(nach Worten der Heiligen Schrift). Composed by Johannes Brahms (1833-1897). For SB vocal soli, SATB choir, piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, 3 timpani, harp, 2 violin, viola, cello, contrabass, [organ]. German title: Ein deutsches Requiem. Requiem, End of the church year, Mourning, death. Complete orchestral parts. Language: German. Op. 45. Duration 70 minutes. Published by Carus Verlag

Funeral ode. Composed by Johann Sebastian Bach (1685-1750). Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Trauerode. Cantatas. Orchestral Parts. Composed 1727. BWV 198. Duration 35 minutes. Carus Verlag #CV 31.198/19. Published by Carus Verlag (CA.3119819).

(0.2.2.2/2.2.3.0,timp,SAT B chorus)

SKU: TM.05892SET

Composed by Franz Schubert. Set of parts. Lucks Music Library #A2713. Published by Lucks Music Library (TM.05892SET).

Vocal Score I=Ger+Eng (does not match score in spots), Vocal Score II=Ger. Only. Organ in set.

(Missa in B). By Franz Joseph Haydn (1732-1809). Edited by Wolfgang Hochstein. For SATB Soli, SATB Choir, 2 clarinets, 2 Clarino/Trumpet, Timpani, 2 Violin, Viola, Basso Continuo, [Bassoon]. B-Dur (B-flat major). Stuttgart Urtext Edition. Score available separately - see item CA.4061000. Masses, Latin. Set of instrumental parts (except strings). Language: Latin. Hob. XXII:12. 52 pages. Duration 40 minutes. Published by Carus Verlag

(Coronation Mass). Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Ulrich Leisinger. For SATB vocal soli, SATB choir, 2 oboes, 2 horns, 2 clarinos/trumpets, timpani, 2 violins, basso continuo, [3 trombones]. C-Dur (C major). Stuttgart Urtext Edition. German title: Missa in C (Kronungsmesse). Latin Masses. Level 3. Complete orchestral parts. Language: Latin. Composed 1779. KV 317. Duration 25 minutes. Published by Carus Verlag

Spaur Mass. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Bernhard Janz. Arranged by Volker Blumenthaler. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa In C Kv 258 (Spaur-Messe) Rev.2003. Sacred vocal music, Masses, Latin. Orchestral Parts. Composed circa 1775-1777. KV 258. Duration 20 minutes. Carus Verlag #CV 40.627/19. Published by Carus Verlag (CA.4062719).

(1.0.1.0/0.2.1.0,perc,3 sax,banjo,pf,str,voice)

SKU: TM.03278SET

Composed by Rudolf Friml. Set Type: C. Set of parts. Published by Lucks Music Library (TM.03278SET).

P/C and vocal score in set. Key of Bb.

Orchestra Soli SATTB, Coro SSATTBB, Ob, 2 Clt, Fg, Cor, Tr, Trb, Timp, 2 Vl, Va, Vc, Cb - Grade 4

SKU: CA.4066050

Arrangement for chamber orchestra (arr. J. Linckelmann). Composed by Franz Schubert. Arranged by Joachim Linckelmann. Carus digital: Extra digital products. Full Score. D 950. 216 pages. Duration 50 minutes. Carus Verlag #4066050. Published by Carus Verlag (CA.4066050).

ISBN 9790007294533. Key: E flat major. Latin.

Schubertâ?? s Mass in E-flat major is the last of his six settings of the Ordinarium Missae (Mass ordinary) and also his most important work in this genre. The mass is full of color and drama, infused with the spirit of confession. For many choirs, it is on the wish list of those works they would like to sing someday. But what happens if you donâ??t have enough singers, money is tight, and your venue is on the small side? Here the experienced arranger and orchestral musician Joachim Linckelmann has a great solution. His version for soloists, choir and chamber orchestra requires only 7 winds rather than the original 13. The string parts, while identical to the original, can now also be scaled back. The vocal parts (soloists and chorus) are completely untouched by the arrangement, so that the vocal scores and choral scores of the Carus Urtext edition can also be used for performanceâ?¢,A large-scale work now arranged for smaller choirs â?¢,13 winds of the original version reduced to 7 instrumentsâ?¢,Voca l scores and choral scores of the original version can still be usedâ?¢,carus plus: The work (original version) is available in the app carus music, the Choir Coach, as well as in our Carus Choir Coach series (audio only).. Score available separately - see item CA.4066000.

By Franz Schubert (1797-1828). Edited by Bernhard Paul. For Soli STB, SATB Choir, [2 Trumpets, Timpani], 2 Violins, Viola, Cello/Contrabass, Organ. This edition: Paperbound. G-Dur (G major). Stuttgart Urtext editions. Score available separately - see item CA.4067500. Masses, Latin. Level 3. Vocal score. Language: Latin. D 167. 36 pages. Duration 25 min. Published by Carus Verlag

(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Bc)

SKU: CA.5165219

Completed and edited by Howard Arman. Composed by Wolfgang Amadeus Mozart. Edited by Howard Arman. Arranged by Howard Arman. Set of Orchestra Parts. KV 626. Duration 50 minutes. Carus Verlag #5165219. Published by Carus Verlag (CA.5165219).

ISBN 9790007313883. Key: D minor. Latin.

The English conductor and composer Howard Arman has presented us with a completed version of Mozart’s Requiem. “Another one?” you might ask, since this publication is only the latest in a long line reaching back to the traditional Süßmayr version. Yet such is the enormous power of Mozart’s score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Arman’s additions to Mozart’s great original show the requisite care and respect while incorporating many new insights.

Armanâ� �™s approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozart’s brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrument’s unique sound is given an opportunity to shine. Arman’s Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather – in the spirit of Mozart – on creating a sense of drama and illuminating the theme in all its possible facets. Mozart’s fragment ends with the Hostias, and so does Arman’s completion.

