(Soli,Ch,Orch)

SKU: BA.BA05938-01

Composed by Johann Sebastian Bach. Edited by Manuel Bärwald. This edition: Edition of selected works, Urtext edition. Linen. Johann Sebastian Bach. Neue Ausgabe samtlicher Werke. Revidierte Edition (NBArev) 6. Edition of selected works, Score. Composed 1725. BWV 245. Baerenreiter Verlag #BA05938_01. Published by Baerenreiter Verlag (BA.BA05938-01).

ISBN 9790006556335. 33 x 26.2 cm inches. Language: German. Preface: Barwald, Manuel.

The St. John Passion, Bach's first passion oratorio, can hardly be understood asonework. Between 1724 and 1750 the work was performed at least four times in various Leipzig churches under the composer's direction and for every one of these occasions it was revised - sometimes quite substantially.

Thi s edition presents the St. John Passion in its second version of 1725, of which only excerpts were rendered in the New Bach Edition volume II/4 (1973). This version as well as the last one of 1749 constitute the two versions that have come down to us almost in their entirety.

Most recently found sources - in particular the libretto print of the passion rediscovered in 2015 - are taken into consideration in this edition for the first time.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Solo tenor voice (Evangelist), solo bass voice (Jesus), SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, viola da gamba, basso continuo

SKU: CA.3124582

Version IV. Composed by Johann Sebastian Bach. Edited by Peter Wollny. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Johannespassion 1749. Innovative practice aids, Sacred vocal music, Oratorios, Passions, Lent and Passiontide. Single Part, Laute. Composed 1749. BWV 245. 4 pages. Duration 120 minutes. Carus Verlag #CV 31.245/82. Published by Carus Verlag (CA.3124582).

ISBN 9790007211448. Language: German/English.

Wit h the unfinished revision (1739) as an appendix. The St. John Passion ranks among the great vocal works from Bach's Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined readings from various layers of sources. The wish often expressed by conductors to perform an authentic version is made possible for the first time with the present edition in this fourth and final version which was performed under Bach's direction in 1749. At the same time, with the aid of the appendix it is possible to perform the work in the traditional mixed version.. Score and part available separately - see item CA.3124500.

Solo tenor voice (Evangelist), solo bass voice (Jesus), SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, viola da gamba, basso continuo

SKU: CA.3124581

Version IV. Composed by Johann Sebastian Bach. Edited by Peter Wollny. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Johannespassion 1749. Innovative practice aids, Sacred vocal music, Oratorios, Passions, Lent and Passiontide. Single Part, 2 Violen d'amore. Composed 1749. BWV 245. 8 pages. Duration 120 minutes. Carus Verlag #CV 31.245/81. Published by Carus Verlag (CA.3124581).

ISBN 9790007211431. Language: German/English.

Wit h the unfinished revision (1739) as an appendix. The St. John Passion ranks among the great vocal works from Bach's Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined readings from various layers of sources. The wish often expressed by conductors to perform an authentic version is made possible for the first time with the present edition in this fourth and final version which was performed under Bach's direction in 1749. At the same time, with the aid of the appendix it is possible to perform the work in the traditional mixed version.. Score and part available separately - see item CA.3124500.

SATB vocal soli, SATB choir, 2 oboes d'amore, ctto, 2 violins, viola, basso continuo

SKU: CA.3113309

Cantata for the 3rd day of Christmas. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Paul Horn. This edition: urtext. 1x 31.133/21 oboe d'amore 1, 1x 31.133/22 oboe d'amore 2, 1x 31.133/31 cornett. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Christmas. Set of Orchestra Parts. Composed 1724. BWV 133. Duration 20 minutes. Carus Verlag #CV 31.133/09. Published by Carus Verlag (CA.3113309).

ISBN 9790007207977. Language: German.

