(1.1+1.0.0/0.0.0.0,str=1. 1.1.1.0)

SKU: TM.01656SET

Composed by Gioachino Rossini. Set Type: M. Set of parts. Lucks Music Library #A1949. Published by Lucks Music Library (TM.01656SET).

Solo. No score.

(1.1+1.0.0/0.0.0.0,str=1. 1.1.1.0)

SKU: TM.01656SC

Composed by Gioachino Rossini. Score. Lucks Music Library #A1949. Published by Lucks Music Library (TM.01656SC).

Solo. No score.

Soli SST(A)TB Voices, ST(A)TB Choir, 2 Fl, 2 Vl, 2 Va (Vl, Va), Vc/Tiorba/Org, Basso Continuo - Level 3

SKU: CA.2102913

Mitternachtsmesse zu Weihnachten. Composed by Marc-Antoine Charpentier. Edited by Hans Ryschawy. French Sacred Music. Viola 2. Sacred vocal music, Masses, Latin, Christmas. Single Part, Viola 2. H 9. 12 pages. Duration 25 minutes. Carus Verlag #CV 21.029/13. Published by Carus Verlag (CA.2102913).

ISBN 9790007198213. Text language: Latin.

Marc-Antoine Charpentier's Christmas mass, the Messe de Minuit, is throughly in the French tradition, celebrating the joyful news of the Birth of Christ with cheerful happiness. In this midnight mass, composed in 1694, ten traditional French Christmas hymns have been rearranged, lending the work a dance-like energy alongside charming tone coloring. In independent movements the relatively small instrumental ensemble consisting of two flutes, strings and organ plays a significant role in the musical events of this mass, alternating with various combinations of the vocal parts. Solo voices are only used together in small ensembles and, in accordance with the practices of the period, the boundaries between solo ensemble and choir are fluid, meaning that these solo passages can also be sung by members of the choir. Score and part available separately - see item CA.2102900.

Soli SST(A)TB Voices, ST(A)TB Choir, 2 Fl, 2 Vl, 2 Va (Vl, Va), Vc/Tiorba/Org, Basso Continuo - Level 3

SKU: CA.2102911

Mitternachtsmesse zu Weihnachten. Composed by Marc-Antoine Charpentier. Edited by Hans Ryschawy. French Sacred Music. Violin. Sacred vocal music, Masses, Latin, Christmas. Single Part, Violin. H 9. 12 pages. Duration 25 minutes. Carus Verlag #CV 21.029/11. Published by Carus Verlag (CA.2102911).

ISBN 9790007198190. Text language: Latin.

Marc-Antoine Charpentier's Christmas mass, the Messe de Minuit, is throughly in the French tradition, celebrating the joyful news of the Birth of Christ with cheerful happiness. In this midnight mass, composed in 1694, ten traditional French Christmas hymns have been rearranged, lending the work a dance-like energy alongside charming tone coloring. In independent movements the relatively small instrumental ensemble consisting of two flutes, strings and organ plays a significant role in the musical events of this mass, alternating with various combinations of the vocal parts. Solo voices are only used together in small ensembles and, in accordance with the practices of the period, the boundaries between solo ensemble and choir are fluid, meaning that these solo passages can also be sung by members of the choir. Score and part available separately - see item CA.2102900.

Soli SST(A)TB Voices, ST(A)TB Choir, 2 Fl, 2 Vl, 2 Va (Vl, Va), Vc/Tiorba/Org, Basso Continuo - Level 3

SKU: CA.2102914

Mitternachtsmesse zu Weihnachten. Composed by Marc-Antoine Charpentier. Edited by Hans Ryschawy. French Sacred Music. Violoncello. Sacred vocal music, Masses, Latin, Christmas. Single Part, Cello. H 9. 20 pages. Duration 25 minutes. Carus Verlag #CV 21.029/14. Published by Carus Verlag (CA.2102914).

ISBN 9790007198220. Text language: Latin.

