Composed by George Frideric Handel (1685-1759). Edited by Amanda Babington. Arranged by Andreas Kohs. For alto voice solo, tenor voice solo, bass voice solo, SSATB choir, piano reduction. This edition: urtext edition. Paperback. Level 3. Vocal score. HWV 283. Published by Baerenreiter Verlag

Composed by Cecilia McDowall. New Horizons. Vocal score. 36 pages. Duration 18'. Published by Oxford University Press (OU.9780193411487).

(New revised version). By Johann Sebastian Bach (1685-1750). Edited by Uwe Wolf. Arranged by Andreas Kohs. For 2 soprano voice solos, alto voice solo, tenor voice solo, bass voice solo, double SATB choir, 2 flutes, 3 oboes (2 oboes d'amore), 2 english horns, 2 bassoons, horn, 3 trumpets, timpani, 2 violins, viola, basso continuo (organ) (2 Solo Sopranos/Solo Alto/Solo Tenor/Solo Bass/Mixed Choir: SSAATTBB/2 Flutes/3 Oboes (2 Oboes d'amore)/2 English Horns/2 Bassoons/Horn/3 Trumpets or 3 Horns or 3 Clarinets/Timpani/2 Violins/Viola/Basso continuo (Organ)). This edition: Paperback, Urtext edition. Paperback. New revised version. Level 4. Piano reduction. Language: Latin. BWV 232. 243 pages. Duration 2 hours, 15 minutes. Published by Baerenreiter Verlag

By Franz Schubert. For Orch. (SATB divisi with SATB Soli). Choral Worship Cantata. Kalmus Edition. Masterwork; Sacred. Book. 100 pages. Published by Alfred Publishing.

Composed by Bob Chilcott. For mezzo-soprano voice solo, baritone voice solo, SATB choir and piano/orchestra (2 flutes, 2 oboes, 2 Bb clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 percussion, harp and strings). This edition: paperback. Christmas. Level B-C (easy - moderately difficult). Vocal score. 60 pages. Duration 25 minutes. Published by Oxford University Press

Composed by Pietro Mascagni (1863-1945). Vocal score for SATB chorus, soprano voice solo, contra alto voice solo, baritone voice solo, tenor voice solo, mezzo soprano voice solo and piano accompaniment. With vocal score, lyrics, piano reduction and introductory text. Series: G. Schirmer Opera Score Editions. Text language Italian and English. Translated by Machlis. 146 pages. Published by G. Schirmer, Inc.

By Mark Hayes. For baritone voice solo, mixed choir and piano accompaniment. Choral score. Duration 35 minutes. Published by Beckenhorst Press

By Benjamin Britten. (Vocal Score). Boosey and Hawkes Large Choral. Size 7.25x10.25 inches. 45 pages. Published by Boosey and Hawkes.

By Cecilia Mcdowall. For baritone voice solo, SATB chorus, children's choir (or semi-chorus), and small orchestra (or piano/organ) (flute, clarinet, bassoon, 2 horns, harp, strings). Contemporary. Vocal score. Duration 30 minutes. Published by Oxford Uni

By Will Todd. For soprano voice solo, SATB choir, and piano, bass, and drums (and opt. alto saxophone). Contemporary. Vocal score. Duration 40 minutes. Published by Oxford University Press

(Ballade von Johann Wolfgang von Goethe). By Felix Bartholdy Mendelssohn (1809-1847). Edited by John Michael Cooper. Arranged by Felix Bartholdy Mendelssohn. For alto voice solo/tenor voice solo/baritone voice solo/bass voice solo/SATB choir/2 flutes/piccolo/2 oboes/2 clarinets/2 bassoons/2 horns/2 trumpets/3 trombones/timpani/concert drum/cymbal/2 violins/viola/cello/contr abass. This edition: Urtext edition. Level 3. Piano reduction (paperbound). Language: German/English, Text language: German/English. Opus 60. Published by Baerenreiter Verlag

Solo voices, SATB chorus, orchestra (2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Bc)

SKU: CA.5165203

Completed and edited by Howard Arman. Composed by Wolfgang Amadeus Mozart. Edited by Howard Arman. Arranged by Howard Arman. Vocal score. KV 626. Duration 50 minutes. Carus Verlag #5165203. Published by Carus Verlag (CA.5165203).

ISBN 9790007294243. Key: D minor. Latin.

The English conductor and composer Howard Arman has presented us with a completed version of Mozartâ??s Requiem. â??Another one?â? you might ask, since this publication is only the latest in a long line reaching back to the traditional SüÃ?mayr version. Yet such is the enormous power of Mozartâ??s score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Armanâ??s additions to Mozartâ??s great original show the requisite care and respect while incorporating many new insights.

