Orchestra (Soli SATB, Coro SATB, Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Vc/Cb, Org) - Grade 3

SKU: CA.4060791

Mass in time of war. Composed by Franz Joseph Haydn. CD-Reihen bei Carus: Carus Choir Coach. Carus Choir Coach (audio only). Composed 1796. Hob. XXII:9. Duration 38 minutes. Carus Verlag #4060791. Published by Carus Verlag (CA.4060791).

Key: C major. Latin.

One of his later works, Haydn’s Missa in tempore belli, composed in 1796, is also referred to as the “Paukenmesse” (Kettledrum Mass) through the use of timpani in the Agnus Dei. For the Vienna premiere, Haydn added flutes, clarinets and horns to the score, so that in terms of sound the soloists and the chorus have to hold their own against a truly large orchestral apparatus. In this case, practicing with the Carus Choir Coach is of course recommended for a good vocal presence.

The Carus Choir Coach offers choir singers the unique opportunity to study and learn their own, individual choral parts within the context of the sound of the entire choir and orchestra. For every vocal range a download containing each choir part is available. The Carus Choir Coach is based on recorded interpretations by renowned artists who have performed the work from carefully prepared Carus Urtext editions. Each choir part is presented in three different versions:

Original recording
Coach: each part is accompanied by the piano, with the original recording sounding in the background
Coach in slow mode: the tempo of the coach slows down to 70% of the original version – through this reduction passages can be learned more effectively.
Performer s: Ann Hoyt (soprano), Kirsten Sollek (alto), Daniel Neer (tenore), Richard Lippold (basso) – Trinity Church Choir, Rebel Baroque Orchestra – J. Owen Burdick. Score available separately - see item CA.4060700.

(SATB, TTBB, Solo). Composed by Ernest Gold. Arranged by Johan De Meij. For baritone voice solo, SATB choir or TBB choir, concert band. Arrangements of Modern Light Music/Mixed Choir and Band/Slow Movements/Catalogue Movie and Musical. Movie and Musical. Recorded on The Best of Johan de Meij - 3CD Box (ML.311076720). Grade 3. Score only. Duration 4 minutes, 10 seconds. Published by Molenaar Edition

(0.2+da caccia.0.0/1.0.0.0,cem,or g,str,SATB soli,SATB chorus)

SKU: TM.01751SC

Composed by Johann Sebastian Bach. Score. Lucks Music Library #A2501. Published by Lucks Music Library (TM.01751SC).

Sandra Dackow Little Known Gem - Grade IV+. Ed. by Hoffmann. This delightful set of works in the keys of G, A, and B-flat major takes full advantage of multiple stops, chords, and fiddle writing that lays easily under the hand and is fun to play. The fast movements are vigorous and the contrasting slow movements are not particularly fussy or florid, though they include some ornamentation. In the Allegro sections, musicians should approach the playing as they would a work by Haydn or Mozart: eighth and quarter notes off the string and at the frog, and sixteenth notes on the string. Stamitz's players would have followed the general rule of the down bow, where the strong beat would begin with a down bow. In Concerto No. 1 in G, the Violin I parts reach to sixth position, requiring high G's. Unusual writing for its time, these passages are both logical and easy for players to find and hear. Cello and bass parts reach high F's on occasion and require third, fourth and fifth positions. The second violin and viola parts do not require extended ranges, making this work practical for an upper intermediate orchestra. The slow movements transition between different keys and requires the low strings to use extension notes such as G-sharp and A-sharp.

(0.2+da caccia.0.0/1.0.0.0,cem,or g,str,SATB soli,SATB chorus)

SKU: TM.01751SET

Composed by Johann Sebastian Bach. Set Type: A. Set of parts. Lucks Music Library #A2501. Published by Lucks Music Library (TM.01751SET).

Sandra Dackow Little Known Gem - Grade IV+. Ed. by Hoffmann. This delightful set of works in the keys of G, A, and B-flat major takes full advantage of multiple stops, chords, and fiddle writing that lays easily under the hand and is fun to play. The fast movements are vigorous and the contrasting slow movements are not particularly fussy or florid, though they include some ornamentation. In the Allegro sections, musicians should approach the playing as they would a work by Haydn or Mozart: eighth and quarter notes off the string and at the frog, and sixteenth notes on the string. Stamitz's players would have followed the general rule of the down bow, where the strong beat would begin with a down bow. In Concerto No. 1 in G, the Violin I parts reach to sixth position, requiring high G's. Unusual writing for its time, these passages are both logical and easy for players to find and hear. Cello and bass parts reach high F's on occasion and require third, fourth and fifth positions. The second violin and viola parts do not require extended ranges, making this work practical for an upper intermediate orchestra. The slow movements transition between different keys and requires the low strings to use extension notes such as G-sharp and A-sharp.

