Composed by Marjorie Merryman. For TB vocal soli, SATB choir, orchestra. General, Choral. Piano/vocal score. 56 pages. Published by Ione Press

By Mark Hayes. For baritone voice solo, mixed choir and piano accompaniment. Choral score. Duration 35 minutes. Published by Beckenhorst Press

Composed by Bob Chilcott. Vocal score. 28 pages. Duration 15'. Oxford University Press #9780193519763. Published by Oxford University Press (OU.9780193519763).

Psalmfest by John Rutter (1945-). For Mixed Choir (Orchestra: [2, 2, 2, 2-4, 3, 3, 1], timpani, percussion, harp, strings / Chamber ensemble: flute, oboe, clarinet, organ, optional timpani and percussion, and harp (or synthesizer)). Choral. Longer Choral Work. Contemporary, Choral Works. Vocal Score. 96 pages. Duration 45'. Published by Oxford University Press

By Antonio Vivaldi, Linda Spevacek. For 3-part mixed and SATB choir divisi. Concert. Octavo. Published by Heritage Music Press. (15/2299H)

Solo voices, SATB chorus, orchestra (2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Bc)

SKU: CA.5165203

Completed and edited by Howard Arman. Composed by Wolfgang Amadeus Mozart. Edited by Howard Arman. Arranged by Howard Arman. Vocal score. KV 626. Duration 50 minutes. Carus Verlag #5165203. Published by Carus Verlag (CA.5165203).

ISBN 9790007294243. Key: D minor. Latin.

The English conductor and composer Howard Arman has presented us with a completed version of Mozartâ??s Requiem. â??Another one?â? you might ask, since this publication is only the latest in a long line reaching back to the traditional SüÃ?mayr version. Yet such is the enormous power of Mozartâ??s score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Armanâ??s additions to Mozartâ??s great original show the requisite care and respect while incorporating many new insights.

Armanâ? ?s approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozartâ??s brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrumentâ??s unique sound is given an opportunity to shine. Armanâ??s Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather â?? in the spirit of Mozart â?? on creating a sense of drama and illuminating the theme in all its possible facets. Mozartâ??s fragment ends with the Hostias, and so does Armanâ??s completion.

For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to Sü�mayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.

Armanâ??s version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike â?? and celebrated as offering a scholarly, entirely fresh perspective on Mozartâ??s masterpiece.

- World premiere by the Bavarian Radio Choir
- Enthusiastically received by audience and press.

(Arrangement for soli, choir and organ). Composed by Charles Francois Gounod (1818-1893). Edited by Barbara Grolmann. Arranged by Zsigmond Szathmary. For SATB vocal soli, SATB choir, organ. This edition: Paperbound. C-Dur (C major). Choir and Organ. German title: Requiem. End of the church year, Mourning, death. Full score. Language: Latin. Posth.. 48 pages. Duration 35 minutes. Published by Carus Verlag

By Gioachino Rossini. Arranged by Fleming. For Longer Choral Work: Vocal Score Mixed Choir Paper. Published by Oxford University Press.

By George Frideric Handel. Arranged by Bartlett. For Longer Choral Work: Vocal Score. Published by Oxford University Press.

By Franz Joseph Haydn. Arranged by Russell Hulme. For Longer Choral Work: Vocal Score Mixed Choir. Published by Oxford University Press.

By Will Todd. For soprano voice solo, SATB choir, and piano, bass, and drums (and opt. alto saxophone). Contemporary. Vocal score. Duration 40 minutes. Published by Oxford University Press

Composed by Cecilia McDowall. New Horizons. Vocal score. 36 pages. Duration 18'. Published by Oxford University Press (OU.9780193411487).