Armanâ? ?s approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozartâ??s brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrumentâ??s unique sound is given an opportunity to shine. Armanâ??s Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather â?? in the spirit of Mozart â?? on creating a sense of drama and illuminating the theme in all its possible facets. Mozartâ??s fragment ends with the Hostias, and so does Armanâ??s completion.

For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to Sü�mayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.

Armanâ??s version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike â?? and celebrated as offering a scholarly, entirely fresh perspective on Mozartâ??s masterpiece.

- World premiere by the Bavarian Radio Choir
- Enthusiastically received by audience and press.

Solo voices, mixed choir, orchestra Urtext based on the new Complete Edition. Composed by Johannes Brahms (1833-1897). Edited by Michael Musgrave and Michael Struck. Breitkopf and Haertel #OB 16109-30. Published by Breitkopf and Haertel

Dramma per musica in tre atti. Klavierauszug nach dem Urtext der Hallischen H0ndel-Ausgabe (italienisch/deutsch). By George Frideric Handel. Edited by Siegfried Flesch. Arranged by Kroupova, Olga;T!Pel, Michael. For soprano solo (3), mezzo-soprano solo, alto solo, tenor solo, bass solo, mixed choir-SSATB, piccolo, alto recorder (f,g) (2), oboe (2), bassoon, horn (2), Violin Solo, Cello Solo, strings, basso continuo. Piano Reduction/Vocal Score (paperbound). HWV 34. Duration 195'. Published by Baerenreiter-Ausgaben (German import). (BA4061 90)

Opera seria in 3 acts. Vocal Score (Italian/German) based on the Urtext of the New Mozart Edition. By Wolfgang Amadeus Mozart. Edited by Heartz, Daniel. Arranged by Kluge, Hans-Georg. For Soprano solo (2), Soprano/ Tenor solo, Tenor solo (3), Bass solo, Mixed Choir, Ball, Piccolo, Flute (2), Oboe (2), Clarinet (b flat) (2), Bassoon (2), Horn (4), Trumpet (2), Trombone (3), Kettledrum, Strings, Basso continuo. Piano Reduction/Vocal Score; Urtext Edition (hard bound). KV 366. Duration 210`. Published by Baerenreiter-Ausgaben (German import). (BA4562 90)

Soprano voice or tenor voice solo, SATB choir, and piano/keyboard - Early Intermediate

SKU: MN.56-0038

Composed by Howard Goodall. Wedding, Classical. Instrument parts. MorningStar Music Publishers #56-0038. Published by MorningStar Music Publishers (MN.56-0038).

UPC: 688670220432. English.

Set for SATB voices, a soprano or tenor soloist, and piano, Goodall’s original text is a promise of constancy from one person to another. Through many kinds of situations and circumstances it is assured that “Weââ‚� �™ll walk together stride by stride.” The choral parts are homophonic and approachable, the piano part a bit challenging (there is one section which is essentially a beautiful piano solo with the chorus accompanying on a neutral syllable). An uplifting piece suitable for school, community, or professional choruses.

By Michael Burkhardt and Elaine Reitan. Arranged by Michael Burkhardt. For unison treble voices, optional SATB choir, soloist, Caller, piano accompaniment, percussion. General. Moderately Easy. Published by MorningStar Music Publishers

Soprano voice solo, SATB choir, and piano (E-flat Soprano saxophone, 2 Horns in F, Piano, Organ (or digital keyboard), Double String Quartet, Double Bass) - Early Intermediate

SKU: MN.56-0108

Composed by Howard Goodall. Lent, Holy Week, Triduum/Three Days, Tenebrae, 21st Century. Score & instrument parts. Duration 6 minutes, 19 seconds. MorningStar Music Publishers #56-0108. Published by MorningStar Music Publishers (MN.56-0108).

UPC: 688670221255. English, Latin. Psalms 142; Jeremiah 3:48, 52, 56.