Marc-Antoine Charpentier's Christmas mass, the Messe de Minuit, is throughly in the French tradition, celebrating the joyful news of the Birth of Christ with cheerful happiness. In this midnight mass, composed in 1694, ten traditional French Christmas hymns have been rearranged, lending the work a dance-like energy alongside charming tone coloring. In independent movements the relatively small instrumental ensemble consisting of two flutes, strings and organ plays a significant role in the musical events of this mass, alternating with various combinations of the vocal parts. Solo voices are only used together in small ensembles and, in accordance with the practices of the period, the boundaries between solo ensemble and choir are fluid, meaning that these solo passages can also be sung by members of the choir. Score and part available separately - see item CA.2102900.

By Bob Chilcott. For Sorpano and Tenor solo, SATB choir, orchestra/small ensemble (Orchestra: 2 flutes, 2 oboes, 2 clarinets, 2 bassoon, 2 horn, 2 trumpet, timpani, strings / Small ensemble: flutes, oboes, clarinets, horn, timpani, organ). Mixed Voices. Contemporary, Choral Works. Vocal score. 64 pages. Duration 35'. Published by Oxford University Press

SATB vocal soli, SATB choir, 2 clarinos/trumpets, timpani, 2 violins, organ, basso continuo

SKU: CA.2705212

Missa aulica. Composed by Franz Xaver Brixi. Missa Brevis In C Missa Aulica. Sacred vocal music, Missa brevis in Latin. Single Part, Violin 2. 8 pages. Duration 25 minutes. Carus Verlag #CV 27.052/12. Published by Carus Verlag (CA.2705212).

ISBN 9790007199531. Language: Latin.

Brixi came from a widespread family of Bohemian musicians which included composers whose works were well known among rural communities. The present edition of this short mass (known as the Missa aulica), which is published here for the first time, is a typical example of this type of music: scored for a small ensemble, which makes only modest demands of the soloists - melodious, popular, playful. Score and part available separately - see item CA.2705200.

SATB vocal soli, SATB choir, 2 clarinos/trumpets, timpani, 2 violins, organ, basso continuo

SKU: CA.2705219

Missa aulica. Composed by Franz Xaver Brixi. German title: Missa Brevis In C Missa Aulica. Sacred vocal music, Missa brevis in Latin. Set of Orchestra Parts. Duration 25 minutes. Carus Verlag #CV 27.052/19. Published by Carus Verlag (CA.2705219).

ISBN 9790007138875. Language: Latin.

Brixi came from a widespread family of Bohemian musicians which included composers whose works were well known among rural communities. The present edition of this short mass (known as the Missa aulica), which is published here for the first time, is a typical example of this type of music: scored for a small ensemble, which makes only modest demands of the soloists - melodious, popular, playful. Score and parts available separately - see item CA.2705200.

SATB vocal soli, SATB choir, 2 clarinos/trumpets, timpani, 2 violins, organ, basso continuo

SKU: CA.2705209

Missa aulica. Composed by Franz Xaver Brixi. 3x 27.052/31 trumpet/timpani. Missa Brevis In C Missa Aulica. Sacred vocal music, Missa brevis in Latin. Set of Orchestra Parts. 24 pages. Duration 25 minutes. Carus Verlag #CV 27.052/09. Published by Carus Verlag (CA.2705209).

ISBN 9790007199517. Language: Latin.

Brixi came from a widespread family of Bohemian musicians which included composers whose works were well known among rural communities. The present edition of this short mass (known as the Missa aulica), which is published here for the first time, is a typical example of this type of music: scored for a small ensemble, which makes only modest demands of the soloists - melodious, popular, playful. Score and parts available separately - see item CA.2705200.

SATB vocal soli, SATB choir, 2 clarinos/trumpets, timpani, 2 violins, organ, basso continuo

SKU: CA.2705205

Missa aulica. Composed by Franz Xaver Brixi. Missa Brevis In C Missa Aulica. Sacred vocal music, Missa brevis in Latin. Choral Score. 16 pages. Duration 25 minutes. Carus Verlag #CV 27.052/05. Published by Carus Verlag (CA.2705205).

ISBN 9790007109202. Language: Latin.

