In 1828 Berlioz
wrote the Huit scènes
de Faust. The work was
soon withdrawn but almost
twenty years later each
of the eight scenes found
a place in the Lgende
dramatique La damnation
de Faust dedicated to
Franz Liszt. The first
part of the Damnation
exposes the figure of
Faust and has an
introductory nature. From
the second part onwards,
the course of action is
largely based on
Goethe’s
drama.
Contrasting
characters and dramatic
effect are of central
importance in
understanding
Berlioz’s musical
thought and his
compositional process.
Magic and fairy tale,
incantations and ghosts,
have been the
ever-recurring themes of
opera since the Baroque.
It is precisely this
fantasy in Berlioz's
Faust, the “Opra de
Concert en Quatre
actsâ€, which comes
very close to the spirit
of Goethe's
presentation.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed
by Franz Schubert. Edited
by Stefan Schuck. Sacred
vocal music; use during
church year: Lent and
Passiontide, Holy Week;
Stuttgart Editions
(Urtext): Stuttgart
Schubert Edition;
occasions: Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Stuttgart
Urtext Edition: Schubert.
Sacred vocal music, Lent
and Passiontide, Holy
Week, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Full score.
D 383. Duration 37
minutes. Carus Verlag #CV
70.065/00. Published by
Carus Verlag
(CA.7006500).
ISBN
9790007165994. Language:
German.
In spring
1816 Franz Schubert, just
nineteen years old,
completed his second
setting of the Stabat
Mater in the midst of a
highly productive period.
In contrast with his
first setting written the
previous year, just five
minutes in length, this
time Schubert used the
German translation by
Klopstock as the basis
for his composition.
Stefan Schuck's edition
is the first one of this
work to be based on a
critical evaluation of
the primary sources, with
complete performance
material. The work, in a
dark F minor, with its
text by Klopstock, places
Jesus Christ, rather than
Mary, at the center of
the contemplation. With
his fugues, but
particularly in the
eight-part lamenting
chorus Wer wird Zahren
sanften Mitleids,
Schubert shows himself at
the height of his
creative output. He
composed his 4th
Symphony, the Tragic, at
almost the same time. The
Stabat Mater is a
rewarding work for choral
societies and choirs to
perform, because the
choir has the largest
portion to sing, and the
choral parts are not too
demanding. The
composition is also a
beautiful introduction to
the choral-symphonic
music of Schubert for
less experienced
choirs.
Composed
by Franz Schubert. Edited
by Stefan Schuck. 1x
70.065/21 flute 1, 1x
70.065/22 flute 2, 1x
70.065/23 oboe 1, 1x
70.065/24 oboe 2, 1x
70.065/25 bassoon 1, 1x
70.065/26 bassoon 2, 1x
70.065/27 double bassoon,
1x 70.065/31 horn 1, 1x
70.065/32 horn 2, 1x
70.065/33 trombone 1, 1x
70.065/34 trombone 2, .
Stuttgart Urtext Edition:
Schubert. Harmony parts.
Sacred vocal music, Lent
and Passiontide, Holy
Week, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Set of
Orchestra Parts. D 383.
Duration 37 minutes.
Carus Verlag #CV
70.065/09. Published by
Carus Verlag
(CA.7006509).
ISBN
9790007244729. Language:
German.
In spring
1816 Franz Schubert, just
nineteen years old,
completed his second
setting of the Stabat
Mater in the midst of a
highly productive period.
In contrast with his
first setting written the
previous year, just five
minutes in length, this
time Schubert used the
German translation by
Klopstock as the basis
for his composition.
Stefan Schuck's edition
is the first one of this
work to be based on a
critical evaluation of
the primary sources, with
complete performance
material. The work, in a
dark F minor, with its
text by Klopstock, places
Jesus Christ, rather than
Mary, at the center of
the contemplation. With
his fugues, but
particularly in the
eight-part lamenting
chorus Wer wird Zahren
sanften Mitleids,
Schubert shows himself at
the height of his
creative output. He
composed his 4th
Symphony, the Tragic, at
almost the same time. The
Stabat Mater is a
rewarding work for choral
societies and choirs to
perform, because the
choir has the largest
portion to sing, and the
choral parts are not too
demanding. The
composition is also a
beautiful introduction to
the choral-symphonic
music of Schubert for
less experienced choirs.
