(Weihnachtsmesse). Composed by Giovanni Ristori Giovanni Ristori. Edited by Christoph Koop. For SATB vocal soli, SATB choir, 2 oboes, 2 horn da caccia, 2 trumpets, 2 violins, viola, basso continuo (timpani). This edition: Paperbound. Score available separately - see item CA.2704400. Latin Masses, Christmas. Vocal score. Language: Latin. 72 pages. Duration 36 minutes. Published by Carus Verlag

By Johann Sebastian Bach (1685-1750). Edited by Klaus Hofmann. For vocal soli, SATB/SATB choir, soprano voice in ripieno (Cantus-firmus-Chor fur Sopran), 2 orchestras - I: 2 recorders, 2 flutes, 2 oboes (2 oboe d'amore, 2 oboe d'caccia/english horn), viola da gamba, 2 violins, viola, basso continuo (cello, violone/double. This edition: Clothbound edition. Stuttgart Urtext editions. Passions, Lent and Passiontide. Full score (clothbound edition). Language: German/English. BWV 244. 296 pages. Duration 175 min. Published by Carus Verlag

Solo soprano voice, solo alto voice, solo tenor voice, solo bass voice, Mixed choir-SATB, orchestra (Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Orchestra) - Level 5

SKU: BA.BA09594

Composed by Jan Dismas Zelenka. Edited by Václav Luks. This edition: urtext edition. Paperback. Barenreiter Urtext. Score. ZWV 12. Baerenreiter Verlag #BA09594_00. Published by Baerenreiter Verlag (BA.BA09594).

ISBN 9790260107526. 31 x 24.3 cm inches. Text language: Czech, English, German. Preface: Stockigt, Janice B. / Luks, Václav.

The â??Missa Divi Xaveriiâ? ZWV 12, an expansive and unusually richly scored work, marks a highlight in the uvre of Jan Dismas Zelenka (1679-1745). It was composed in 1729 while he was working at the Dresden court.

The principal source of this first edition is the damaged autograph score which had long been kept under lock and key. Passages missing because of its damaged condition have been supplemented using secondary sources or reconstructed by Václav Luks, clearly marked as such in the musical text.

The first performance to use the present new edition took place in the summer of 2014, when it was performed at the Utrecht Early Music Festival. A CD recording by Collegium 1704, conducted by Václav Luks, has been released by the label Accent (ACC 24301).

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SATB vocal soli, SATB choir, 2 recorders f1, oboe d'caccia, 2 violins, viola, basso continuo

SKU: CA.3101305

Cantata for the 2nd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Julia Doht. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Meine Seufzer, meine Tranen. Sacred vocal music, Epiphany. Choral Score. Composed 1726. BWV 13. 2 pages. Duration 21 minutes. Carus Verlag #CV 31.013/05. Published by Carus Verlag (CA.3101305).

ISBN 9790007102944. Language: German/English.

Bac h's cantata BWV 13 (from the third cycle of Leipzig cantatas) was first performed on the 2nd Sunday after Epiphany in 1726. This work is marked especially by its scoring, unusual in Bach's church music, in which the strings are joined by two recorders and an oboe da caccia: these wind instruments are used to convey the dominant affections of sighing and pain in the individual arias. In accordance with the intimate character of this cantata the four-part vocal ensemble is used only in the chorale at the end of the work. Score available separately - see item CA.3101300.

SATB vocal soli, SATB choir, 2 recorders f1, oboe d'caccia, 2 violins, viola, basso continuo

SKU: CA.3101319

Cantata for the 2nd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Julia Doht. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Meine Seufzer, meine Tranen. Sacred vocal music, Epiphany. Set of Orchestra Parts. Composed 1726. BWV 13. Duration 21 minutes. Carus Verlag #CV 31.013/19. Published by Carus Verlag (CA.3101319).

ISBN 9790007138950. Language: German/English.

Bac h's cantata BWV 13 (from the third cycle of Leipzig cantatas) was first performed on the 2nd Sunday after Epiphany in 1726. This work is marked especially by its scoring, unusual in Bach's church music, in which the strings are joined by two recorders and an oboe da caccia: these wind instruments are used to convey the dominant affections of sighing and pain in the individual arias. In accordance with the intimate character of this cantata the four-part vocal ensemble is used only in the chorale at the end of the work. Score and parts available separately - see item CA.3101300.

