cello and bass parts reach high F's on occasion and require third, fourth and fifth positions. The second violin and viola parts do not require extended ranges, making this work practical for an upper intermediate orchestra. The slow movements transition between different keys and requires the low strings to use extension notes such as G-sharp and A-sharp.

(0.2+da caccia.0.0/1.0.0.0,cem,or g,str,SATB soli,SATB chorus)

SKU: TM.01751SET

Composed by Johann Sebastian Bach. Set Type: A. Set of parts. Lucks Music Library #A2501. Published by Lucks Music Library (TM.01751SET).

Sandra Dackow Little Known Gem - Grade IV+. Ed. by Hoffmann. This delightful set of works in the keys of G, A, and B-flat major takes full advantage of multiple stops, chords, and fiddle writing that lays easily under the hand and is fun to play. The fast movements are vigorous and the contrasting slow movements are not particularly fussy or florid, though they include some ornamentation. In the Allegro sections, musicians should approach the playing as they would a work by Haydn or Mozart: eighth and quarter notes off the string and at the frog, and sixteenth notes on the string. Stamitz's players would have followed the general rule of the down bow, where the strong beat would begin with a down bow. In Concerto No. 1 in G, the Violin I parts reach to sixth position, requiring high G's. Unusual writing for its time, these passages are both logical and easy for players to find and hear. Cello and bass parts reach high F's on occasion and require third, fourth and fifth positions. The second violin and viola parts do not require extended ranges, making this work practical for an upper intermediate orchestra. The slow movements transition between different keys and requires the low strings to use extension notes such as G-sharp and A-sharp.

Solo voices, choir, orchestra (soprano voice solo (2 ), soprano, tenor voice solo, tenor voice solo (3), bass voice solo, mixed choir, ballett, piccolo, flute (2 ), oboe (2 ), clarinet (b flat) (2 ), bassoon (2 ), horn (4), trumpet (2 ), trombone (3), timpani, strings, basso continuo)

SKU: BA.BA04562-41

Dramma per musica in three Acts. Composed by Wolfgang Amadeus Mozart. Edited by Bruce Alan Brown and Daniel Heartz. This edition: Complete edition. Linen. New Mozart Edition (NMA). II/5/11. Complete edition, Critical commentary. K. 366. 266 pages. Duration 3 hours, 30 minutes. Baerenreiter Verlag #BA04562_41. Published by Baerenreiter Verlag (BA.BA04562-41).

ISBN 9790006546633. 24 x 17.5 cm inches. Language: Italian. Giambattista Varesco.

This separately published Critical Commentary offers extensive information on the genesis, reception, sources, and readings of the works included in the music volume.

Orchestra SATB vocal soli, SATB choir, flute, oboe, clarinet, horn, bassoon, timpani, 2 violins, viola, cello, contrabass

SKU: CA.2729305

Version for chamber orchestra. Composed by Antonin Dvorak. Edited by Joachim Linckelmann. Arranged by Joachim Linckelmann. Carus sheet music series: Great choral works in small scorings. Sacred vocal music, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Choral Score. Composed 1876/1877. Op. 58. 36 pages. Duration 90 minutes. Carus Verlag #CV 27.293/05. Published by Carus Verlag (CA.2729305).

ISBN 9790007181086. Text language: Latin.

Antonin Dvorak's impressive Stabat Mater for soloists, chorus and orchestra is probably the best-known of the composer's sacred works. Some painful experiences - in 1875 his first daughter died, and in 1877 he lost two other children in quick succession - may have led to Dvorak's preoccupation with the suffering of the Mother of God, who stands weeping beneath the cross of her son. The music enters into the different moods of the liturgical texts with great sensitivity. Nine movements in slow to moderate tempi serve as a kind of Passion meditation, before the ecstasy of a vision of the resurrection wins the upper hand at the end of the tenth movement. With our newly-published arrangement for chamber orchestra (flute, oboe, clarinet, horn, bassoon, timpani, and strings), smaller choirs now have the opportunity of performing this work without the choir being drowned out by a large-scale symphony orchestra. The symphonic character of the work is nevertheless preserved. This scoring offers an optimal balance between transparency and orchestral sound. All vocal parts (soloists and chorus) are identical with the original version. Vocal score and choral score can be used also together with the original version, which is in preparation.

