Kantate für
Männerchor und
Orchester
(tschechisch/deutsch/engl
isch) mit Supplement:
Erste Fassung 1911,
(tschechisch).
Composed by Leos Janacek.
Edited by Jan Hanus and
Miloš Štedron. This
edition: complete
edition, urtext edition.
Linen. Complete Critical
Edition of the Works of
Leos Janacek B/3.
Complete edition, Score.
Composed 1920. Duration 7
minutes. Baerenreiter
Verlag #BA06844_00.
Published by Baerenreiter
Verlag (BA.BA06844).
ISBN 9790006483266.
34.3 x 27 cm inches. Text
Language: Czech, German,
English. Translation:
Kurt Honolka / Bernard
Keeffe. Text: Martin
(Pseudonym fur Maximilian
Kunert)
Kurt.
Kantate fur
Mannerchor und Orchester
(tschechisch/deutsch/engl
isch) mit Supplement:
Erste Fassung 1911,
(tschechisch).
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MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Urtext der Neuen Mozart-Ausgabe. By Johann Sebastian Bach. Edited by Leisinger, ...(+)
Urtext der Neuen
Mozart-Ausgabe. By Johann
Sebastian Bach. Edited by
Leisinger, Ulrich;
Wollny, Peter. For Soli,
Mixed Choir, Orchestra.
Neue Bach-Ausgabe. Serie
I, Band 6. Score; Urtext
Edition; Complete Edition
(cloth bound). Published
by Baerenreiter-Ausgaben
(German import). (BA5087
01)
Dramma per musica in
three Acts. Composed
by Wolfgang Amadeus
Mozart. Edited by
Kathleen Kuzmick Hansell.
This edition: complete
edition, urtext edition.
Linen. Edition in 2
volumes. Complete
edition, Score. K. 135.
Duration 4 hours.
Baerenreiter Verlag
#BA04590_01. Published by
Baerenreiter Verlag
(BA.BA04590-01).
ISBN
9790006451296. 33 x 26 cm
inches. Text Language:
Italian. Text: Giovanni
de Gamerra.
On 13
December 1769 Leopold
Mozart and his son
Wolfgang set out on their
first tour of Italy. It
was not until 28 March
1771 that they finally
returned to Salzburg. The
trip brought the young
composer two commissions
for opere serie. In March
1770 he was commissioned
to write Mitridate, K.87
(74a), for the 1770-71
Carneval season at the
Regio Ducal Teatro in
Milan. Mozart started
work on the opera in
Bologna on 29 September
1770, and the premiere
duly took place on the
Feast of St. Stephen (26
December) in 1770. The
second, Lucio Silla (K.
135), again commissioned
for the 1771-72 Carneval
season in Milan,
doubtless resulted from
the success of Mitridate.
News of the commission
reached the Mozarts in
March 1771 in Verona,
where they had stopped on
their return to Salzburg.
(At roughly the same time
Wolfgang received an
invitation from Vienna to
supply a serenata
teatrale for the wedding
of Archduke Ferdinand,
the third son of Maria
Theresia, scheduled to
take place in Milan in
October 1771. This
invitation ultimately
resulted in Ascanio in
Alba, K. 111.)
About
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Urtext
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MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Urtext der Neuen Bach-Ausgabe. Kritischer Bericht siehe BA 5078 41. By Johann Se...(+)
Urtext der Neuen
Bach-Ausgabe. Kritischer
Bericht siehe BA 5078 41.
By Johann Sebastian Bach.
Edited by Christoph
Wolff. For Soli, Mixed
Choir, Orchestra. Neue
Bach-Ausgabe. Serie I.
Band 8/2. Kantaten,
Barock (Cantatas,
Baroque). Score; Urtext
Edition; Complete Edition
(cloth bound). Published
by Baerenreiter-Ausgaben
(German import). (BA5079
01)
Kantaten zum Sonntag Estomihi Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] Barenreiter
By Johann Sebastian Bach. Edited by Christoph Wolff. For Solo, Mixed Choir, Inst...(+)
By Johann Sebastian Bach.
Edited by Christoph
Wolff. For Solo, Mixed
Choir, Instrument. Neue
Bach-Ausgabe. Serie I.
Band 8/1. Score; Urtext
Edition; Complete Edition
(cloth bound). Published
by Baerenreiter-Ausgaben
(German import). (BA5078
01)
Dramma
per musica in three
Acts. Composed by
George Frideric Handel.
Edited by Terence Best.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Serie II,
Band 15. Complete
edition, Score. HWV 18.
Duration 3 hours.
Baerenreiter Verlag
#BA04052_00. Published by
Baerenreiter Verlag
(BA.BA04052).
ISBN
9790006495702. 33.1 x 26
cm inches. Nicola
Francesco
Haym.