SATB vocal soli, SATB choir, 2 recorders f1, oboe I/oboe d'caccia i, oboe II, oboe IIi/oboe d'caccia II, 4 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3111919

Cantata for the inauguration of town councils in Leipzig. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Preise, Jerusalem Neuausgabe U.Wolf. Sacred vocal music, Cantatas, Psalms, German, Praise and thanks. Set of Orchestra Parts. Composed 1723. BWV 119. Duration 27 minutes. Carus Verlag #CV 31.119/19. Published by Carus Verlag (CA.3111919).

ISBN 9790007136673. Key: C major. Language: German/English. Text: Goes, Albrecht. Text: Albrecht Goes.

Bach's first cantata for the election of the Leipzig town council, composed in August 1723, is one of his most splendidly scored work from his Leipzig period. The choice of opening, with the representative form of a French overture, was suited to a festive orchestral scoring. Two choral movements frame a middle section which consists of two arias and a recitativo accompagnato with a trumpet ritornello. The conclusion of this extended festive music takes a reflective turn in movements 8 and 9, when Bach allows a recitative to be followed by simple, prayer-like chorale movement. Score and parts available separately - see item CA.3111900.

SATB vocal soli, SATB choir, 2 recorders f1, oboe I/oboe d'caccia i, oboe II, oboe IIi/oboe d'caccia II, 4 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3111913

Cantata for the inauguration of town councils in Leipzig. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Preise, Jerusalem Neuausgabe U.Wolf. Sacred vocal music, Cantatas, Psalms, German, Praise and thanks. Single Part, Viola. Composed 1723. BWV 119. 4 pages. Duration 27 minutes. Carus Verlag #CV 31.119/13. Published by Carus Verlag (CA.3111913).

ISBN 9790007048778. Key: C major. Language: German/English. Text: Goes, Albrecht. Text: Albrecht Goes.

Bach's first cantata for the election of the Leipzig town council, composed in August 1723, is one of his most splendidly scored work from his Leipzig period. The choice of opening, with the representative form of a French overture, was suited to a festive orchestral scoring. Two choral movements frame a middle section which consists of two arias and a recitativo accompagnato with a trumpet ritornello. The conclusion of this extended festive music takes a reflective turn in movements 8 and 9, when Bach allows a recitative to be followed by simple, prayer-like chorale movement. Score and part available separately - see item CA.3111900.

SATB vocal soli, SATB choir, 2 recorders f1, oboe I/oboe d'caccia i, oboe II, oboe IIi/oboe d'caccia II, 4 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3111911

Cantata for the inauguration of town councils in Leipzig. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Preise, Jerusalem Neuausgabe U.Wolf. Sacred vocal music, Cantatas, Psalms, German, Praise and thanks. Single Part, Violin 1. Composed 1723. BWV 119. 4 pages. Duration 27 minutes. Carus Verlag #CV 31.119/11. Published by Carus Verlag (CA.3111911).

ISBN 9790007048754. Key: C major. Language: German/English. Text: Goes, Albrecht. Text: Albrecht Goes.

Bach's first cantata for the election of the Leipzig town council, composed in August 1723, is one of his most splendidly scored work from his Leipzig period. The choice of opening, with the representative form of a French overture, was suited to a festive orchestral scoring. Two choral movements frame a middle section which consists of two arias and a recitativo accompagnato with a trumpet ritornello. The conclusion of this extended festive music takes a reflective turn in movements 8 and 9, when Bach allows a recitative to be followed by simple, prayer-like chorale movement. Score and part available separately - see item CA.3111900.

SATB vocal soli, SATB choir, 2 recorders f1, oboe I/oboe d'caccia i, oboe II, oboe IIi/oboe d'caccia II, 4 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3111905

Cantata for the inauguration of town councils in Leipzig. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Preise, Jerusalem Neuausgabe U.Wolf. Sacred vocal music, Cantatas, Psalms, German, Praise and thanks. Choral Score. Composed 1723. BWV 119. 8 pages. Duration 27 minutes. Carus Verlag #CV 31.119/05. Published by Carus Verlag (CA.3111905).

ISBN 9790007048730. Key: C major. Language: German/English. Text: Goes, Albrecht. Text: Albrecht Goes.