Score and parts available
separately - see item
CA.7006500.
Composed
by Franz Schubert. Edited
by Stefan Schuck.
Stuttgart Urtext Edition:
Schubert. Sacred vocal
music, Lent and
Passiontide, Holy Week,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Vocal score. D 383.
64 pages. Duration 37
minutes. Carus Verlag #CV
70.065/03. Published by
Carus Verlag
(CA.7006503).
ISBN
9790007166007. Language:
German.
In spring
1816 Franz Schubert, just
nineteen years old,
completed his second
setting of the Stabat
Mater in the midst of a
highly productive period.
In contrast with his
first setting written the
previous year, just five
minutes in length, this
time Schubert used the
German translation by
Klopstock as the basis
for his composition.
Stefan Schuck's edition
is the first one of this
work to be based on a
critical evaluation of
the primary sources, with
complete performance
material. The work, in a
dark F minor, with its
text by Klopstock, places
Jesus Christ, rather than
Mary, at the center of
the contemplation. With
his fugues, but
particularly in the
eight-part lamenting
chorus Wer wird Zahren
sanften Mitleids,
Schubert shows himself at
the height of his
creative output. He
composed his 4th
Symphony, the Tragic, at
almost the same time. The
Stabat Mater is a
rewarding work for choral
societies and choirs to
perform, because the
choir has the largest
portion to sing, and the
choral parts are not too
demanding. The
composition is also a
beautiful introduction to
the choral-symphonic
music of Schubert for
less experienced choirs.
Score available
separately - see item
CA.7006500.
Composed
by Franz Schubert. Edited
by Stefan Schuck.
Stuttgart Urtext Edition:
Schubert. Viola. Sacred
vocal music, Lent and
Passiontide, Holy Week,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Single Part, Viola.
D 383. 16 pages. Duration
37 minutes. Carus Verlag
#CV 70.065/13. Published
by Carus Verlag
(CA.7006513).
ISBN
9790007244705. Language:
German.
In spring
1816 Franz Schubert, just
nineteen years old,
completed his second
setting of the Stabat
Mater in the midst of a
highly productive period.
In contrast with his
first setting written the
previous year, just five
minutes in length, this
time Schubert used the
German translation by
Klopstock as the basis
for his composition.
Stefan Schuck's edition
is the first one of this
work to be based on a
critical evaluation of
the primary sources, with
complete performance
material. The work, in a
dark F minor, with its
text by Klopstock, places
Jesus Christ, rather than
Mary, at the center of
the contemplation. With
his fugues, but
particularly in the
eight-part lamenting
chorus Wer wird Zahren
sanften Mitleids,
Schubert shows himself at
the height of his
creative output. He
composed his 4th
Symphony, the Tragic, at
almost the same time. The
Stabat Mater is a
rewarding work for choral
societies and choirs to
perform, because the
choir has the largest
portion to sing, and the
choral parts are not too
demanding. The
composition is also a
beautiful introduction to
the choral-symphonic
music of Schubert for
less experienced choirs.
Score and part available
separately - see item
CA.7006500.
Composed
by Franz Schubert. Edited
by Stefan Schuck.
Stuttgart Urtext Edition:
Schubert. Violin 1.
Sacred vocal music, Lent
and Passiontide, Holy
Week, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Violin 1. D 383. 16
pages. Duration 37
minutes. Carus Verlag #CV
70.065/11. Published by
Carus Verlag
(CA.7006511).
ISBN
9790007244736. Language:
German.
In spring
1816 Franz Schubert, just
nineteen years old,
completed his second
setting of the Stabat
Mater in the midst of a
highly productive period.
In contrast with his
first setting written the
previous year, just five
minutes in length, this
time Schubert used the
German translation by
Klopstock as the basis
for his composition.
