By Johann Sebastian Bach; Neil Jenkins (Editor). For 2 Soprano, Alto, Tenor, Bass Soli, SSATB Chorus, Piano. Baroque, Sacred, Choral. Sheet Music. 204 pages. Published by Novello and Co Ltd.

By George Frideric Handel ; Donald Burrows (Editor). For Soprano, Tenor, Bass, SATB Choir, Piano Accompaniment. Baroque. Sheet Music. 168 pages. Published by Novello and Co Ltd.

(Arrangement for soli, choir and organ). Composed by Charles Francois Gounod (1818-1893). Edited by Barbara Grolmann. Arranged by Zsigmond Szathmary. For SATB vocal soli, SATB choir, organ. This edition: Paperbound. C-Dur (C major). Choir and Organ. German title: Requiem. End of the church year, Mourning, death. Full score. Language: Latin. Posth.. 48 pages. Duration 35 minutes. Published by Carus Verlag

By Alessandro Scarlatti. For SSATB Soli, SATB Choir, Organ. Baroque. Sheet Music. 120 pages. Published by Novello and Co Ltd.

By Mark Hayes. For baritone voice solo, mixed choir and piano accompaniment. Choral score. Duration 35 minutes. Published by Beckenhorst Press

Solo voices, SATB chorus, orchestra (2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Bc)

SKU: CA.5165203

Completed and edited by Howard Arman. Composed by Wolfgang Amadeus Mozart. Edited by Howard Arman. Arranged by Howard Arman. Vocal score. KV 626. Duration 50 minutes. Carus Verlag #5165203. Published by Carus Verlag (CA.5165203).

ISBN 9790007294243. Key: D minor. Latin.

The English conductor and composer Howard Arman has presented us with a completed version of Mozartâ??s Requiem. â??Another one?â? you might ask, since this publication is only the latest in a long line reaching back to the traditional SüÃ?mayr version. Yet such is the enormous power of Mozartâ??s score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Armanâ??s additions to Mozartâ??s great original show the requisite care and respect while incorporating many new insights.

Armanâ? ?s approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozartâ??s brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrumentâ??s unique sound is given an opportunity to shine. Armanâ??s Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather â?? in the spirit of Mozart â?? on creating a sense of drama and illuminating the theme in all its possible facets. Mozartâ??s fragment ends with the Hostias, and so does Armanâ??s completion.

For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to Sü�mayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.

Armanâ??s version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike â?? and celebrated as offering a scholarly, entirely fresh perspective on Mozartâ??s masterpiece.

- World premiere by the Bavarian Radio Choir
- Enthusiastically received by audience and press.

By David Conte (1955-). For Tenor and Baritone Vocal Soli, TTBB choir, Piano 4-hands, opt. Percussion and Timpani. Choral, general, christmas. Moderately Difficult. Piano/vocal score. Composed 2010. 20 pages. Duration c. 7 minutes. Published by E.C. Schirmer Publishing

Composed by Ralph Vaughan Williams (1872-1958). 20th Century and British. Vocal score. 40 pages. Galaxy Music Corporation #1.5038. Published by Galaxy Music Corporation

Duets for Holiday and Life Cycle Celebrations. Performed by Michael Isaacson. Transcontinental Music Folios. Size 8.5x11 inches. 36 pages. Published by Transcontinental Music Publications.

(Vocal Score). By Sir Arthur Drummond Bliss (1891-1975). For Mezzo-Soprano, SATB Choir, Piano (SATB). Music Sales America. 20th Century, Choral. 64 pages. Novello and Co Ltd. #NOV070059. Published by Novello and Co Ltd.

By Ludwig van Beethoven. Edited by Jonathan Del Mar. For Soprano Solo, Alto Solo, Tenor Solo, Bass Solo, Mixed Choir-SATB, Piccolo, Flute (2), Oboe (2), Clarinet (B Flat) (2), Bassoon (2), Contrabassoon, Horn (4), Trumpet (2), Trombone (3), Kettledrum, Drums, Strings. B0renreiter Studienpartituren - Study scores. Study Score; Urtext Edition (paperbound). Op. 125. Duration 65'. Published by Baerenreiter-Taschenparti turen (German import).

(2.2.2.2/4.2.3.1,timp,per c,str,ST soli)

SKU: TM.11884SC

Composed by Jules Massenet. Score. Lucks Music Library #A4348. Published by Lucks Music Library (TM.11884SC).

Score pgs 171-179 (reh #123-138). Recit: Allons il le faut pour lui-meme. Includes C'est lui! Que ma paleur ne metrahisse (recit to La Reve) Includes all of La Reve. This version of La Reve is for 2 singers. For only one singer, use #02114 La Reve, which has a 2 measure cut. Sung by Manon and Des Grieux.

By Felix Mendelssohn; Michael Pilkington (Editor). For Soprano, Alto, Tenor, Baritone, SATB Chorus, Piano Accompaniment. Romantic, Sacred, Classical, Choral. Sheet Music. 206 pages. Published by Novello and Co Ltd.

(Urtext der New Berlioz Edition). Composed by Hector Berlioz (1803-1869). Edited by Hugh MacDonald. For solo voices, choir, orchestra (soprano voice solo, tenor voice solo, bass voice solo, SATB choir, piccolo, 2 flutes, 2 oboes, 2 clarinets (B Flat), 2 bassoons, 4 horns, 2 trumpets, 3 trombones, serpent, ophicleide, timpani, drums, harp, strings). This edition: Complete edition, Urtext edition. Linen. New Berlioz Edition. Volume 23. Level 4. Score. Hol. 20. Published by Baerenreiter Verlag

SATB vocal soli, SATB choir, flute (recorder), 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3910913

Cantata for harvest festivals (Tempore Messis) and other festivals of thanksgiving. Composed by Georg Philipp Telemann. Edited by Jurgen Neubacher. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Nun danket alle Gott. Sacred vocal music, Cantatas, Praise and thanks. Single Part, Viola. TVWV 1:1166. 4 pages. Duration 15 minutes. Carus Verlag #CV 39.109/13. Published by Carus Verlag (CA.3910913).