Handel began
the composition of
Tamerlano, one of the
supreme masterpieces of
Baroque opera seria, on
3rd July 1724. The
libretto was an
adaptation by Nicola Haym
of Agostino Piovene's
Tamerlano, Tragedia per
musica, which had been
set to music by Francesco
Gasparini, and performed
in Venice in 1711. When
Handel dated the last
page of the autograph on
4rd July the work
appeared to be complete;
but during the three
months which passed
before the premiere at
the King's Theatre in the
Haymarket on 31 October,
so many alterations and
revisions were made that
a fresh performing-score
had to be writtern very
late in the proceedings,
to replace an earlier one
which is now
1ost.
There were
twelve performances
between 31 October 1724
and 8 May 1725. Handel
revived the opera only
once, in 1731, for three
performances. For this
revival he marked in the
performing score a number
of cuts in the
recitatives, which are
reproduced in the present
edition; there is more
recitative in Tamerlano
than in any other Handel
opera.
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MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
3 Kantaten. Urtext der Neuen Bach-Ausgabe. By Johann Sebastian Bach. Edited by R...(+)
3 Kantaten. Urtext der
Neuen Bach-Ausgabe. By
Johann Sebastian Bach.
Edited by Reinmar Emans.
For Soli, Mixed Choir,
Orchestra. Neue
Bach-Ausgabe. Serie I,
Band 11/2. Score; Urtext
Edition; Complete Edition
(cloth bound). Published
by Baerenreiter-Ausgaben
(German import). (BA5072
01)
Seasons in Time Volume III Soli, choeur mixte et accompagnement Soli, chœur mixte et piano Transcontinental Music
Duets for Holiday and Life Cycle Celebrations. Performed by Michael Isaacson. Tr...(+)
Duets for Holiday and
Life Cycle Celebrations.
Performed by Michael
Isaacson.
Transcontinental Music
Folios. Size 8.5x11
inches. 36 pages.
Published by
Transcontinental Music
Publications.
By Franz Joseph Haydn; Michael Pilkington (Editor). For Soprano, Alto, Tenor, Ba...(+)
By Franz Joseph Haydn;
Michael Pilkington
(Editor). For Soprano,
Alto, Tenor, Bass, SATB
Choir, Organ. Sacred,
Religious, Classical,
Choral. Sheet Music. 84
pages. Published by
Novello and Co Ltd.
Seven
sacred compositions.
Composed by George
Frideric Handel. Edited
by Gerald Hendrie. This
edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Series III,
Volume 9. Complete
edition, Score. Duration
3 hours. Baerenreiter
Verlag #BA04051_00.
Published by Baerenreiter
Verlag (BA.BA04051).
ISBN 9790006443611. 33
x 26 cm inches. Text
Language: English,
German.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
By George Frideric Handel ; Donald Burrows (Editor). For Soprano, Tenor, Bass, S...(+)
By George Frideric Handel
; Donald Burrows
(Editor). For Soprano,
Tenor, Bass, SATB Choir,
Piano Accompaniment.
Baroque. Sheet Music. 168
pages. Published by
Novello and Co Ltd.
In 1828 Berlioz
wrote the Huit scènes
de Faust. The work was
soon withdrawn but almost
twenty years later each
of the eight scenes found
a place in the Lgende
dramatique La damnation
de Faust dedicated to
Franz Liszt. The first
part of the Damnation
exposes the figure of
Faust and has an
introductory nature. From
the second part onwards,
the course of action is
largely based on
Goethe’s
drama.
Contrasting
characters and dramatic
effect are of central
importance in
understanding
Berlioz’s musical
thought and his
compositional process.
Magic and fairy tale,
incantations and ghosts,
have been the
ever-recurring themes of
opera since the Baroque.
It is precisely this
fantasy in Berlioz's
Faust, the “Opra de
Concert en Quatre
actsâ€, which comes
very close to the spirit
of Goethe's
presentation.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
(Urtext der Neuen Mozart-Ausgabe). Composed by Johann Sebastian Bach (1685-1750)...(+)
(Urtext der Neuen
Mozart-Ausgabe). Composed
by Johann Sebastian Bach
(1685-1750). Edited by
Alfred Durr; Leo
Treitler. For vocal soli,
mixed choir, orchestra.
This edition: Complete
edition, Urtext edition.
Linen. New Bach Edition.
Series I, Volume 18.
Score, Anthology.
Language: German, Text
Language: German.
Published by Baerenreiter
Verlag
Ode to
St Cecilia. Composed
by George Frideric
Handel. Edited by Stephan
Blaut. This edition:
urtext edition.
Paperback. Score. HWV 76.
Baerenreiter Verlag
#BA10722_00. Published by
Baerenreiter Verlag
(BA.BA10722).
ISBN
9790006567713. 31 x 24.3
cm inches. Text Language:
English.
Following
upon
“Alexander’s
Feast†(1736), in
1739 Handel produced a
second setting of the
“Ode to St
Ceciliaâ€
(“Song for St
Cecilia’s
Dayâ€). At its
première it was
combined with
“Alexander’s
Feastâ€. Rather than
a dramatic plot
presentable in the
theatre, the Ode, in its
seven sections, offers a
general hymn of praise to
music and its impact.
