Israel in Egypt Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] Barenreiter
(Oratorio in three parts. Urtext of the Halle Handel-Edition). By George Frideri...(+)
(Oratorio in three parts.
Urtext of the Halle
Handel-Edition). By
George Frideric Handel
(1685-1759). Edited by
Annette Landgraf. For
Soprano Solo (2), Alto
Solo (2), Tenor Solo,
Bass Solo (2), Mixed
Choir (2)-SATB SATB, Oboe
(2), Bassoon (2), Trumpet
(2), Trombone (3),
Kettledrum, Strings,
Basso Continuo. Hallische
Handel-Ausgabe. Serie I,
Band 14.1 und 14.2.
Score; Urtext Edition;
Complete Edition (cloth
bound). HWV 54
Dettingen Te Deum Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] Carus Verlag
(Dettinger Te Deum). By George Frideric Handel (1685-1759). Edited by Benedikt P...(+)
(Dettinger Te Deum). By
George Frideric Handel
(1685-1759). Edited by
Benedikt Poensgen. For
Soli ATB, SSATB choir, 2
oboes, bassoon, 3
trumpets, timpani, 2
violin, viola, basso
continuo. This edition:
Paperbound. Praise and
thanks. Full score.
Language: English/German.
Composed 1743. HWV 283.
144 pages. Duration 40
min. Published by Carus
Verlag
In 1828 Berlioz
wrote the Huit scènes
de Faust. The work was
soon withdrawn but almost
twenty years later each
of the eight scenes found
a place in the Lgende
dramatique La damnation
de Faust dedicated to
Franz Liszt. The first
part of the Damnation
exposes the figure of
Faust and has an
introductory nature. From
the second part onwards,
the course of action is
largely based on
Goethe’s
drama.
Contrasting
characters and dramatic
effect are of central
importance in
understanding
Berlioz’s musical
thought and his
compositional process.
Magic and fairy tale,
incantations and ghosts,
have been the
ever-recurring themes of
opera since the Baroque.
It is precisely this
fantasy in Berlioz's
Faust, the “Opra de
Concert en Quatre
actsâ€, which comes
very close to the spirit
of Goethe's
presentation.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
(nach der Abschrift von J. S. Bach). By George Frideric Handel (1685-1759). Edit...(+)
(nach der Abschrift von
J. S. Bach). By George
Frideric Handel
(1685-1759). Edited by
Traub, Andreas. For STB
soli, SATB choir, 2
oboes, taille, 2 bassoon,
2 violins, viola and
basso continuo. This
edition: paperbound. HWV
48. Full score available
separately - see item
CA.5504800. Oratorios,
Passions; Stuttgart
Urtext editions; Use
during church year: Lent
and Passiontide, Holy
Week. Piano/Vocal score.
Language: German. 152
pages. Duration 150 min
Fairest Lord Jesus, We Love You Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur et Parties séparées + CD] - Intermédiaire Lillenas Publishing Co.
By David Clydesdale. Arranged by David Clydesdale. For SATB choir with vocal sol...(+)
By David Clydesdale.
Arranged by David
Clydesdale. For SATB
choir with vocal solo
(flute 1and2, oboe,
clarinet 1and2, bassoon,
F horn 1/2and3, trumpet
1/2and3, trombone 1and2,
trombone 3/tuba,
percussion 1and2/3and4,
rhythm, harp, violin
1and2, viola, cello,
string bass)
Dramma per musica in
three Acts. Composed
by Wolfgang Amadeus
Mozart. Edited by
Kathleen Kuzmick Hansell.
This edition: complete
edition, urtext edition.
Linen. Edition in 2
volumes. Complete
edition, Score. K. 135.
Duration 4 hours.
Baerenreiter Verlag
#BA04590_01. Published by
Baerenreiter Verlag
(BA.BA04590-01).
ISBN
9790006451296. 33 x 26 cm
inches. Text Language:
Italian. Text: Giovanni
de Gamerra.
On 13
December 1769 Leopold
Mozart and his son
Wolfgang set out on their
first tour of Italy. It
was not until 28 March
1771 that they finally
returned to Salzburg. The
trip brought the young
composer two commissions
for opere serie. In March
1770 he was commissioned
to write Mitridate, K.87
(74a), for the 1770-71
Carneval season at the
Regio Ducal Teatro in
Milan. Mozart started
work on the opera in
Bologna on 29 September
1770, and the premiere
duly took place on the
Feast of St. Stephen (26
December) in 1770. The
second, Lucio Silla (K.
