Composed by Christopher Theofanidis (1967-). For STB vocal soli, chorus and wind ensemble. Choral score. Duration 35 minutes. Published by Opus 125 Publishing

Composed by Christopher Theofanidis (1967-). For STB vocal soli, chorus and orchestra. Choral score. Duration 35 minutes. Published by Opus 125 Publishing

(Orchesterfassung). By Antonin Dvorak (1841-1904). Edited by Klaus Doge. For Orchestra version: Soli SATB, SATB Choir, 2 Oboes, 2 Bassoons, 3 Horns, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ; Organ version: Soli SATB, SATB Choir, Organ. This edition: Paperbound. D-Dur (D major). Masses, Latin. Level 3. Full score. Language: Latin. Composed 1887. Opus 86. 160 pages. Duration 43 min. Published by Carus Verlag

(Symphonie dramatique). Composed by Hector Berlioz (1803-1869). Edited by D. Kern Holoman. For alto voice solo, tenor voice solo, bass voice solo, double ATB choir, double STB choir, piccolo, 2 flutes, piccolo, 2 oboes, english horn, 2 clarinets, 4 bassoons, 4 horns, 2 trumpets, 2 cornets, 3 trombones, ophicleide, 2 timpani, percussion, 2 harps, st. This edition: Complete edition, Urtext edition. Linen. New Berlioz Edition, Volume 18. Score. Opus 17, Hol. 73. Published by Baerenreiter Verlag

By Camille Saint-Saens (1835-1921). Edited by Thomas Kohlhase. For Soli SMsATB, SATB Choir, 2 Violins, Viola, Cello, Contrabass, Organ, Harp. This edition: Paperbound. French Sacred Music. Score available separately - see item CA.4045500. Oratorios, Christmas, French Sacred Music. Level 3. Study score. Language: Latin. Opus 12. 64 pages. Duration 40 min. Published by Carus Verlag

Composed by Antonin Dvorak (1841-1904). Arranged by Joachim Linckelmann. Stapled. Bearbeitung fur Soli, Chor und Kammerorchester. Part(s). Opus 89. 27 pages. Published by Baerenreiter Verlag (BA.BA9582-85).

(Non nobis Domine / Nicht unserm Namen, Herr). By Felix Bartholdy Mendelssohn (1809-1847). Edited by R. Larry Todd. For Soli STBar, SSAATTBB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Violins, Viola, Cello, Contrabass. This edition: Paperbound. Stuttgart Urtext editions. Score available separately - see item CA.4007100. Psalms, German, Psalms, Latin, Wedding, Psalms. Level 4. Vocal score. Language: German/Latin. Composed 1830. Opus 31. 40 pages. Duration 16 min. Published by Carus Verlag

Composed by Antonin Dvorak (1841-1904). Arranged by Joachim Linckelmann. Stapled. Bearbeitung fur Soli, Chor und Kammerorchester. Part(s). Opus 89. 27 pages. Published by Baerenreiter Verlag (BA.BA9582-75).

(O! Come let us worship and kneel before the Lord). By Felix Bartholdy Mendelssohn (1809-1847). Edited by R. Larry Todd. For Soli SST, SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ. This edition: Paperbound. Stuttgart Urtext editions. Cantatas, Psalms, German, Praise and thanks, Psalms. Full score. Language: German/English. Composed 1838. Opus 46. 128 pages. Duration 28 min. Published by Carus Verlag

(O! Come let us worship and kneel before the Lord). By Felix Bartholdy Mendelssohn (1809-1847). Edited by R. Larry Todd. For Soli SST, SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ. This edition: Paperbound. Stuttgart Urtext editions. Score available separately - see item CA.4007300. Cantatas, Psalms, German, Praise and thanks, Psalms. Vocal score. Language: German/English. Composed 1838. Opus 46. 40 pages. Duration 28 min. Published by Carus Verlag

Composed by Antonin Dvorak (1841-1904). Arranged by Joachim Linckelmann. Stapled. Bearbeitung fur Soli, Chor und Kammerorchester. Part(s). Opus 89. 31 pages. Published by Baerenreiter Verlag (BA.BA9582-74).

