| Requiem (Arman-Fassung) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Carus Verlag
(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, B...(+)
(Soli SATB, Coro SATB, 2
Corni di bassetto, 2 Fg,
2 Tr, 3 Trb, Timp, 2 Vl,
Va, Bc) SKU:
CA.5165219
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. Set of
Orchestra Parts. KV 626.
Duration 50 minutes.
Carus Verlag #5165219.
Published by Carus Verlag
(CA.5165219). ISBN
9790007313883. Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozartâs Requiem.
âAnother one?â
you might ask, since this
publication is only the
latest in a long line
reaching back to the
traditional SüÃmayr
version. Yet such is the
enormous power of
Mozartâs score that
the challenge and appeal
of completing it remain
undiminished. After two
decades of intensive
study, Howard
Armanâs additions to
Mozartâs great
original show the
requisite care and
respect while
incorporating many new
insights.
Armanâ
s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozartâs brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrumentâs unique
sound is given an
opportunity to shine.
Armanâs Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather â in the
spirit of Mozart â
on creating a sense of
drama and illuminating
the theme in all its
possible facets.
Mozartâs fragment
ends with the Hostias,
and so does Armanâs
completion.
For
the four following
movements (Sanctus to
Communio) we have nothing
from Mozart, and so here,
where the master is
silent, Arman finally
returns to SüÃmayr,
the man who was closest
to Mozart at the time of
his death and whose
efforts to fill the blank
manuscripts still garner
our respect
today.
Armanâ
s version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike â and
celebrated as offering a
scholarly, entirely fresh
perspective on
Mozartâs
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $240.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem Soli, choeur mixte et accompagnement Soli, chœur mixte et piano [Vocal Score] Carus Verlag
Solo voices, SATB chorus, orchestra (2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Tim...(+)
Solo voices, SATB chorus,
orchestra (2 Corni di
bassetto, 2 Fg, 2 Tr, 3
Trb, Timp, 2 Vl, Va, Bc)
SKU: CA.5165203
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. Vocal
score. KV 626. Duration
50 minutes. Carus Verlag
#5165203. Published by
Carus Verlag
(CA.5165203). ISBN
9790007294243. Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozartâ??s Requiem.
â??Another one?â? you
might ask, since this
publication is only the
latest in a long line
reaching back to the
traditional Sü�mayr
version. Yet such is the
enormous power of
Mozartâ??s score that
the challenge and appeal
of completing it remain
undiminished. After two
decades of intensive
study, Howard Armanâ??s
additions to Mozartâ??s
great original show the
requisite care and
respect while
incorporating many new
insights.
Armanâ?
?s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozartâ??s brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrumentâ??s unique
sound is given an
opportunity to shine.
Armanâ??s Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather â?? in the spirit
of Mozart â?? on
creating a sense of drama
and illuminating the
theme in all its possible
facets. Mozartâ??s
fragment ends with the
Hostias, and so does
Armanâ??s completion.
For the four
following movements
(Sanctus to Communio) we
have nothing from Mozart,
and so here, where the
master is silent, Arman
finally returns to
Sü�mayr, the man who
was closest to Mozart at
the time of his death and
whose efforts to fill the
blank manuscripts still
garner our respect
today.
Armanâ??s
version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike â?? and
celebrated as offering a
scholarly, entirely fresh
perspective on
Mozartâ??s
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, B...(+)
(Soli SATB, Coro SATB, 2
Corni di bassetto, 2 Fg,
2 Tr, 3 Trb, Timp, 2 Vl,
Va, Bc) SKU:
CA.5165205
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. Choral
Score. KV 626. Duration
50 minutes. Carus Verlag
#5165205. Published by
Carus Verlag
(CA.5165205). ISBN
9790007314286. Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozartâs Requiem.
âAnother one?â
you might ask, since this
publication is only the
latest in a long line
reaching back to the
traditional SüÃmayr
version. Yet such is the
enormous power of
Mozartâs score that
the challenge and appeal
of completing it remain
undiminished. After two
decades of intensive
study, Howard
Armanâs additions to
Mozartâs great
original show the
requisite care and
respect while
incorporating many new
insights.
Armanâ
s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozartâs brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrumentâs unique
sound is given an
opportunity to shine.
Armanâs Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather â in the
spirit of Mozart â
on creating a sense of
drama and illuminating
the theme in all its
possible facets.
Mozartâs fragment
ends with the Hostias,
and so does Armanâs
completion.
For
the four following
movements (Sanctus to
Communio) we have nothing
from Mozart, and so here,
where the master is
silent, Arman finally
returns to SüÃmayr,
the man who was closest
to Mozart at the time of
his death and whose
efforts to fill the blank
manuscripts still garner
our respect
today.