Bach's first cantata for the election of the Leipzig town council, composed in August 1723, is one of his most splendidly scored work from his Leipzig period. The choice of opening, with the representative form of a French overture, was suited to a festive orchestral scoring. Two choral movements frame a middle section which consists of two arias and a recitativo accompagnato with a trumpet ritornello. The conclusion of this extended festive music takes a reflective turn in movements 8 and 9, when Bach allows a recitative to be followed by simple, prayer-like chorale movement. Score available separately - see item CA.3111900.

SATB vocal soli, SATB choir, 2 recorders f1, oboe I/oboe d'caccia i, oboe II, oboe IIi/oboe d'caccia II, 4 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3111909

Cantata for the inauguration of town councils in Leipzig. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. 2x 31.119/21 2 flutes, 1x 31.119/22 oboe 1, 1x 31.119/23 oboe 2, 1x 31.119/24 oboe 3, 5x 31.119/31 trumpet/timpani. Stuttgart Urtext Edition: Bach vocal. Preise, Jerusalem Neuausgabe U.Wolf. Sacred vocal music, Cantatas, Psalms, German, Praise and thanks. Set of Orchestra Parts. Composed 1723. BWV 119. 36 pages. Duration 27 minutes. Carus Verlag #CV 31.119/09. Published by Carus Verlag (CA.3111909).

ISBN 9790007048747. Key: C major. Language: German/English. Text: Goes, Albrecht. Text: Albrecht Goes.

Bach's first cantata for the election of the Leipzig town council, composed in August 1723, is one of his most splendidly scored work from his Leipzig period. The choice of opening, with the representative form of a French overture, was suited to a festive orchestral scoring. Two choral movements frame a middle section which consists of two arias and a recitativo accompagnato with a trumpet ritornello. The conclusion of this extended festive music takes a reflective turn in movements 8 and 9, when Bach allows a recitative to be followed by simple, prayer-like chorale movement. Score and parts available separately - see item CA.3111900.

SATB vocal soli, SATB choir, 2 recorders f1, oboe I/oboe d'caccia i, oboe II, oboe IIi/oboe d'caccia II, 4 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3111912

Cantata for the inauguration of town councils in Leipzig. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Preise, Jerusalem Neuausgabe U.Wolf. Sacred vocal music, Cantatas, Psalms, German, Praise and thanks. Single Part, Violin 2. Composed 1723. BWV 119. 4 pages. Duration 27 minutes. Carus Verlag #CV 31.119/12. Published by Carus Verlag (CA.3111912).

ISBN 9790007048761. Key: C major. Language: German/English. Text: Goes, Albrecht. Text: Albrecht Goes.

Bach's first cantata for the election of the Leipzig town council, composed in August 1723, is one of his most splendidly scored work from his Leipzig period. The choice of opening, with the representative form of a French overture, was suited to a festive orchestral scoring. Two choral movements frame a middle section which consists of two arias and a recitativo accompagnato with a trumpet ritornello. The conclusion of this extended festive music takes a reflective turn in movements 8 and 9, when Bach allows a recitative to be followed by simple, prayer-like chorale movement. Score and part available separately - see item CA.3111900.

SATB vocal soli, SATB choir, 2 recorders f1, oboe I/oboe d'caccia i, oboe II, oboe IIi/oboe d'caccia II, 4 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3111914

Cantata for the inauguration of town councils in Leipzig. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Preise, Jerusalem Neuausgabe U.Wolf. Sacred vocal music, Cantatas, Psalms, German, Praise and thanks. Single Part, Cello/Double Bass. Composed 1723. BWV 119. 12 pages. Duration 27 minutes. Carus Verlag #CV 31.119/14. Published by Carus Verlag (CA.3111914).

ISBN 9790007048785. Key: C major. Language: German/English. Text: Goes, Albrecht. Text: Albrecht Goes.

Bach's first cantata for the election of the Leipzig town council, composed in August 1723, is one of his most splendidly scored work from his Leipzig period. The choice of opening, with the representative form of a French overture, was suited to a festive orchestral scoring. Two choral movements frame a middle section which consists of two arias and a recitativo accompagnato with a trumpet ritornello. The conclusion of this extended festive music takes a reflective turn in movements 8 and 9, when Bach allows a recitative to be followed by simple, prayer-like chorale movement. Score and part available separately - see item CA.3111900.

