Composed
by Georg Philipp
Telemann. Edited by Klaus
Hofmann. This edition:
urtext. 2x 39.115/21
flute 1, 2x 39.115/22
flute 2, 1x 39.115/23
oboe 1, 1x 39.115/24 oboe
2. Stuttgart Urtext
Edition: Telemann-Archiv.
Harmony parts. Sacred
vocal music, Cantatas,
Christmas. Set of
Orchestra Parts. TVWV
1:1452. 16 pages.
Duration 22 minutes.
Carus Verlag #CV
39.115/09. Published by
Carus Verlag
(CA.3911509).
ISBN
9790007215590. Language:
German.
Uns ist ein
Kind geboren is one of
Telemann's most beautiful
Christmas cantatas, which
features an opening duet
for two sopranos based on
Polish-Moravian folklore,
as well as two
substantial choral
movements. The two horns
allotted to the second
choral movement to the
text Ehre sei Gott in der
Hohe can be replaced by
two flutes. This is
supported by a source
from the Telemann
tradition in Frankfurt,
in which these parts are
present. Score and parts
available separately -
see item CA.3911500.
Offertory for the
Easter Sunday.
Composed by Johann Ernst
Eberlin. Edited by Armin
Kircher. Arranged by Paul
Horn. 1x 27.110/31
clarino, 1x 27.110/32
trombone 1, 1x 27.110/33
trombone 2, 1x 27.110/34
trombone 3. Sacred music
from Salzburg. Terra
Tremuit /Offertorium
Ostersonntag. Sacred
vocal music, Easter and
Eastertide. Set of
Orchestra Parts. 20
pages. Duration 4
minutes. Carus Verlag #CV
27.110/09. Published by
Carus Verlag
(CA.2711009).
ISBN
9790007200510. Key: C
major. Language:
Latin.
Eberlin's
programmatic setting of
the offertory Terra
tremuit was written for
the festive liturgy of
Easter Sunday at Salzburg
Cathedral, which in the
17th and 18th centuries
was a center of the
cultivation of the
polyphonic offertory.
Verses 9 and 10 of Psalm
76 (Vulgata 75), with
their vivid description
of the earth trembling
and falling silent are
Eberlin's basis for the
offertory. Eberlin
depicts the earthquake by
means of a written-out
tremolo of the strings,
and by staccato singing
of the syllables of the
word tremuit. The
Resurrection is depicted
musically by ascending
figures at the words dum
resurgere. An Alleluia
concludes the work. Score
and parts available
separately - see item
CA.2711000.
Cantata
for the 13th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Whitsun. Single
Part, Violin 1. Composed
1725. BWV 164. 8 pages.
Duration 17 minutes.
Carus Verlag #CV
31.164/11. Published by
Carus Verlag
(CA.3116411).
ISBN
9790007209025. Text
language:
German/English.
Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and part
available separately -
see item CA.3116400.
In 1828 Berlioz
wrote the Huit scènes
de Faust. The work was
soon withdrawn but almost
twenty years later each
of the eight scenes found
a place in the Lgende
dramatique La damnation
de Faust dedicated to
Franz Liszt. The first
part of the Damnation
exposes the figure of
Faust and has an
introductory nature. From
the second part onwards,
the course of action is
largely based on
Goethe’s
drama.
Contrasting
characters and dramatic
effect are of central
importance in
understanding
Berlioz’s musical
thought and his
compositional process.
Magic and fairy tale,
incantations and ghosts,
have been the
ever-recurring themes of
opera since the Baroque.
It is precisely this
fantasy in Berlioz's
Faust, the “Opra de
Concert en Quatre
actsâ€, which comes
very close to the spirit
of Goethe's
presentation.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Church
cantata. Composed by
Johann Sebastian Bach.
Edited by Christine
Blanken. Arranged by
Christine Blanken.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Praise and
thanks. Single Part,
Violin 1. Composed ca.
1730. BWV 192. 8 pages.
Duration 15 minutes.
Carus Verlag #CV
31.192/11. Published by
Carus Verlag
(CA.3119211).