Armanâ
s version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike â and
celebrated as offering a
scholarly, entirely fresh
perspective on
Mozartâs
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem (Arman-Fassung) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, B...(+)
(Soli SATB, Coro SATB, 2
Corni di bassetto, 2 Fg,
2 Tr, 3 Trb, Timp, 2 Vl,
Va, Bc) SKU:
CA.5165209
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. Set of
Orchestra Parts. KV 626.
Duration 50 minutes.
Carus Verlag #5165209.
Published by Carus Verlag
(CA.5165209). ISBN
9790007313838. Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozartââ¬â¢s
Requiem.
ââ¬ÅAnother
one?ââ¬Â you
might ask, since this
publication is only the
latest in a long line
reaching back to the
traditional
Süßmayr
version. Yet such is the
enormous power of
Mozartââ¬â¢s
score that the challenge
and appeal of completing
it remain undiminished.
After two decades of
intensive study, Howard
Armanââ¬â¢s
additions to
Mozartââ¬â¢s
great original show the
requisite care and
respect while
incorporating many new
insights.
ArmanÃ
â¬â¢s approach
is particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozartââ¬â¢s
brilliant composing
style: The masterly
compositional technique,
the search for innovative
solutions to every
problem, and even the
terse treatment of the
text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrumentââ¬â
s unique sound is given
an opportunity to shine.
Armanââ¬â¢s
Lacrimosa achieves a
lively Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather ââ¬â
in the spirit of Mozart
ââ¬â on
creating a sense of drama
and illuminating the
theme in all its possible
facets.
Mozartââ¬â¢s
fragment ends with the
Hostias, and so does
Armanââ¬â¢s
completion.
For
the four following
movements (Sanctus to
Communio) we have nothing
from Mozart, and so here,
where the master is
silent, Arman finally
returns to
Süßmayr,
the man who was closest
to Mozart at the time of
his death and whose
efforts to fill the blank
manuscripts still garner
our respect
today.
Armanââ
¬â¢s version has
already proven its
practical value. The
premiere with the
Bavarian Radio Choir was
enthusiastically received
by audiences and press
alike ââ¬â
and celebrated as
offering a scholarly,
entirely fresh
perspective on
Mozartââ¬â¢s
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $69.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Vespers 1610 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur d'étude / Miniature] Carus Verlag
Composed by Claudio Monteverdi (1567-1643). Edited by Uwe Wolf. For SSATTBB voca...(+)
Composed by Claudio
Monteverdi (1567-1643).
Edited by Uwe Wolf. For
SSATTBB vocal soli,
SATB/SATB choir, 2
flutes, 2 fifari, 3
horns, 3 trombones, 2
violins, 3 violas, cello,
violone, basso continuo.
This edition: paperback.
Stuttgart Urtext edition.
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Study score. Text
language: Latin. No. 206.
192 pages. Duration 90
minutes. Published by
Carus Verlag
$34.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| O my Lord, I long for thee (Nach dir, Herr, verlanget mich) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
SATB vocal soli, SATB choir, bassoon, 2 violins, basso continuo SKU: CA.31150...(+)
SATB vocal soli, SATB
choir, bassoon, 2
violins, basso continuo
SKU: CA.3115019
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Klaus Hofmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Nach dir, Herr, verlanget
mich. Sacred vocal music,
Cantatas. Set of
Orchestra Parts. Composed
circa 1706. BWV 150.
Duration 17 minutes.
Carus Verlag #CV
31.150/19. Published by
Carus Verlag
(CA.3115019). ISBN
9790007136819. Key: B
minor. Language:
German/English. The
cantata Nach dir, Herr,
verlanget mich (O my
Lord, I long for thee)
BWV 150 is one of the
earliest cantatas from
Bach's Muhlhausen period.
Its authenticity was long
disputed, partly because
of the stylistic
characteristics of this
early work, but also
because the cantata only
survives in sources
dating from the period
after Bach's death.
However, in recent years
a hidden dedication to
Conrad Meckbach, a member
of the Muhlhausen town
council and patron of
Bach, has been
deciphered: the initial
letters of the free
poetry reveal the
acrostic Doctor Conrad
Meckbach (in the 18th
century spelling),
revealing a link to the
city of Muhlhausen and
almost certainly
confirming Bach's
authorship of the
cantata. The occasion of
the composition of the
work is still unknown.
The small instrumental
scoring for just two
violins, bassoon, and
continuo, plus the fact
that only the soprano is
given a solo movement,
suggest a performance
with modest resources.
Score and parts available
separately - see item
CA.3115000. $78.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem (Sussmayr) - Carus Choir Coach Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 basset horns, 2 bassoons, 2 contrabass, 3 trombon...(+)
SATB vocal soli, SATB
choir, 2 basset horns, 2
bassoons, 2 contrabass, 3
trombones, timpani, 2
violins, viola, basso
continuo SKU:
CA.5162646
Sussmayr-Version.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Franz Xaver Sussmayr.