(Kantate zum Ratswechsel in Leipzig). By Johann Sebastian Bach (1685-1750). Edited by Uwe Wolf. For SATB vocal soli, SATB choir, 2 recorders f1, oboe I/oboe d'caccia I, oboe II, oboe III/oboe d'caccia II, 4 trumpets, timpani, 2 violins, viola, basso continuo. C-Dur (C major). Stuttgart Urtext editions. Score available separately - see item CA.3111900. Cantatas, Psalms, German, Praise and thanks, Daily hours. Part: organ. Language: German. Composed 1723. BWV 119. 16 pages. Duration 27 min. Published by Carus Verlag

(Cantata for the inauguration of town councils in Leipzig). By Johann Sebastian Bach (1685-1750). Edited by Uwe Wolf. For SATB vocal soli, SATB choir, 2 recorders f1, oboe I/oboe d'caccia I, oboe II, oboe III/oboe d'caccia II, 4 trumpets, timpani, 2 violins, viola, basso continuo. This edition: Paperbound. C-Dur (C major). Stuttgart Urtext editions. Score available separately - see item CA.3111900. Cantatas, Psalms, German, Praise and thanks, Daily hours. Vocal score. Language: German. Composed 1723. BWV 119. 28 pages. Duration 27 min. Published by Carus Verlag

Soloists, Mixed choir (SATB), Orchestra (Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Orchestra)

SKU: BA.BA11310-90

Composed by Wolfgang Amadeus Mozart. Edited by Michael Ostrzyga. This edition: urtext edition. Paperback. New Completion. Vocal Score. Baerenreiter Verlag #BA11310_90. Published by Baerenreiter Verlag (BA.BA11310-90).

ISBN 9790006569267. 27 x 19 cm inches. Text Language: Latin.

This publication offers a source-critical edition of Mozartâ??s fragmentary â??Requiemâ? as well as an alternative to the traditional SüÃ?mayr version. It makes it possible to perform 1) the fragment, identified in print in both the score and the parts, 2) the authentic sections left incomplete by Mozart, now in a stylistically appropriate orchestration, and 3) those sections missing entirely in the fragment, newly added in Mozartâ??s idiom taking into account historical additions by SüÃ?mayr and Eybler.

When completing the fragment, the editor drew on comprehensive comparative and analytical studies of Mozartâ??s church style and compositional workmanship. The influence of Handel and Bach manifested in his final years, particularly in the â??Requiemâ? fragment, is taken into account in those sections requiring completion or fresh composition.

At two points readers may choose between alternative movements (or sections), since proceeding from SüÃ?mayrâ??s historical version, two divergent options cannot be weighed against each other but each one may well reflect Mozartâ??s intentions: the â??Lacrimosaâ? may end with or without â??Amenâ? fugue, and the â??Sanctusâ? may begin in the customary D major or in D minor. Above all, this makes it possible to retain the B-flat major â??Hosannaâ? from SüÃ?mayrâ??s autograph, a movement which, until now, has not been appreciated as compositionally flawless.

â?¢ Scholarly-critical edition of the â??Requiemâ? fragment
â?¢ With performance material for presentation of
1) the fragment,
2) a version with completions of the authentic Mozart sections or
3) a full completion consistent with Mozartâ??s musical idiom
â?¢ Missing sections were completed by drawing from other fragmentary sacred works by Mozart
â?¢ Added or completed sections incorporate influences from Bach and Handel already detectable in the fragment
â?¢ Alternative performance options for the â??Lacrimosaâ?, â??Sanctusâ? and â??Benedictusâ?
â ?¢ Easy-to-play piano reduction
â?¢ Extensive foreword (Ger/Eng) on the workâ??s history, reception and modern completions, with analytical stylistic critique
� Detailed Critical Commentary (Eng), partly available on the Bärenreiter website
â?¢ Tried and tested on many occasions, e.g. at Harvard University, the Rheingau Music Festival, the Monadnock Music Festival (New Hampshire), in Salt Lake City (Utah), as well as in radio broadcasts (NDR, SWR, WDR) and CD recordings with Concerto Köln, Chorwerk Ruhr and Florian Helgath (â??Le Disque classique du jourâ? from francemusique.fr and three nominations for Opus Klassik 2021 in the categories â??Ensembleâ?, â??Choral Recordingâ? and â??Editorial Achievementâ?)