Stefan Schuck's edition
is the first one of this
work to be based on a
critical evaluation of
the primary sources, with
complete performance
material. The work, in a
dark F minor, with its
text by Klopstock, places
Jesus Christ, rather than
Mary, at the center of
the contemplation. With
his fugues, but
particularly in the
eight-part lamenting
chorus Wer wird Zahren
sanften Mitleids,
Schubert shows himself at
the height of his
creative output. He
composed his 4th
Symphony, the Tragic, at
almost the same time. The
Stabat Mater is a
rewarding work for choral
societies and choirs to
perform, because the
choir has the largest
portion to sing, and the
choral parts are not too
demanding. The
composition is also a
beautiful introduction to
the choral-symphonic
music of Schubert for
less experienced choirs.
Score and part available
separately - see item
CA.7006500.
Composed
by Franz Schubert. Edited
by Stefan Schuck.
Stuttgart Urtext Edition:
Schubert. Complete
orchestral parts. Sacred
vocal music, Lent and
Passiontide, Holy Week,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Set of Orchestra
Parts. D 383. Duration 37
minutes. Carus Verlag #CV
70.065/19. Published by
Carus Verlag
(CA.7006519).
ISBN
9790007165970. Language:
German.
In spring
1816 Franz Schubert, just
nineteen years old,
completed his second
setting of the Stabat
Mater in the midst of a
highly productive period.
In contrast with his
first setting written the
previous year, just five
minutes in length, this
time Schubert used the
German translation by
Klopstock as the basis
for his composition.
Stefan Schuck's edition
is the first one of this
work to be based on a
critical evaluation of
the primary sources, with
complete performance
material. The work, in a
dark F minor, with its
text by Klopstock, places
Jesus Christ, rather than
Mary, at the center of
the contemplation. With
his fugues, but
particularly in the
eight-part lamenting
chorus Wer wird Zahren
sanften Mitleids,
Schubert shows himself at
the height of his
creative output. He
composed his 4th
Symphony, the Tragic, at
almost the same time. The
Stabat Mater is a
rewarding work for choral
societies and choirs to
perform, because the
choir has the largest
portion to sing, and the
choral parts are not too
demanding. The
composition is also a
beautiful introduction to
the choral-symphonic
music of Schubert for
less experienced choirs.
Score and parts available
separately - see item
CA.7006500.
Composed
by Franz Schubert. Edited
by Stefan Schuck.
Stuttgart Urtext Edition:
Schubert.
Violoncello/double bass.
Sacred vocal music, Lent
and Passiontide, Holy
Week, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Cello/Double Bass. D 383.
16 pages. Duration 37
minutes. Carus Verlag #CV
70.065/14. Published by
Carus Verlag
(CA.7006514).
ISBN
9790007244750. Language:
German.
In spring
1816 Franz Schubert, just
nineteen years old,
completed his second
setting of the Stabat
Mater in the midst of a
highly productive period.
In contrast with his
first setting written the
previous year, just five
minutes in length, this
time Schubert used the
German translation by
Klopstock as the basis
for his composition.
Stefan Schuck's edition
is the first one of this
work to be based on a
critical evaluation of
the primary sources, with
complete performance
material. The work, in a
dark F minor, with its
text by Klopstock, places
Jesus Christ, rather than
Mary, at the center of
the contemplation. With
his fugues, but
particularly in the
eight-part lamenting
chorus Wer wird Zahren
sanften Mitleids,
Schubert shows himself at
the height of his
creative output. He
composed his 4th
Symphony, the Tragic, at
almost the same time. The
Stabat Mater is a
rewarding work for choral
societies and choirs to
perform, because the
choir has the largest
portion to sing, and the
choral parts are not too
demanding. The
composition is also a
beautiful introduction to
the choral-symphonic
music of Schubert for
less experienced choirs.
Score and part available
separately - see item
CA.7006500.
Composed
by Franz Schubert. Edited
by Stefan Schuck.
Stuttgart Urtext Edition:
Schubert. Violin 2.
Sacred vocal music, Lent
and Passiontide, Holy
Week, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Violin 2. D 383. 16
pages. Duration 37
minutes. Carus Verlag #CV
70.065/12. Published by
Carus Verlag
(CA.7006512).
ISBN
9790007244743. Language:
German.
In spring
1816 Franz Schubert, just
nineteen years old,
completed his second
setting of the Stabat
Mater in the midst of a
highly productive period.
In contrast with his
first setting written the
previous year, just five
minutes in length, this
time Schubert used the
German translation by
Klopstock as the basis
for his composition.