Carus Choir Coach.
REQUIEM (SUssMAYR).CCC.
Requiem. Compact Disc.
Composed 1791. KV 626.
Carus Verlag #CV
51.626/46. Published by
Carus Verlag
(CA.5162646). Key: D
minor. Text language:
Latin. The history
of the genesis of the
Requiem is entwined with
legends and anecdotes.
The burdens of the
composition and
performance of La
Clemenza di Tito and Die
Zauberflote, and an acute
infection led to the
collapse and death of the
composer following a
short illness. Mozart
left his wife in
considerable debt.
Constanze therefore
turned to Mozart's
friends, asking them to
complete the fragment.
After two failed
attempts, the task passed
to Mozart's pupil Franz
Xaver Sussmayr, who
completed the Requiem in
the form known today,
using working materials
that are no longer
extant, and perhaps
verbal instructions from
the composer. Today the
Sussmayr version is still
the most well known, and
it is doubtless the one
with the closest
historical ties to
Mozart. This work is now
available in carus music,
the choir app! Score
available separately -
see item CA.5162600. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem (Sussmayr) - Carus Choir Coach Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 basset horns, 2 bassoons, 2 contrabass, 3 trombon...(+)
SATB vocal soli, SATB
choir, 2 basset horns, 2
bassoons, 2 contrabass, 3
trombones, timpani, 2
violins, viola, basso
continuo SKU:
CA.5162647
Sussmayr-Version.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Franz Xaver Sussmayr.
Carus Choir Coach.
REQUIEM (SUssMAYR).CCC.
Requiem. Compact Disc.
Composed 1791. KV 626.
Carus Verlag #CV
51.626/47. Published by
Carus Verlag
(CA.5162647). Key: D
minor. Text language:
Latin. The history
of the genesis of the
Requiem is entwined with
legends and anecdotes.
The burdens of the
composition and
performance of La
Clemenza di Tito and Die
Zauberflote, and an acute
infection led to the
collapse and death of the
composer following a
short illness. Mozart
left his wife in
considerable debt.
Constanze therefore
turned to Mozart's
friends, asking them to
complete the fragment.
After two failed
attempts, the task passed
to Mozart's pupil Franz
Xaver Sussmayr, who
completed the Requiem in
the form known today,
using working materials
that are no longer
extant, and perhaps
verbal instructions from
the composer. Today the
Sussmayr version is still
the most well known, and
it is doubtless the one
with the closest
historical ties to
Mozart. This work is now
available in carus music,
the choir app! Score
available separately -
see item CA.5162600. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem (Sussmayr) - Carus Choir Coach Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 basset horns, 2 bassoons, 2 contrabass, 3 trombon...(+)
SATB vocal soli, SATB
choir, 2 basset horns, 2
bassoons, 2 contrabass, 3
trombones, timpani, 2
violins, viola, basso
continuo SKU:
CA.5162645
Sussmayr-Version.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Franz Xaver Sussmayr.
Carus Choir Coach.
REQUIEM (SUssMAYR).CCC.
Requiem. Compact Disc.
Composed 1791. KV 626.
Carus Verlag #CV
51.626/45. Published by
Carus Verlag
(CA.5162645). ISBN
9790007171858. Key: D
minor. Text language:
Latin. The history
of the genesis of the
Requiem is entwined with
legends and anecdotes.
The burdens of the
composition and
performance of La
Clemenza di Tito and Die
Zauberflote, and an acute
infection led to the
collapse and death of the
composer following a
short illness. Mozart
left his wife in
considerable debt.
Constanze therefore
turned to Mozart's
friends, asking them to
complete the fragment.
After two failed
attempts, the task passed
to Mozart's pupil Franz
Xaver Sussmayr, who
completed the Requiem in
the form known today,
using working materials
that are no longer
extant, and perhaps
verbal instructions from
the composer. Today the
Sussmayr version is still
the most well known, and
it is doubtless the one
with the closest
historical ties to
Mozart. This work is now
available in carus music,
the choir app! Score
available separately -
see item CA.5162600. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 basset horns, 2 bassoons, 2 contrabass, 3 trombon...(+)
SATB vocal soli, SATB
choir, 2 basset horns, 2
bassoons, 2 contrabass, 3
trombones, timpani, 2
violins, viola, basso
continuo SKU:
CA.5162605
Sussmayr-Version.
Composed by Wolfgang
Amadeus Mozart. Edited by
Ulrich Leisinger.
Arranged by Paul Horn,
Franz Xaver Sussmayr.
This edition: urtext.
Stuttgart Urtext Edition:
Mozart. REQUIEM (ARR.
SUssMAYR). Innovative
practice aids, Sacred
vocal music, Requiem,
Mourning, death. Choral
Score. Composed 1791. KV
626. 32 pages. Carus
Verlag #CV 51.626/05.