ISBN 9790007215453. Language: German/English.

Tel emann's cantata Now thank we all our God cannot be assigned to any of the composer's known annual cycles of cantatas. The given designation, Tempore Messis, which appears in the title in the sole surviving source, suggests it was composed on the occasion of a harvest thanksgiving festival, but the general nature of the text means that other occasions for performance such as New Year, Reformation Day, church or organ consecrations and weddings are conceivable. Musically, the work is distinguished by two spirited choral movements reinforced by trumpets which frame a duet for tenor and bass and an aria for alto and transverse flute. Score and part available separately - see item CA.3910900.

Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso continuo - Grade 3

SKU: CA.3106205

Cantata for the 1st Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Coppenrath series, Hymns by Martin Luther: Nun komm, der Heiden Heiland. German title: Nun Komm Der Heiden Heiland Ii. Sacred vocal music, Cantatas, Advent, Christmas. Choral Score. Composed 1724. BWV 62. 4 pages. Duration 23 minutes. Carus Verlag #CV 31.062/05. Published by Carus Verlag (CA.3106205).

ISBN 9790007043582. Key: B minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach's second cantata starting with the text Come now, God's chosen saviour (II) BWV 62 was first performed in 1724 on the 1st Advent Sunday (which, at that time, was the only Advent Sunday with church music in Leipzig) and belongs to the annual cycle of chorale cantatas. As was usual for chorale cantatas, the unknown librettist used the first and last verses of Martin Luther's hymn verbatim for the opening chorus and the concluding chorale but adapted the texts of the inner verses. After two contrasting arias - the one dance-like, the second almost heroic - an almost enraptured accompagnato (Wir ehren diese Herrlichtkeit, und nahen nun zu deiner Krippen), in which the soprano and contralto mostly sing in parallel thirds and sixths, leads to a simple concluding chorale. Score available separately - see item CA.3106200.

(2.2.2.2/2.2.3.0,str,ST soli)

SKU: TM.12408SET

Composed by Gaetano Donizetti. Set Type: D. Set of parts. Lucks Music Library #A8022. Published by Lucks Music Library (TM.12408SET).

Act I No. 2 Scena e Duetto. Recit: Intanto o mia ragazza. Incl: Chiedi all'aura lusinghiera. Sung by Adina and Nemorino.

Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso continuo - Grade 3

SKU: CA.3106213

Cantata for the 1st Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Coppenrath series, Hymns by Martin Luther: Nun komm, der Heiden Heiland. German title: Nun Komm Der Heiden Heiland Ii. Sacred vocal music, Cantatas, Advent, Christmas. Single Part, Viola. Composed 1724. BWV 62. 12 pages. Duration 23 minutes. Carus Verlag #CV 31.062/13. Published by Carus Verlag (CA.3106213).

ISBN 9790007043636. Key: B minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach's second cantata starting with the text Come now, God's chosen saviour (II) BWV 62 was first performed in 1724 on the 1st Advent Sunday (which, at that time, was the only Advent Sunday with church music in Leipzig) and belongs to the annual cycle of chorale cantatas. As was usual for chorale cantatas, the unknown librettist used the first and last verses of Martin Luther's hymn verbatim for the opening chorus and the concluding chorale but adapted the texts of the inner verses. After two contrasting arias - the one dance-like, the second almost heroic - an almost enraptured accompagnato (Wir ehren diese Herrlichtkeit, und nahen nun zu deiner Krippen), in which the soprano and contralto mostly sing in parallel thirds and sixths, leads to a simple concluding chorale. Score and part available separately - see item CA.3106200.

Composed by Ludwig van Beethoven (1770-1827). Edited by Stefan Schuck. For SATB vocal soli, SATB choir, piano. This edition: softcover. Vocal score. Language: German. Duration 22 mintues. Published by Carus Verlag

(0.2.0.2/2.0.0.0,str,SS soli)

SKU: TM.03169SET

Composed by Wolfgang Amadeus Mozart. Set Type: D. Set of parts. Lucks Music Library #A3621. Published by Lucks Music Library (TM.03169SET).

No. 20. Does not contain Recit. Recit for voice, cem, and basso continuo only.

(0.2.0.2/2.0.0.0,str,SS soli)

SKU: TM.03169SC

Composed by Wolfgang Amadeus Mozart. Score. Lucks Music Library #A3621. Published by Lucks Music Library (TM.03169SC).

No. 20. Does not contain Recit. Recit for voice, cem, and basso continuo only.

(1+1.2.2.2/4.2.4.0,timp,p erc,str,TT,STB chorus)

SKU: TM.03842SC

Composed by Giuseppe Verdi. Score. Lucks Music Library #A3849. Published by Lucks Music Library (TM.03842SC).

Starts with recit: O figli, o fihli miei!. Sung by MacDuff and Malcolm. Act IV No. 18 sc pg 14-39.

(Cantata for the Feast of Visitation B. V. M.). Composed by Johann Sebastian Bach (1685-1750). Edited by Uwe Wolf. For solo voices, choir, orchestra (soprano voice solo/solo alto voice/tenor solo voice/bass solo voice/SATB choir/trumpet/2 oboes/2 violins/viola/basso continuo/organ). This edition: Urtext edition. Stapled. Level 3. Study score. BWV 10. Duration 20 minutes. Published by Baerenreiter Verlag