Stefan Schuck's edition
is the first one of this
work to be based on a
critical evaluation of
the primary sources, with
complete performance
material. The work, in a
dark F minor, with its
text by Klopstock, places
Jesus Christ, rather than
Mary, at the center of
the contemplation. With
his fugues, but
particularly in the
eight-part lamenting
chorus Wer wird Zahren
sanften Mitleids,
Schubert shows himself at
the height of his
creative output. He
composed his 4th
Symphony, the Tragic, at
almost the same time. The
Stabat Mater is a
rewarding work for choral
societies and choirs to
perform, because the
choir has the largest
portion to sing, and the
choral parts are not too
demanding. The
composition is also a
beautiful introduction to
the choral-symphonic
music of Schubert for
less experienced choirs.
Score and part available
separately - see item
CA.7006500.
Composed
by Franz Schubert. Edited
by Stefan Schuck.
Stuttgart Urtext Edition:
Schubert. Sacred vocal
music, Lent and
Passiontide, Holy Week,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Choral Score. D
383. 24 pages. Duration
37 minutes. Carus Verlag
#CV 70.065/05. Published
by Carus Verlag
(CA.7006505).
ISBN
9790007242916. Language:
German.
In spring
1816 Franz Schubert, just
nineteen years old,
completed his second
setting of the Stabat
Mater in the midst of a
highly productive period.
In contrast with his
first setting written the
previous year, just five
minutes in length, this
time Schubert used the
German translation by
Klopstock as the basis
for his composition.
Stefan Schuck's edition
is the first one of this
work to be based on a
critical evaluation of
the primary sources, with
complete performance
material. The work, in a
dark F minor, with its
text by Klopstock, places
Jesus Christ, rather than
Mary, at the center of
the contemplation. With
his fugues, but
particularly in the
eight-part lamenting
chorus Wer wird Zahren
sanften Mitleids,
Schubert shows himself at
the height of his
creative output. He
composed his 4th
Symphony, the Tragic, at
almost the same time. The
Stabat Mater is a
rewarding work for choral
societies and choirs to
perform, because the
choir has the largest
portion to sing, and the
choral parts are not too
demanding. The
composition is also a
beautiful introduction to
the choral-symphonic
music of Schubert for
less experienced choirs.
Score available
separately - see item
CA.7006500.
Urtext der Neuen
Mozart-Ausgabe.
Composed by Johann
Sebastian Bach. Edited by
Werner Neumann. This
edition: complete
edition, urtext edition.
Linen. New Bach Edition
(NBA) I/36. Complete
edition, Score,
anthology. Baerenreiter
Verlag #BA05020_01.
Published by Baerenreiter
Verlag (BA.BA05020-01).
ISBN 9790006461813. 33
x 26 cm
inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
The star of Bethlehem Soli, choeur mixte et accompagnement [Conducteur d'étude / Miniature] Carus Verlag
Christmas cantata. Composed by Josef Gabriel Rheinberger. Edited by Haral...(+)
Christmas cantata.
Composed by Josef Gabriel
Rheinberger. Edited by
Harald Wanger / Harald
Wanger. This edition:
Paperbound. German title:
Der Stern von Bethlehem.
Christmas. Study score.
Composed 1890. Op. 164.
176 pages. Duration 48
minutes. Published by
Carus Verlag
(CA.5016407).
Composed by Johann
Sebastian Bach. Edited by
Werner Neumann. This
edition: complete
edition, urtext edition.
Linen. New Bach Edition
(NBA) I/37. Complete
edition, Score,
anthology. Baerenreiter
Verlag #BA05018_01.
Published by Baerenreiter
Verlag (BA.BA05018-01).
ISBN 9790006461776. 33
x 26 cm
inches.
Urtext der
Neuen Mozart-Ausgabe.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Blessed ist the man Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur d'étude / Miniature] Carus Verlag
(Cantata for the 2nd day of Christmas). Composed by Johann Sebastian Bach (1685-...(+)
(Cantata for the 2nd day
of Christmas). Composed
by Johann Sebastian Bach
(1685-1750). Edited by
Frieder Rempp. Arranged
by Paul Horn. For SB
vocal soli, SATB choir, 2
oboes, taille (oboe da
caccia, english horn), 2
violins, viola, basso
continuo. This edition:
paperback. Stuttgart
Urtext edition.