Published by Carus Verlag
(CA.5162605). ISBN
9790007113100. Key: D
minor. Language:
Latin. The history
of the genesis of the
Requiem is entwined with
legends and anecdotes.
The burdens of the
composition and
performance of La
Clemenza di Tito and Die
Zauberflote, and an acute
infection led to the
collapse and death of the
composer following a
short illness. Mozart
left his wife in
considerable debt.
Constanze therefore
turned to Mozart's
friends, asking them to
complete the fragment.
After two failed
attempts, the task passed
to Mozart's pupil Franz
Xaver Sussmayr, who
completed the Requiem in
the form known today,
using working materials
that are no longer
extant, and perhaps
verbal instructions from
the composer. Today the
Sussmayr version is still
the most well known, and
it is doubtless the one
with the closest
historical ties to
Mozart. This work is now
available in carus music,
the choir app! Score
available separately -
see item CA.5162600. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, piano reduction SKU: CA.5162604 Sussmayr-...(+)
SATB vocal soli, SATB
choir, piano reduction
SKU: CA.5162604
Sussmayr-Version.
Composed by Wolfgang
Amadeus Mozart. Edited by
Ulrich Leisinger.
Arranged by Paul Horn,
Franz Xaver Sussmayr.
This edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
REQUIEM (ARR. SUssMAYR).
Innovative practice aids,
Sacred vocal music,
Requiem, Mourning, death.
Vocal score. Composed
1791. KV 626. 84 pages.
Carus Verlag #CV
51.626/04. Published by
Carus Verlag
(CA.5162604). ISBN
9790007171445. Key: D
minor. Text language:
Latin. Piano reduction:
Paul Horn. The
history of the genesis of
the Requiem is entwined
with legends and
anecdotes. The burdens of
the composition and
performance of La
Clemenza di Tito and Die
Zauberflote, and an acute
infection led to the
collapse and death of the
composer following a
short illness. Mozart
left his wife in
considerable debt.
Constanze therefore
turned to Mozart's
friends, asking them to
complete the fragment.
After two failed
attempts, the task passed
to Mozart's pupil Franz
Xaver Sussmayr, who
completed the Requiem in
the form known today,
using working materials
that are no longer
extant, and perhaps
verbal instructions from
the composer. Today the
Sussmayr version is still
the most well known, and
it is doubtless the one
with the closest
historical ties to
Mozart. This work is now
available in carus music,
the choir app! Score
available separately -
see item CA.5162600. $23.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem (Sussmayr) - Carus Choir Coach Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 basset horns, 2 bassoons, 2 contrabass, 3 trombon...(+)
SATB vocal soli, SATB
choir, 2 basset horns, 2
bassoons, 2 contrabass, 3
trombones, timpani, 2
violins, viola, basso
continuo SKU:
CA.5162648
Sussmayr-Version.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Franz Xaver Sussmayr.
Carus Choir Coach.
REQUIEM (SUssMAYR).CCC.
Requiem. Compact Disc.
Composed 1791. KV 626.
Carus Verlag #CV
51.626/48. Published by
Carus Verlag
(CA.5162648). Key: D
minor. Text language:
Latin. The history
of the genesis of the
Requiem is entwined with
legends and anecdotes.
The burdens of the
composition and
performance of La
Clemenza di Tito and Die
Zauberflote, and an acute
infection led to the
collapse and death of the
composer following a
short illness. Mozart
left his wife in
considerable debt.
Constanze therefore
turned to Mozart's
friends, asking them to
complete the fragment.
After two failed
attempts, the task passed
to Mozart's pupil Franz
Xaver Sussmayr, who
completed the Requiem in
the form known today,
using working materials
that are no longer
extant, and perhaps
verbal instructions from
the composer. Today the
Sussmayr version is still
the most well known, and
it is doubtless the one
with the closest
historical ties to
Mozart. This work is now
available in carus music,
the choir app! Score
available separately -
see item CA.5162600. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 basset horns, 2 bassoons, 2 contrabass, 3 trombon...(+)
SATB vocal soli, SATB
choir, 2 basset horns, 2
bassoons, 2 contrabass, 3
trombones, timpani, 2
violins, viola, basso
continuo SKU:
CA.5162609
Sussmayr-Version.
Composed by Wolfgang
Amadeus Mozart. Edited by
Ulrich Leisinger.
Arranged by Paul Horn,
Franz Xaver Sussmayr.
This edition: urtext. 1x
51.626/21 basset horn 1,
1x 51.626/22 basset horn
2, 1x 51.626/23 bassoon
1, 1x 51.626/24 bassoon
2, 1x 51.626/31 clarino
1, 1x 51.626/32 clarino
2, 1x 51.626/33 trombone
1, 1x 51.626/34 trombone
2, 1x 51.626/35 trombone
3, 1x 51.626/41 timpani.