135), again commissioned
for the 1771-72 Carneval
season in Milan,
doubtless resulted from
the success of Mitridate.
News of the commission
reached the Mozarts in
March 1771 in Verona,
where they had stopped on
their return to Salzburg.
(At roughly the same time
Wolfgang received an
invitation from Vienna to
supply a serenata
teatrale for the wedding
of Archduke Ferdinand,
the third son of Maria
Theresia, scheduled to
take place in Milan in
October 1771. This
invitation ultimately
resulted in Ascanio in
Alba, K. 111.)
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
(Oratorium in 3 Teilen (englisch/deutsch). Urtext der Hallischen Handel-Ausgabe ...(+)
(Oratorium in 3 Teilen
(englisch/deutsch).
Urtext der Hallischen
Handel-Ausgabe - Oratorio
in three Parts
(english/german)) By
George Frideric Handel
(1685-1759), edited by
John Tobin. Score; Urtext
Edition; Complete Edition
(cloth bound) for soprano
solo, 2 alto solo, tenor
solo, bass solo, mixed
choir-ssatb, 2 bassoon, 2
trumpet, kettledrum,
strings, basso continuo.
Published by
Baerenreiter-Ausgaben
(German import).
Psalm 95 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] Carus Verlag
(O! Come let us worship and kneel before the Lord). By Felix Bartholdy Mendelsso...(+)
(O! Come let us worship
and kneel before the
Lord). By Felix Bartholdy
Mendelssohn (1809-1847).
Edited by R. Larry Todd.
For Soli SST, SATB Choir,
2 Flutes, 2 Oboes, 2
Clarinets, 2 Bassoons, 2
Horns, 2 Trumpets, 3
Trombones, Timpani, 2
Violins, Viola, Cello,
Contrabass, Organ. This
edition: Paperbound.
Stuttgart Urtext
editions. Cantatas,
Psalms, German, Praise
and thanks, Psalms. Full
score. Language:
German/English. Composed
1838. Opus 46. 128 pages.
Duration 28 min.
Published by Carus Verlag
Psalm 95 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Vocal Score] Carus Verlag
(O! Come let us worship and kneel before the Lord). By Felix Bartholdy Mendelsso...(+)
(O! Come let us worship
and kneel before the
Lord). By Felix Bartholdy
Mendelssohn (1809-1847).
Edited by R. Larry Todd.
For Soli SST, SATB Choir,
2 Flutes, 2 Oboes, 2
Clarinets, 2 Bassoons, 2
Horns, 2 Trumpets, 3
Trombones, Timpani, 2
Violins, Viola, Cello,
Contrabass, Organ. This
edition: Paperbound.
Stuttgart Urtext
editions. Score available
separately - see item
CA.4007300. Cantatas,
Psalms, German, Praise
and thanks, Psalms. Vocal
score. Language:
German/English. Composed
1838. Opus 46. 40 pages.
Duration 28 min.
Published by Carus Verlag
By George Frideric Handel ; Donald Burrows (Editor). For Soprano, Tenor, Bass, S...(+)
By George Frideric Handel
; Donald Burrows
(Editor). For Soprano,
Tenor, Bass, SATB Choir,
Piano Accompaniment.
Baroque. Sheet Music. 168
pages. Published by
Novello and Co Ltd.
Cosi fan tutte Soli, choeur mixte et accompagnement Barenreiter
Ossia La scuola degli amanti. Dramma giocoso in 2 Akten (ital.). Urtext der Neue...(+)
Ossia La scuola degli
amanti. Dramma giocoso in
2 Akten (ital.). Urtext
der Neuen Mozart-Ausgabe.
By Wolfgang Amadeus
Mozart. Edited by
Ferguson, Faye; Rehm,
Wolfgang. Text: da Ponte,
Lorenzo. For Soprano Solo
(3), Tenor Solo, Bass
Solo (2), Mixed
Choir-SATB, Flute (2),
Oboe (2), Clarinet (B
Flat) 1; Clarinet (B
Flat) 2/Basset Horn,
Bassoon (2), Horn (2),
Trumpet (2), Kettledrum,
Strings, Basso Continuo.
Neue Mozart-Ausgabe,
Serie II, Werkgruppe
5/18. Score; Urtext
Edition; Complete Edition
(cloth bound). KV 588.