The cantata Ich freue mich in dir was first performed during Bach's second year as Thomaskantor, on the 3rd day of Christmas, and belongs to the so-called annual cycle of chorale cantatas. Here the focus of the composition is the hymn of the same name by Philipp Ziegler, in which the first and final strophes were adopted, word for word, in the first and sixth movements of the cantata. The soprano, which carries the chorale, is supported by the conrnett (Zink), which already at this time had become a seldom-used instrument. The joyful, lively choral movement with instrumental interludes directly follows the first aria, and begins with a marked, ascending motive at the word Getrost! (safely). The oboes d'amore which accompany the alto lend the movement a special color. In the second aria (for soprano), Bach again shows himself to be the master of text interpretation. The words Wie lieblich klingt es in den Ohren are emphasized in an exchange between open strings and sixteenth note figures. Score and parts available separately - see item CA.3113300.

SATB vocal soli, SATB choir, 2 oboes d'amore, ctto, 2 violins, viola, basso continuo

SKU: CA.3113319

Cantata for the 3rd day of Christmas. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Christmas. Set of Orchestra Parts. Composed 1724. BWV 133. 152 pages. Duration 20 minutes. Carus Verlag #CV 31.133/19. Published by Carus Verlag (CA.3113319).

ISBN 9790007141127. Language: German.

The cantata Ich freue mich in dir was first performed during Bach's second year as Thomaskantor, on the 3rd day of Christmas, and belongs to the so-called annual cycle of chorale cantatas. Here the focus of the composition is the hymn of the same name by Philipp Ziegler, in which the first and final strophes were adopted, word for word, in the first and sixth movements of the cantata. The soprano, which carries the chorale, is supported by the conrnett (Zink), which already at this time had become a seldom-used instrument. The joyful, lively choral movement with instrumental interludes directly follows the first aria, and begins with a marked, ascending motive at the word Getrost! (safely). The oboes d'amore which accompany the alto lend the movement a special color. In the second aria (for soprano), Bach again shows himself to be the master of text interpretation. The words Wie lieblich klingt es in den Ohren are emphasized in an exchange between open strings and sixteenth note figures. Score and parts available separately - see item CA.3113300.

SATB vocal soli, SATB choir, 2 oboes d'amore, cornetto, 2 violins, viola, basso continuo

SKU: CA.3113300

Cantata for the 3rd day of Christmas. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Christmas. Full score. Composed 1724. BWV 133. 36 pages. Duration 20 minutes. Carus Verlag #CV 31.133/00. Published by Carus Verlag (CA.3113300).

ISBN 9790007097486. Language: German.

The cantata Ich freue mich in dir was first performed during Bach's second year as Thomaskantor, on the 3rd day of Christmas, and belongs to the so-called annual cycle of chorale cantatas. Here the focus of the composition is the hymn of the same name by Philipp Ziegler, in which the first and final strophes were adopted, word for word, in the first and sixth movements of the cantata. The soprano, which carries the chorale, is supported by the conrnett (Zink), which already at this time had become a seldom-used instrument. The joyful, lively choral movement with instrumental interludes directly follows the first aria, and begins with a marked, ascending motive at the word Getrost! (safely). The oboes d'amore which accompany the alto lend the movement a special color. In the second aria (for soprano), Bach again shows himself to be the master of text interpretation. The words Wie lieblich klingt es in den Ohren are emphasized in an exchange between open strings and sixteenth note figures.

SATB vocal soli, SATB choir, 2 oboes d'amore, ctto, 2 violins, viola, basso continuo

SKU: CA.3113349

Cantata for the 3rd day of Christmas. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Christmas. Single Part, Organ. Composed 1724. BWV 133. 16 pages. Duration 20 minutes. Carus Verlag #CV 31.133/49. Published by Carus Verlag (CA.3113349).

ISBN 9790007207984. Language: German.

The cantata Ich freue mich in dir was first performed during Bach's second year as Thomaskantor, on the 3rd day of Christmas, and belongs to the so-called annual cycle of chorale cantatas. Here the focus of the composition is the hymn of the same name by Philipp Ziegler, in which the first and final strophes were adopted, word for word, in the first and sixth movements of the cantata. The soprano, which carries the chorale, is supported by the conrnett (Zink), which already at this time had become a seldom-used instrument. The joyful, lively choral movement with instrumental interludes directly follows the first aria, and begins with a marked, ascending motive at the word Getrost! (safely). The oboes d'amore which accompany the alto lend the movement a special color. In the second aria (for soprano), Bach again shows himself to be the master of text interpretation. The words Wie lieblich klingt es in den Ohren are emphasized in an exchange between open strings and sixteenth note figures. Score and part available separately - see item CA.3113300.

