| Fantasia for piano, choir and orchestra Soli, choeur mixte et accompagnement Carus Verlag
Orchestra Soli SSATB, Coro SATB, Pfte, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Tim...(+)
Orchestra Soli SSATB,
Coro SATB, Pfte, 2 Fl, 2
Ob, 2 Clt, 2 Fg, 2 Cor, 2
Tr, Timp, 2 Vl, Va, Vc/Cb
SKU: CA.1039400
Choral Fantasy.
Composed by Ludwig van
Beethoven. Edited by
Ulrich Leisinger.
Arranged by Xaver
Scharwenka, Claus-Dieter
Ludwig. Secular choral
music. Full Score.
Composed 1808/1809. Op.
80. Duration 20 minutes.
Carus Verlag #CV
10.394/00. Published by
Carus Verlag
(CA.1039400). ISBN
M-007-18767-5. Key: C
minor. German/English.
Text: Christoph
Kuffner. In a
mixture of cantata and
concert piece, Beethoven
set a hymn to art in his
Choral Fantasy. The work,
about 20 minutes in
length, is often seen as
a precursor to the Ode to
Joy in the 9th Symphony.
After a piano
introduction, a dialog
between piano and
orchestra develops in the
space of just 400
measures, before the
soloists and chorus enter
for the last 200
measures. (If necessary,
the solo parts can be
sung by members of the
chorus or a semi-chorus.)
In the main section,
headed Finale (beginning
with the double basses
and celli), the theme
from Beethoven's early
song Gegenliebe (WoO 118,
also used in the Ode to
Joy) is presented, varied
and finally used in the
March in F major. The
main source of the Choral
Fantasia for the edition
is the first edition of
the parts, published in
1811 and corrected by
Beethoven; alongside this
an English edition of the
parts published by
Clementi (1810) has been
consulted for comparison.
The edition contains an
English singing version
in a translation by
Natalia Macfarren from
the 19th century. $57.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Now come, the nation's Saviour (Nun komm, der Heiden Heiland) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
STB vocal soli, SATB choir, [bassoon], 2 violins, 2 violas, basso continuo - Lev...(+)
STB vocal soli, SATB
choir, [bassoon], 2
violins, 2 violas, basso
continuo - Level 3
SKU: CA.3106119
Cantata for the 1st
Sunday in Advent.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Leisinger.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal; Hymns by
Martin Luther: Nun komm,
der Heiden Heiland.
German title: Nun Komm,
Der Heiden Heiland I Rev.
Sacred vocal music,
Cantatas, Advent. Set of
Orchestra Parts. Composed
1714. BWV 61. Duration 23
minutes. Carus Verlag #CV
31.061/19. Published by
Carus Verlag
(CA.3106119). ISBN
9790007136222. Key: A
minor / g major.
Language: German/English.
Text: Neumeister,
Erdmann. Text: Erdmann
Neumeister. The
opening chorus uses the
first verse of the old
plainsong hymn Veni
redemptor gentium, which
in the paraphrase by
Martin Luther has become
the most important Advent
hymn of the Protestant
Church. Bach introduces
the traditional plainsong
melody in the form of a
French overture, here
symbolizing the entry of
the King of Heaven, thus
creating an unusual and
splendid opening piece
for the beginning of the
church year. Score and
parts available
separately - see item
CA.3106100. $78.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Mass in C Major Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, 2 clarinos/trumpets, 3 trombones, timpani,...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2
clarinos/trumpets, 3
trombones, timpani, 2
violins, basso continuo
SKU: CA.4061611
Grosse Credomesse.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Mathias Siedel. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Missa In C (Credo-Messe)
Kv 257 Rev.2003. Sacred
vocal music, Masses,
Latin. Single Part,
Violin 1. Composed
1775-1777. KV 257. 16
pages. Duration 27
minutes. Carus Verlag #CV
40.616/11. Published by
Carus Verlag
(CA.4061611). ISBN
9790007073657. Key: C
major. Language:
Latin. Here, as
also in his earlier Litte
Credo Mass KV 192, Mozart
made use of a church
music device which can be
traced back in
south-German and Austrian
church music to the
beginning of the 18th
century: frequent
repetition of the opening
words of the Credo. This
presupposes that the
setting of the words of
the intonation Credo in
unum Deum as part of an
ensemble composition,
which for centuries had
been intoned in plainsong
by the priest, had become
liturgically acceptable.
