| Intermezzo, Op. 116, No. 4 Soli, choeur mixte et accompagnement Lucks Music Library
(1.0.2.2/2.0.0.0,str) SKU: TM.05200SET Composed by Johannes Brahms. Set T...(+)
(1.0.2.2/2.0.0.0,str)
SKU: TM.05200SET
Composed by Johannes
Brahms. Set Type: D. Set
of parts. Lucks Music
Library #A5756. Published
by Lucks Music Library
(TM.05200SET).
Vocal Score I =
German only; Vocal Score
II = English only
(contains two arias that
are not in the orchestra
parts; Chorus in German
only. Chorus Sold as
separately as: Soprano I;
Soprano II; Tenor I+II;
Bass I+II -- please
specify quantity for each
part when ordering. Banda
= gtr,tamburin,3
lutes,S,str. Score and
Mini score are Critical
Doblinger editions with
German character names.
Vocal Score II = Ross
translation with changed
English names (Hannah
changed to Sonia), but
music matches. $45.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Intermezzo, Op. 116, No. 4 Soli, choeur mixte et accompagnement [Conducteur] Lucks Music Library
(1.0.2.2/2.0.0.0,str) SKU: TM.05200SC Composed by Johannes Brahms. Score....(+)
(1.0.2.2/2.0.0.0,str)
SKU: TM.05200SC
Composed by Johannes
Brahms. Score. Lucks
Music Library #A5756.
Published by Lucks Music
Library (TM.05200SC).
Vocal Score I =
German only; Vocal Score
II = English only
(contains two arias that
are not in the orchestra
parts; Chorus in German
only. Chorus Sold as
separately as: Soprano I;
Soprano II; Tenor I+II;
Bass I+II -- please
specify quantity for each
part when ordering. Banda
= gtr,tamburin,3
lutes,S,str. Score and
Mini score are Critical
Doblinger editions with
German character names.
Vocal Score II = Ross
translation with changed
English names (Hannah
changed to Sonia), but
music matches. $10.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa in honorem Sanctae Ursulae (Messe en l'honneur de Sainte Ursule) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Vocal Score] Carus Verlag
(Chiemsee-Messe). By Michael Haydn (1737-1806). Edited by Armin Kircher. For Sol...(+)
(Chiemsee-Messe). By
Michael Haydn
(1737-1806). Edited by
Armin Kircher. For Soli
SATB, SATB Choir, 2
Clarinos/Trumpets,
Timpani, 2 Violins, Basso
continuo. This edition:
paperbound. MH 546. Score
available separately -
see item CA.5454600.
Latin Masses. Piano/Vocal
score. Language: Latin.
Composed 1793. 80 pages.
Duration 40 min.
Published by Carus Verlag
$33.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Theresienmesse in B Soli, choeur mixte et accompagnement [Set de Parties séparées] Carus Verlag
(Missa in B). By Franz Joseph Haydn (1732-1809). Edited by Wolfgang Hochstein. F...(+)
(Missa in B). By Franz
Joseph Haydn (1732-1809).
Edited by Wolfgang
Hochstein. For SATB Soli,
SATB Choir, 2 clarinets,
2 Clarino/Trumpet,
Timpani, 2 Violin, Viola,
Basso Continuo,
[Bassoon]. B-Dur (B-flat
major). Stuttgart Urtext
Edition. Score available
separately - see item
CA.4061000. Masses,
Latin. Set of
instrumental parts
(except strings).
Language: Latin. Hob.
XXII:12. 52 pages.
Duration 40 minutes.
Published by Carus Verlag
$41.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Te Deum Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre - Facile Carus Verlag
Orchestra (Soli SB, Coro SATB (teilw. geteilt/partly divisi), [Gde/congregation]...(+)
Orchestra (Soli SB, Coro
SATB (teilw.
geteilt/partly divisi),
[Gde/congregation], Tr,
Tsax, Pfte, Bass, Glsp,
Vib, Drums, Perc, Timp) -
Grade 3 SKU:
CA.2718803 Composed
by Bobbi Fischer. Vocal
score. Duration 40
minutes. Carus Verlag
#2718803. Published by
Carus Verlag
(CA.2718803). ISBN
9790007250911. Language:
LAT/EN/DT. After
Missa Latina and
Magnificat, Te Deum is
now the third major
composition by musician
and composer Karl
Albrecht
âBobbiâ Fischer
published by Carus.