ISBN
9790007210243. Text
language:
German/English.
The
cantata Nun danket alle
Gott (Now thank we all
our God) BWV 192 is based
on the text of the
well-known hymn. It is
therefore one of a small
number of chorale
cantatas which contain no
free poetic texts.
Correspondingly, there
are no recitatives
either. It has only
recently been assumed
that this three-movement
work was not intended for
Leipzig, but was actually
written in 1730 for
Bach's prestigious
position as Kapellmeister
of Saxe-Weissenfels. The
court of Duke Christian
enjoyed the its sojourn
in the newly-renovated
castle of its secondary
residence in Sangerhausen
and, at Trinity, in the
court church, celebrated
the anniversary of its
consecration with festive
music. Bach evidently
occasionally contributed
to this. The work does
not survive complete.
Even in the 18th century
a full score evidently no
longer existed, just a
set of parts, the tenor
part of which is entirely
missing. For the new
edition the missing part
has been reconstructed by
Detlev Schulten
(Leipzig). Score and part
available separately -
see item CA.3119200.
Offertory for
Pentecost. Composed
by Johann Ernst Eberlin.
Edited by Armin Kircher.
Sacred music from
Salzburg. German title:
Veni Creator Spiritus
(Pfingsten). Sacred vocal
music, Hymns, Whitsun.
Set of Orchestra Parts.
12 pages. Duration 4
minutes. Carus Verlag #CV
27.111/09. Published by
Carus Verlag
(CA.2711109).
Composed
by Anton Cajetan
Adlgasser. Awards /
Prizes:
Adlgasser-Kulturpreis.
Sacred music from
Salzburg. German title:
Litaniae de Venerabili
Sacramento 6. Sacred
vocal music. Set of
Orchestra Parts. 26
pages. Duration 19
minutes. Carus Verlag #CV
27.114/09. Published by
Carus Verlag
(CA.2711409).
A Celebration of Chanukah. Arranged by Judith Clurman, Larry Hochman, Brian Stok...(+)
A Celebration of
Chanukah. Arranged by
Judith Clurman, Larry
Hochman, Brian Stokes
Mitchell. Sheet music.
Edition Schott. Score and
parts. Composed 2012.
30108. 32 pages. Duration
11'. Schott Music #ED
30108. Published by
Schott Music
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Sacred vocal music,
Cantatas. Choral Score.
Composed 1724. BWV 130. 4
pages. Duration 14
minutes. Carus Verlag #CV
31.130/05. Published by
Carus Verlag
(CA.3113005).
ISBN
9790007170554. Language:
German/English.
As
in all cantatas for St.
Michael the chorale
cantata Lord God, we
praise thee all of us BWV
130 from 1724 is a
magnificent composition.
Not only in the opening
chorus and the final
chorale do the three
trumpets and timpani play
a role, but the first
aria In hell the serpent,
hot with hate is even
accompanied solely by
trumpets, timpani and
continuo. The second
aria, Thou, of cherubim
the master, brings an
unexpected contrast in
which, besides the tenor
and continuo, on a solo
flute is heard. The
original set of parts
were separated from each
other in the 19th century
and today are scattered
throughout the world. For
the first time, some of
the parts were taken into
consideration in
preparing this edition.
Score available
separately - see item
CA.3113000.
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Basso continuo. Sacred
vocal music, Cantatas.
Single Part, basso
continuo. Composed 1724.
BWV 130. 12 pages.
Duration 14 minutes.
Carus Verlag #CV
31.130/14. Published by
Carus Verlag
(CA.3113014).
ISBN
9790007207861. Text
language:
German/English.
As
in all cantatas for St.
Michael the chorale
cantata Lord God, we
praise thee all of us BWV
130 from 1724 is a
magnificent composition.
Not only in the opening
chorus and the final
chorale do the three
trumpets and timpani play
a role, but the first
aria In hell the serpent,
hot with hate is even
accompanied solely by
trumpets, timpani and
continuo. The second
aria, Thou, of cherubim
the master, brings an
unexpected contrast in
which, besides the tenor
and continuo, on a solo
flute is heard. The
original set of parts
were separated from each
other in the 19th century
and today are scattered
throughout the world. For
the first time, some of
the parts were taken into
consideration in
preparing this edition.