Stuttgart Urtext Edition:
Mozart. REQUIEM (ARR.
SUssMAYR). Innovative
practice aids, Sacred
vocal music, Requiem,
Mourning, death. Set of
Orchestra Parts. Composed
1791. KV 626. 88 pages.
Carus Verlag #CV
51.626/09. Published by
Carus Verlag
(CA.5162609). ISBN
9790007225216. Key: D
minor. Language:
Latin. The history
of the genesis of the
Requiem is entwined with
legends and anecdotes.
The burdens of the
composition and
performance of La
Clemenza di Tito and Die
Zauberflote, and an acute
infection led to the
collapse and death of the
composer following a
short illness. Mozart
left his wife in
considerable debt.
Constanze therefore
turned to Mozart's
friends, asking them to
complete the fragment.
After two failed
attempts, the task passed
to Mozart's pupil Franz
Xaver Sussmayr, who
completed the Requiem in
the form known today,
using working materials
that are no longer
extant, and perhaps
verbal instructions from
the composer. Today the
Sussmayr version is still
the most well known, and
it is doubtless the one
with the closest
historical ties to
Mozart. This work is now
available in carus music,
the choir app! Score and
parts available
separately - see item
CA.5162600. $56.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| God, praise waiteth thee in the temple Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 3 trombones, timpani, violin conce...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 3
trombones, timpani,
violin concertato, 2
violins, viola, basso
continuo SKU:
CA.3112014 Cantata
for a Leipzig city
council election.
Composed by Johann
Sebastian Bach. Edited by
Ulrike Utsch. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Praise and thanks.
Single Part, basso
continuo. Composed 1742.
BWV 120. 12 pages.
Duration 26 minutes.
Carus Verlag #CV
31.120/14. Published by
Carus Verlag
(CA.3112014). ISBN
9790007207311. Text
language:
German/English. The
second movement of the
cantata Gott, man lobet
dich in der Stille BWV
120 became particularly
well-known through its
re-use in the Credo of
the Mass in B minor. The
cantata is one of six
surviving cantatas for
inaugurations of the
Leipzig Town Council from
the pen of Johann
Sebastian Bach. Although
the autograph manuscript
score can be dated to
around 1742, it is not
known precisely which
town council inauguration
the work was performed
at. Score and part
available separately -
see item CA.3112000. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| God, praise waiteth thee in the temple Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 3 trombones, timpani, violin conce...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 3
trombones, timpani,
violin concertato, 2
violins, viola, basso
continuo SKU:
CA.3112000 Cantata
for a Leipzig city
council election.
Composed by Johann
Sebastian Bach. Edited by
Ulrike Utsch. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Praise and thanks.
Full score. Composed
1742. BWV 120. 60 pages.
Duration 26 minutes.
Carus Verlag #CV
31.120/00. Published by
Carus Verlag
(CA.3112000). ISBN
9790007164829. Text
language:
German/English. The
second movement of the
cantata Gott, man lobet
dich in der Stille BWV
120 became particularly
well-known through its
re-use in the Credo of
the Mass in B minor. The
cantata is one of six
surviving cantatas for
inaugurations of the
Leipzig Town Council from
the pen of Johann
Sebastian Bach. Although
the autograph manuscript
score can be dated to
around 1742, it is not
known precisely which
town council inauguration
the work was performed
at. $46.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| God, praise waiteth thee in the temple Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 3 trombones, timpani, solo violin,...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 3
trombones, timpani, solo
violin, 2 violins, viola,
basso continuo SKU:
CA.3112019 Cantata
for a Leipzig city
council election.
Composed by Johann
Sebastian Bach. Edited by
Ulrike Utsch. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music, Praise and
thanks. Set of Orchestra
Parts. Composed 1742. BWV
120. Duration 26 minutes.
Carus Verlag #CV
31.120/19. Published by
Carus Verlag
(CA.3112019). ISBN
9790007164522. Text
language:
German/English. The
second movement of the
cantata Gott, man lobet
dich in der Stille BWV
120 became particularly
well-known through its
re-use in the Credo of
the Mass in B minor. The
cantata is one of six
surviving cantatas for
inaugurations of the
Leipzig Town Council from
the pen of Johann
Sebastian Bach. Although
the autograph manuscript
score can be dated to
around 1742, it is not
known precisely which
town council inauguration
the work was performed
at. Score and parts
available separately -
see item CA.3112000. $150.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| God, praise waiteth thee in the temple Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 3 trombones, timpani, violin conce...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 3
trombones, timpani,
violin concertato, 2
violins, viola, basso
continuo SKU:
CA.3112012 Cantata
for a Leipzig city
council election.
Composed by Johann
Sebastian Bach. Edited by
Ulrike Utsch. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Praise and thanks. Single
Part, Violin 2. Composed
1742. BWV 120. 8 pages.
Duration 26 minutes.