Fischerâs musical
roots lie in classical
music, which he combines
with jazz elements and
Latin American
rhythms.
All three
styles appear in the Te
Deum. In keeping with the
proclamation âTe
Deum laudamusâ (We
praise thee, O God), the
work begins with the
festive (Cuban) energy,
propelled by timpani and
trumpet; the choir can
also be heard imitating
fanfares. Later, a
cappella choruses become
a recurring element, in
which phrases set as
Gregorian chant are
presented against an
ever-changing chordal
background. But the score
also features elements of
swing and rhythm and
blues, frenetic choral
outbursts of joy, as well
as moments of mystic
contemplation. Moreover,
the instrumentalists are
given ample opportunity
for improvised solos.
Interwoven into the
otherwise Latin text is
the well-known German
chorale GroÃer Gott,
wir loben dich. Here
several verses can be
sung with the
congregation; alongside
the original German text,
the score features the
English translation
âHoly God, we praise
thy nameâ.
-
An exciting combination
of classical choral music
with elements of jazz and
Latin American
music
- The
congregation can take
part in the performance
(chorale)
-
Singers can choose
between Latin/German or
Latin/English
-
Varied mix of
styles
- An
enrichment of our
crossover program
$29.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tis well with him who on the Lord (Wohl dem, der sich auf seinen Gott) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo],...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 2
violins, viola, [cello
piccolo], basso continuo
SKU: CA.3113949
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, Cantatas,
End of the church year,
Trinity, Praise and
thanks. Single Part,
Organ. Composed 1724. BWV
139. 16 pages. Duration
20 minutes. Carus Verlag
#CV 31.139/49. Published
by Carus Verlag
(CA.3113949). ISBN
9790007208295. Text
language: German/English.
Text: Rube, Johann
Chr. Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and part available
separately - see item
CA.3113900. $23.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tis well with him who on the Lord (Wohl dem, der sich auf seinen Gott) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo],...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 2
violins, viola, [cello
piccolo], basso continuo
SKU: CA.3113914
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violoncello
piccolo. Sacred vocal
music, Cantatas, End of
the church year, Trinity,
Praise and thanks. Single
Part, Cello piccol.
Composed 1724. BWV 139. 4
pages. Duration 20
minutes. Carus Verlag #CV
31.139/14. Published by
Carus Verlag
(CA.3113914). ISBN
9790007208271. Text
language: German/English.
Text: Rube, Johann
Chr. Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and part available
separately - see item
CA.3113900. $8.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tis well with him who on the Lord (Wohl dem, der sich auf seinen Gott) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo],...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 2
violins, viola, [cello
piccolo], basso continuo
SKU: CA.3113900
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, End of
the church year, Trinity,
Praise and thanks. Full
score. Composed 1724. BWV
139. 40 pages. Duration
20 minutes. Carus Verlag
#CV 31.139/00. Published
by Carus Verlag
(CA.3113900). ISBN
9790007170479. Text
language: German/English.
Text: Rube, Johann
Chr. Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or
violoncello. $40.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tis well with him who on the Lord (Wohl dem, der sich auf seinen Gott) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo],...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 2
violins, viola, [cello
piccolo], basso continuo
SKU: CA.3113915
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas, End of
the church year, Trinity,
Praise and thanks. Single
Part, basso continuo.
Composed 1724. BWV 139.
12 pages. Duration 20
minutes. Carus Verlag #CV
31.139/15. Published by
Carus Verlag
(CA.3113915). ISBN
9790007208288. Text
language: German/English.
Text: Rube, Johann
Chr. Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and part available
separately - see item
CA.3113900. $8.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tis well with him who on the Lord (Wohl dem, der sich auf seinen Gott) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo],...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 2
violins, viola, [cello
piccolo], basso continuo
SKU: CA.3113911
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, End of the
church year, Trinity,
Praise and thanks. Single
Part, Violin 1. Composed
1724. BWV 139. 12 pages.
Duration 20 minutes.