You will find a detailed brochure on the new completion of Mozart's Requiem here.

SATB vocal soli, SATB choir, 2 oboes, 2 horn da caccia, 2 trumpets, 2 violins, viola, basso continuo (timpani)

SKU: CA.2704411

Weihnachtsmesse. Composed by Giovanni Alberto Ristori. Edited by Christoph Koop. Messa Per Il Sanctissimo Natale. Sacred vocal music, Masses, Latin, Christmas. Single Part, Violin 1. 20 pages. Duration 36 minutes. Carus Verlag #CV 27.044/11. Published by Carus Verlag (CA.2704411).

ISBN 9790007199333. Language: Latin.

Following the Carus recording (Carus 83.169) of Ristori's Mass for the most holy birth of our Lord, this important discovery among the music of the Dresden Court is now presented in a critical edition. Its festive character is marked by a polished instrumentation, powerful choruses and highly expressive solo parts. Score and part available separately - see item CA.2704400.

SATB vocal soli, SATB choir, 2 oboes, 2 horn da caccia, 2 trumpets, 2 violins, viola, basso continuo (timpani)

SKU: CA.2704413

Weihnachtsmesse. Composed by Giovanni Alberto Ristori. Edited by Christoph Koop. Messa Per Il Sanctissimo Natale. Sacred vocal music, Masses, Latin, Christmas. Single Part, Viola. 16 pages. Duration 36 minutes. Carus Verlag #CV 27.044/13. Published by Carus Verlag (CA.2704413).

ISBN 9790007199357. Language: Latin.

Following the Carus recording (Carus 83.169) of Ristori's Mass for the most holy birth of our Lord, this important discovery among the music of the Dresden Court is now presented in a critical edition. Its festive character is marked by a polished instrumentation, powerful choruses and highly expressive solo parts. Score and part available separately - see item CA.2704400.

SATB vocal soli, SATB choir, 2 oboes, 2 horn da caccia, 2 trumpets, 2 violins, viola, basso continuo (timpani)

SKU: CA.2704405

Weihnachtsmesse. Composed by Giovanni Alberto Ristori. Edited by Christoph Koop. Messa Per Il Sanctissimo Natale. Sacred vocal music, Masses, Latin, Christmas. Choral Score. Duration 36 minutes. Carus Verlag #CV 27.044/05. Published by Carus Verlag (CA.2704405).

ISBN 9790007129415. Language: Latin.

Following the Carus recording (Carus 83.169) of Ristori's Mass for the most holy birth of our Lord, this important discovery among the music of the Dresden Court is now presented in a critical edition. Its festive character is marked by a polished instrumentation, powerful choruses and highly expressive solo parts. Score available separately - see item CA.2704400.

SATB vocal soli, SATB choir, 2 oboes, 2 horn da caccia, 2 trumpets, 2 violins, viola, basso continuo (timpani)

SKU: CA.2704409

Weihnachtsmesse. Composed by Giovanni Alberto Ristori. Edited by Christoph Koop. 1x 27.044/21 flute 1, 1x 27.044/22 flute 2, 1x 27.044/23 oboe 1, 1x 27.044/24 oboe 2, 2x 27.044/25 Bassoon 1 and 2, 1x 27.044/31 horn 1, 1x 27.044/32 horn 2, 1x 27.044/33 trumpet 1, 1x 27.044/34 trumpet 2, 1x 27.044/41 timpani. Messa Per Il Sanctissimo Natale. Sacred vocal music, Masses, Latin, Christmas. Set of Orchestra Parts. 86 pages. Duration 36 minutes. Carus Verlag #CV 27.044/09. Published by Carus Verlag (CA.2704409).

ISBN 9790007199326. Language: Latin.

Following the Carus recording (Carus 83.169) of Ristori's Mass for the most holy birth of our Lord, this important discovery among the music of the Dresden Court is now presented in a critical edition. Its festive character is marked by a polished instrumentation, powerful choruses and highly expressive solo parts. Score and parts available separately - see item CA.2704400.

