(A cycle of spirituals). Composed by John Rutter (1945-). For mezzo-soprano voice solo, SATB choir, large orchestra/chamber orchestra. Mixed Voices. Vocal score. Duration 30 minutes. Published by Oxford University Press

SATB vocal soli, SATB Choir, 2 Violins, Viola, Basso continuo

SKU: CA.3116513

Cantata for the Trinity Sunday. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. Stuttgart Urtext Edition: Bach vocal. O Heiliges Geist- Und Wasserbad. Sacred vocal music, Cantatas, Trinity. Single Part, Viola. Composed 1715(?). BWV 165. 4 pages. Duration 13 minutes. Carus Verlag #CV 31.165/13. Published by Carus Verlag (CA.3116513).

ISBN 9790007209100. Text language: German/English. Text: Franck, Salomo.

The cantata O heilges Geist- und Wasserbad (O Holy spirit's solemn rite) BWV 165 is one of Bach's earliest cantata compositions and was presumably first performed in the Weimar Schlosskirche for Trinity Sunday in 1715. With a simple instrumentation of only strings and basso continuo (including bassoon), the cantata offers an alternative to the later Leipzig cantatas for the Feast of the Holy Trinity, also with regard to the vivid interpretation of the text in the librettos by Salomon Franck. In the two expressive recitatives and the three distinctively different arias, Bach repeatedly emphasizes the central words of the text, which focuses on the meaning of the rebirth of the spirit through baptism. Score and part available separately - see item CA.3116500.

SATB vocal soli, SATB Choir, 2 Violins, Viola, Basso continuo

SKU: CA.3116521

Cantata for the Trinity Sunday. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. Stuttgart Urtext Edition: Bach vocal. O Heiliges Geist- Und Wasserbad. Sacred vocal music, Cantatas, Trinity. Single Part, Bassoon. Composed 1715(?). BWV 165. 4 pages. Duration 13 minutes. Carus Verlag #CV 31.165/21. Published by Carus Verlag (CA.3116521).

Text language: German/English. Text: Franck, Salomo.

The cantata O heilges Geist- und Wasserbad (O Holy spirit's solemn rite) BWV 165 is one of Bach's earliest cantata compositions and was presumably first performed in the Weimar Schlosskirche for Trinity Sunday in 1715. With a simple instrumentation of only strings and basso continuo (including bassoon), the cantata offers an alternative to the later Leipzig cantatas for the Feast of the Holy Trinity, also with regard to the vivid interpretation of the text in the librettos by Salomon Franck. In the two expressive recitatives and the three distinctively different arias, Bach repeatedly emphasizes the central words of the text, which focuses on the meaning of the rebirth of the spirit through baptism. Score and part available separately - see item CA.3116500.

SATB vocal soli, SATB Choir, 2 Violins, Viola, Basso continuo

SKU: CA.3116511

Cantata for the Trinity Sunday. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. Stuttgart Urtext Edition: Bach vocal. O Heiliges Geist- Und Wasserbad. Sacred vocal music, Cantatas, Trinity. Single Part, Violin 1. Composed 1715(?). BWV 165. 8 pages. Duration 13 minutes. Carus Verlag #CV 31.165/11. Published by Carus Verlag (CA.3116511).

ISBN 9790007209087. Text language: German/English. Text: Franck, Salomo.

The cantata O heilges Geist- und Wasserbad (O Holy spirit's solemn rite) BWV 165 is one of Bach's earliest cantata compositions and was presumably first performed in the Weimar Schlosskirche for Trinity Sunday in 1715. With a simple instrumentation of only strings and basso continuo (including bassoon), the cantata offers an alternative to the later Leipzig cantatas for the Feast of the Holy Trinity, also with regard to the vivid interpretation of the text in the librettos by Salomon Franck. In the two expressive recitatives and the three distinctively different arias, Bach repeatedly emphasizes the central words of the text, which focuses on the meaning of the rebirth of the spirit through baptism. Score and part available separately - see item CA.3116500.