Carus Verlag #CV
31.139/11. Published by
Carus Verlag
(CA.3113911). ISBN
9790007208240. Text
language: German/English.
Text: Rube, Johann
Chr. Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and part available
separately - see item
CA.3113900. $8.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tis well with him who on the Lord (Wohl dem, der sich auf seinen Gott) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo],...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 2
violins, viola, [cello
piccolo], basso continuo
SKU: CA.3113912
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, End of the
church year, Trinity,
Praise and thanks. Single
Part, Violin 2. Composed
1724. BWV 139. 8 pages.
Duration 20 minutes.
Carus Verlag #CV
31.139/12. Published by
Carus Verlag
(CA.3113912). ISBN
9790007208257. Text
language: German/English.
Text: Rube, Johann
Chr. Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and part available
separately - see item
CA.3113900. $8.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tis well with him who on the Lord (Wohl dem, der sich auf seinen Gott) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo],...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 2
violins, viola, [cello
piccolo], basso continuo
SKU: CA.3113905
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, End of
the church year, Trinity,
Praise and thanks. Choral
Score. Composed 1724. BWV
139. 8 pages. Duration 20
minutes. Carus Verlag #CV
31.139/05. Published by
Carus Verlag
(CA.3113905). ISBN
9790007181093. Text
language: German/English.
Text: Rube, Johann
Chr. Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score available
separately - see item
CA.3113900. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tis well with him who on the Lord (Wohl dem, der sich auf seinen Gott) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo],...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 2
violins, viola, [cello
piccolo], basso continuo
SKU: CA.3113909
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext. 1x
31.139/21 oboe d'amore 1,
1x 31.139/22 oboe d'amore
2. Stuttgart Urtext
Edition: Bach vocal.
Harmony parts. Sacred
vocal music, Cantatas,
End of the church year,
Trinity, Praise and
thanks. Set of Orchestra
Parts. Composed 1724. BWV
139. Duration 20 minutes.
Carus Verlag #CV
31.139/09. Published by
Carus Verlag
(CA.3113909). ISBN
9790007208233. Text
language: German/English.
Text: Rube, Johann
Chr. Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and parts available
separately - see item
CA.3113900. $13.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tis well with him who on the Lord (Wohl dem, der sich auf seinen Gott) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo],...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 2
violins, viola, [cello
piccolo], basso continuo
SKU: CA.3113913
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Cantatas,
End of the church year,
Trinity, Praise and
thanks. Single Part,
Viola. Composed 1724. BWV
139. 4 pages. Duration 20
minutes. Carus Verlag #CV
31.139/13. Published by
Carus Verlag
(CA.3113913). ISBN
9790007208264. Text
language: German/English.
Text: Rube, Johann
Chr. Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and part available
separately - see item
CA.3113900. $8.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tis well with him who on the Lord (Wohl dem, der sich auf seinen Gott) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo],...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 2
violins, viola, [cello
piccolo], basso continuo
SKU: CA.3113919
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
End of the church year,
Trinity, Praise and
thanks. Set of Orchestra
Parts. Composed 1724. BWV
139. Duration 20 minutes.
Carus Verlag #CV
31.139/19. Published by
Carus Verlag
(CA.3113919). ISBN
9790007181277. Text
language: German/English.
Text: Rube, Johann
Chr. Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and parts available
separately - see item
CA.3113900. $137.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| You, who the name of Christ have taken (Ihr, die ihr euch von Christo nennet) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes,
2 violins, viola, basso
continuo SKU:
CA.3116414 Cantata
for the 13th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas, Whitsun.
Single Part, basso
continuo. Composed 1725.
BWV 164. 12 pages.
Duration 17 minutes.
Carus Verlag #CV
31.164/14. Published by
Carus Verlag
(CA.3116414). ISBN
9790007209056. Text
language:
German/English. Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and part
available separately -
see item CA.3116400. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| You, who the name of Christ have taken (Ihr, die ihr euch von Christo nennet) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes,
2 violins, viola, basso
continuo SKU:
CA.3116412 Cantata
for the 13th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, Whitsun. Single
Part, Violin 2. Composed
1725. BWV 164. 8 pages.
Duration 17 minutes.