Score and part available
separately - see item
CA.3113000.
Cantata for the Sunday
Exaudi. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn. 1x
31.183/21 oboe d'amore 1,
1x 31.183/22 oboe d'amore
2, 1x 31.183/23 English
horn 1, 1x 31.183/24
English horn 2. German
title: Sie werden euch in
den Bann tun 4. Sacred
vocal music, Cantatas,
Special days, Easter and
Eastertide. Set of
Orchestra Parts. Composed
1725. BWV 183. 12 pages.
Duration 15 minutes.
Carus Verlag #CV
31.183/09. Published by
Carus Verlag
(CA.3118309).
ISBN
9790007050399. Key: A
minor. Language:
German/English. Text: von
Ziegler, Christiane
Mariane. Text: Christiane
Mariane von
Ziegler.
The
cantata Sie werden euch
in den Bann tun [They
will banish you] BWV 183
for Exaudi Sunday is one
of the cantatas composed
on texts by the Leipzig
poetess Christiane
Mariane von Ziegler with
which Bach concluded his
second annual cycle of
cantatas after he had
abandoned the annual
cycle of chorale cantatas
at Easter 1725. The
cantata opens with
Jesus's words from the
Sunday gospel reading in
an accompagnato
recitative for bass -
representing the vox
Christi - accompanied by
four oboes which,
together with the
strings, are also
deployed in the cantata's
second accompagnato
recitative. The first of
the virtuoso arias is
accompanied by
violoncello piccolo, the
second by two oboes da
caccia together with the
string ensemble. The
cantata concludes with an
unusually animated final
chorale. Score and parts
available separately -
see item CA.3118300.
Composed by Wolfgang
Amadeus Mozart. This
edition: urtext. 1x
40.058/31 trumpet 1, 1x
40.058/32 trumpet 2, 1x
40.058/33 trombone 1, 1x
40.058/34 trombone 2, 1x
40.058/35 trombone 3, 1x
40.058/41 timpani.
Stuttgart Urtext Edition:
Mozart. Vesperae Solennes
De Dominica Rev.2000.
Sacred vocal music,
Psalms, Latin, Psalms,
Daily hours. Set of
Orchestra Parts. Composed
1779. KV 321. 30 pages.
Duration 28 minutes.
Carus Verlag #CV
40.058/09. Published by
Carus Verlag
(CA.4005809).
ISBN
9790007083915. Language:
Latin.
Contents:
Dixit Dominus (Ps 109) in
C major Confitebor (Ps
110) in E minor Beatus
vir (Ps 111) in B flat
major Laudate pueri (Ps
112) in F major Laudate
Dominum (Ps 116) in A
major Magnificat in C
major (all pieces also
available seperately).
Score and parts available
separately - see item
CA.4005800.
Composed by Michael
Haydn. Edited by Thomas
C. Pumberger. 1x
50.348/21 flute, 1x
50.348/22 oboe 1, 1x
50.348/23 oboe 2, 1x
50.348/24 bassoon, 1x
50.348/31 horn 1, 1x
50.348/32 horn 2, 1x
50.348/33 trumpet 1, 1x
50.348/34 trumpet 2, 1x
50.348/35 trombone 1, 1x
50.348/36 trombone 2, 1x
50.348/37 trombone 3, 1x
50. Vesperae Solennes De
Dominica Mh 321. Sacred
vocal music, Psalms,
Daily hours. Set of
Orchestra Parts. Composed
1782. MH 321. 98 pages.
Duration 30 minutes.
Carus Verlag #CV
50.348/09. Published by
Carus Verlag
(CA.5034809).
ISBN
9790007081508. Key: C
major. Language:
Latin.
Contents:
Dixit Dominus (Ps 109, C
major) Confitebor (Ps
110, E flat major) Beatus
vir (Ps 111, G major)
Laudate pueri (Ps 112, B
flat major) Laudate
Dominum (Ps 116, F major)
Magnificat
(Vespercanticum, C
major). Score and parts
available separately -
see item CA.5034800.