Christmas. Study score.
Text language:
German/English. Composed
1725. BWV 57. 36 pages.
Duration 28 minutes.
Published by Carus Verlag
Oratorio for Soloists for 2 mixed Choirs and Orchestra. Vocal Score and Chorus P...(+)
Oratorio for Soloists for
2 mixed Choirs and
Orchestra. Vocal Score
and Chorus Parts
English/German, comebined
Organ Part instead of
Organ Chorus I and Organ
Chorus II available. By
Johann Sebastian Bach.
Edited by D!Rr,
Alfred;Schneider, Max.
For Soprano solo, Alto
solo, Tenor solo (2),
Bass solo (2), Mixed
Choir (2)-SATB, Orchestra
1: Alto recorder (f,g)
(2), Flute (2), Oboe (2)/
Oboe d'amore (a)/
Oboe-dacc/ English horn,
Bassoon, Viola da gamba,
Strings, Organ, Orchestra
2: Flute (2), Oboe (2)/
Oboe d'amore (a),
Bassoon, Viola da gamba,
Strings, Organ/
Harpsichord. Neue
Bach-Ausgabe. Serie II,
Band 5. Score; Urtext
Edition; Complete Edition
(cloth bound). BWV 244.
Published by
Baerenreiter-Ausgaben
(German import). (BA5038
01)
St. Matthew Passion Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Set de Parties séparées] Carus Verlag
Composed by Johann Sebastian Bach (1685-1750). Edited by Klaus Hofmann. This edi...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Klaus Hofmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Matthauspassion.
Passions, Lent and
Passiontide. Complete
orchestral parts. BWV
244. Duration 175
minutes. Published by
Carus Verlag
(CA.3124419).
Composed by Gottfried August Homilius. Edited by Uwe Wolf. For ST vocal soli, SA...(+)
Composed by Gottfried
August Homilius. Edited
by Uwe Wolf. For ST vocal
soli, SATB/SATB choir, 2
oboes, 3 trumpets,
timpani, 2 violin, viola,
basso continuo. German
title: Ergreifet die
Psalter (Kantate).
Cantatas, Advent.
Complete orchestral
parts. Language: German.
II.1. Duration 17
minutes. Published by
Carus Verlag
(Soli,Ch,Orch) SKU: BA.BA05938-01 Composed by Johann Sebastian Bach. Edit...(+)
(Soli,Ch,Orch)
SKU:
BA.BA05938-01
Composed by Johann
Sebastian Bach. Edited by
Manuel Bärwald. This
edition: Edition of
selected works, Urtext
edition. Linen. Johann
Sebastian Bach. Neue
Ausgabe samtlicher Werke.
Revidierte Edition
(NBArev) 6. Edition of
selected works, Score.
Composed 1725. BWV 245.
Baerenreiter Verlag
#BA05938_01. Published by
Baerenreiter Verlag
(BA.BA05938-01).
ISBN
9790006556335. 33 x 26.2
cm inches. Language:
German. Preface: Barwald,
Manuel.
The St.
John Passion, Bach's
first passion oratorio,
can hardly be understood
asonework. Between 1724
and 1750 the work was
performed at least four
times in various Leipzig
churches under the
composer's direction and
for every one of these
occasions it was revised
- sometimes quite
substantially.
Thi
s edition presents the
St. John Passion in its
second version of 1725,
of which only excerpts
were rendered in the New
Bach Edition volume II/4
(1973). This version as
well as the last one of
1749 constitute the two
versions that have come
down to us almost in
their
entirety.
Most
recently found sources -
in particular the
libretto print of the
passion rediscovered in
2015 - are taken into
consideration in this
edition for the first
time.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Urtext der Neuen
Mozart-Ausgabe.
Composed by Johann
Sebastian Bach. Edited by
Alfred Durr. This
edition: complete
edition, urtext edition.
Linen. New Bach Edition
(NBA) I/2. Complete
edition, Score,
anthology. 235 pages.
Baerenreiter Verlag
#BA05007_01. Published by
Baerenreiter Verlag
(BA.BA05007-01).