Composed by Bob Chilcott. For mezzo-soprano voice solo, baritone voice solo, SATB choir and piano/orchestra (2 flutes, 2 oboes, 2 Bb clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 percussion, harp and strings). This edition: paperback. Christmas. Level B-C (easy - moderately difficult). Vocal score. 60 pages. Duration 25 minutes. Published by Oxford University Press

By Alan Smith. For Soprano voice soloist, SA choir, and piano. Upper Voices. Sacred, Choral Leaflet. Vocal score. Published by Oxford University Press

By Cecilia Mcdowall. For baritone voice solo, SATB chorus, children's choir (or semi-chorus), and small orchestra (or piano/organ) (flute, clarinet, bassoon, 2 horns, harp, strings). Contemporary. Vocal score. Duration 30 minutes. Published by Oxford Uni

(Ballade von Johann Wolfgang von Goethe). By Felix Bartholdy Mendelssohn (1809-1847). Edited by John Michael Cooper. Arranged by Felix Bartholdy Mendelssohn. For alto voice solo/tenor voice solo/baritone voice solo/bass voice solo/SATB choir/2 flutes/piccolo/2 oboes/2 clarinets/2 bassoons/2 horns/2 trumpets/3 trombones/timpani/concert drum/cymbal/2 violins/viola/cello/contr abass. This edition: Urtext edition. Level 3. Piano reduction (paperbound). Language: German/English, Text language: German/English. Opus 60. Published by Baerenreiter Verlag

Two Part Chorus and Piano, SA, TB, SB or SATB. By Vincent Persichetti. Text: E.E. Cummings. Mixed choir. For SA, TB, SB Chorus, SATB, Piano. Four Cummings Choruses: For Two-Part Mixed Voices. Choral. Piano/Vocal Score. Opus 98, Number 3. 5 pages. Published by Theodore Presser Company.

Two Part Chorus and Piano (SA, TB, SB, or SATB). By Vincent Persichetti. Text: E.E. Cummings. Mixed choir. For 2-part voices, piano. (2-part). Four Cummings Choruses: For Two-Part Mixed Voices. Choral. Piano/Vocal Score. Opus 98. 6 pages. Published by Theodore Presser Company.

By PDQ Bach. Arranged by Peter Schickele. Text by Peter Schickele. For 2 Trumpet, 2 Violin, Viola, Violoncello, Contrabass, 2 Slide Whistles, 2 Kazoos, Tromboon, Windbreaker, Shower Hose, Foghorn, Soprano, Alto, Tenor, Bass, SATB, Timpani. Piano/Vocal Score. S. 1! tsp. Duration 20:0. Published by Theodore Presser Company.

Soprano voice solo, SATB choir, and piano (E-flat Soprano saxophone, 2 Horns in F, Piano, Organ (or digital keyboard), Double String Quartet, Double Bass) - Beginning

SKU: MN.56-0106

Composed by Howard Goodall. Lent, Holy Week, Triduum/Three Days, Tenebrae, 21st Century. Score & instrument parts. Duration 6 minutes, 47 seconds. MorningStar Music Publishers #56-0106. Published by MorningStar Music Publishers (MN.56-0106).

UPC: 688670221231. English, Latin.

Invictus: A Passion addresses one of the world’s most powerful stories through the lens of the modern world. The texts, written or inspired by women, describe not only human suffering and persecution but also the human capacity for love and humility in the face of tyranny. Composer Howard Goodall is uniquely suited to bring these texts to life with music of emotional clarity and sweeping force. This movement, scored for soprano solo, SATB choir and piano, expresses the unimaginable pain felt by a mother seeing her child torn away from her at a slave auction. To this harrowing account are appended the words of William Wilberforce, spoken in the House of Commons on 18th April 1791, “You may choose to look the other way but you can never say again that you did not know.” Duration 6:47.

(Festspiel in zwei Teilen (Italienisch), mit Anhang: Ballo.). By Wolfgang Amadeus Mozart (1756-1791). Edited by Luigi Ferdinando Tagliavini. For Soprano Solo (3), Mezzo-Soprano Solo, Tenor Solo, Mixed Choir, Ball, Flute (2), Oboe 1, Oboe 2/English Horn, Bassoon (2), Horn (4), Trumpet (2), Kettledrum, Strings, Basso Continuo. Neue Mozart-Ausgabe. Serie II, Werkgruppe 5/5. Musiktheater, Tanz, Klassik (Concert Music, Dance, Classical). Score; Urtext Edition; Complete Edition (cloth bound). KV 111. Duration 150'

By Benjamin Britten. (Vocal Score). Boosey and Hawkes Large Choral. Size 7.25x10.25 inches. 45 pages. Published by Boosey and Hawkes.