Ascension
oratorio. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. This edition:
urtext. 1x 31.011/21
flute 1, 1x 31.011/22
flute 2, 1x 31.011/23
oboe 1, 1x 31.011/24 oboe
2, 4x 31.011/31 3
trumpets and timpani.
Stuttgart Urtext Edition:
Bach vocal. German title:
Himmelfahrtsoratorium /31
4 x liefern = 8.
Innovative practice aids,
Sacred vocal music,
Cantatas, Oratorios,
Ascension. Set of
Orchestra Parts. Composed
1735. BWV 11. 56 pages.
Duration 32 minutes.
Carus Verlag #CV
31.011/09. Published by
Carus Verlag
(CA.3101109).
ISBN
9790007042028. Key: D
major. Language:
German.
Besides the
Weihnachtsoratorium BVW
248, Bach composed an
additional work for the
feast days of the church
year 1734/35: The
Himmelfahrtsoratorium BWV
11 (Ascension Oratorio).
Although in its
dimensions and character
the oratorio is akin to
his cantatas, it occupies
a special position as a
result of the epic text
on which it is based; the
text includes a biblical
story. In particular, the
festive atmosphere and
instrumentation of the
opening and closing
choruses mirror the
triumphant joy of
Christ's ascension. This
is a new edition in the
Stuttgart Bach Editions
series, edited by Ulrich
Leisinger. Score and
parts available
separately - see item
CA.3101100.
Wedding cantata.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Stuttgart
Urtext Edition: Bach
vocal. Dem Gerechten Muss
Das Licht Immer Wieder.
Sacred vocal music,
Cantatas, Wedding. Choral
Score. BWV 195. 20 pages.
Duration 16 minutes.
Carus Verlag #CV
31.195/05. Published by
Carus Verlag
(CA.3119505).
ISBN
9790007181383. Text
language:
German/English.
The
Hochzeitskantate (Wedding
Cantata) BWV 195 was
performed by Bach from
around 1730 at various
wedding celebrations in
different forms, and was
evidently also lent out
for performances further
afield. The only
surviving version of the
work dates from the last
years of Bach's life. The
opulently-scored first
part begins and ends with
grand choral movements,
and Bach scored both
parts for soloists and
for chorus. At the centre
of the cantata is an
exceptionally sensitive
bass aria, probably one
of Bach's most modern
vocal compositions of
all. A chorale movement
(Nun danket all and
bringet Ehr/ Now thank we
all and offer praise)
with obbligato horns
concludes the cantata as
the second part after the
consummation. Score
available separately -
see item CA.3119500.
Funeral
ode. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Trauerode.
Cantatas. Single Part,
Viola. Composed 1727. BWV
198. 12 pages. Duration
35 minutes. Carus Verlag
#CV 31.198/13. Published
by Carus Verlag
(CA.3119813).
ISBN
9790007210618. Text
language:
German/English.
Com
posed in 1727 for a
eulogy and funeral
oration for Electress
Christiane Eberhardine in
the Leipzig University
church, the music for the
funeral ode is well-known
today above all through
reconstructions of Bach's
St Mark Passion, in which
large parts of this
cantata were probably
re-used, but of which
only the text survives.
With the funeral ode we
have one of Bach's
strongest and most
fascinating vocal
compositions. Although
Gottsched's text is
associated with a
particular occasion, it
is distinguished in its
literary quality from
many secular cantatas and
it is entirely
appropriate to perform
this impressive cantata
in concerts. Score and
part available separately
- see item
CA.3119800.
Cantata for the 7th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Violin 2. Sacred vocal
music, Cantatas, Advent.
Single Part, Violin 2.
Composed 1723. BWV 186.
12 pages. Duration 40
minutes. Carus Verlag #CV
31.186/62. Published by
Carus Verlag
(CA.3118662).
ISBN
9790007209919. Key: G
minor / c dorian. Text
language:
German/English.