ISBN
9790006461448. 33 x 26.5
cm inches. Language:
German. Preface: Dürr,
Alfred.
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Cantata for the Feast
of John the Baptist.
Composed by Johann
Sebastian Bach. Edited by
Julia Doht. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Sacred vocal music,
Cantatas, Special days.
Choral Score. Composed
1738(?). BWV 30. 12
pages. Duration 40
minutes. Carus Verlag #CV
31.030/05. Published by
Carus Verlag
(CA.3103005).
ISBN
9790007205386. Text
language:
German/English.
The
cantata Freue dich,
erloste Schar BWV 30 is
one of Bach's last church
cantatas. Originally
composed as a parody of
the cantata Angenehmes
Wiederau BWV 30a for the
Feast of St. John's Day
in 1738, it still enjoys
a great popularity today.
Its extraordinary length
(12 movements) made it
possible for Bach to
employ four vocal
soloists who, together
with instrumental
soloists, choir and
orchestra contribute to
the generally festive
character of this work.
Score available
separately - see item
CA.3103000.
Cantata for the Feast
of John the Baptist.
Composed by Johann
Sebastian Bach. Edited by
Julia Doht. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Violin 2. Sacred vocal
music, Cantatas, Special
days. Single Part, Violin
2. Composed 1738(?). BWV
30. 12 pages. Duration 40
minutes. Carus Verlag #CV
31.030/12. Published by
Carus Verlag
(CA.3103012).
ISBN
9790007205416. Text
language:
German/English.
The
cantata Freue dich,
erloste Schar BWV 30 is
one of Bach's last church
cantatas. Originally
composed as a parody of
the cantata Angenehmes
Wiederau BWV 30a for the
Feast of St. John's Day
in 1738, it still enjoys
a great popularity today.
Its extraordinary length
(12 movements) made it
possible for Bach to
employ four vocal
soloists who, together
with instrumental
soloists, choir and
orchestra contribute to
the generally festive
character of this work.
Score and part available
separately - see item
CA.3103000.
Cantata for the Feast
of John the Baptist.
Composed by Johann
Sebastian Bach. Edited by
Julia Doht. This edition:
urtext. 1x 31.030/21
flute 1, 1x 31.030/22
flute 2, 1x 31.030/23
oboe 1, 1x 31.030/24 oboe
2. Stuttgart Urtext
Edition: Bach vocal.
Harmony parts. Sacred
vocal music, Cantatas,
Special days. Set of
Orchestra Parts. Composed
1738(?). BWV 30. Duration
40 minutes. Carus Verlag
#CV 31.030/09. Published
by Carus Verlag
(CA.3103009).
ISBN
9790007205393. Text
language:
German/English.
The
cantata Freue dich,
erloste Schar BWV 30 is
one of Bach's last church
cantatas. Originally
composed as a parody of
the cantata Angenehmes
Wiederau BWV 30a for the
Feast of St. John's Day
in 1738, it still enjoys
a great popularity today.
Its extraordinary length
(12 movements) made it
possible for Bach to
employ four vocal
soloists who, together
with instrumental
soloists, choir and
orchestra contribute to
the generally festive
character of this work.
Score and parts available
separately - see item
CA.3103000.
Cantata for the Feast
of John the Baptist.
Composed by Johann
Sebastian Bach. Edited by
Julia Doht. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Viola. Sacred vocal
music, Cantatas, Special
days. Single Part, Viola.
Composed 1738(?). BWV 30.
12 pages. Duration 40
minutes. Carus Verlag #CV
31.030/13. Published by
Carus Verlag
(CA.3103013).
ISBN
9790007205423. Text
language:
German/English.
The
cantata Freue dich,
erloste Schar BWV 30 is
one of Bach's last church
cantatas. Originally
composed as a parody of
the cantata Angenehmes
Wiederau BWV 30a for the
Feast of St. John's Day
in 1738, it still enjoys
a great popularity today.
Its extraordinary length
(12 movements) made it
possible for Bach to
employ four vocal
soloists who, together
with instrumental
soloists, choir and
orchestra contribute to
the generally festive
character of this work.
Score and part available
separately - see item
CA.3103000.