Accordingly, it largely
consists of emotion-laden
arias and festive
orchestration.
Thi
s edition, based on the
Urtext from the
“Halle Handel
Editionâ€, offers
the version heard at the
first performance
– the version
preferred in
today’s concert
life. The foreword
(Ger/Eng) provides many
detailed notes on
performance practice with
regard to
orchestration.
About
Barenreiter
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Urtext
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MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Urtext der Neuen
Mozart-Ausgabe.
Composed by Johann
Sebastian Bach. Edited by
Ernest May and Klaus
Hofmann. This edition:
complete edition, urtext
edition. Linen. New Bach
Edition (NBA) I/20.
Complete edition, Score,
anthology. Baerenreiter
Verlag #BA05059_01.
Published by Baerenreiter
Verlag (BA.BA05059-01).
ISBN 9790006462919. 33
x 26 cm
inches.
About
Barenreiter
Urtext
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Urtext
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/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Freedom Song Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier [Octavo] - Intermédiaire Schirmer
By Robert Kyr (1952-). For SATB Soli, SATB (divisi) and percussion. Moderately d...(+)
By Robert Kyr (1952-).
For SATB Soli, SATB
(divisi) and percussion.
Moderately difficult.
Choral octavo. Duration 3
minutes, 30 seconds.
Published by E.C.
Schirmer Publishing
Urtext der Neuen
Mozart-Ausgabe.
Composed by Johann
Sebastian Bach. Edited by
Alfred Durr. This
edition: complete
edition, urtext edition.
Linen. New Bach Edition
(NBA) I/10. Complete
edition, Score,
anthology. Baerenreiter
Verlag #BA05004_01.
Published by Baerenreiter
Verlag (BA.BA05004-01).
ISBN 9790006461387. 33
x 26.5 cm inches.
Language:
German.
About
Barenreiter
Urtext
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Urtext
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/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed
by Georg Philipp
Telemann. Edited by Klaus
Hofmann. Arranged by
Klaus Hofmann. This
edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. German
title: Singet dem Herrn
ein neues Lied. Sacred
vocal music, Cantatas,
Psalms, German, Easter
and Eastertide, Psalms.
Set of Orchestra Parts.
TVWV 7:30. Duration 20
minutes. Carus Verlag #CV
39.124/19. Published by
Carus Verlag
(CA.3912419).
ISBN
9790007139322. Key: D
major. Language:
German/English.
Thi
s nine-movement psalm
composition allows all
the participants to
shine, in some cases with
rich virtuosity: the
string ensemble in the
opening Sonata; the solo
singers and choir in the
chaconne-like first vocal
movement, Singet dem
Herrn; also the solo
singers in two duets
(alto + tenor, soprano +
alto), an alto solo and
an extensive bass solo;
the choir in two further
movements - a fugue on
the 6th verse of the
psalm Es stehet herrlich
und prachtig fur ihm and
the concluding movement
in two sections, Betet an
den Herrn, which ends
with a brilliant fugue on
Es furchte ihn alle Welt.
This is a festive sacred
work suitable for many
occasions (including
weekday Epiphany psalm
services and for services
on the 4th Sunday after
Easter). The present
edition presents the
source material in
revides form, transcribed
into current editorial
and performance usage.
Score and parts available
separately - see item
CA.3912400.
Singet
dem Herrn ein neues
Lied. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
Arranged by Klaus
Hofmann. This edition:
urtext. Stuttgart Urtext
Edition: Telemann-Archiv.
Violoncello/double bass.
Sacred vocal music,
Cantatas, Psalms, German,
Easter and Eastertide,
Psalms. Single Part,
Cello/Double Bass. TVWV
7:30. 12 pages. Duration
20 minutes. Carus Verlag
#CV 39.124/14. Published
by Carus Verlag
(CA.3912414).
ISBN
9790007055813. Key: D
major. Language:
German/English.
Thi
s nine-movement psalm
composition allows all
the participants to
shine, in some cases with
rich virtuosity: the
string ensemble in the
opening Sonata; the solo
singers and choir in the
chaconne-like first vocal
movement, Singet dem
Herrn; also the solo
singers in two duets
(alto + tenor, soprano +
alto), an alto solo and
an extensive bass solo;
the choir in two further
movements - a fugue on
the 6th verse of the
psalm Es stehet herrlich
und prachtig fur ihm and
the concluding movement
in two sections, Betet an
den Herrn, which ends
with a brilliant fugue on
Es furchte ihn alle Welt.
This is a festive sacred
work suitable for many
occasions (including
weekday Epiphany psalm
services and for services
on the 4th Sunday after
Easter). The present
edition presents the
source material in
revides form, transcribed
into current editorial
and performance usage.
Score and part available
separately - see item
CA.3912400.