Duration 180'. Published
by Baerenreiter-Ausgaben
(German import). (BA4606
01)
Oratorio for Soloists for 2 mixed Choirs and Orchestra. Vocal Score and Chorus P...(+)
Oratorio for Soloists for
2 mixed Choirs and
Orchestra. Vocal Score
and Chorus Parts
English/German, comebined
Organ Part instead of
Organ Chorus I and Organ
Chorus II available. By
Johann Sebastian Bach.
Edited by D!Rr,
Alfred;Schneider, Max.
For Soprano solo, Alto
solo, Tenor solo (2),
Bass solo (2), Mixed
Choir (2)-SATB, Orchestra
1: Alto recorder (f,g)
(2), Flute (2), Oboe (2)/
Oboe d'amore (a)/
Oboe-dacc/ English horn,
Bassoon, Viola da gamba,
Strings, Organ, Orchestra
2: Flute (2), Oboe (2)/
Oboe d'amore (a),
Bassoon, Viola da gamba,
Strings, Organ/
Harpsichord. Neue
Bach-Ausgabe. Serie II,
Band 5. Score; Urtext
Edition; Complete Edition
(cloth bound). BWV 244.
Published by
Baerenreiter-Ausgaben
(German import). (BA5038
01)
Der
Fromme stirbt.
Composed by Gottfried
August Homilius. Edited
by Uwe Wolf. This
edition: Complete
edition. 1x 37.103/21
flute 1, 1x 37.103/22
flute 2, 1x 37.103/23
oboe 1, 1x 37.103/24 oboe
2, 2x 37.103/25 bassoon,
1x 37.103/31 horn 1, 1x
37.103/32 horn 2.
Gottfried August Homilius
- Selected Works.
Johannespassion Ga 3.
Innovative practice aids,
Sacred vocal music,
Passions. Set of
Orchestra Parts. HoWV
I.4. 136 pages. Duration
119 minutes. Carus Verlag
#CV 37.103/09. Published
by Carus Verlag
(CA.3710309).
ISBN
9790007214234. Language:
German.
The
oratorio Passions by
Homilius were among the
last compositions of
their kind in the 18th
century. In an oratorio
Passion the chorus is
restricted mainly to
singing the chorales and
the interjections of the
crowd; only the
conclusion of a Passion
provides an opportunity
for an extensive choral
movement. In the St. John
Passion the final chorus
emphasizes the supreme
importance of the
Crucifixion as the climax
of St. John's Gospel. The
free elements of the
composition take the
forms customary at the
time: da capo arias are
predominant. Score and
parts available
separately - see item
CA.3710300.
Cantata for Easter Sunday. Composed by Johann Sebastian Bach (1685-1750)....(+)
Cantata for Easter
Sunday. Composed by
Johann Sebastian Bach
(1685-1750). Edited by
Michael Marker. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Der Himmel Lacht, Die
Erde Jubilieret. Sacred
vocal music, Cantatas,
Easter and Eastertide.
Full score. Composed
1715. BWV 31. 68 pages.
Duration 24 minutes.
Carus Verlag #CV
31.031/00. Published by
Carus Verlag
(CA.3103100).
By George Frideric Handel (1685-1759). Edited by Ton Koopman / Jan Siemons. Arra...(+)
By George Frideric Handel
(1685-1759). Edited by
Ton Koopman / Jan
Siemons. Arranged by
Siegfried Petrenz. For
SATB soli, S(S0ATB choir,
2 oboes, 2 bassoons, 2
trumpets, timpani, 2
violins, viola, basso
continuo. This edition:
Paperbound. Stuttgart
Urtext Edition. German
title: Messiah kart
GA-Format. Oratorios.
Full score. Language:
English/German. Composed
1742. HWV 56. 328 pages.
Duration 150 minutes.
Published by Carus Verlag
Occasional Oratorio Soli, choeur mixte et accompagnement [Vocal Score] Barenreiter
(Oratorio in three parts). By George Frideric Handel (1685-1759). Edited by Merl...(+)
(Oratorio in three
parts). By George
Frideric Handel
(1685-1759). Edited by
Merlin Channon. Arranged
by Andreas Kohs. For
soprano voice solo/tenor
voice solo/bass voice
solo/SSAATTBB choir/2
oboes/2 bassoons/2
horns/3
trumpets/timpani/3
violins/viola/basses/orga
n. This edition: Urtext
edition. Vocal score.
Language: English, Text
language: German/English.
HWV 62. Published by
Baerenreiter Verlag