Carus Verlag #CV
31.120/12. Published by
Carus Verlag
(CA.3112012). ISBN
9790007207298. Text
language:
German/English. The
second movement of the
cantata Gott, man lobet
dich in der Stille BWV
120 became particularly
well-known through its
re-use in the Credo of
the Mass in B minor. The
cantata is one of six
surviving cantatas for
inaugurations of the
Leipzig Town Council from
the pen of Johann
Sebastian Bach. Although
the autograph manuscript
score can be dated to
around 1742, it is not
known precisely which
town council inauguration
the work was performed
at. Score and part
available separately -
see item CA.3112000. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| God, praise waiteth thee in the temple Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 3 trombones, timpani, violin conce...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 3
trombones, timpani,
violin concertato, 2
violins, viola, basso
continuo SKU:
CA.3112049 Cantata
for a Leipzig city
council election.
Composed by Johann
Sebastian Bach. Edited by
Ulrike Utsch. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, Praise and
thanks. Single Part,
Organ. Composed 1742. BWV
120. 12 pages. Duration
26 minutes. Carus Verlag
#CV 31.120/49. Published
by Carus Verlag
(CA.3112049). ISBN
9790007207328. Language:
German/English. The
second movement of the
cantata Gott, man lobet
dich in der Stille BWV
120 became particularly
well-known through its
re-use in the Credo of
the Mass in B minor. The
cantata is one of six
surviving cantatas for
inaugurations of the
Leipzig Town Council from
the pen of Johann
Sebastian Bach. Although
the autograph manuscript
score can be dated to
around 1742, it is not
known precisely which
town council inauguration
the work was performed
at. Score and part
available separately -
see item CA.3112000. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| God, praise waiteth thee in the temple Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 3 trombones, timpani, violin conce...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 3
trombones, timpani,
violin concertato, 2
violins, viola, basso
continuo SKU:
CA.3112011 Cantata
for a Leipzig city
council election.
Composed by Johann
Sebastian Bach. Edited by
Ulrike Utsch. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Praise and thanks. Single
Part, Violin 1. Composed
1742. BWV 120. 12 pages.
Duration 26 minutes.
Carus Verlag #CV
31.120/11. Published by
Carus Verlag
(CA.3112011). ISBN
9790007207281. Text
language:
German/English. The
second movement of the
cantata Gott, man lobet
dich in der Stille BWV
120 became particularly
well-known through its
re-use in the Credo of
the Mass in B minor. The
cantata is one of six
surviving cantatas for
inaugurations of the
Leipzig Town Council from
the pen of Johann
Sebastian Bach. Although
the autograph manuscript
score can be dated to
around 1742, it is not
known precisely which
town council inauguration
the work was performed
at. Score and part
available separately -
see item CA.3112000. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| God, praise waiteth thee in the temple Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 3 trombones, timpani, violin conce...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 3
trombones, timpani,
violin concertato, 2
violins, viola, basso
continuo SKU:
CA.3112009 Cantata
for a Leipzig city
council election.
Composed by Johann
Sebastian Bach. Edited by
Ulrike Utsch. This
edition: urtext. 1x
31.120/21 oboe d'amore 1,
1x 31.120/22 oboe d'amore
2, 4x 31.120/31 trumpet.
Stuttgart Urtext Edition:
Bach vocal. Harmony
parts. Sacred vocal
music, Praise and thanks.
Set of Orchestra Parts.
Composed 1742. BWV 120.
Duration 26 minutes.
Carus Verlag #CV
31.120/09. Published by
Carus Verlag
(CA.3112009). ISBN
9790007207274. Text
language:
German/English. The
second movement of the
cantata Gott, man lobet
dich in der Stille BWV
120 became particularly
well-known through its
re-use in the Credo of
the Mass in B minor. The
cantata is one of six
surviving cantatas for
inaugurations of the
Leipzig Town Council from
the pen of Johann
Sebastian Bach. Although
the autograph manuscript
score can be dated to
around 1742, it is not
known precisely which
town council inauguration
the work was performed
at. Score and parts
available separately -
see item CA.3112000. $45.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| God, praise waiteth thee in the temple Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 3 trombones, timpani, violin conce...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 3
trombones, timpani,
violin concertato, 2
violins, viola, basso
continuo SKU:
CA.3112013 Cantata
for a Leipzig city
council election.