Orchestra SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3103607

Cantata for the 1st Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Advent, Christmas. Study score. Composed 1731. BWV 36. 52 pages. Duration 31 minutes. Carus Verlag #CV 31.036/07. Published by Carus Verlag (CA.3103607).

ISBN 9790007244910. Language: German/English.

Bac h's well-known church cantata Schwingt freudig euch empor BWV 36 (Up joyous raise your song), first heard in its final version on First Advent Sunday in 1731 at the Leipzig Nikolaikirche, can be traced back to a secular birthday cantata from 1725. The text is now revised to render the events of Advent - the rejoicing of the opening chorus, the loving veneration and the warm-hearted welcome of the three solo arias retained from the original cantata now all apply to the Messiah, who, as once in Jerusalem, should find a place in the hearts of the faithful. However, their unmistakeable Advent character derives from the fact that Bach contrasts the four festive settings from the secular cantata with three strophes from Luther's Advent chorale, Nun komm, der Heiden Heiland, thus at the same time giving a voice to the Mystery of God made man. Score available separately - see item CA.3103600.

By Franz Joseph Haydn (1732-1809). Edited by Andreas Traub. For SATB Soli, SATB Choir, Flute, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 clarinos/trumpets, timpani, 2 Violin, viola, basso continuo. This edition: Paperbound. B-Dur (B-flat major). Stuttgart Urtext Edition. German title: Harmoniemesse in B XXII:14. Masses, Latin. Full score. Language: Latin. Hob. XXII:14. 216 pages. Duration 45 minutes. Published by Carus Verlag

Solo tenor voice (Evangelist), solo bass voice (Jesus), SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, viola da gamba, basso continuo

SKU: CA.4033140

Version IV. Composed by Johann Sebastian Bach. Arranged by Paul Horn. Hymns by Martin Luther: War Gott nicht mit uns diese Zeit. German title: Faksimile Johannes-Passion Bwv 245. Post card. Composed 1749. BWV 245. 100 pages. Duration 120 minutes. Carus Verlag #CV 40.331/40. Published by Carus Verlag (CA.4033140).

ISBN 9790007104825. Language: German/English.

Wit h the unfinished revision (1739) as an appendix. The St. John Passion ranks among the great vocal works from Bach's Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined readings from various layers of sources. The wish often expressed by conductors to perform an authentic version is made possible for the first time with the present edition in this fourth and final version which was performed under Bach's direction in 1749. At the same time, with the aid of the appendix it is possible to perform the work in the traditional mixed version.. Score available separately - see item CA.4033100.

(Missa in B). By Franz Joseph Haydn (1732-1809). Edited by Wolfgang Hochstein. For SATB Soli, SATB Choir, 2 clarinets, 2 Clarino/Trumpet, Timpani, 2 Violin, Viola, Basso Continuo, [Bassoon]. B-Dur (B-flat major). Stuttgart Urtext Edition. Score available separately - see item CA.4061000. Masses, Latin. Set of instrumental parts (except strings). Language: Latin. Hob. XXII:12. 52 pages. Duration 40 minutes. Published by Carus Verlag

SATB vocal soli, SATB choir, 2 violins, basso continuo, [3 trombones] - Level 2

SKU: CA.4062519

Composed by Wolfgang Amadeus Mozart. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa Brevis In D Kv 194 Rev.2000. Innovative practice aids, Sacred vocal music, Masses, Latin, Missa brevis in Latin. Set of Orchestra Parts. Composed 1774. KV 194. Duration 18 minutes. Carus Verlag #CV 40.625/19. Published by Carus Verlag (CA.4062519).

ISBN 9790007138097. Key: D major. Language: Latin.

During the summer of 1774 Mozart wrote two Masses within a few weeks: the Missa brevis in F major, K. 192, and the Missa brevis in D major, K. 194. A feature common to both compositions as well as to the Dixit et Magnificat K. 193, written at about the same time, and the Trinitias Mass K. 167 of the previous year, is a more or less strongly evident tendency towards contrapuntal writing. However, while the Dixit et Magnificat and the Trinitas Mass approach the late-baroque style, in these two brevis Masses Mozart sought to combine traditional polyphonic techniques with a more modern musical language. This work is now available in carus music, the choir app! Score and parts available separately - see item CA.4062500.