SATB vocal soli, SATB Choir, 2 Violins, Viola, Basso continuo

SKU: CA.3116512

Cantata for the Trinity Sunday. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. Stuttgart Urtext Edition: Bach vocal. O Heiliges Geist- Und Wasserbad. Sacred vocal music, Cantatas, Trinity. Single Part, Violin 2. Composed 1715(?). BWV 165. 8 pages. Duration 13 minutes. Carus Verlag #CV 31.165/12. Published by Carus Verlag (CA.3116512).

ISBN 9790007209094. Text language: German/English. Text: Franck, Salomo.

The cantata O heilges Geist- und Wasserbad (O Holy spirit's solemn rite) BWV 165 is one of Bach's earliest cantata compositions and was presumably first performed in the Weimar Schlosskirche for Trinity Sunday in 1715. With a simple instrumentation of only strings and basso continuo (including bassoon), the cantata offers an alternative to the later Leipzig cantatas for the Feast of the Holy Trinity, also with regard to the vivid interpretation of the text in the librettos by Salomon Franck. In the two expressive recitatives and the three distinctively different arias, Bach repeatedly emphasizes the central words of the text, which focuses on the meaning of the rebirth of the spirit through baptism. Score and part available separately - see item CA.3116500.

SATB vocal soli, SATB Choir, 2 Violins, Viola, Basso continuo

SKU: CA.3116514

Cantata for the Trinity Sunday. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. Stuttgart Urtext Edition: Bach vocal. O Heiliges Geist- Und Wasserbad. Sacred vocal music, Cantatas, Trinity. Single Part, basso continuo. Composed 1715(?). BWV 165. 8 pages. Duration 13 minutes. Carus Verlag #CV 31.165/14. Published by Carus Verlag (CA.3116514).

ISBN 9790007209117. Text language: German/English. Text: Franck, Salomo.

The cantata O heilges Geist- und Wasserbad (O Holy spirit's solemn rite) BWV 165 is one of Bach's earliest cantata compositions and was presumably first performed in the Weimar Schlosskirche for Trinity Sunday in 1715. With a simple instrumentation of only strings and basso continuo (including bassoon), the cantata offers an alternative to the later Leipzig cantatas for the Feast of the Holy Trinity, also with regard to the vivid interpretation of the text in the librettos by Salomon Franck. In the two expressive recitatives and the three distinctively different arias, Bach repeatedly emphasizes the central words of the text, which focuses on the meaning of the rebirth of the spirit through baptism. Score and part available separately - see item CA.3116500.

Orchestra Soli SATTB, Coro SSATTBB, Ob, 2 Clt, Fg, Cor, Tr, Trb, Timp, 2 Vl, Va, Vc, Cb - Grade 4

SKU: CA.4066050

Arrangement for chamber orchestra (arr. J. Linckelmann). Composed by Franz Schubert. Arranged by Joachim Linckelmann. Carus digital: Extra digital products. Full Score. D 950. 216 pages. Duration 50 minutes. Carus Verlag #4066050. Published by Carus Verlag (CA.4066050).

ISBN 9790007294533. Key: E flat major. Latin.

Schubertâ?? s Mass in E-flat major is the last of his six settings of the Ordinarium Missae (Mass ordinary) and also his most important work in this genre. The mass is full of color and drama, infused with the spirit of confession. For many choirs, it is on the wish list of those works they would like to sing someday. But what happens if you donâ??t have enough singers, money is tight, and your venue is on the small side? Here the experienced arranger and orchestral musician Joachim Linckelmann has a great solution. His version for soloists, choir and chamber orchestra requires only 7 winds rather than the original 13. The string parts, while identical to the original, can now also be scaled back. The vocal parts (soloists and chorus) are completely untouched by the arrangement, so that the vocal scores and choral scores of the Carus Urtext edition can also be used for performanceâ?¢,A large-scale work now arranged for smaller choirs â?¢,13 winds of the original version reduced to 7 instrumentsâ?¢,Voca l scores and choral scores of the original version can still be usedâ?¢,carus plus: The work (original version) is available in the app carus music, the Choir Coach, as well as in our Carus Choir Coach series (audio only).. Score available separately - see item CA.4066000.