Soprano voice solo, SATB choir, and piano - Intermediate

SKU: MN.56-0055

Composed by Howard Goodall. Lent, Triduum/Three Days, Tenebrae, 21st Century, Heaven, Lament/Grief/Sorrow. Duration 4 minutes, 4 seconds. MorningStar Music Publishers #56-0055. Published by MorningStar Music Publishers (MN.56-0055).

UPC: 688670220586. English.

Arranged for SATB choir, two keyboards, strings, and optional harp, with soprano, tenor (optional) and baritone soloists, this fresh and unorthodox interpretation reflects on the words of the Latin Mass by juxtaposing them with poems in English. For soprano solo and SATB choir, this movement begins with the choir on the English text by Phineas Fletcher (1633). A 32-measure soprano solo follows, which covers the majority of the English text. The soloist then begins the “Recordare,� �¢â‚¬Â a calm, descending melodic line with the choir singing the opening “Drop, drop” motif as accompaniment. The choir then concludes with the slow, descending lines “Jesu pie, Jesu pie.” Duration 4:04.

Orchestra SATB vocal soli, SATB choir, flute, oboe, clarinet, horn, bassoon, timpani, 2 violins, viola, cello, contrabass

SKU: CA.2729305

Version for chamber orchestra. Composed by Antonin Dvorak. Edited by Joachim Linckelmann. Arranged by Joachim Linckelmann. Carus sheet music series: Great choral works in small scorings. Sacred vocal music, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Choral Score. Composed 1876/1877. Op. 58. 36 pages. Duration 90 minutes. Carus Verlag #CV 27.293/05. Published by Carus Verlag (CA.2729305).

ISBN 9790007181086. Text language: Latin.

Antonin Dvorak's impressive Stabat Mater for soloists, chorus and orchestra is probably the best-known of the composer's sacred works. Some painful experiences - in 1875 his first daughter died, and in 1877 he lost two other children in quick succession - may have led to Dvorak's preoccupation with the suffering of the Mother of God, who stands weeping beneath the cross of her son. The music enters into the different moods of the liturgical texts with great sensitivity. Nine movements in slow to moderate tempi serve as a kind of Passion meditation, before the ecstasy of a vision of the resurrection wins the upper hand at the end of the tenth movement. With our newly-published arrangement for chamber orchestra (flute, oboe, clarinet, horn, bassoon, timpani, and strings), smaller choirs now have the opportunity of performing this work without the choir being drowned out by a large-scale symphony orchestra. The symphonic character of the work is nevertheless preserved. This scoring offers an optimal balance between transparency and orchestral sound. All vocal parts (soloists and chorus) are identical with the original version. Vocal score and choral score can be used also together with the original version, which is in preparation.

Orchestra SATB vocal soli, SATB choir, flute, oboe, clarinet, horn, bassoon, timpani, 2 violins, viola, cello, contrabass

SKU: CA.2729303

Version for chamber orchestra. Composed by Antonin Dvorak. Edited by Joachim Linckelmann. Arranged by Joachim Linckelmann. Carus sheet music series: Great choral works in small scorings. Sacred vocal music, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Vocal score. Composed 1876/1877. Op. 58. 120 pages. Duration 90 minutes. Carus Verlag #CV 27.293/03. Published by Carus Verlag (CA.2729303).

ISBN 9790007171797. Text language: Latin.

Antonin Dvorak's impressive Stabat Mater for soloists, chorus and orchestra is probably the best-known of the composer's sacred works. Some painful experiences - in 1875 his first daughter died, and in 1877 he lost two other children in quick succession - may have led to Dvorak's preoccupation with the suffering of the Mother of God, who stands weeping beneath the cross of her son. The music enters into the different moods of the liturgical texts with great sensitivity. Nine movements in slow to moderate tempi serve as a kind of Passion meditation, before the ecstasy of a vision of the resurrection wins the upper hand at the end of the tenth movement. With our newly-published arrangement for chamber orchestra (flute, oboe, clarinet, horn, bassoon, timpani, and strings), smaller choirs now have the opportunity of performing this work without the choir being drowned out by a large-scale symphony orchestra. The symphonic character of the work is nevertheless preserved. This scoring offers an optimal balance between transparency and orchestral sound. All vocal parts (soloists and chorus) are identical with the original version. Vocal score and choral score can be used also together with the original version, which is in preparation.

SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 horns, 2 clarinos/trumpets, timpani, 3 trombones, 2 violins, viola, basso continuo

SKU: CA.5483819

Composed by Michael Haydn. Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Requiem In B Mh 838. Sacred vocal music, Requiem, Mourning, death. Set of Orchestra Parts. MH 838. Duration 55 minutes. Carus Verlag #CV 54.838/19. Published by Carus Verlag (CA.5483819).