Invictus: A Passion addresses one of the world’s most powerful stories through the lens of the modern world. The texts, written or inspired by women, describe not only human suffering and persecution but also the human capacity for love and humility in the face of tyranny. Composer Howard Goodall is uniquely suited to bring these texts to life with music of emotional clarity and sweeping force. This excerpt is scored for soprano solo, SATB choir and piano. This fourth movement of the larger work is inspired by the extraordinary story of Irena Sendler née Krzyżanowska, a Polish nurse and head of Żegota, the Polish Council to Aid Jews in the Second World War, whose personal interventions saved the lives of approximately 2,500 Jewish children in the Warsaw Ghetto, smuggling them to safety, acts of humanitarian bravery that eventually caused her arrest and torture by the Gestapo. She is honoured as Righteous Amongst the Nations at Yad Vashem, Jerusalem. The Latin texts of this movement are taken from the Book of Lamentations (“My eye hath run down with streams of water, for the destruction of the daughter of my people. My enemies have chased me and caught me like a bird, without cause…”) and from Psalm 142, the Old Testament being the meeting-point of Sendler’s Catholicism and the Jewish tradition of those whose lives she saved. Duration 6:19.

Soprano voice solo, SATB choir, and piano - Intermediate

SKU: MN.56-0055

Composed by Howard Goodall. Lent, Triduum/Three Days, Tenebrae, 21st Century, Heaven, Lament/Grief/Sorrow. Duration 4 minutes, 4 seconds. MorningStar Music Publishers #56-0055. Published by MorningStar Music Publishers (MN.56-0055).

UPC: 688670220586. English.

Arranged for SATB choir, two keyboards, strings, and optional harp, with soprano, tenor (optional) and baritone soloists, this fresh and unorthodox interpretation reflects on the words of the Latin Mass by juxtaposing them with poems in English. For soprano solo and SATB choir, this movement begins with the choir on the English text by Phineas Fletcher (1633). A 32-measure soprano solo follows, which covers the majority of the English text. The soloist then begins the “Recordare,� �¢â‚¬Â a calm, descending melodic line with the choir singing the opening “Drop, drop” motif as accompaniment. The choir then concludes with the slow, descending lines “Jesu pie, Jesu pie.” Duration 4:04.

Solo voices, choir, 2 pianos, timpani With timpani part. Composed by Johannes Brahms (1833- 1897). Edited by Heinrich Poos. Arranged by Heinrich Poos. Score. Breitkopf and Haertel #PB 5697. Published by Breitkopf and Haertel

Soprano voice solo, SATB choir, and piano (E-flat Soprano saxophone, 2 Horns in F, Piano, Organ (or digital keyboard), Double String Quartet, Double Bass) - Beginning

SKU: MN.56-0106

Composed by Howard Goodall. Lent, Holy Week, Triduum/Three Days, Tenebrae, 21st Century. Score & instrument parts. Duration 6 minutes, 47 seconds. MorningStar Music Publishers #56-0106. Published by MorningStar Music Publishers (MN.56-0106).

UPC: 688670221231. English, Latin.

Invictus: A Passion addresses one of the world’s most powerful stories through the lens of the modern world. The texts, written or inspired by women, describe not only human suffering and persecution but also the human capacity for love and humility in the face of tyranny. Composer Howard Goodall is uniquely suited to bring these texts to life with music of emotional clarity and sweeping force. This movement, scored for soprano solo, SATB choir and piano, expresses the unimaginable pain felt by a mother seeing her child torn away from her at a slave auction. To this harrowing account are appended the words of William Wilberforce, spoken in the House of Commons on 18th April 1791, “You may choose to look the other way but you can never say again that you did not know.” Duration 6:47.

Soprano voice solo, SATB choir, and piano (E-flat Soprano saxophone, 2 Horns in F, Piano, Organ (or digital keyboard), Double String Quartet, Double Bass) - Early Intermediate

SKU: MN.56-0109

Composed by Howard Goodall. Holy Week, Triduum/Three Days, Tenebrae, 21st Century. Score & instrument parts. Duration 6 minutes, 57 seconds. MorningStar Music Publishers #56-0109. Published by MorningStar Music Publishers (MN.56-0109).

UPC: 688670221262. English, Latin. John 20:1.

Invictus: A Passion addresses one of the world’s most powerful stories through the lens of the modern world. The texts, written or inspired by women, describe not only human suffering and persecution but also the human capacity for love and humility in the face of tyranny. Composer Howard Goodall is uniquely suited to bring these texts to life with music of emotional clarity and sweeping force. This excerpt is scored for soprano solo, tenor solo, SATB choir and piano. The text is by Christina Georgina Rossetti, Isaac Watts (“When I survey the wondrous cross,”) and drawn from John 20:1 (this text in Latin). The music is serene, acknowledging the grief of those who are left to mourn. Duration 6:57.

By Alan Smith. For Soprano voice soloist, SA choir, and piano. Upper Voices. Sacred, Choral Leaflet. Vocal score. Published by Oxford University Press