(0.0.2.2/4.0.0.0,str,voca l solos)

SKU: TM.14630SET

Composed by Giuseppe Verdi. Set Type: D. Set of parts. Lucks Music Library #A3073. Published by Lucks Music Library (TM.14630SET).

Includes: De' miei bollenti spiriti (Tenor) (Eb); recit = Lunge da lei; Annina donde vieni; O mio rimorso; Madamigella Valery. Scena ed Aria Alfredo. Scene when Germont leaves Viola's house. Sc pg 108-132. See #02894 for shorter extraction of De miei bollenti spirit (without Annina donde vieni or O mio Rimorso).

(0.0.2.2/4.0.0.0,str,voca l solos)

SKU: TM.14630SC

Composed by Giuseppe Verdi. Score. Lucks Music Library #A3073. Published by Lucks Music Library (TM.14630SC).

Includes: De' miei bollenti spiriti (Tenor) (Eb); recit = Lunge da lei; Annina donde vieni; O mio rimorso; Madamigella Valery. Scena ed Aria Alfredo. Scene when Germont leaves Viola's house. Sc pg 108-132. See #02894 for shorter extraction of De miei bollenti spirit (without Annina donde vieni or O mio Rimorso).

Spiritual Settings for SATB Choir, Soloist and Orchestra. Composed by Mark Hayes. Major Work, Spiritual, Sacred. Orchestral score and parts. Roger Dean Publishing #30/2278R. Published by Roger Dean Publishing (LO.30-2278R).

Solo voices, choir, orchestra (2 Soprano Voice Solo, Mezzo Voice Solo, Tenor Voice Solo, Alto Voice Solo, Bass Voice Solo, Mixed choir:SSATB, Fl, 2 Ob, 2 bassoon, 2 Hn, 2 Trp, 3V, Va, Bassi(Vc, double bass, bassoon, harpisc., Org))

SKU: BA.BA04014

Oratorio in three acts. Composed by George Frideric Handel. Edited by Kenneth Nott. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series I, Volume 30. Complete edition, Score. HWV 70. Baerenreiter Verlag #BA04014_00. Published by Baerenreiter Verlag (BA.BA04014).

ISBN 9790006442935. 33 x 26 cm inches. Text Language: English. Preface: Nott, Kenneth. Text: Thomas Morell.

“Jeph tha” is Handel’s last oratorio. Handel had to break off from composing several times because of his increasing blindness in 1751. The first performance at the Covent Garden Theatre in February 1752 was the last performance he conducted before he went completely blind.
In “Jephtha”, Handel succeeded in achieving the perfect fusion between a biblical plot and the spirit of classical tragedy. With great intensity and dramatic expression he highlighted in particular the fates of Jephtha and Iphis , thereby portraying convincing and complex characters.

The chorus “How Dark, O Lord, are Thy Decrees” at the end of part two is of crucial importance in the work and is regarded as the dramatic high point of the oratorio.

The vocal score is based on volume I/30 of the “Halle Handel Edition” (BA 4014), which contains the complete critical version of the music of the oratorio for the first time.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Solo voices, choir, orchestra (Mezzo Voice Solo, Tenor Voice Solo, BarSolo, Bass Voice Solo, Mixed choir: SSTTBB, children choir: SS, 3Fl, 2 Ob, 2 clarinet, clarinet-B, 4bassoon, 4Hn, 2 Trp, 2 Pist, 3trombone, Op, Tb, timpani, percussion, 8, 10harp, Str) - Level 4

SKU: BA.BA05448

Lègende dramatique in four parts. Composed by Hector Berlioz. Edited by Julian Rushton. This edition: complete edition, urtext edition. Linen. New Berlioz Edition (Neue Berlioz-Ausgabe - NBE) Volume 8a/b. Complete edition, Score. Opus 24. 453/556 pages. Duration 2 hours. Baerenreiter Verlag #BA05448_00. Published by Baerenreiter Verlag (BA.BA05448).

