(Vesperpsalm). By Johann Adolf Hasse (1699-1783). Edited by Wolfgang Hochstein. Arranged by Wolfgang Hochstein. For Soli SSA, SSAA choir, 2 violins, viola, basso continuo (cello/double bass, organ). This edition: Paperbound. A-Dur (A major). Score availab

(2.2.2.2/4.0+2.3.1,timp,p erc,hp,str,T sol)

SKU: TM.02619SC

Composed by Jules Massenet. Score. Lucks Music Library #A8474. Published by Lucks Music Library (TM.02619SC).

Vocal Score I = English/Italian; Vocal Score II = English/French; Chorus = English/French. No. 6 (in vs).

(2.2.2.2/4.0+2.3.1,timp,p erc,hp,str,T sol)

SKU: TM.02619SET

Composed by Jules Massenet. Set Type: D. Set of parts. Lucks Music Library #A8474. Published by Lucks Music Library (TM.02619SET).

Vocal Score I = English/Italian; Vocal Score II = English/French; Chorus = English/French. No. 6 (in vs).

By Benjamin Britten. (Vocal Score). Boosey and Hawkes Large Choral. Size 7.25x10.25 inches. 45 pages. Published by Boosey and Hawkes.

(2.1.2.1/2.0.0.0,str)

SKU: TM.11717SC

Composed by Sir Arthur Seymour Sullivan. Score. Lucks Music Library #A4858. Published by Lucks Music Library (TM.11717SC).

(2.1.2.1/2.0.0.0, str, mixed chorus)

SKU: TM.14146SC

Composed by Sir Arthur Seymour Sullivan. Score. Lucks Music Library #A3744. Published by Lucks Music Library (TM.14146SC).

Organ Obbligato in score; figured bass (not realized).

Composed by Antonio Vivaldi (1678-1741). Edited by Gunter Graulich. Arranged by Paul Horn. Stuttgart Urtext Edition: Vivaldi-Archiv. Sacred vocal music, Mass sections, Christmas, Praise and thanks. Vocal score. Composed 1713/1717. RV 589. Duration 29 minutes. Carus Verlag #CV 40.001/53. Published by Carus Verlag

(0+1.2.2.2/4.2.0.0,timp,h p,str)

SKU: TM.03858SET

Composed by Giacomo Meyerbeer. Set Type: D. Set of parts. Lucks Music Library #A6247. Published by Lucks Music Library (TM.03858SET).

No score.

(2.1.2.1/2.0.0.0, str, mixed chorus)

SKU: TM.14146SET

Composed by Sir Arthur Seymour Sullivan. Set Type: D. Set of parts. Lucks Music Library #A3744. Published by Lucks Music Library (TM.14146SET).

Organ Obbligato in score; figured bass (not realized).

(2.2.2.2/4.2.3.0,perc,str )

SKU: TM.07588SC

Composed by Johann Strauss Jr. Score. Lucks Music Library #A2106. Published by Lucks Music Library (TM.07588SC).

Transposed: Cl 1+2, Tpt 1+2, Tbn 1+2. Hns originally in F.

Soloists, Mixed choir, Orchestra

SKU: BA.BA04025-01

Composed by George Frideric Handel. Edited by Georg-Friedrich-Händel -Gesellschaft e. V. Risinger and Mark. This edition: Complete edition. Linen. Complete edition, Score. HWV 58. Baerenreiter Verlag #BA04025-01. Published by Baerenreiter Verlag (BA.BA04025-01).

ISBN 9790006443222. 33 x 26 cm inches. Text Language: English.

Handelâ?? s â??Semeleâ?, which premiered in February 1744, is based on an adapted version of William Congreveâ??s opera libretto titled â??The Story of Semeleâ?, originally published in 1706. However, neither Handel nor his librettist referred to â??Semeleâ? as an opera or an oratorio, which, according to the understanding at the time, would have required a biblical and/or Christian subject matter. Contemporary audiences also disagreed on the genre. The problematic classification as an oratorio has persisted into the present day, likely due to the edition labeled as such by Chrysander. The â??Halle Handel Editionâ? (HHA) distances itself from this classification and, considering the available sources, refrains from assigning a genre label.

Congreve deviates from the mythological source multiple times in order to create tensions among the characters. The desired marriage between Semele and Athamas, whom she does not love, is an addition by Congreve to provoke the envy of her sister Ino, who desires Athamas herself. Therefore, Ino sees her own advantage in Semeleâ??s abduction by Jupiter. While Jupiterâ??s wife Juno decides to destroy Semele out of jealousy for his relationship with her, Jupiter brings Ino to his palace to console Semele. The vengeful Juno takes advantage of Inoâ??s presence and transforms into her likeness, persuading Semele to carry out a plan that later proves fatal. In the end, Ino emerges as the winner, as she is able to convince their father, Cadmus, to marry her to Athamas. The appearance of Apollo in the final scene to announce that Semeleâ??s immortal son Bacchus was saved from her ashes provides little consolation. However, this twist allows the drama to conclude with exuberant joy and a magnificent final chorus after the tragic scenes in the third act, culminating in the death of the protagonist.

Hande lâ??s autograph score shows significant deviations from and numerous revisions of the original version premiered. All surviving early versions, the musical movements deleted before the premiere, and the version of the December 1744, are given in the appendix to the HHA.