Composed by Johann
Sebastian Bach. Edited by
Ulrike Utsch. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Praise and
thanks. Single Part,
Viola. Composed 1742. BWV
120. 8 pages. Duration 26
minutes. Carus Verlag #CV
31.120/13. Published by
Carus Verlag
(CA.3112013). ISBN
9790007207304. Text
language:
German/English. The
second movement of the
cantata Gott, man lobet
dich in der Stille BWV
120 became particularly
well-known through its
re-use in the Credo of
the Mass in B minor. The
cantata is one of six
surviving cantatas for
inaugurations of the
Leipzig Town Council from
the pen of Johann
Sebastian Bach. Although
the autograph manuscript
score can be dated to
around 1742, it is not
known precisely which
town council inauguration
the work was performed
at. Score and part
available separately -
see item CA.3112000. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| God, praise waiteth thee in the temple Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 3 trombones, timpani, violin conce...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 3
trombones, timpani,
violin concertato, 2
violins, viola, basso
continuo SKU:
CA.3112003 Cantata
for a Leipzig city
council election.
Composed by Johann
Sebastian Bach. Edited by
Ulrike Utsch. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Praise and thanks.
Vocal score. Composed
1742. BWV 120. 28 pages.
Duration 26 minutes.
Carus Verlag #CV
31.120/03. Published by
Carus Verlag
(CA.3112003). ISBN
9790007164539. Text
language:
German/English. The
second movement of the
cantata Gott, man lobet
dich in der Stille BWV
120 became particularly
well-known through its
re-use in the Credo of
the Mass in B minor. The
cantata is one of six
surviving cantatas for
inaugurations of the
Leipzig Town Council from
the pen of Johann
Sebastian Bach. Although
the autograph manuscript
score can be dated to
around 1742, it is not
known precisely which
town council inauguration
the work was performed
at. Score available
separately - see item
CA.3112000. $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Rhapsody Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] Carus Verlag
Solo A, Coro TTBB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Vl, Va, Vc, Cb SKU: CA.1...(+)
Solo A, Coro TTBB, 2 Fl,
2 Ob, 2 Clt, 2 Fg, 2 Cor,
2 Vl, Va, Vc, Cb SKU:
CA.1039700 (Alto
Rhapsody). Composed
by Johannes Brahms.
Edited by Rainer Boss.
Secular choral music.
Full score. Op. 53. 32
pages. Duration 14
minutes. Carus Verlag #CV
10.397/00. Published by
Carus Verlag
(CA.1039700). ISBN
9790007187590. Language:
German. Johannes
Brahms's Alto Rhapsody is
published here in a new
Urtext edition,
modernised for
present-day performance
practice. It is based on
the 2nd impression of the
first printed edition, as
this is regarded as the
authentic musical text
following the last
revisions made by the
composer. The musical
setting of Goethe's poem
Harzreise im Winter opens
with a somber beginning,
then by turning to divine
powers, it arrives at a
hopeful new level. The
work - which was composed
in connection with the
marriage of Julie, the
daughter of Brahms's
revered Clara Schumann,
in 1869 - impresses above
all with its personal
touch as well as its
pioneering progressive
harmonies and enormous
compositional power,
which still entice
listeners into the
concert hall. $26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Cantatas for Town Council Elections II Soli, choeur mixte et accompagnement Barenreiter
Soloists, Choir, Orchestra (Voices, Mixed choir, Orch) SKU: BA.BA05077-01 ...(+)
Soloists, Choir,
Orchestra (Voices, Mixed
choir, Orch) SKU:
BA.BA05077-01
Composed by Johann
Sebastian Bach. Edited by
Christine Fröde. This
edition: complete
edition, urtext edition.
Linen. New Bach Edition
(NBA) I/32/2. Complete
edition, Score,
anthology. Baerenreiter
Verlag #BA05077_01.
Published by Baerenreiter
Verlag (BA.BA05077-01).
ISBN 9790006463763.
33.1 x 25.8 cm
inches. Urtext der
Neuen Mozart-Ausgabe.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$192.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Mass in E flat major Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] - Intermédiaire Carus Verlag
Orchestra Soli SATTB, Coro SSATTBB, Ob, 2 Clt, Fg, Cor, Tr, Trb, Timp, 2 Vl, Va,...(+)
Orchestra Soli SATTB,
Coro SSATTBB, Ob, 2 Clt,
Fg, Cor, Tr, Trb, Timp, 2
Vl, Va, Vc, Cb - Grade 4
SKU: CA.4066050
Arrangement for
chamber orchestra (arr.
J. Linckelmann).
Composed by Franz
Schubert. Arranged by
Joachim Linckelmann.
Carus digital: Extra
digital products. Full
Score. D 950. 216 pages.
Duration 50 minutes.
Carus Verlag #4066050.
Published by Carus Verlag
(CA.4066050). ISBN
9790007294533. Key: E
flat major.
Latin. Schubertâ??
s Mass in E-flat major is
the last of his six
settings of the
Ordinarium Missae (Mass
ordinary) and also his
most important work in
this genre. The mass is
full of color and drama,
infused with the spirit
of confession. For many
choirs, it is on the wish
list of those works they
would like to sing
someday. But what happens
if you donâ??t have
enough singers, money is
tight, and your venue is
on the small side?