Orchestra SATB vocal soli, SATB choir, flute, oboe, clarinet, horn, bassoon, timpani, 2 violins, viola, cello, contrabass

SKU: CA.2729303

Version for chamber orchestra. Composed by Antonin Dvorak. Edited by Joachim Linckelmann. Arranged by Joachim Linckelmann. Carus sheet music series: Great choral works in small scorings. Sacred vocal music, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Vocal score. Composed 1876/1877. Op. 58. 120 pages. Duration 90 minutes. Carus Verlag #CV 27.293/03. Published by Carus Verlag (CA.2729303).

ISBN 9790007171797. Text language: Latin.

Antonin Dvorak's impressive Stabat Mater for soloists, chorus and orchestra is probably the best-known of the composer's sacred works. Some painful experiences - in 1875 his first daughter died, and in 1877 he lost two other children in quick succession - may have led to Dvorak's preoccupation with the suffering of the Mother of God, who stands weeping beneath the cross of her son. The music enters into the different moods of the liturgical texts with great sensitivity. Nine movements in slow to moderate tempi serve as a kind of Passion meditation, before the ecstasy of a vision of the resurrection wins the upper hand at the end of the tenth movement. With our newly-published arrangement for chamber orchestra (flute, oboe, clarinet, horn, bassoon, timpani, and strings), smaller choirs now have the opportunity of performing this work without the choir being drowned out by a large-scale symphony orchestra. The symphonic character of the work is nevertheless preserved. This scoring offers an optimal balance between transparency and orchestral sound. All vocal parts (soloists and chorus) are identical with the original version. Vocal score and choral score can be used also together with the original version, which is in preparation.

(Urtext der New Berlioz Edition). Composed by Hector Berlioz (1803-1869). Edited by Hugh MacDonald. For solo voices, choir, orchestra (soprano voice solo, tenor voice solo, bass voice solo, SATB choir, piccolo, 2 flutes, 2 oboes, 2 clarinets (B Flat), 2 bassoons, 4 horns, 2 trumpets, 3 trombones, serpent, ophicleide, timpani, drums, harp, strings). This edition: Complete edition, Urtext edition. Linen. New Berlioz Edition. Volume 23. Level 4. Score. Hol. 20. Published by Baerenreiter Verlag

(Dramma per musica in drei Akten). Composed by Christoph Willibald von Gluck (1714-1787). Edited by Tanja Golz. Arranged by Eckhart Kuper. For solo voices, choir, orchestra (3 soprano voice solos/2 solo alto voices/2 tenor solo voices/children's choir/2 flutes/2 oboes/[bassoon]/4 horns/timpani/strings/har psichord). This edition: Complete edition, Urtext edition. Linen. Christoph Willibald Gluck. Complete Works. Series III, Volume 3. Mailand 1743. Score. Published by Baerenreiter Verlag

SATB vocal soli, SATB choir, 2 oboes, oboe da caccia, bassoon solo, violin solo, strings, basso continuo

SKU: CA.3117709

Cantata for the 4th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. This edition: urtext. 1x 31.177/21 oboe 1, 1x 31.177/22 oboe 2, 1x 31.177/23 bassoon. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, Whitsun. Set of Orchestra Parts. Composed 1732. BWV 177. 16 pages. Duration 13 minutes. Carus Verlag #CV 31.177/09. Published by Carus Verlag (CA.3117709).

ISBN 9790007209803. Text language: German/English.

The cantata Ich ruf zu dir, Herr Jesu Christ begins with an expansive chorale arrangement, for which Bach reverted to a proven model: The four voices of the solo ensemble take over the chorale, in which the melody lies in the soprano. For stanzas 2-4 Bach chooses the aria form with a highly differentiated scoring from movement to movement, ranging from a continuo Aria (1st movement), up to an aria accompanied by the violin, with obbligato bassoon and continuo. A straightforward four-part chorale movement concludes the cantata. Score and parts available separately - see item CA.3117700.

(Missa in B). By Franz Joseph Haydn (1732-1809). Edited by Wolfgang Hochstein. For SATB Soli, SATB Choir, 2 clarinets, 2 Clarino/Trumpet, Timpani, 2 Violin, Viola, Basso Continuo, [Bassoon]. B-Dur (B-flat major). Stuttgart Urtext Edition. Score available separately - see item CA.4061000. Masses, Latin. Set of instrumental parts (except strings). Language: Latin. Hob. XXII:12. 52 pages. Duration 40 minutes. Published by Carus Verlag