(2.2.0.0/0.0.0.0,cont,org ,str,SATB chorus)

SKU: TM.03414SET

Composed by Johann Sebastian Bach. Set Type: B. Set of parts. Published by Lucks Music Library (TM.03414SET).

Violin I/fl I/ob I are the same; violinII/flII/obII are the same. No score - use organ to conduct.

Orchestra SATB vocal soli, SATB choir, flute, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, organ - Grade 3

SKU: CA.4065911

Messe in As. Composed by Franz Schubert. Edited by Michael Heinemann. This edition: urtext. Stuttgart Urtext Edition: Schubert. Messe In As Rev.2000. Innovative practice aids, Sacred vocal music, Masses, Latin. Single Part, Violin 1. D 678. 24 pages. Duration 50 minutes. Carus Verlag #CV 40.659/11. Published by Carus Verlag (CA.4065911).

ISBN 9790007085452. Key: A flat major. Language: Latin.

Franz Schubert's Mass in A-flat major: A work that time and again occupied the composer anew, with which he, in his words, strived towards the highest in art - and perhaps only wished to receive a court appointment in Vienna. His efforts to present a new, individual mass led, at any rate, to unconventional solutions (and an unusual key), a renunciation of plain acclamation, a reduction of pathos in favor of an exceptionally elaborate composition, particularly the first part - a brilliant missa solemnis for the ceremonious organization of the court church service and, at the same time, the public presentation of an ambitious composer's artistic competence. Score and part available separately - see item CA.4065900.

Orchestra SATB vocal soli, SATB choir, flute, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, organ - Grade 3

SKU: CA.4065912

Messe in As. Composed by Franz Schubert. Edited by Michael Heinemann. This edition: urtext. Stuttgart Urtext Edition: Schubert. Messe In As Rev.2000. Innovative practice aids, Sacred vocal music, Masses, Latin. Single Part, Violin 2. D 678. 24 pages. Duration 50 minutes. Carus Verlag #CV 40.659/12. Published by Carus Verlag (CA.4065912).

ISBN 9790007085469. Key: A flat major. Language: Latin.

Franz Schubert's Mass in A-flat major: A work that time and again occupied the composer anew, with which he, in his words, strived towards the highest in art - and perhaps only wished to receive a court appointment in Vienna. His efforts to present a new, individual mass led, at any rate, to unconventional solutions (and an unusual key), a renunciation of plain acclamation, a reduction of pathos in favor of an exceptionally elaborate composition, particularly the first part - a brilliant missa solemnis for the ceremonious organization of the court church service and, at the same time, the public presentation of an ambitious composer's artistic competence. Score and part available separately - see item CA.4065900.

Orchestra SATB vocal soli, SATB choir, flute, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, organ - Grade 3

SKU: CA.4065949

Messe in As. Composed by Franz Schubert. Edited by Michael Heinemann. This edition: urtext. Stuttgart Urtext Edition: Schubert. Messe In As Rev.2000. Innovative practice aids, Sacred vocal music, Masses, Latin. Single Part, Organ. Composed 1828. D 678. 36 pages. Duration 50 minutes. Carus Verlag #CV 40.659/49. Published by Carus Verlag (CA.4065949).

ISBN 9790007085506. Key: A flat major. Language: Latin.

Franz Schubert's Mass in A-flat major: A work that time and again occupied the composer anew, with which he, in his words, strived towards the highest in art - and perhaps only wished to receive a court appointment in Vienna. His efforts to present a new, individual mass led, at any rate, to unconventional solutions (and an unusual key), a renunciation of plain acclamation, a reduction of pathos in favor of an exceptionally elaborate composition, particularly the first part - a brilliant missa solemnis for the ceremonious organization of the court church service and, at the same time, the public presentation of an ambitious composer's artistic competence. Score and part available separately - see item CA.4065900.