It was only a small and
syntactically logical
step for the word Credo
to be repeated before the
individual articles of
belief, thus
strengthening the
declaration of faith.
Score and part available
separately - see item
CA.4061600. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mass in C Major Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, 2 clarinos/trumpets, 3 trombones, timpani,...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2
clarinos/trumpets, 3
trombones, timpani, 2
violins, basso continuo
SKU: CA.4061619
Grosse Credomesse.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Mathias Siedel. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Missa In C (Credo-Messe)
Kv 257 Rev.2003. Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. Composed
1775-1777. KV 257.
Duration 27 minutes.
Carus Verlag #CV
40.616/19. Published by
Carus Verlag
(CA.4061619). ISBN
9790007133313. Key: C
major. Language:
Latin. Here, as
also in his earlier Litte
Credo Mass KV 192, Mozart
made use of a church
music device which can be
traced back in
south-German and Austrian
church music to the
beginning of the 18th
century: frequent
repetition of the opening
words of the Credo. This
presupposes that the
setting of the words of
the intonation Credo in
unum Deum as part of an
ensemble composition,
which for centuries had
been intoned in plainsong
by the priest, had become
liturgically acceptable.
It was only a small and
syntactically logical
step for the word Credo
to be repeated before the
individual articles of
belief, thus
strengthening the
declaration of faith.
Score and parts available
separately - see item
CA.4061600. $144.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mass in C Major Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, 2 clarinos/trumpets, 3 trombones...(+)
Orchestra SATB vocal
soli, SATB choir, 2
oboes, 2
clarinos/trumpets, 3
trombones, timpani, 2
violins, basso continuo
SKU: CA.4061607
Grosse Credomesse.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Mathias Siedel. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Missa In C (Credo-Messe)
Kv 257 Rev.2003. Sacred
vocal music, Masses,
Latin. Study score.
Composed 1775-1777. KV
257. 76 pages. Duration
27 minutes. Carus Verlag
#CV 40.616/07. Published
by Carus Verlag
(CA.4061607). ISBN
9790007073862. Key: C
major. Language:
Latin. Here, as
also in his earlier Litte
Credo Mass KV 192, Mozart
made use of a church
music device which can be
traced back in
south-German and Austrian
church music to the
beginning of the 18th
century: frequent
repetition of the opening
words of the Credo. This
presupposes that the
setting of the words of
the intonation Credo in
unum Deum as part of an
ensemble composition,
which for centuries had
been intoned in plainsong
by the priest, had become
liturgically acceptable.
It was only a small and
syntactically logical
step for the word Credo
to be repeated before the
individual articles of
belief, thus
strengthening the
declaration of faith.
Score available
separately - see item
CA.4061600. $17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mass in C Major Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, 2 clarinos/trumpets, 3 trombones, timpani,...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2
clarinos/trumpets, 3
trombones, timpani, 2
violins, basso continuo
SKU: CA.4061649
Grosse Credomesse.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Mathias Siedel. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Missa In C (Credo-Messe)
Kv 257 Rev.2003. Sacred
vocal music, Masses,
Latin. Single Part,
Organ. Composed
1775-1777. KV 257. 20
pages. Duration 27
minutes. Carus Verlag #CV
40.616/49. Published by
Carus Verlag
(CA.4061649). ISBN
9790007073688. Key: C
major. Language:
Latin. Here, as
also in his earlier Litte
Credo Mass KV 192, Mozart
made use of a church
music device which can be
traced back in
south-German and Austrian
church music to the
beginning of the 18th
century: frequent
repetition of the opening
words of the Credo. This
presupposes that the
setting of the words of
the intonation Credo in
unum Deum as part of an
ensemble composition,
which for centuries had
been intoned in plainsong
by the priest, had become
liturgically acceptable.
It was only a small and
syntactically logical
step for the word Credo
to be repeated before the
individual articles of
belief, thus
strengthening the
declaration of faith.