Brixi came from a widespread family of Bohemian musicians which included composers whose works were well known among rural communities. The present edition of this short mass (known as the Missa aulica), which is published here for the first time, is a typical example of this type of music: scored for a small ensemble, which makes only modest demands of the soloists - melodious, popular, playful. Score available separately - see item CA.2705200.

SATB vocal soli, SATB choir, 2 clarinos/trumpets, timpani, 2 violins, organ, basso continuo

SKU: CA.2705213

Missa aulica. Composed by Franz Xaver Brixi. Missa Brevis In C Missa Aulica. Sacred vocal music, Missa brevis in Latin. Single Part, Cello/Double Bass. 8 pages. Duration 25 minutes. Carus Verlag #CV 27.052/13. Published by Carus Verlag (CA.2705213).

ISBN 9790007199548. Language: Latin.

Brixi came from a widespread family of Bohemian musicians which included composers whose works were well known among rural communities. The present edition of this short mass (known as the Missa aulica), which is published here for the first time, is a typical example of this type of music: scored for a small ensemble, which makes only modest demands of the soloists - melodious, popular, playful. Score and part available separately - see item CA.2705200.

Solo voices, SATB chorus,organ,double bass ad lib (Soprano solo or Alto solo (or Female choir (2voices)) or Tenor solo, Baritone solo, Organ, Double bass ad libitum) - Level 2

SKU: BA.BA25144

Motet for Soprano or Alto (or two-part Female Choir) or Tenor and Baritone, Organ and optional Double Bass. Composed by Gabriel Faure. Edited by Helga Schauerte-Maubouet. This edition: urtext edition. Folded. Barenreiter Urtext. Singing Score. Opus 65/1. 4 pages. Baerenreiter Verlag #BA25144_00. Published by Baerenreiter Verlag (BA.BA25144).

ISBN 9790006575107. 29.7 x 21 cm inches. Text Language: Latin.

The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very well suited for performances by small vocal ensembles. A novelty is the inclusion of the double bass part (ad libitum) which does not appear consistently in the first editions but corresponds to the musical practice at the Madeleine.

Numerou s gems such as the â??Cantique de Jean Racineâ? or the â??Messe basseâ? are published in performing editions based on the musical text of the â??Gabriel Faur â?? Å?uvres complètesâ?.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

By John Rutter (1945-). For Soprano voice soloist, SATB choir, chamber orchestra/chamber ensemble (2 flute, oboe, 2 clarinet, bassoon, 2 horn, timpani, glockenspiel, harp, strings). Scores. Miscellaneous. Full score (small orchestra). 120 pages. Duration 40'. Published by Oxford University Press

Soli AAB, Coro SSA(A)T(T)B(B), 2 Ob, 2 Tr, 2 (3) Vl, Va, Bc - Level 3

SKU: CA.5527919

O be joyful. Composed by George Frideric Handel. Edited by Uwe Wolf. Set of Orchestra Parts. Composed 1713. HWV 279. Duration 17 minutes. Carus Verlag #5527900. Published by Carus Verlag (CA.5527919).

ISBN 9790007293062. German/English.

Han del's Utrecht Jubilate HWV 279 enthralled London audiences right from its first performance, and it continues to do so today in concert halls and churches all over the world, thanks to the wide range of occasions when it can be performed. It was performed for the first time in a festive service on 7 July 1713 at St. Paul's Cathedral to celebrate the Peace marking the end of the twelve year-long War of the Spanish Succession. The Utrecht Te Deum and Jubilate were Handel's first sacred works in English and important milestones at the beginning of his London career.
The edition is based on Handel's autograph (which unfortunately does not survive) and on a copy from Handel's circle, which in some respects provides more information than the autograph and contains important details for this edition. In 1717 Handel revised the Jubilate in a smaller scoring for the ensemble at Cannons (HWV 246) and preceded it with a two-part Sinfonia which is also reproduced in the Appendix to this edition.
The chorus is mainly scored in four parts, and is in eight parts in just one short movement. In two other movements the soprano part divides. The second alto solo part can also be sung by a high tenor.
Score and parts available separately - see item CA.5527900.