Orchestra SATB vocal soli, SATB choir, flute, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, organ - Grade 3

SKU: CA.4065913

Messe in As. Composed by Franz Schubert. Edited by Michael Heinemann. This edition: urtext. Stuttgart Urtext Edition: Schubert. Messe In As Rev.2000. Innovative practice aids, Sacred vocal music, Masses, Latin. Single Part, Viola. D 678. 16 pages. Duration 50 minutes. Carus Verlag #CV 40.659/13. Published by Carus Verlag (CA.4065913).

ISBN 9790007085476. Key: A flat major. Language: Latin.

Franz Schubert's Mass in A-flat major: A work that time and again occupied the composer anew, with which he, in his words, strived towards the highest in art - and perhaps only wished to receive a court appointment in Vienna. His efforts to present a new, individual mass led, at any rate, to unconventional solutions (and an unusual key), a renunciation of plain acclamation, a reduction of pathos in favor of an exceptionally elaborate composition, particularly the first part - a brilliant missa solemnis for the ceremonious organization of the court church service and, at the same time, the public presentation of an ambitious composer's artistic competence. Score and part available separately - see item CA.4065900.

Orchestra SATB vocal soli, SATB choir, flute, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, organ - Grade 3

SKU: CA.4065915

Messe in As. Composed by Franz Schubert. Edited by Michael Heinemann. This edition: urtext. Stuttgart Urtext Edition: Schubert. Messe In As Rev.2000. Innovative practice aids, Sacred vocal music, Masses, Latin. Single Part, Double Bass. D 678. 16 pages. Duration 50 minutes. Carus Verlag #CV 40.659/15. Published by Carus Verlag (CA.4065915).

ISBN 9790007085490. Key: A flat major. Language: Latin.

Franz Schubert's Mass in A-flat major: A work that time and again occupied the composer anew, with which he, in his words, strived towards the highest in art - and perhaps only wished to receive a court appointment in Vienna. His efforts to present a new, individual mass led, at any rate, to unconventional solutions (and an unusual key), a renunciation of plain acclamation, a reduction of pathos in favor of an exceptionally elaborate composition, particularly the first part - a brilliant missa solemnis for the ceremonious organization of the court church service and, at the same time, the public presentation of an ambitious composer's artistic competence. Score and part available separately - see item CA.4065900.

Orchestra SATB vocal soli, SATB choir, flute, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, organ - Grade 3

SKU: CA.4065914

Messe in As. Composed by Franz Schubert. Edited by Michael Heinemann. This edition: urtext. Stuttgart Urtext Edition: Schubert. Messe In As Rev.2000. Innovative practice aids, Sacred vocal music, Masses, Latin. Single Part, Cello. D 678. 20 pages. Duration 50 minutes. Carus Verlag #CV 40.659/14. Published by Carus Verlag (CA.4065914).

ISBN 9790007085483. Key: A flat major. Language: Latin.

Franz Schubert's Mass in A-flat major: A work that time and again occupied the composer anew, with which he, in his words, strived towards the highest in art - and perhaps only wished to receive a court appointment in Vienna. His efforts to present a new, individual mass led, at any rate, to unconventional solutions (and an unusual key), a renunciation of plain acclamation, a reduction of pathos in favor of an exceptionally elaborate composition, particularly the first part - a brilliant missa solemnis for the ceremonious organization of the court church service and, at the same time, the public presentation of an ambitious composer's artistic competence. Score and part available separately - see item CA.4065900.

Orchestra SATB vocal soli, SATB choir, flute, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, organ - Grade 3

SKU: CA.4065909

Messe in As. Composed by Franz Schubert. Edited by Michael Heinemann. This edition: urtext. 1x 40.659/21 flute, 1x 40.659/22 oboe 1, 1x 40.659/23 oboe 2, 1x 40.659/24 clarinet 1, 1x 40.659/25 clarinet 2, 1x 40.659/26 bassoon 1, 1x 40.659/27 bassoon 2, 1x 40.659/31 horn 1, 1x 40.659/32 horn 2, 1x 40.659/33 trumpet 1, 1x 40.659/34 trumpet 2, 1x 40. Stuttgart Urtext Edition: Schubert. Messe In As Rev.2000. Innovative practice aids, Sacred vocal music, Masses, Latin. Set of Orchestra Parts. D 678. 144 pages. Duration 50 minutes. Carus Verlag #CV 40.659/09. Published by Carus Verlag (CA.4065909).