ISBN 9790006471478. 33.2 x 26.5 cm inches. Text Language: French. Text: Berlioz, Hector / Nerval, Gérard de.

In 1828 Berlioz wrote the Huit scènes de Faust. The work was soon withdrawn but almost twenty years later each of the eight scenes found a place in the Lgende dramatique La damnation de Faust dedicated to Franz Liszt. The first part of the Damnation exposes the figure of Faust and has an introductory nature. From the second part onwards, the course of action is largely based on Goethe’s drama.

Contrasting characters and dramatic effect are of central importance in understanding Berlioz’s musical thought and his compositional process. Magic and fairy tale, incantations and ghosts, have been the ever-recurring themes of opera since the Baroque. It is precisely this fantasy in Berlioz's Faust, the “Opra de Concert en Quatre acts”, which comes very close to the spirit of Goethe's presentation.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Solo voices, SATB chorus, orchestra (2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Bc)

SKU: CA.5165203

Completed and edited by Howard Arman. Composed by Wolfgang Amadeus Mozart. Edited by Howard Arman. Arranged by Howard Arman. Vocal score. KV 626. Duration 50 minutes. Carus Verlag #5165203. Published by Carus Verlag (CA.5165203).

ISBN 9790007294243. Key: D minor. Latin.

The English conductor and composer Howard Arman has presented us with a completed version of Mozartâ??s Requiem. â??Another one?â? you might ask, since this publication is only the latest in a long line reaching back to the traditional SüÃ?mayr version. Yet such is the enormous power of Mozartâ??s score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Armanâ??s additions to Mozartâ??s great original show the requisite care and respect while incorporating many new insights.

Armanâ? ?s approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozartâ??s brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrumentâ??s unique sound is given an opportunity to shine. Armanâ??s Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather â?? in the spirit of Mozart â?? on creating a sense of drama and illuminating the theme in all its possible facets. Mozartâ??s fragment ends with the Hostias, and so does Armanâ??s completion.

For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to Sü�mayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.

Armanâ??s version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike â?? and celebrated as offering a scholarly, entirely fresh perspective on Mozartâ??s masterpiece.

- World premiere by the Bavarian Radio Choir
- Enthusiastically received by audience and press.

Urtext der Neuen Mozart-Ausgabe. By Wolfgang Amadeus Mozart. Edited by Holl, Monika; Kohler, Karl-Heinz. For Soli, Mixed Choir, Orchestra. Neue Mozart-Ausgabe. Serie I, Werkgruppe 1/1, 5. Score; Urtext Edition; Complete Edition (cloth bound). Published by Baerenreiter-Ausgaben (German import). (BA4592 01)

SAATB with SATBB Soli (Orch.) (Latin Language Edition). Composed by Gabriel Faure (1845-1924). Choral (Sacred); Choral Worship Cantata; Larger Works; Masterworks; Performance Music Ensemble; Worship Resources. Kalmus Edition. Impressionistic; Masterwork; Romantic; Sacred. Book. 16 pages. Kalmus Classic Edition #00-K06167. Published by Kalmus Classic Edition

Urtext der Neuen Bach-Ausgabe. By Johann Sebastian Bach. Edited by Emil Platen. For Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed Choir-SATB, Oboe (2), Strings, Basso continuo. Score; Urtext Edition. BWV 236. Duration 30'. Published by Baerenreiter-Ausgaben (German import). ISBN M006466641.

(Kantate zum 22. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For SATB vocal soli, SATB choir, flute, oboe d'amore, [horn], 2 violins, viola, cello piccolo, basso continuo. G-Dur (G major). Score available separately - see item CA.3111500. Cantatas, Trinity. Level 3. Part: viola. Language: German/English. Composed 1724. BWV 115. 8 pages. Duration 22 min. Published by Carus Verlag

Deutsches Magnificat. By Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. For Soli SATB, SATB Choir, 2 Oboes, 2 Recorders f1, 2 Violins, Viola, Basso continuo. TVWV 9:18. Full score available separately - see item CA.3912200. Magnificat; Stuttgart Urtext editions; Use during church year: Christmas. Part: Violin/Recorder/Oboe 1. Language: German/English. 8 pages. Duration 25 min. Published by Carus Verlag (German import).