Solo voices, SATB chorus,organ,double bass ad lib (Soprano solo or Alto solo (or Female choir (2voices)) or Tenor solo, Baritone solo, Organ, Double bass ad libitum) - Level 2

SKU: BA.BA25144

Motet for Soprano or Alto (or two-part Female Choir) or Tenor and Baritone, Organ and optional Double Bass. Composed by Gabriel Faure. Edited by Helga Schauerte-Maubouet. This edition: urtext edition. Folded. Barenreiter Urtext. Singing Score. Opus 65/1. 4 pages. Baerenreiter Verlag #BA25144_00. Published by Baerenreiter Verlag (BA.BA25144).

ISBN 9790006575107. 29.7 x 21 cm inches. Text Language: Latin.

The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very well suited for performances by small vocal ensembles. A novelty is the inclusion of the double bass part (ad libitum) which does not appear consistently in the first editions but corresponds to the musical practice at the Madeleine.

Numerou s gems such as the â??Cantique de Jean Racineâ? or the â??Messe basseâ? are published in performing editions based on the musical text of the â??Gabriel Faur â?? Å?uvres complètesâ?.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

(Strings without Viola). By Franz Schubert (1797-1828). Edited by Pier Paolo Scattolin. Arranged by Olga Kroupova. For soprano voice solo/alto voice solo/tenor voice solo/bass voice solo/SATB choir/orchestra. This edition: Urtext edition. Level 4. Piano reduction (paperbound). Opus post.48: D 452. Published by Baerenreiter Verlag

Soloists, Choir, Orchestra (2Sg-S-solo,Sg-T-solo,Mix Choir-SATB,Orch)

SKU: BA.BA09092-90

A Symphony-Cantata after Texts from the Holy Scriptures. Composed by Felix Bartholdy Mendelssohn. Edited by John Michael Cooper. Arranged by Felix Bartholdy Mendelssohn. This edition: urtext edition. Paperback. Barenreiter Urtext. Vocal Score. Opus 52, MWV A 18. Baerenreiter Verlag #BA09092_90. Published by Baerenreiter Verlag (BA.BA09092-90).

ISBN 9790006565801. 27 x 19 cm inches. Text Language: German, English. Preface: John Michael Cooper. Text: Mendelssohn Bartholdy, Felix (nach der Luther-Bibel und Martin Rinckart) / Monicke, Charles Henry.

Piano reduction by the composer.

Solo voices, choir, orchestra (Mezzo Voice Solo, Tenor Voice Solo, BarSolo, Bass Voice Solo, Mixed choir: SSTTBB, children choir: SS, 3Fl, 2 Ob, 2 clarinet, clarinet-B, 4bassoon, 4Hn, 2 Trp, 2 Pist, 3trombone, Op, Tb, timpani, percussion, 8, 10harp, Str) - Level 4

SKU: BA.BA05448

Lègende dramatique in four parts. Composed by Hector Berlioz. Edited by Julian Rushton. This edition: complete edition, urtext edition. Linen. New Berlioz Edition (Neue Berlioz-Ausgabe - NBE) Volume 8a/b. Complete edition, Score. Opus 24. 453/556 pages. Duration 2 hours. Baerenreiter Verlag #BA05448_00. Published by Baerenreiter Verlag (BA.BA05448).

ISBN 9790006471478. 33.2 x 26.5 cm inches. Text Language: French. Text: Berlioz, Hector / Nerval, Gérard de.

In 1828 Berlioz wrote the Huit scènes de Faust. The work was soon withdrawn but almost twenty years later each of the eight scenes found a place in the Lgende dramatique La damnation de Faust dedicated to Franz Liszt. The first part of the Damnation exposes the figure of Faust and has an introductory nature. From the second part onwards, the course of action is largely based on Goethe’s drama.