Composed by Johann Sebastian Bach (1685-1750). Edited by Robert Moreen; George S. Bozarth; Paul Brainard. For voice/mixed choir/orchestra. This edition: Complete edition, Urtext edition. Half-leather binding. New Bach Edition. Series I, Volume 16. Score, anthology. Published by Baerenreiter Verlag

Composed by Johannes Brahms (1833-1897). Edited by Rainer Boss. This edition: urtext. Stuttgart Urtext Edition: Urtext Editions; Carus sheet music series: Vocal scores XL. Brahms: Schicksalslied (Text: Holderlin). Sacred vocal music. Choral score. Composed 1871. Op. 54. 8 pages. Duration 16 minutes. Carus Verlag #CV 10.399/05. Published by Carus Verlag (CA.1039905).

SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, basso continuo

SKU: CA.3116803

Cantata for the 9th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Tue Rechnung, Donnerwort. Sacred vocal music, Cantatas, Trinity. Vocal score. Composed 1725. BWV 168. 24 pages. Duration 17 minutes. Carus Verlag #CV 31.168/03. Published by Carus Verlag (CA.3116803).

ISBN 9790007166724. Language: German/English. Text: Franck, Salomo. Text by Salomo Franck.

The text of Bach's cantata Tue Rechnung! Donnerwort was published in 1715, that is during Bach's Weimar period, in the Evangelisches Andachts-Opffer by Salomon Frank. This concisely-written but powerful work was, however, only composed ten years later in Leipzig, and was heard for the first time on 29 July 1725, the 9th Sunday after Trinity. Its main dramatic-musical emphasis lies clearly in the first movement, a dark, almost operatic movement for baritone and string orchestra in B minor. By contrast, the ensuing aria for tenor with obbligato oboe accompaniment is distinctly more intimate, and the duet between soprano and alto - just accompanied by continuo - is more restrained in its musical language and expression than the first movement. In between there are two extended recitatives, the first of which leads into an arioso. The breadth of expression within the cantata is striking, its opening movement a masterpiece of Bach's dramatic writing. Score available separately - see item CA.3116800.

Orchestra SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3116807

Cantata for the 9th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Trinity. Study score. Composed 1725. BWV 168. 28 pages. Duration 17 minutes. Carus Verlag #CV 31.168/07. Published by Carus Verlag (CA.3116807).

ISBN 9790007242220. Language: German/English. Text: Franck, Salomo.

The text of Bach's cantata Tue Rechnung! Donnerwort was published in 1715, that is during Bach's Weimar period, in the Evangelisches Andachts-Opffer by Salomon Frank. This concisely-written but powerful work was, however, only composed ten years later in Leipzig, and was heard for the first time on 29 July 1725, the 9th Sunday after Trinity. Its main dramatic-musical emphasis lies clearly in the first movement, a dark, almost operatic movement for baritone and string orchestra in B minor. By contrast, the ensuing aria for tenor with obbligato oboe accompaniment is distinctly more intimate, and the duet between soprano and alto - just accompanied by continuo - is more restrained in its musical language and expression than the first movement. In between there are two extended recitatives, the first of which leads into an arioso. The breadth of expression within the cantata is striking, its opening movement a masterpiece of Bach's dramatic writing. Score available separately - see item CA.3116800.

SATB vocal soli, SATB choir, 2 violins, basso continuo, [3 trombones] - Level 3

SKU: CA.4062919

Composed by Wolfgang Amadeus Mozart. Edited by Bernhard Janz. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa Brevis In B Kv 275 Rev.2000. Innovative practice aids, Sacred vocal music, Masses, Latin, Missa brevis in Latin. Set of Orchestra Parts. Composed 1777. KV 275 (272b). Duration 24 minutes. Carus Verlag #CV 40.629/19. Published by Carus Verlag (CA.4062919).

ISBN 9790007138103. Key: B flat major. Language: Latin.

To a greater extent than almost any others, Mozart's Masses combine a very high degree of artistic accomplishment and tonal beauty with fulfilment of the demands made by the Liturgy. Even the textually expansive movements Gloria and Credo are, in most of Mozart's Masses, short enough to meet the requirements of a festive service, today as in his time. The choral parts are not too difficult for well-trained amateur singers. Score and parts available separately - see item CA.4062900.

SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, basso continuo

SKU: CA.3116819

Cantata for the 9th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Tue Rechnung, Donnerwort. Sacred vocal music, Cantatas, Trinity. Set of Orchestra Parts. Composed 1725. BWV 168. Duration 17 minutes. Carus Verlag #CV 31.168/19. Published by Carus Verlag (CA.3116819).

ISBN 9790007166786. Language: German/English. Text: Franck, Salomo. Text by Salomo Franck.

The text of Bach's cantata Tue Rechnung! Donnerwort was published in 1715, that is during Bach's Weimar period, in the Evangelisches Andachts-Opffer by Salomon Frank. This concisely-written but powerful work was, however, only composed ten years later in Leipzig, and was heard for the first time on 29 July 1725, the 9th Sunday after Trinity. Its main dramatic-musical emphasis lies clearly in the first movement, a dark, almost operatic movement for baritone and string orchestra in B minor. By contrast, the ensuing aria for tenor with obbligato oboe accompaniment is distinctly more intimate, and the duet between soprano and alto - just accompanied by continuo - is more restrained in its musical language and expression than the first movement. In between there are two extended recitatives, the first of which leads into an arioso. The breadth of expression within the cantata is striking, its opening movement a masterpiece of Bach's dramatic writing. Score and parts available separately - see item CA.3116800.

(0.0.0.0/0.2.0.0,timp,str )

SKU: TM.09096SC

Composed by Henry Purcell. Score. Lucks Music Library #A4038. Published by Lucks Music Library (TM.09096SC).

The Fairy Queen, Indian Queen, Ode: Who from Joy can Refrain.