For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to Süßmayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.

Arman’ s version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike – and celebrated as offering a scholarly, entirely fresh perspective on Mozart’s masterpiece.

- World premiere by the Bavarian Radio Choir
- Enthusiastically received by audience and press.

SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 violins, 2 violas, basso continuo

SKU: CA.3550219

As a pasticcio by Johann Sebastian Bach, with arias from Hande'ls Brockes-Passion. Composed by George Frideric Handel and fruher zugeschrieben Reinhard Keiser. Edited by Christine Blanken. Arranged by Johann Sebastian Bach. Edition Bach-Archiv Leipzig - Musical Monuments. German title: Markuspassion. Sacred vocal music, Passions, Lent and Passiontide, Holy Week. Set of Orchestra Parts. Composed circa 1747. Duration 90 minutes. Carus Verlag #CV 35.502/19. Published by Carus Verlag (CA.3550219).

ISBN 9790007139629. Language: German.

Third version, first performed around 1747 in Leipzig. First version available under 35.304/00. The St. Mark Passion, which probably originated in the first decade of the 18th century, by a composer known until now only as Kaiser, is only preserved in various copies. It occupies a prominent place in Bach's music library as the only music for Passion by another composer which he performed several times, usually in different forms. For the young Bach in Weimar this St. Mark Passion was a didactic piece for learning the art of the modern narrative recitative; as the Leipzig Thomaskantor he also performed it (1726). The present edition reconstructs the third version, first performed in Leipzig (1747), in which Bach inserted seven arias from Handel's famous Brockes-Passion. Only in this pasticcio did a direct encounter occur between him and his famous compatriot in London, a real encounter which Bach longed for, but which never came about. Score and parts available separately - see item CA.3550200.

By Camille Saint-Saens (1835-1921). Edited by Thomas Kohlhase. For Soli SMsATB, SATB Choir, 2 Violins, Viola, Cello, Contrabass, Organ, Harp. This edition: Paperbound. French Sacred Music. Score available separately - see item CA.4045500. Oratorios, Christmas, French Sacred Music. Level 3. Study score. Language: Latin. Opus 12. 64 pages. Duration 40 min. Published by Carus Verlag

(0.2+1.0.0/0.0+1.3.0,cem, str,SATB soli,SATB chorus)

SKU: TM.10045SET

Composed by Johann Sebastian Bach. Set Type: A. Set of parts. Lucks Music Library #A4488. Published by Lucks Music Library (TM.10045SET).

All extra parts should be for Orchestra I. Extra cellos should be tutti cello with Cello II only 1 copy for last desk. Orchestra II should only have 1 stand on each part for violins, violas, and cello, and only 1 bass part. Typeset 2018. Solo parts are now on separate parts from the Orchestra I parts.

Solo voices, SATB chorus, orchestra (2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Bc)

SKU: CA.5165203

Completed and edited by Howard Arman. Composed by Wolfgang Amadeus Mozart. Edited by Howard Arman. Arranged by Howard Arman. Vocal score. KV 626. Duration 50 minutes. Carus Verlag #5165203. Published by Carus Verlag (CA.5165203).

ISBN 9790007294243. Key: D minor. Latin.

The English conductor and composer Howard Arman has presented us with a completed version of Mozartâ??s Requiem. â??Another one?â? you might ask, since this publication is only the latest in a long line reaching back to the traditional SüÃ?mayr version. Yet such is the enormous power of Mozartâ??s score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Armanâ??s additions to Mozartâ??s great original show the requisite care and respect while incorporating many new insights.

Armanâ? ?s approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozartâ??s brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrumentâ??s unique sound is given an opportunity to shine. Armanâ??s Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather â?? in the spirit of Mozart â?? on creating a sense of drama and illuminating the theme in all its possible facets. Mozartâ??s fragment ends with the Hostias, and so does Armanâ??s completion.

For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to Sü�mayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.

Armanâ??s version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike â?? and celebrated as offering a scholarly, entirely fresh perspective on Mozartâ??s masterpiece.

- World premiere by the Bavarian Radio Choir
- Enthusiastically received by audience and press.

(2+1.2.2.2/4.2.3.0,timp,h p,str,SMezATBBar soli,SATB chorus)

SKU: TM.04530SET

Composed by Peter Illich Tschaikowsky. Set Type: A. Set of parts. Lucks Music Library #A2338. Published by Lucks Music Library (TM.04530SET).

Vocal Score I = Russian (Cyrillic only), English. Vocal Score II = English only. Choral Parts = German only. Choral parts are sold as separate Soprano, Alto, Tenor, or Bass parts. Please specify the quantity of each part when ordering.

(2+1.2.2.2/4.2.3.0,timp,h p,str,SMezATBBar soli,SATB chorus)

SKU: TM.04530SC

Composed by Peter Illich Tschaikowsky. Score. Lucks Music Library #A2338. Published by Lucks Music Library (TM.04530SC).

Vocal Score I = Russian (Cyrillic only), English. Vocal Score II = English only. Choral Parts = German only. Choral parts are sold as separate Soprano, Alto, Tenor, or Bass parts. Please specify the quantity of each part when ordering.

(2+1.2.2(+2basset).2/2.2. 0.0,timp,perc,str,SSTTB soli,chorus)

SKU: TM.04537SET

Composed by Wolfgang Amadeus Mozart. Set Type: A. Set of parts. Lucks Music Library #A2310. Published by Lucks Music Library (TM.04537SET).

Basset horn parts play only in No. 10 (Welcher Wechsel). These are written into clarinet parts (in C only). Chorus contains Act I No. 5 (Chorder Janitscharen) and Act III No. 21 (Niew Werd) only. Vocal score I has English translation by Martin.