ISBN 9790007133696. Key: B flat major. Language: Latin.

The Requiem in B flat major is Johann Michael Haydn's second setting of the liturgical text of the Mass of the dead (another Requiem, MH 599, has since been identified as the work of Father Georg Pasterwiz) and it is also his last work, his Opus ultimum. On commission from Empress Maria Theresia he began the composition in 1805, but due to a serious illness he made only slow progress with the work. Like W. A. Mozart, he could not complete this Requiem. In 1839 Father Gunther Kronecker, Benedictine Father in the monastery of Kremsmunster in Upper Austria, completed the torso in the spirit and style of Haydn. During his student days in Vienna Father Gunther belonged to the circle of friends who were associated with Franz Schubert. Score and parts available separately - see item CA.5483800.

SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 horns, 2 clarinos/trumpets, timpani, 3 trombones, 2 violins, viola, basso continuo

SKU: CA.5483809

Composed by Michael Haydn. Edited by Armin Kircher. This edition: urtext. 1x 54.838/21 oboe 1, 1x 54.838/22 oboe 2, 1x 54.838/23 bassoon 1, 1x 54.838/24 bassoon 2, 1x 54.838/31 horn 1, 1x 54.838/32 horn 2, 1x 54.838/33 trumpet 1, 1x 54.838/34 trumpet 2, 1x 54.838/35 trombone 1, 1x 54.838/36 trombone 2, 1x 54.838/37 trombone 3, . Stuttgart Urtext Edition: Johann Michael Haydn. Requiem In B Mh 838. Sacred vocal music, Requiem, Mourning, death. Set of Orchestra Parts. MH 838. 192 pages. Duration 55 minutes. Carus Verlag #CV 54.838/09. Published by Carus Verlag (CA.5483809).

ISBN 9790007226336. Key: B flat major. Language: Latin.

The Requiem in B flat major is Johann Michael Haydn's second setting of the liturgical text of the Mass of the dead (another Requiem, MH 599, has since been identified as the work of Father Georg Pasterwiz) and it is also his last work, his Opus ultimum. On commission from Empress Maria Theresia he began the composition in 1805, but due to a serious illness he made only slow progress with the work. Like W. A. Mozart, he could not complete this Requiem. In 1839 Father Gunther Kronecker, Benedictine Father in the monastery of Kremsmunster in Upper Austria, completed the torso in the spirit and style of Haydn. During his student days in Vienna Father Gunther belonged to the circle of friends who were associated with Franz Schubert. Score and parts available separately - see item CA.5483800.

SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 horns, 2 clarinos/trumpets, timpani, 3 trombones, 2 violins, viola, basso continuo

SKU: CA.5483800

Composed by Michael Haydn. Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. German title: Requiem In B Mh 838. Sacred vocal music, Requiem, Mourning, death. Full score. MH 838. Duration 55 minutes. Carus Verlag #CV 54.838/00. Published by Carus Verlag (CA.5483800).

ISBN 9790007091125. Key: B flat major. Language: Latin.

The Requiem in B flat major is Johann Michael Haydn's second setting of the liturgical text of the Mass of the dead (another Requiem, MH 599, has since been identified as the work of Father Georg Pasterwiz) and it is also his last work, his Opus ultimum. On commission from Empress Maria Theresia he began the composition in 1805, but due to a serious illness he made only slow progress with the work. Like W. A. Mozart, he could not complete this Requiem. In 1839 Father Gunther Kronecker, Benedictine Father in the monastery of Kremsmunster in Upper Austria, completed the torso in the spirit and style of Haydn. During his student days in Vienna Father Gunther belonged to the circle of friends who were associated with Franz Schubert.

SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 horns, 2 clarinos/trumpets, timpani, 3 trombones, 2 violins, viola, basso continuo

SKU: CA.5483849

Composed by Michael Haydn. Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Requiem In B Mh 838. Sacred vocal music, Requiem, Mourning, death. Single Part, Organ. MH 838. 40 pages. Duration 55 minutes. Carus Verlag #CV 54.838/49. Published by Carus Verlag (CA.5483849).

ISBN 9790007090876. Key: B flat major. Language: Latin.

The Requiem in B flat major is Johann Michael Haydn's second setting of the liturgical text of the Mass of the dead (another Requiem, MH 599, has since been identified as the work of Father Georg Pasterwiz) and it is also his last work, his Opus ultimum. On commission from Empress Maria Theresia he began the composition in 1805, but due to a serious illness he made only slow progress with the work. Like W. A. Mozart, he could not complete this Requiem. In 1839 Father Gunther Kronecker, Benedictine Father in the monastery of Kremsmunster in Upper Austria, completed the torso in the spirit and style of Haydn. During his student days in Vienna Father Gunther belonged to the circle of friends who were associated with Franz Schubert. Score and part available separately - see item CA.5483800.