Orchestra SATB vocal soli, SATB choir, flute, 2 oboes, [horn], 2 violins, viola, basso continuo - Grade 4

SKU: CA.3107807

Cantata for the 14th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: Paperbound. German title: Jesu, der du meine Seele. Sacred vocal music, Cantatas. Study score. Composed 1724. BWV 78. 80 pages. Duration 25 minutes. Carus Verlag #CV 31.078/07. Published by Carus Verlag (CA.3107807).

ISBN 9790007045128. Key: G minor. Language: German/English. Text: Rist, Johann. Text: Johann Rist.

Score available separately - see item CA.3107800.

SATB vocal soli, SATB choir, 2 flute (2 recorder), 2 violin, viola, basso continuo - Level 3

SKU: CA.3913311

Kantate zum 2. Pfingsttag. Composed by Georg Philipp Telemann. Edited by Wolfram Steude. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Violin 1. Sacred vocal music, Cantatas, Whitsun. Single Part, Violin 1. TVWV 1:1397. 2 pages. Duration 12 minutes. Carus Verlag #CV 39.133/11. Published by Carus Verlag (CA.3913311).

ISBN 9790007056001. Language: German.

This early work, probably composed during the period 1701-1705, is in a style and form customary during the 17th century, combining biblical words with paraphrased verses. The words depict gentle breezes giving place to the rushing wind at the coming of the Holy Spirit. Suitable for Whitsun. Score and part available separately - see item CA.3913300.

(Cantata for the 22nd Sunday after Trinity). Composed by Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For SATB vocal soli, SATB choir, flute, oboe d'amore, [horn], 2 violins, viola, cello piccolo, basso continuo. G-Dur (G major). German title: Mache dich, mein Geist, bereit. Cantatas, Trinity. Level 3. Cello piccolo part. Language: German/English. Composed 1724. BWV 115. 2 pages. Duration 22 minutes. Published by Carus Verlag

SATB vocal soli, SATB choir, 2 clarinets/trumpets, timpani, 2 violins, basso continuo - Level 3

SKU: CA.5034411

Composed by Michael Haydn. Edited by Charles H. Sherman. German title: Veni Sancte Spiritus Mh 39. Sacred vocal music, Hymns, Whitsun. Single Part, Violin 1. Composed 1761. MH 39. 2 pages. Duration 5 minutes. Carus Verlag #CV 50.344/11. Published by Carus Verlag (CA.5034411).

ISBN 9790007081331. Key: C major. Language: Latin. Text: Langton, Stephen. Text: Stephan Langton.

Score available separately - see item CA.5034400.

Kantate zum 14. Sonntag nach Trinitatis. By Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. For Soli SATB, SATB Choir, [Cornetto], Flute, 2 Oboes, Strings, Organ. BWV 78. Cantatas; Stuttgart Urtext editions. Score. Language: German/English. Composed 1724. 80 pages. Duration 25 min. Published by Carus Verlag (German import).

SATB vocal soli, SATB choir, 2 flute (2 recorder), 2 violin, viola, basso continuo - Level 3

SKU: CA.3913312

Kantate zum 2. Pfingsttag. Composed by Georg Philipp Telemann. Edited by Wolfram Steude. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Violin 2. Sacred vocal music, Cantatas, Whitsun. Single Part, Violin 2. TVWV 1:1397. 2 pages. Duration 12 minutes. Carus Verlag #CV 39.133/12. Published by Carus Verlag (CA.3913312).

ISBN 9790007056018. Language: German.

This early work, probably composed during the period 1701-1705, is in a style and form customary during the 17th century, combining biblical words with paraphrased verses. The words depict gentle breezes giving place to the rushing wind at the coming of the Holy Spirit. Suitable for Whitsun. Score and part available separately - see item CA.3913300.