Contrasting characters and dramatic effect are of central importance in understanding Berlioz’s musical thought and his compositional process. Magic and fairy tale, incantations and ghosts, have been the ever-recurring themes of opera since the Baroque. It is precisely this fantasy in Berlioz's Faust, the “Opra de Concert en Quatre acts”, which comes very close to the spirit of Goethe's presentation.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

By Gabriel Faure (1845-1924). Edited by Christina M. Stahl; Michael Stegemann. Arranged by Martin Focke. For soprano voice solo/baritone voice solo/SATB choir/2 flutes/2 clarinets/2 bassoons/4 horns/2 trumpets/3 trombones/timpani/harp/2 violins/2 violas/2 cellos/contrabass/organ. This edition: Urtext edition. Vocal score. Language: Latin, Text language: German/English. Opus 48. Published by Baerenreiter Verlag

Solo voices, SATB chorus,orchestra (Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Orchestra)

SKU: BA.BA09038

Composed by Ludwig van Beethoven. Edited by Barry Cooper. This edition: urtext edition. Paperback. Barenreiter Urtext. Score. Opus 123. Baerenreiter Verlag #BA09038_00. Published by Baerenreiter Verlag (BA.BA09038).

ISBN 9790006563838. 31 x 24.3 cm inches. Text Language: Latin. Preface: Barry Cooper.

Beethoven described his grandly conceived â??Missa solemnisâ? as â??my greatest workâ? and sold manuscript copies to some of the subscribers even before it had appeared in print.

This Urtext edition takes into account all the sources including the old and the new complete editions whose relationship is clearly explained in a stemma. In several passages the renowned Beethoven specialist Barry Cooper has arrived at variant readings, such as in the â??Sanctusâ?, where the choir enters instead of the soloists, rather than coming in at â??Pleni sunt coeliâ?. No less worthy of mention is the addition of the soloists to the choir in most of the â??Credoâ?. These matters and many other editorial decisions are documented in the detailed Critical Commentary (Eng).

The appendix contains Beethovenâ??s arrangement of the Gregorian chant â??Tantum ergoâ? for the first time. This was composed at the same time as the â??Missa solemnisâ? and most probably stands in a close relation to it.

This edition is designed for everyone seeking a combination of a reliable musical text and well-founded editorial suggestions for a successful performance of this masterpiece.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

(Klavierauszug nach dem Urtext der Neuen Schubert-Ausgabe). By Franz Schubert (1797-1828). Edited by Rossana Dalmonte. Arranged by Olga Kroupova. For soprano voice solo/alto voice solo/tenor voice solo/bass voice solo/SATB choir/orchestra. This edition: Urtext edition. Level 4. Piano reduction. Language: Latin, Text language: German/English. Opus post.141: D 324. Published by Baerenreiter Verlag

SATB vocal soli, SATB choir, 2 violins, basso continuo, [3 trombones]

SKU: CA.2705149

Composed by Leopold Mozart. Organ. Sacred vocal music, Masses, Latin. Single Part, Organ. Composed 1765. KV. Duration 15 minutes. Carus Verlag #CV 27.051/49. Published by Carus Verlag (CA.2705149).

ISBN 9790007199500. Language: Latin.

If, during his lifetime, Leopold Mozart was highly regarded as composer of programmatic instrumental music, it is his church music which has proven to comprise the more important part of his opus. This is also especially true for the influence which this music had on the sacred compositions of his son Wolfgang Amadeus. In the Missa in A (ca.1765), in the manner of the times, Leopold Mozart blends baroque and gallant stylistic elements and through formal structure and an expressive musical language he gives the Credo a special importance. Score and part available separately - see item CA.2705100.

(Orchesterfassung). By Antonin Dvorak (1841-1904). Edited by Gunter Graulich. For Soli SATB, SATB Choir, Organ. This edition: Paperbound. D-Dur (D major). Masses, Latin. Level 3. Full score. Language: Latin. Composed 1887. Opus 86. 88 pages. Duration 43 min. Published by Carus Verlag

By Josef Gabriel Rheinberger. Edited by Wolfgang Hochstein. For Soli SATB, SATB Choir, Orchestra; Version 1 (Orchestra version): Flute, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, [3 Trombones], Timpani, 2 Violins, Viola, Cello, Contrabass; Version 2 (String Orchestra version): 2 Violins, Viola, Cello, Cont. C-Dur (C major). Score available separately - see item CA.5016900. Masses, Latin. Part: organ. Language: Latin. Composed 1891. Opus 169. 16 pages. Duration 25 min. Published by Carus Verlag

SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 horns, 2 clarinos/trumpets, timpani, 3 trombones, 2 violins, viola, basso continuo

SKU: CA.5483819

Composed by Michael Haydn. Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Requiem In B Mh 838. Sacred vocal music, Requiem, Mourning, death. Set of Orchestra Parts. MH 838. Duration 55 minutes. Carus Verlag #CV 54.838/19. Published by Carus Verlag (CA.5483819).