Carus Verlag #CV
31.164/12. Published by
Carus Verlag
(CA.3116412). ISBN
9790007209032. Text
language:
German/English. Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and part
available separately -
see item CA.3116400. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| You, who the name of Christ have taken (Ihr, die ihr euch von Christo nennet) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes,
2 violins, viola, basso
continuo SKU:
CA.3116413 Cantata
for the 13th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Cantatas,
Whitsun. Single Part,
Viola. Composed 1725. BWV
164. 4 pages. Duration 17
minutes. Carus Verlag #CV
31.164/13. Published by
Carus Verlag
(CA.3116413). ISBN
9790007209049. Text
language:
German/English. Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and part
available separately -
see item CA.3116400. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| You, who the name of Christ have taken (Ihr, die ihr euch von Christo nennet) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes,
2 violins, viola, basso
continuo SKU:
CA.3116411 Cantata
for the 13th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Whitsun. Single
Part, Violin 1. Composed
1725. BWV 164. 8 pages.
Duration 17 minutes.
Carus Verlag #CV
31.164/11. Published by
Carus Verlag
(CA.3116411). ISBN
9790007209025. Text
language:
German/English. Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and part
available separately -
see item CA.3116400. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Merry Widow, The Complete Soli, choeur mixte et accompagnement Lucks Music Library
(2.2.2.2/4.2.3.0,timp,per c,hp,banda,str,chorus) SKU: TM.04558SET Compose...(+)
(2.2.2.2/4.2.3.0,timp,per
c,hp,banda,str,chorus)
SKU: TM.04558SET
Composed by Franz Lehar.
Set Type: A. Set of
parts. Lucks Music
Library #A2283. Published
by Lucks Music Library
(TM.04558SET).
Score is not an
exact match to the parts.
Difference of
orchestration, but the
only full score
available. Vocal Score I
= German only; Vocal
Score II = English only
(contains two arias that
are not in the orchestra
parts; Chorus in German
only. Chorus Sold as
separately as: Soprano I;
Soprano II; Tenor I+II;
Bass I+II -- please
specify quantity for each
part when ordering. Banda
= gtr,tamburin,3
lutes,str. Score and Mini
score are Critical
Doblinger editions with
German character names.
Vocal Score II = Ross
translation with changed
English names (Hannah
changed to Sonia), but
music matches. $750.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Three Psalm Monodies Soli, choeur mixte et accompagnement Zimbel Press
Soloist(s), Choir, and/or Congregation SKU: SU.80101330 For Soloist(s)...(+)
Soloist(s), Choir, and/or
Congregation SKU:
SU.80101330 For
Soloist(s), Choir, and/or
Congregation.
Composed by Carson
Cooman. Vocal/Choral,
Sacred Choral.
Interactive audience.
Choral Octavo. Zimbel
Press #80101330.
Published by Zimbel Press
(SU.80101330).
Soloist(s),
Choir, and/or
Congregation Composed:
2012 Published by: Zimbel
PressThese three brief
pieces were inspired by
the Shakers, whose many
thousands of songs were
sung unaccompanied. For
the first hundred years
of their society, Shaker
songs were always
monophonic. Though the
music of these monodies
is not in a Shaker style,
they are meant to be sung
by soloists, choirs,
and/or congregations
without accompaniment.
Minimum order quantity: 8
copies. Perusal copies
are available by
contacting
carson@carsoncooman.com
b> (include the
organization name with
your request). To order
quantities fewer than
8. $1.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Cantatas for the 2nd and 3rd day of Pentecost Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Vocal soli, mixed choir, orchestra (Voices, Mixed choir, Orch) SKU: BA.BA0501...(+)
Vocal soli, mixed choir,
orchestra (Voices, Mixed
choir, Orch) SKU:
BA.BA05019-01
Urtext der Neuen
Mozart-Ausgabe.
Composed by Johann
Sebastian Bach. Edited by
Alfred Durr and Arthur
Mendel. This edition:
complete edition, urtext
edition. Linen. New Bach
Edition (NBA) I/14.
Complete edition, Score,
anthology. Baerenreiter
Verlag #BA05019_01.
Published by Baerenreiter
Verlag (BA.BA05019-01).
ISBN 9790006461790. 33
x 26.5 cm inches.
Language:
German.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$208.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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