The
cantata Argre dich, o
Seele, nicht BWV 186 is
in a sense the companion
work to the much
better-known cantata Herz
und Mund und Tat und
Leben BWV 147. Both were
composed in Advent 1716
as Bach's last two
cantatas for the Weimar
court, and both were
arranged for another
Sunday in Bach's first
Leipzig cantata cycle by
the addition of
recitatives and a
large-scale chorale
movement, heard at the
end of both parts. The
sound of the Cantata BWV
186 is characterized by
the four-part woodwind
ensemble writing. The
final chorale, heard
twice, anticipates the
opening choruses of the
chorale cantatas from
Bach's second cycle.
Cantata BWV 186 for the
7th Sunday after Trinity
is a considerably
expanded reworking of a
Weimar Advent cantata of
1716. Only the text
survives of the Advent
cantata, but Diethard
Hellmann has been able to
reconstruct the work from
the later version (Carus
31.186). Score and part
available separately -
see item CA.3118600.
Funeral
ode. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Trauerode.
Cantatas. Single Part,
Viola da gamba 1.
Composed 1727. BWV 198.
12 pages. Duration 35
minutes. Carus Verlag #CV
31.198/14. Published by
Carus Verlag
(CA.3119814).
ISBN
9790007210625. Text
language:
German/English.
Com
posed in 1727 for a
eulogy and funeral
oration for Electress
Christiane Eberhardine in
the Leipzig University
church, the music for the
funeral ode is well-known
today above all through
reconstructions of Bach's
St Mark Passion, in which
large parts of this
cantata were probably
re-used, but of which
only the text survives.
With the funeral ode we
have one of Bach's
strongest and most
fascinating vocal
compositions. Although
Gottsched's text is
associated with a
particular occasion, it
is distinguished in its
literary quality from
many secular cantatas and
it is entirely
appropriate to perform
this impressive cantata
in concerts. Score and
part available separately
- see item
CA.3119800.
Pauken-Messe.
Composed by Franz Joseph
Haydn. Edited by Wolfgang
Hochstein. This edition:
urtext. 1x 40.607/21
flute, 1x 40.607/22 oboe
1, 1x 40.607/23 oboe 2,
1x 40.607/24 clarinet 1,
1x 40.607/25 clarinet 2,
1x 40.607/26 bassoon 1,
1x 40.607/27 bassoon 2,
1x 40.607/31 horn 1, 1x
40.607/32 horn 2, 1x
40.607/33 clarino 1, 1x
40.607/34 clarino 2, 1x
40. Stuttgart Urtext
Edition: Joseph Haydn,
Sacred vocal music.
Haydn: Paukenmesse In C
Xxii:9. Innovative
practice aids, Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. Composed 1796.
Hob. XXII:9. 98 pages.
Duration 40 minutes.
Carus Verlag #CV
40.607/09. Published by
Carus Verlag
(CA.4060709).
ISBN
9790007073176. Key: C
major. Language:
Latin.
The Missa in
tempore belli by Joseph
Haydn is an interesting
work in several respecst.
Firstly this setting of
the Mass provides
pointers to the situation
of Austrian church music
as it had been affected
by imperial decrees.
Secondly the political
situation, with the
imminent invasion of
Austria by Napoleon's
troops, had reached a
crisis point which is
reflected in the
description of this
composition as a Mass in
time of war. Last but not
least, this work is the
first of the group of six
settings of the Latin
Mass which, together with
the oratorios The
Creation and The Seasons,
form the body of Haydn's
last period vocal works,
and which unquestionably
belong among his supreme
creative achievements.
This work is now
available in carus music,
the choir app! Score and
parts available
separately - see item
CA.4060700.
Missa pastoralis in
G. Composed by
Wolfgang Amadeus Mozart.
Arranged by Willi
Schulze. This edition:
urtext. 1x 40.623/31
trombone 1, 1x 40.623/32
trombone 2, 1x 40.623/33
trombone 3. Stuttgart
Urtext Edition: Mozart.