Here the experienced
arranger and orchestral
musician Joachim
Linckelmann has a great
solution. His version for
soloists, choir and
chamber orchestra
requires only 7 winds
rather than the original
13. The string parts,
while identical to the
original, can now also be
scaled back. The vocal
parts (soloists and
chorus) are completely
untouched by the
arrangement, so that the
vocal scores and choral
scores of the Carus
Urtext edition can also
be used for
performanceâ?¢,A
large-scale work now
arranged for smaller
choirs â?¢,13 winds
of the original version
reduced to 7
instrumentsâ?¢,Voca
l scores and choral
scores of the original
version can still be
usedâ?¢,carus plus:
The work (original
version) is available in
the app carus music, the
Choir Coach, as well as
in our Carus Choir Coach
series (audio only)..
Score available
separately - see item
CA.4066000. $105.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Joyful be, O ransomed flock (Freue dich, erloste Schar) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, oboe I/oboe d'amore, oboe II, violin solo...(+)
SATB vocal soli, SATB
choir, 2 flutes, oboe
I/oboe d'amore, oboe II,
violin solo, 2 violins,
viola, basso continuo
SKU: CA.3103005
Cantata for the Feast
of John the Baptist.
Composed by Johann
Sebastian Bach. Edited by
Julia Doht. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Sacred vocal music,
Cantatas, Special days.
Choral Score. Composed
1738(?). BWV 30. 12
pages. Duration 40
minutes. Carus Verlag #CV
31.030/05. Published by
Carus Verlag
(CA.3103005). ISBN
9790007205386. Text
language:
German/English. The
cantata Freue dich,
erloste Schar BWV 30 is
one of Bach's last church
cantatas. Originally
composed as a parody of
the cantata Angenehmes
Wiederau BWV 30a for the
Feast of St. John's Day
in 1738, it still enjoys
a great popularity today.
Its extraordinary length
(12 movements) made it
possible for Bach to
employ four vocal
soloists who, together
with instrumental
soloists, choir and
orchestra contribute to
the generally festive
character of this work.
Score available
separately - see item
CA.3103000. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Joyful be, O ransomed flock (Freue dich, erloste Schar) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, oboe I/oboe d'amore, oboe II, violin solo...(+)
SATB vocal soli, SATB
choir, 2 flutes, oboe
I/oboe d'amore, oboe II,
violin solo, 2 violins,
viola, basso continuo
SKU: CA.3103012
Cantata for the Feast
of John the Baptist.
Composed by Johann
Sebastian Bach. Edited by
Julia Doht. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Violin 2. Sacred vocal
music, Cantatas, Special
days. Single Part, Violin
2. Composed 1738(?). BWV
30. 12 pages. Duration 40
minutes. Carus Verlag #CV
31.030/12. Published by
Carus Verlag
(CA.3103012). ISBN
9790007205416. Text
language:
German/English. The
cantata Freue dich,
erloste Schar BWV 30 is
one of Bach's last church
cantatas. Originally
composed as a parody of
the cantata Angenehmes
Wiederau BWV 30a for the
Feast of St. John's Day
in 1738, it still enjoys
a great popularity today.
Its extraordinary length
(12 movements) made it
possible for Bach to
employ four vocal
soloists who, together
with instrumental
soloists, choir and
orchestra contribute to
the generally festive
character of this work.
Score and part available
separately - see item
CA.3103000. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Joyful be, O ransomed flock (Freue dich, erloste Schar) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, oboe I/oboe d'amore, oboe II, violin solo...(+)
SATB vocal soli, SATB
choir, 2 flutes, oboe
I/oboe d'amore, oboe II,
violin solo, 2 violins,
viola, basso continuo
SKU: CA.3103009
Cantata for the Feast
of John the Baptist.
Composed by Johann
Sebastian Bach. Edited by
Julia Doht. This edition:
urtext. 1x 31.030/21
flute 1, 1x 31.030/22
flute 2, 1x 31.030/23
oboe 1, 1x 31.030/24 oboe
2. Stuttgart Urtext
Edition: Bach vocal.
Harmony parts. Sacred
vocal music, Cantatas,
Special days. Set of
Orchestra Parts. Composed
1738(?). BWV 30. Duration
40 minutes. Carus Verlag
#CV 31.030/09. Published
by Carus Verlag
(CA.3103009). ISBN
9790007205393. Text
language:
German/English. The
cantata Freue dich,
erloste Schar BWV 30 is
one of Bach's last church
cantatas. Originally
composed as a parody of
the cantata Angenehmes
Wiederau BWV 30a for the
Feast of St. John's Day
in 1738, it still enjoys
a great popularity today.
Its extraordinary length
(12 movements) made it
possible for Bach to
employ four vocal
soloists who, together
with instrumental
soloists, choir and
orchestra contribute to
the generally festive
character of this work.
Score and parts available
separately - see item
CA.3103000. $28.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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