SATB vocal soli, SATB choir, 2 oboes, 2 horn da caccia, 2 trumpets, 2 violins, viola, basso continuo (timpani)

SKU: CA.2704414

Weihnachtsmesse. Composed by Giovanni Alberto Ristori. Edited by Christoph Koop. Messa Per Il Sanctissimo Natale. Sacred vocal music, Masses, Latin, Christmas. Single Part, Cello/Double Bass. Composed 1946. 20 pages. Duration 36 minutes. Carus Verlag #CV 27.044/14. Published by Carus Verlag (CA.2704414).

ISBN 9790007199364. Language: Latin.

Following the Carus recording (Carus 83.169) of Ristori's Mass for the most holy birth of our Lord, this important discovery among the music of the Dresden Court is now presented in a critical edition. Its festive character is marked by a polished instrumentation, powerful choruses and highly expressive solo parts. Score and part available separately - see item CA.2704400.

SATB vocal soli, SATB choir, 2 oboes, 2 horn da caccia, 2 trumpets, 2 violins, viola, basso continuo (timpani)

SKU: CA.2704412

Weihnachtsmesse. Composed by Giovanni Alberto Ristori. Edited by Christoph Koop. Messa Per Il Sanctissimo Natale. Sacred vocal music, Masses, Latin, Christmas. Single Part, Violin 2. 20 pages. Duration 36 minutes. Carus Verlag #CV 27.044/12. Published by Carus Verlag (CA.2704412).

ISBN 9790007199340. Language: Latin.

Following the Carus recording (Carus 83.169) of Ristori's Mass for the most holy birth of our Lord, this important discovery among the music of the Dresden Court is now presented in a critical edition. Its festive character is marked by a polished instrumentation, powerful choruses and highly expressive solo parts. Score and part available separately - see item CA.2704400.

SATB vocal soli, SATB choir, 2 oboes, 2 horn da caccia, 2 trumpets, 2 violins, viola, basso continuo (timpani)

SKU: CA.2704449

Weihnachtsmesse. Composed by Giovanni Alberto Ristori. Edited by Christoph Koop. Messa Per Il Sanctissimo Natale. Sacred vocal music, Masses, Latin, Christmas. Single Part, Organ. 24 pages. Duration 36 minutes. Carus Verlag #CV 27.044/49. Published by Carus Verlag (CA.2704449).

ISBN 9790007199388. Language: Latin.

Following the Carus recording (Carus 83.169) of Ristori's Mass for the most holy birth of our Lord, this important discovery among the music of the Dresden Court is now presented in a critical edition. Its festive character is marked by a polished instrumentation, powerful choruses and highly expressive solo parts. Score and part available separately - see item CA.2704400.

Orchestra SATB vocal soli, SATB choir, 2 recorders, 2 oboes, 3 bassoons, 2 horns, 2 trumpets, timpani, 2 (3) violins, 2 violas, cello, basso continuo

SKU: CA.5507549

Ode. Version of the first performance and version of 1751. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Handel. Organ. Innovative practice aids, Sacred vocal music, Oratorios. Single Part, Organ. Composed 1736/1751. HWV 75. 60 pages. Duration 85 minutes. Carus Verlag #CV 55.075/49. Published by Carus Verlag (CA.5507549).

ISBN 9790007171315. Text language: German/English.

For the magnificent opening of the oratorio season at the beginning of 1736 Handel presented a composition which, like hardly any of his other oratorios, gave him the opportunity to display his musical artistry: John Dryden's ode Alexander's Feast or the Power of Music, published in 1696, demonstrates the power of music by the example of the ancient hero, Alexander the Great. From the impressive lament on the death of Darius, the King of Persia, to the boisterous Praise of Bacchus Handel avails himself of the entire breadth of the musical representation of the emotions and the possibilities for expression. In the text by Newburg Hamilton added at the end of work St. Cecilia elevates the events of the ancient heathen story, which Handel expressed in plastic, skillful polyphony. Later, this homage to the patron saint of church music, Handel also present the opportunity to perform the work on St. Cecilia's Day (22 November). For the first time the present new edition is based consistently on Handel's conducting score, which he used for his own performances of the oratorio, thus not only eliminating timeworn errors, but also offering clarity concerning the choruses, the arias and recitatives, actually performed in Handel's concerts, as well as their sequence of performance. The new Carus edition offers two performance versions: the version of the premiere in 1736, as well as a revised version from 1751. Furthermore, the inclusion of the Concerto for Harp HWV 294 (CV 55.294) is also possible; Handel composed this work especially for Alexander's Feast (as an illustration of Timotheus, the ancient poet who played the lyre). For this purpose the edition contains the appropriate alternatives for the sequence of the movements. Score and part available separately - see item CA.5507500.