ISBN 9790007085445. Key: A flat major. Language: Latin.

Franz Schubert's Mass in A-flat major: A work that time and again occupied the composer anew, with which he, in his words, strived towards the highest in art - and perhaps only wished to receive a court appointment in Vienna. His efforts to present a new, individual mass led, at any rate, to unconventional solutions (and an unusual key), a renunciation of plain acclamation, a reduction of pathos in favor of an exceptionally elaborate composition, particularly the first part - a brilliant missa solemnis for the ceremonious organization of the court church service and, at the same time, the public presentation of an ambitious composer's artistic competence. Score and parts available separately - see item CA.4065900.

SATB vocal soli, SATB choir, 2 oboes, 2 horns, 2 clarinos/trumpets, timpani, 2 violins, basso continuo, [3 trombones]

SKU: CA.5126209

Composed by Wolfgang Amadeus Mozart. Edited by Christine Martin. Arranged by Volker Blumenthaler. This edition: urtext. 1x 51.262/21 oboe 1, 1x 51.262/22 oboe 2, 1x 51.262/31 horn 1, 1x 51.262/32 horn 2, 1x 51.262/33 trumpet 1, 1x 51.262/34 trumpet 2, 1x 51.262/35 trombone 1, 1x 51.262/36 trumpet 2, 1x 51.262/37 trombone 3, 1x 51.262/41 timpani. Stuttgart Urtext Edition: Mozart. Missa Longa Rev.2005. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1775. KV 262. 76 pages. Duration 25 minutes. Carus Verlag #CV 51.262/09. Published by Carus Verlag (CA.5126209).

ISBN 9790007224660. Key: C major. Language: Latin.

Leopold Mozart described KV 262, unlike Mozart's considerably shorter masses of the same period, as a Missa longa. The prolixity of some of the movements and of concluding fugues in the Gloria and Credo is indeed surprising. The full orchestral scoring also emphasizes the ceremonial character of this Mass. Score and parts available separately - see item CA.5126200.

SATB vocal soli, SATB choir, 2 oboes, 2 horns, 2 clarinos/trumpets, timpani, 2 violins, basso continuo, [3 trombones]

SKU: CA.5126213

Composed by Wolfgang Amadeus Mozart. Edited by Christine Martin. Arranged by Volker Blumenthaler. This edition: urtext. Stuttgart Urtext Edition: Mozart. Missa Longa Rev.2005. Sacred vocal music, Masses, Latin. Single Part, basso continuo. Composed 1775. KV 262. 12 pages. Duration 25 minutes. Carus Verlag #CV 51.262/13. Published by Carus Verlag (CA.5126213).

ISBN 9790007224691. Key: C major. Language: Latin.

Leopold Mozart described KV 262, unlike Mozart's considerably shorter masses of the same period, as a Missa longa. The prolixity of some of the movements and of concluding fugues in the Gloria and Credo is indeed surprising. The full orchestral scoring also emphasizes the ceremonial character of this Mass. Score and part available separately - see item CA.5126200.

SATB vocal soli, SATB choir, 2 oboes, 2 horns, 2 clarinos/trumpets, timpani, 2 violins, basso continuo, [3 trombones]

SKU: CA.5126212

Composed by Wolfgang Amadeus Mozart. Edited by Christine Martin. Arranged by Volker Blumenthaler. This edition: urtext. Stuttgart Urtext Edition: Mozart. Missa Longa Rev.2005. Sacred vocal music, Masses, Latin. Single Part, Violin 2. Composed 1775. KV 262. 16 pages. Duration 25 minutes. Carus Verlag #CV 51.262/12. Published by Carus Verlag (CA.5126212).

ISBN 9790007224684. Key: C major. Language: Latin.

Leopold Mozart described KV 262, unlike Mozart's considerably shorter masses of the same period, as a Missa longa. The prolixity of some of the movements and of concluding fugues in the Gloria and Credo is indeed surprising. The full orchestral scoring also emphasizes the ceremonial character of this Mass. Score and part available separately - see item CA.5126200.