Missa Pastoralis In G Kv
140 Rev.2001. Innovative
practice aids, Sacred
vocal music, Masses,
Latin, Missa brevis in
Latin. Set of Orchestra
Parts. Composed circa
1773. KV 140 (235d). 24
pages. Duration 17
minutes. Carus Verlag #CV
40.623/09. Published by
Carus Verlag
(CA.4062309).
ISBN
9790007084370. Key: G
major. Language:
Latin.
The G major
mass of Mozart followed a
very special type of mass
pattern, namely, that of
the Missa pastoralis. In
Mozart's time it was a
widespread type of mass,
especially in Bohemia and
Italy, in which melodies
and rhythms like those
familiar from pastoral
Christmas music were
frequently found. The
themes in this type of
mass are song-like and
often make use of
folksongs or references
to well-known tunes. This
work is now available in
carus music, the choir
app! Score and parts
available separately -
see item CA.4062300.
Composed by Gabriel Faure (1845-1924). Edited by John Rutter. This edition: pape...(+)
Composed by Gabriel Faure
(1845-1924). Edited by
John Rutter. This
edition: paperback.
Oratorios. Classic Choral
Works. Set of string
parts (contains 1 violin
solo, 1 double bass, 2
of all others). 112
pages. Duration 35'.
Published by Oxford
University Press
(OU.9780193360983).
(Kantate fur einen Bussgottesdienst (Fassung in g)). By Johann Sebastian Bach (1...(+)
(Kantate fur einen
Bussgottesdienst (Fassung
in g)). By Johann
Sebastian Bach
(1685-1750). Edited by
Leisinger, Ulrich. For
Soli SATB, SATB Choir,
Oboe, Bassoon, Strings
(Violin, 2 Viola), Organ.
BWV 131. Full score
available separately -
see item CA.3113100.
Cantatas, Psalms, German;
Stuttgart Urtext
editions; Use during
church year: Special
Days. Set of instrumental
parts (except strings).
Language: German/English.
Composed 1707/1708. 16
pages. Duration 24 min
Responsum.
Composed by Johann Adolf
Hasse. Edited by Wolfgang
Hochstein. Arranged by
Wolfgang Hochstein. 1x
40.965/21 oboe 1, 1x
40.965/22 oboe 2, 1x
40.965/31 horn 1, 1x
40.965/32 horn 2. German
title: Domine Ad
Adiuvandum (Responsum).
Sacred vocal music, Daily
hours. Set of Orchestra
Parts. Composed circa
1737-1756. 8 pages.
Duration 2 minutes. Carus
Verlag #CV 40.965/09.
Published by Carus Verlag
(CA.4096509).
ISBN
9790007221430. Key: C
major. Language:
Latin.
Cantatas I-III.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Paul Horn. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal; Carus sheet
music series: Vocal
scores XL. German title:
Weihnachtsoratorium 1-3.
Sacred, Oratorios;
Stuttgart Urtext
editions; Use during
church year: Christmas.
Single Part, Organ.
Composed circa 1734. BWV
248. 48 pages. Duration
90 minutes. Carus Verlag
#CV 31.248/49. Published
by Carus Verlag
(CA.3124849).
ISBN
9790007088484. Language:
German/English.
Wit
h the edition of the
Christmas Oratorio within
the framework of the
Stuttgart Bach Editions,
Carus presents a
scholarly edition for
practical performance.
The basis for this
publication are Bach's
autograph score and the
original parts. The
conducting score contains
an appendix with a
concise Critical Report
which provides
information about the
sources and their
readings; when necessary,
the latter are discussed
in more detail,
especially with regard to
how the editor arrived at
solutions for questions
of articulation which
differ from those found
in previous editions. The
representative,
clothbound volume is
supplemented by a study
score as well as a choral
score, a vocal score and
complete orchestral
material. In the
orchestral material short
excerpts containing the
conclusions of the secco
recitatives are rendered
with cue notes in
separate vocal systems
printed above the score
where the
instrumentalists pause,
thus enabling them make
their entrances in the
movements which follow
these recitatives. This
work is also available in
carus music, the choir
app! Score and part
available separately -
see item CA.3124800.