Orchestra SATB vocal soli, SATB choir, 2 recorders, 2 oboes, 3 bassoons, 2 horns, 2 trumpets, timpani, 2 (3) violins, 2 violas, cello, basso continuo

SKU: CA.5507505

Ode. Version of the first performance and version of 1751. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Handel. Innovative practice aids, Sacred vocal music, Oratorios. Choral Score. Composed 1736/1751. HWV 75. 40 pages. Duration 85 minutes. Carus Verlag #CV 55.075/05. Published by Carus Verlag (CA.5507505).

ISBN 9790007171230. Text language: German/English.

For the magnificent opening of the oratorio season at the beginning of 1736 Handel presented a composition which, like hardly any of his other oratorios, gave him the opportunity to display his musical artistry: John Dryden's ode Alexander's Feast or the Power of Music, published in 1696, demonstrates the power of music by the example of the ancient hero, Alexander the Great. From the impressive lament on the death of Darius, the King of Persia, to the boisterous Praise of Bacchus Handel avails himself of the entire breadth of the musical representation of the emotions and the possibilities for expression. In the text by Newburg Hamilton added at the end of work St. Cecilia elevates the events of the ancient heathen story, which Handel expressed in plastic, skillful polyphony. Later, this homage to the patron saint of church music, Handel also present the opportunity to perform the work on St. Cecilia's Day (22 November). For the first time the present new edition is based consistently on Handel's conducting score, which he used for his own performances of the oratorio, thus not only eliminating timeworn errors, but also offering clarity concerning the choruses, the arias and recitatives, actually performed in Handel's concerts, as well as their sequence of performance. The new Carus edition offers two performance versions: the version of the premiere in 1736, as well as a revised version from 1751. Furthermore, the inclusion of the Concerto for Harp HWV 294 (CV 55.294) is also possible; Handel composed this work especially for Alexander's Feast (as an illustration of Timotheus, the ancient poet who played the lyre). For this purpose the edition contains the appropriate alternatives for the sequence of the movements. Score available separately - see item CA.5507500.

Orchestra SATB vocal soli, SATB choir, 2 recorders, 2 oboes, 3 bassoons, 2 horns, 2 trumpets, timpani, 2 (3) violins, 2 violas, cello, basso continuo

SKU: CA.5507519

Ode. Version of the first performance and version of 1751. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Handel. Complete orchestral parts. Innovative practice aids, Sacred vocal music, Oratorios. Set of Orchestra Parts. Composed 1736/1751. HWV 75. Duration 85 minutes. Carus Verlag #CV 55.075/19. Published by Carus Verlag (CA.5507519).

ISBN 9790007171438. Text language: German/English.

For the magnificent opening of the oratorio season at the beginning of 1736 Handel presented a composition which, like hardly any of his other oratorios, gave him the opportunity to display his musical artistry: John Dryden's ode Alexander's Feast or the Power of Music, published in 1696, demonstrates the power of music by the example of the ancient hero, Alexander the Great. From the impressive lament on the death of Darius, the King of Persia, to the boisterous Praise of Bacchus Handel avails himself of the entire breadth of the musical representation of the emotions and the possibilities for expression. In the text by Newburg Hamilton added at the end of work St. Cecilia elevates the events of the ancient heathen story, which Handel expressed in plastic, skillful polyphony. Later, this homage to the patron saint of church music, Handel also present the opportunity to perform the work on St. Cecilia's Day (22 November). For the first time the present new edition is based consistently on Handel's conducting score, which he used for his own performances of the oratorio, thus not only eliminating timeworn errors, but also offering clarity concerning the choruses, the arias and recitatives, actually performed in Handel's concerts, as well as their sequence of performance. The new Carus edition offers two performance versions: the version of the premiere in 1736, as well as a revised version from 1751. Furthermore, the inclusion of the Concerto for Harp HWV 294 (CV 55.294) is also possible; Handel composed this work especially for Alexander's Feast (as an illustration of Timotheus, the ancient poet who played the lyre). For this purpose the edition contains the appropriate alternatives for the sequence of the movements. Score and parts available separately - see item CA.5507500.