Score and part available
separately - see item
CA.4061600. $21.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mass in C Major Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, 2 clarinos/trumpets, 3 trombones, timpani,...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2
clarinos/trumpets, 3
trombones, timpani, 2
violins, basso continuo
SKU: CA.4061605
Grosse Credomesse.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Mathias Siedel. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Missa In C (Credo-Messe)
Kv 257 Rev.2003. Sacred
vocal music, Masses,
Latin. Choral Score.
Composed 1775-1777. KV
257. 20 pages. Duration
27 minutes. Carus Verlag
#CV 40.616/05. Published
by Carus Verlag
(CA.4061605). ISBN
9790007073633. Key: C
major. Language:
Latin. Here, as
also in his earlier Litte
Credo Mass KV 192, Mozart
made use of a church
music device which can be
traced back in
south-German and Austrian
church music to the
beginning of the 18th
century: frequent
repetition of the opening
words of the Credo. This
presupposes that the
setting of the words of
the intonation Credo in
unum Deum as part of an
ensemble composition,
which for centuries had
been intoned in plainsong
by the priest, had become
liturgically acceptable.
It was only a small and
syntactically logical
step for the word Credo
to be repeated before the
individual articles of
belief, thus
strengthening the
declaration of faith.
Score available
separately - see item
CA.4061600. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mass in C Major Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, 2 clarinos/trumpets, 3 trombones, timpani,...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2
clarinos/trumpets, 3
trombones, timpani, 2
violins, basso continuo
SKU: CA.4061609
Grosse Credomesse.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Mathias Siedel. This
edition: urtext. 1x
40.616/21 oboe 1, 1x
40.616/22 oboe 2, 1x
40.616/31 clarino 1, 1x
40.616/32 clarino 2, 1x
40.616/33 trombone 1, 1x
40.616/34 trombone 2, 1x
40.616/35 trombone 3, 1x
40.616/41 timpani.
Stuttgart Urtext Edition:
Mozart. German title:
Missa In C (Credo-Messe)
Kv 257 Rev.2003. Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. Composed
1775-1777. KV 257. 52
pages. Duration 27
minutes. Carus Verlag #CV
40.616/09. Published by
Carus Verlag
(CA.4061609). ISBN
9790007073640. Key: C
major. Language:
Latin. Here, as
also in his earlier Litte
Credo Mass KV 192, Mozart
made use of a church
music device which can be
traced back in
south-German and Austrian
church music to the
beginning of the 18th
century: frequent
repetition of the opening
words of the Credo. This
presupposes that the
setting of the words of
the intonation Credo in
unum Deum as part of an
ensemble composition,
which for centuries had
been intoned in plainsong
by the priest, had become
liturgically acceptable.
It was only a small and
syntactically logical
step for the word Credo
to be repeated before the
individual articles of
belief, thus
strengthening the
declaration of faith.
Score and parts available
separately - see item
CA.4061600. $48.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mass in C Major Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, 2 clarinos/trumpets, 3 trombones, timpani,...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2
clarinos/trumpets, 3
trombones, timpani, 2
violins, basso continuo
SKU: CA.4061612
Grosse Credomesse.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Mathias Siedel. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Missa In C (Credo-Messe)
Kv 257 Rev.2003. Sacred
vocal music, Masses,
Latin. Single Part,
Violin 2. Composed
1775-1777. KV 257. 16
pages. Duration 27
minutes. Carus Verlag #CV
40.616/12. Published by
Carus Verlag
(CA.4061612). ISBN
9790007073664. Key: C
major. Language:
Latin. Here, as
also in his earlier Litte
Credo Mass KV 192, Mozart
made use of a church
music device which can be
traced back in
south-German and Austrian
church music to the
beginning of the 18th
century: frequent
repetition of the opening
words of the Credo. This
presupposes that the
setting of the words of
the intonation Credo in
unum Deum as part of an
ensemble composition,
which for centuries had
been intoned in plainsong
by the priest, had become
liturgically acceptable.
It was only a small and
syntactically logical
step for the word Credo
to be repeated before the
individual articles of
belief, thus
strengthening the
declaration of faith.
Score and part available
separately - see item
CA.4061600. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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