ISBN 9790007133696. Key: B flat major. Language: Latin.

The Requiem in B flat major is Johann Michael Haydn's second setting of the liturgical text of the Mass of the dead (another Requiem, MH 599, has since been identified as the work of Father Georg Pasterwiz) and it is also his last work, his Opus ultimum. On commission from Empress Maria Theresia he began the composition in 1805, but due to a serious illness he made only slow progress with the work. Like W. A. Mozart, he could not complete this Requiem. In 1839 Father Gunther Kronecker, Benedictine Father in the monastery of Kremsmunster in Upper Austria, completed the torso in the spirit and style of Haydn. During his student days in Vienna Father Gunther belonged to the circle of friends who were associated with Franz Schubert. Score and parts available separately - see item CA.5483800.

Soli, SATB choir, orchestra (Soloists, Mixed choir (SATB), Orchestra) Composed by Camille Saint- Saens (1835-1921). Edited by Christina M. Stahl. This edition: urtext edition. Paperback. Barenreiter Urtext. Score. Opus 12. Baerenreiter Verlag #BA11304. Published by Baerenreiter Verlag

SATB vocal soli, SATB choir, 2 violins, basso continuo, [3 trombones]

SKU: CA.2705109

Composed by Leopold Mozart. 1x 27.051/31 trombone 1, 1x 27.051/32 trombone 2, 1x 27.051/33 trombone 3. Harmony parts. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1765. KV. 12 pages. Duration 15 minutes. Carus Verlag #CV 27.051/09. Published by Carus Verlag (CA.2705109).

ISBN 9790007199456. Language: Latin.

If, during his lifetime, Leopold Mozart was highly regarded as composer of programmatic instrumental music, it is his church music which has proven to comprise the more important part of his opus. This is also especially true for the influence which this music had on the sacred compositions of his son Wolfgang Amadeus. In the Missa in A (ca.1765), in the manner of the times, Leopold Mozart blends baroque and gallant stylistic elements and through formal structure and an expressive musical language he gives the Credo a special importance. Score and parts available separately - see item CA.2705100.

By Josef Gabriel Rheinberger. Edited by Wolfgang Hochstein. For Soli SATB, SATB Choir, Orchestra; Version 1 (Orchestra version): Flute, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, [3 Trombones], Timpani, 2 Violins, Viola, Cello, Contrabass; Version 2 (String Orchestra version): 2 Violins, Viola, Cello, Cont. C-Dur (C major). Score available separately - see item CA.5016900. Masses, Latin. Part: viola. Language: Latin. Composed 1891. Opus 169. 8 pages. Duration 25 min. Published by Carus Verlag

Composed by Ludwig van Beethoven (1770-1827). Edited by Barry Cooper. For SATB vocal soli, SATB choir, orchestra (flute [2], oboe [2], B-flat clarinet [2], bassoon [2], horn [2], trumpet [2], timpani, violin [2], viola, cello, double bass, organ). This edition: urtext edition. Paperback. Score. Opus 86. Published by Baerenreiter Verlag

SATB vocal soli, SATB choir, 2 violins, basso continuo, [3 trombones]

SKU: CA.2705112

Composed by Leopold Mozart. Violin 2. Sacred vocal music, Masses, Latin. Single Part, Violin 2. Composed 1765. KV. 8 pages. Duration 15 minutes. Carus Verlag #CV 27.051/12. Published by Carus Verlag (CA.2705112).

ISBN 9790007199470. Language: Latin.

If, during his lifetime, Leopold Mozart was highly regarded as composer of programmatic instrumental music, it is his church music which has proven to comprise the more important part of his opus. This is also especially true for the influence which this music had on the sacred compositions of his son Wolfgang Amadeus. In the Missa in A (ca.1765), in the manner of the times, Leopold Mozart blends baroque and gallant stylistic elements and through formal structure and an expressive musical language he gives the Credo a special importance. Score and part available separately - see item CA.2705100.