Orchestra SATB vocal soli, SATB choir, 2 recorders, 2 oboes, 3 bassoons, 2 horns, 2 trumpets, timpani, 2 (3) violins, 2 violas, cello, basso continuo

SKU: CA.5507509

Ode. Version of the first performance and version of 1751. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. 2x 55.075/21 2 flutes, 1x 55.075/22 oboe 1, 1x 55.075/23 oboe 2, 3x 55.075/24 3 bassoons, 2x 55.075/31 2 horns, 3x 55.075/32 2 trumpets, 3x 55.075/32 2 trumpets, 3x 55.075/32 2 trumpets, 3x 55.075/32 2 trumpets. Stuttgart Urtext Edition: Handel. Harmony parts. Innovative practice aids, Sacred vocal music, Oratorios. Set of Orchestra Parts. Composed 1736/1751. HWV 75. Duration 85 minutes. Carus Verlag #CV 55.075/09. Published by Carus Verlag (CA.5507509).

ISBN 9790007226794. Text language: German/English.

For the magnificent opening of the oratorio season at the beginning of 1736 Handel presented a composition which, like hardly any of his other oratorios, gave him the opportunity to display his musical artistry: John Dryden's ode Alexander's Feast or the Power of Music, published in 1696, demonstrates the power of music by the example of the ancient hero, Alexander the Great. From the impressive lament on the death of Darius, the King of Persia, to the boisterous Praise of Bacchus Handel avails himself of the entire breadth of the musical representation of the emotions and the possibilities for expression. In the text by Newburg Hamilton added at the end of work St. Cecilia elevates the events of the ancient heathen story, which Handel expressed in plastic, skillful polyphony. Later, this homage to the patron saint of church music, Handel also present the opportunity to perform the work on St. Cecilia's Day (22 November). For the first time the present new edition is based consistently on Handel's conducting score, which he used for his own performances of the oratorio, thus not only eliminating timeworn errors, but also offering clarity concerning the choruses, the arias and recitatives, actually performed in Handel's concerts, as well as their sequence of performance. The new Carus edition offers two performance versions: the version of the premiere in 1736, as well as a revised version from 1751. Furthermore, the inclusion of the Concerto for Harp HWV 294 (CV 55.294) is also possible; Handel composed this work especially for Alexander's Feast (as an illustration of Timotheus, the ancient poet who played the lyre). For this purpose the edition contains the appropriate alternatives for the sequence of the movements. Score and parts available separately - see item CA.5507500.

Soloists, Choir, Orchestra (7Sg-S-solo,5Sg-T-solo,4S g-B-solo,Mixed Choir-SATB,2Fl-picc,2Fl,2 Ob,Muset,2bassoon,2Trp,ti mp.,2V,Va,Vc,Bc)

SKU: BA.BA08860-01

Ballet héroïque with a prologue and four acts. Composed by Jean-Philippe Rameau. Edited by Sylvie Bouissou. This edition: complete edition, urtext edition. Linen. Jean-Philippe Rameau. Opera Omnia (OOR) IV/2+7. Version 1736. Complete edition, Score. RCT 44. Baerenreiter Verlag #BA08860_01. Published by Baerenreiter Verlag (BA.BA08860-01).

ISBN 9790006558131. 33.5 x 25.5 cm inches. Text Language: French. Preface: Sylvie Bouissou. Text: Louis Fuzelier.

The main body of the new edition of Les Indes galantes, published in Opera Omnia Rameau (OOR IV.2, 7), restores the version authorised by Rameau in 1736. This basic editorial decision has made it possible to present a fully coherent and authenticated reading of the work (after the adjustments from the earliest performances). All other versions before and after 1736 are gathered together in 19 complements.

Sylvi e Bouissou's new edition differs markedly from previous modern editions and all existing recordings. With its complements she does justice to the performer's need for Rameau's various revisions while finally making accessible a version actually authorised by Rameau. For the first time it is presented in its complete stylistic and dramatic context.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding