| You, who the name of Christ have taken (Ihr, die ihr euch von Christo nennet) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes,
2 violins, viola, basso
continuo SKU:
CA.3116414 Cantata
for the 13th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas, Whitsun.
Single Part, basso
continuo. Composed 1725.
BWV 164. 12 pages.
Duration 17 minutes.
Carus Verlag #CV
31.164/14. Published by
Carus Verlag
(CA.3116414). ISBN
9790007209056. Text
language:
German/English. Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and part
available separately -
see item CA.3116400. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| You, who the name of Christ have taken (Ihr, die ihr euch von Christo nennet) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes,
2 violins, viola, basso
continuo SKU:
CA.3116412 Cantata
for the 13th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, Whitsun. Single
Part, Violin 2. Composed
1725. BWV 164. 8 pages.
Duration 17 minutes.
Carus Verlag #CV
31.164/12. Published by
Carus Verlag
(CA.3116412). ISBN
9790007209032. Text
language:
German/English. Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and part
available separately -
see item CA.3116400. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| You, who the name of Christ have taken (Ihr, die ihr euch von Christo nennet) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes,
2 violins, viola, basso
continuo SKU:
CA.3116413 Cantata
for the 13th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Cantatas,
Whitsun. Single Part,
Viola. Composed 1725. BWV
164. 4 pages. Duration 17
minutes. Carus Verlag #CV
31.164/13. Published by
Carus Verlag
(CA.3116413). ISBN
9790007209049. Text
language:
German/English. Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and part
available separately -
see item CA.3116400. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| You, who the name of Christ have taken (Ihr, die ihr euch von Christo nennet) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes,
2 violins, viola, basso
continuo SKU:
CA.3116411 Cantata
for the 13th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Whitsun. Single
Part, Violin 1. Composed
1725. BWV 164. 8 pages.
Duration 17 minutes.
Carus Verlag #CV
31.164/11. Published by
Carus Verlag
(CA.3116411). ISBN
9790007209025. Text
language:
German/English. Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and part
available separately -
see item CA.3116400. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem in C Major Soli, choeur mixte et accompagnement Soli, chœur mixte et piano Carus Verlag
(Arrangement for soli, choir and organ). Composed by Charles Francois Gounod (18...(+)
(Arrangement for soli,
choir and organ).
Composed by Charles
Francois Gounod
(1818-1893). Edited by
Barbara Grolmann.
Arranged by Zsigmond
Szathmary. For SATB vocal
soli, SATB choir, organ.
This edition: Paperbound.
C-Dur (C major). Choir
and Organ. German title:
Requiem. End of the
church year, Mourning,
death. Full score.
Language: Latin. Posth..
48 pages. Duration 35
minutes. Published by
Carus Verlag
$46.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Vespers 1610 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur d'étude / Miniature] Carus Verlag
Composed by Claudio Monteverdi (1567-1643). Edited by Uwe Wolf. For SSATTBB voca...(+)
Composed by Claudio
Monteverdi (1567-1643).
Edited by Uwe Wolf. For
SSATTBB vocal soli,
SATB/SATB choir, 2
flutes, 2 fifari, 3
horns, 3 trombones, 2
violins, 3 violas, cello,
violone, basso continuo.
This edition: paperback.
Stuttgart Urtext edition.
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Study score. Text
language: Latin. No. 206.
192 pages. Duration 90
minutes. Published by
Carus Verlag
$34.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Take from us, Lord, you faithful God (Nimm von uns, Herr, du treuer Gott) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
Orchestra SATB vocal soli, SATB choir, flute, 2 oboes, oboe d'caccia/taille, cor...(+)
Orchestra SATB vocal
soli, SATB choir, flute,
2 oboes, oboe
d'caccia/taille, cornet,
3 trombones, 2 violins,
viola, basso continuo -
Grade 3 SKU:
CA.3110107 Cantata
for the 10th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
This edition: Paperbound.
German title: Nimm von
uns, Herr. Sacred vocal
music, Cantatas. Study
score. Composed 1724. BWV
101. 100 pages. Duration
25 minutes. Carus Verlag
#CV 31.101/07. Published
by Carus Verlag
(CA.3110107). ISBN
9790007047290. Key: D
minor. Language:
German/English. Text:
Moller, Martin. Text:
Martin
Moller. Score
available separately -
see item CA.3110100. $11.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| I cry to thee, Lord Jesus Christ Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Vocal Score] Carus Verlag
(Cantata for the 4th Sunday after Trinity). Composed by Johann Sebastian Bach (1...(+)
(Cantata for the 4th
Sunday after Trinity).
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Tobias Rimek. For SATB
vocal soli, SATB choir, 2
oboes, oboe da caccia,
bassoon solo, violin
solo, strings, basso
continuo. This edition:
paperback. Stuttgart
Urtext edition. Cantatas,
Whitsun. Vocal score.
Text language:
German/English. Composed
1732. BWV 177. 36 pages.
Duration 28 minutes.
Published by Carus Verlag
$13.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Take from us, Lord, you faithful God (Nimm von uns, Herr, du treuer Gott) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
Orchestra SATB vocal soli, SATB choir, flute, 2 oboes, oboe d'caccia/taille, cor...(+)
Orchestra SATB vocal
soli, SATB choir, flute,
2 oboes, oboe
d'caccia/taille, cornet,
3 trombones, 2 violins,
viola, basso continuo -
Grade 3 SKU:
CA.3110100 Cantata
for the 10th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
This edition: Paperbound.
German title: Nimm von
uns, Herr, du treuer
Gott. Sacred vocal music,
Cantatas. Full score.
Composed 1724. BWV 101.
Duration 25 minutes.
Carus Verlag #CV
31.101/00. Published by
Carus Verlag
(CA.3110100). ISBN
9790007047269. Key: D
minor. Language:
German/English. Text:
Moller, Martin. Text:
Martin Moller. $41.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| O faithful Christians, now take heart Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
(Cantata for the 17th Sunday after Trinity). By Johann Sebastian Bach (1685-1750...(+)
(Cantata for the 17th
Sunday after Trinity). By
Johann Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For SATB
vocal soli, SATB choir,
horn, flute, 2 oboes,
[horn], 2 violins, viola,
basso continuo. This
edition: Paperbound.
full score Cantatas,
Trinity
$35.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ach, lieben Christen, seid getrost (O faithful Christians, now take heart) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Vocal Score] Carus Verlag
(Kantate zum 17. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750)....(+)
(Kantate zum 17. Sonntag
nach Trinitatis). By
Johann Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For Soli
SATB, SATB Choir,
[Cornet], Flute, 2 Oboes,
Strings, Organ. This
edition: paperbound. BWV
114. Score available
separately - see item
CA.3111400. Cantatas; Use
during the church year:
Trinity; Stuttgart Urtext
Editions. Level 3.
Piano/Vocal score.
Language: German/English.
Composed 1724. 40 pages.
Duration 26 min.
Published by Carus Verlag
$12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Nimm von uns, Herr, du treuer Gott (Take from us, Lord, you faithful God) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Vocal Score] - Intermédiaire Carus Verlag
(Kantate zum 10. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750)....(+)
(Kantate zum 10. Sonntag
nach Trinitatis). By
Johann Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For Soli
SATB, SATB Choir,
[Cornetto, 3 Trombones],
Flute, 2 Oboes, Oboe da
Caccia (Taille), Violin
solo, Strings, Organ.
This edition: paperbound.
BWV 101. Full score
available separately -
see item CA.3110100.
Cantatas; Stuttgart
Urtext editions. Level 3.
Piano/Vocal score.
Language: German/English.
Composed 1724. 48 pages.
Duration 25 min
$11.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Welcome joyous festal day (Hochsterwunschtes Freudenfest) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Orchestra Soli STB, Coro SATB, 3 Ob, Fg, 2 Vl, Va, Bc SKU: CA.3119407 ...(+)
Orchestra Soli STB, Coro
SATB, 3 Ob, Fg, 2 Vl, Va,
Bc SKU: CA.3119407
Cantata for Trinity
Sunday. Composed by
Johann Sebastian Bach.
Edited by Tobias Rimek.
Arranged by Angelika
Tasler. Stuttgart Urtext
Edition: Bach vocal.
Sacred vocal music,
Cantatas, Trinity. Study
score. Composed 1724. BWV
194. 80 pages. Duration
39 minutes. Carus Verlag
#CV 31.194/07. Published
by Carus Verlag
(CA.3119407). ISBN
9790007245146. Language:
German/English. The
cantata Hochsterwunschtes
Freudenfest BWV 194 was
composed for an organ
dedication on 2 November
1723 in Stormthal,
Saxony. A year later, and
with just a few
alterations, the cantata
was performed again in
Leipzig on Trinity
Sunday. Our edition takes
this Leipzig version of
1724 as its source. The
special occasion of its
composition is reflected
in the extent of the
composition which has
twelve, instead of the
usual six, movements. The
orchestral scoring is for
strings and three
obbligato oboes. A
special feature of the
cantata is its structure
as an orchestral suite.
The beginning is a
spirited opening chorus
in the style of a French
overture. The bass aria
in the third movement has
the character of a
pastorale, and the
following aria (movement
5) in turn has the
character of a gavotte,
etc. A simple four-part
chorale concludes this
multifaceted composition,
marked by some extremely
heartfelt moments. Score
available separately -
see item CA.3119400. $18.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Betulia liberata, KV 118 (74c) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Barenreiter
Azione sacra in two parts. Composed by Wolfgang Amadeus Mozart (1756-1791...(+)
Azione sacra in two
parts. Composed by
Wolfgang Amadeus Mozart
(1756-1791). Edited by
Luigi Ferdinando
Tagliavini. This edition:
complete edition, urtext
edition. Linen. New
Mozart Edition. Series I,
Section 4/2.
Kirchenmusik, Klassik
(Sacred, Classical).
Score. KV 118 (74c).
Duration 2 hours, 10
minutes. Published by
Baerenreiter Verlag
(BA.BA4521-01).
$247.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Requiem in C major Soli, choeur mixte et accompagnement [Vocal Score] Carus Verlag
By Charles Francois Gounod (1818-1893). Edited by Barbara Grolmann. For SATB voc...(+)
By Charles Francois
Gounod (1818-1893).
Edited by Barbara
Grolmann. For SATB vocal
soloists, SATB choir, 2
flutes, 2 oboes, english
horn, 2 clarinets, 2
bassoons, 4 horns, 2
trumpets, 3 trombones,
tuba, timpani, bass drum,
harp, percussion, 2
violins, viola, cello,
contrabass, organ. This
edition: Paperbound.
C-Dur (C major).
Stuttgart Urtext
editions. Requiem, End of
the church year,
Mourning, death. Vocal
score. Language: Latin.
Op. Posth.. 44 pages.
Duration 35 min.
Published by Carus Verlag
$21.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Vespers 1610 Soli, choeur mixte et accompagnement Carus Verlag
Vespers 1610. Composed by Claudio Monteverdi (1567-1643). Edited by Uwe W...(+)
Vespers 1610.
Composed by Claudio
Monteverdi (1567-1643).
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition.
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Full score
(clothbound edition). No.
206. 192 pages. Duration
90 minutes. Published by
Carus Verlag
(CA.2780101).
$144.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Beati III: Pro eis solitariis (For those that are lonely) Soli, choeur mixte et accompagnement - Facile MorningStar Music Publishers
Solo and SS choir divisi (a cappella) - Early Intermediate SKU: MN.56-0031(+)
Solo and SS choir divisi
(a cappella) - Early
Intermediate SKU:
MN.56-0031 Composed
by Howard Goodall. 21st
Century. Instrument
parts. Duration 4
minutes, 39 seconds.
MorningStar Music
Publishers #56-0031.
Published by MorningStar
Music Publishers
(MN.56-0031). UPC:
688670220364. Latin.
Genesis 20:13; Numbers
11:17. Written for
the Enchanted Voices CD,
this is one of many
settings of texts either
from the Beatitudes (or
springing from them)
available from this
composer. For Solo and SS
divisi, a cappella, the
music has a light,
ethereal feeling.
ââ¬ÅBeatiââ
¬Â can be taken as
a sort of
ââ¬ÅBlessed are
theyââ¬Â prefix
for the movements which
are not direct quotes
from the Beatitudes. This
movement is a unison,
chant-like setting of the
Latin texts for Genesis
20:13 (ââ¬ÅThou
shalt do me this
kindnessââ¬Â¦Ã
â¬Â) and Numbers
11:17 (ââ¬ÅAnd
I will take of thy
spiritââ¬Â).
The soloist begins and
sometimes takes over from
the choral voices. Mostly
unison except for about
ten measures (out of the
69) in two-part texture
and four measures in
three parts. Duration
4:39
$2.65 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Lucio Silla, KV 135 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Solo voices, choir, orchestra (4 Soprano Voice Solo, 2 Tenor Voice Solo, Mixed c...(+)
Solo voices, choir,
orchestra (4 Soprano
Voice Solo, 2 Tenor Voice
Solo, Mixed choir, 2 Fl,
2 Ob, 2 bassoon, 2 Hn, 2
Trp, timpani, harpisc.,
Str) SKU:
BA.BA04590-01
Dramma per musica in
three Acts. Composed
by Wolfgang Amadeus
Mozart. Edited by
Kathleen Kuzmick Hansell.
This edition: complete
edition, urtext edition.
Linen. Edition in 2
volumes. Complete
edition, Score. K. 135.
Duration 4 hours.
Baerenreiter Verlag
#BA04590_01. Published by
Baerenreiter Verlag
(BA.BA04590-01). ISBN
9790006451296. 33 x 26 cm
inches. Text Language:
Italian. Text: Giovanni
de Gamerra. On 13
December 1769 Leopold
Mozart and his son
Wolfgang set out on their
first tour of Italy. It
was not until 28 March
1771 that they finally
returned to Salzburg. The
trip brought the young
composer two commissions
for opere serie. In March
1770 he was commissioned
to write Mitridate, K.87
(74a), for the 1770-71
Carneval season at the
Regio Ducal Teatro in
Milan. Mozart started
work on the opera in
Bologna on 29 September
1770, and the premiere
duly took place on the
Feast of St. Stephen (26
December) in 1770. The
second, Lucio Silla (K.
135), again commissioned
for the 1771-72 Carneval
season in Milan,
doubtless resulted from
the success of Mitridate.
News of the commission
reached the Mozarts in
March 1771 in Verona,
where they had stopped on
their return to Salzburg.
(At roughly the same time
Wolfgang received an
invitation from Vienna to
supply a serenata
teatrale for the wedding
of Archduke Ferdinand,
the third son of Maria
Theresia, scheduled to
take place in Milan in
October 1771. This
invitation ultimately
resulted in Ascanio in
Alba, K. 111.)
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$463.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| St. John Passion "O Mensch, bewein", BWV 245.2 (1725) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
(Soli,Ch,Orch) SKU: BA.BA05938-01 Composed by Johann Sebastian Bach. Edit...(+)
(Soli,Ch,Orch) SKU:
BA.BA05938-01
Composed by Johann
Sebastian Bach. Edited by
Manuel Bärwald. This
edition: Edition of
selected works, Urtext
edition. Linen. Johann
Sebastian Bach. Neue
Ausgabe samtlicher Werke.
Revidierte Edition
(NBArev) 6. Edition of
selected works, Score.
Composed 1725. BWV 245.
Baerenreiter Verlag
#BA05938_01. Published by
Baerenreiter Verlag
(BA.BA05938-01). ISBN
9790006556335. 33 x 26.2
cm inches. Language:
German. Preface: Barwald,
Manuel. The St.
John Passion, Bach's
first passion oratorio,
can hardly be understood
asonework. Between 1724
and 1750 the work was
performed at least four
times in various Leipzig
churches under the
composer's direction and
for every one of these
occasions it was revised
- sometimes quite
substantially.
Thi
s edition presents the
St. John Passion in its
second version of 1725,
of which only excerpts
were rendered in the New
Bach Edition volume II/4
(1973). This version as
well as the last one of
1749 constitute the two
versions that have come
down to us almost in
their
entirety.
Most
recently found sources -
in particular the
libretto print of the
passion rediscovered in
2015 - are taken into
consideration in this
edition for the first
time.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$371.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Requiem (Requiem) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Carus Verlag
Erganzt von Robert D. Levin. By Wolfgang Amadeus Mozart. Arranged by Robert D. L...(+)
Erganzt von Robert D.
Levin. By Wolfgang
Amadeus Mozart. Arranged
by Robert D. Levin. For
Soli SATB, SATB Choir, 2
Bassethorn, 2 Bassoons, 2
Clarinos/Trumpets, 3
Trombones, Timpani, 2
Violins, Viola, Basso
continuo. KV 626.
Requiem; Occasions:
Mourning, Death. Score.
Language: Latin. Composed
1791/1991. 256 pages.
Duration 50 min.
Published by Carus Verlag
(German import).
$113.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem (Requiem) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Vocal Score] Carus Verlag
Erganzt von Robert D. Levin. By Wolfgang Amadeus Mozart. Arranged by Robert D. L...(+)
Erganzt von Robert D.
Levin. By Wolfgang
Amadeus Mozart. Arranged
by Robert D. Levin. For
Soli SATB, SATB Choir, 2
Bassethorn, 2 Bassoons, 2
Clarinos/Trumpets, 3
Trombones, Timpani, 2
Violins, Viola, Basso
continuo. KV 626. Full
score available
separately - see item
CA.5162650. Requiem;
Occasions: Mourning,
Death. Piano/Vocal score.
Language: Latin. Composed
1791/1991. 88 pages.
Duration 50 min.
Published by Carus Verlag
(German import).
(1)$17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
(completed by Robert D. Levin). Composed by Wolfgang Amadeus Mozart (1756-1791)....(+)
(completed by Robert D.
Levin). Composed by
Wolfgang Amadeus Mozart
(1756-1791). Arranged by
Robert D. Levin. For SATB
vocal soli, SATB choir, 2
basset horn, 2 bassoons,
2 clarinos/trumpets, 3
trombones, timpani, 2
violins, viola, basso
continuo. D-Moll (D
minor). Score available
separately - see item
CA.5162650. Requiem,
Mourning, death. Complete
orchestral parts.
Language: Latin. Composed
1791/1991. KV 626.
Duration 50 minutes.
Published by Carus Verlag
$264.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| L'Étoile Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Solo voices, choir, orchestra (5 Soprano, 4 Mezzo, 4 Tenor, Baritone, 2 Bass Voi...(+)
Solo voices, choir,
orchestra (5 Soprano, 4
Mezzo, 4 Tenor, Baritone,
2 Bass Voice Solos, 2
speaker, Mixed choir, 2
Fl(2 Fl-picc), Ob, 2
clarinet, bassoon, 2
Horn, 2 Corenets,
trombone, timpani, Gl,
Tr-B, Be, Tri, 2 Violin,
Viola, Cello, Double
Bass) SKU:
BA.BA08708-01
Opéra-bouffe in
three acts. Composed
by Alexis Emmanuel
Chabrier. Edited by Hugh
MacDonald and Paul
Prévost. This edition:
complete edition, urtext
edition. Linen. L'Opera
francais. Complete
edition, Score. Duration
2 hours, 15 minutes.
Baerenreiter Verlag
#BA08708_01. Published by
Baerenreiter Verlag
(BA.BA08708-01). ISBN
9790006537846. 33 x 27 cm
inches. Text Language:
French. Preface:
Prévost, Paul /
Macdonald, Hugh. Text:
Leterrier, Eugène /
Vanloo,
Albert. WithL'Etoil
e, Chabrier composed a
light-hearted opera which
has increasingly enjoyed
revivals in recent
years. The plot
is introduced by King Ouf
I who offers his subjects
an execution every year
on his birthday.
Unfortunately the problem
now arises that no crime
has recently been
committed which might
serve as a reason for an
execution. Finally, he
finds a would-be victim
in the young Lazuli.
However, according to
predictions by the
astrologer Siroco,
Lazuli's fate is closely
linked to the king's own
life. The comic opera is
further bolstered by a
story of mistaken
identities which involves
a great deal of
diplomacy, a love story
and a large number of
refined, yet catchy
melodies. Chabrier was
a master of the sensitive
and complicated art of
musical comedy, a field
where he can be compared
in equal measure to
Offenbach, Rossini and
Mozart.
This vocal
score is based on the
full score edited by Hugh
Macdonald which is
published as part of the
seriesL'Opera
francais. -
Authoritative Urtext
edition based on the
seriesL'Opera
francais - Original
French text with a German
singing translation -
Comprehensive foreword
(Ger/Eng/Fr)
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$773.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Missa solemnis, op. 123 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Solo voices, SATB chorus,orchestra (Soprano solo, Alto solo, Tenor solo, Bass so...(+)
Solo voices, SATB
chorus,orchestra (Soprano
solo, Alto solo, Tenor
solo, Bass solo, Mixed
choir (SATB), Orchestra)
SKU: BA.BA09038
Composed by Ludwig van
Beethoven. Edited by
Barry Cooper. This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Score. Opus 123.
Baerenreiter Verlag
#BA09038_00. Published by
Baerenreiter Verlag
(BA.BA09038). ISBN
9790006563838. 31 x 24.3
cm inches. Text Language:
Latin. Preface: Barry
Cooper. Beethoven
described his grandly
conceived â??Missa
solemnisâ? as â??my
greatest workâ? and
sold manuscript copies to
some of the subscribers
even before it had
appeared in
print.
This Urtext
edition takes into
account all the sources
including the old and the
new complete editions
whose relationship is
clearly explained in a
stemma. In several
passages the renowned
Beethoven specialist
Barry Cooper has arrived
at variant readings, such
as in the
â??Sanctusâ?, where
the choir enters instead
of the soloists, rather
than coming in at
â??Pleni sunt
coeliâ?. No less
worthy of mention is the
addition of the soloists
to the choir in most of
the â??Credoâ?. These
matters and many other
editorial decisions are
documented in the
detailed Critical
Commentary
(Eng).
The
appendix contains
Beethovenâ??s
arrangement of the
Gregorian chant
â??Tantum ergoâ? for
the first time. This was
composed at the same time
as the â??Missa
solemnisâ? and most
probably stands in a
close relation to
it.
This edition
is designed for everyone
seeking a combination of
a reliable musical text
and well-founded
editorial suggestions for
a successful performance
of this
masterpiece.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$145.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Semele, HWV 58 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Soloists, Mixed choir, Orchestra SKU: BA.BA04025-01 Composed by George Fr...(+)
Soloists, Mixed choir,
Orchestra SKU:
BA.BA04025-01
Composed by George
Frideric Handel. Edited
by
Georg-Friedrich-Händel
-Gesellschaft e. V.
Risinger and Mark. This
edition: Complete
edition. Linen. Complete
edition, Score. HWV 58.
Baerenreiter Verlag
#BA04025-01. Published by
Baerenreiter Verlag
(BA.BA04025-01). ISBN
9790006443222. 33 x 26 cm
inches. Text Language:
English. Handelâ??
s â??Semeleâ?, which
premiered in February
1744, is based on an
adapted version of
William Congreveâ??s
opera libretto titled
â??The Story of
Semeleâ?, originally
published in 1706.
However, neither Handel
nor his librettist
referred to
â??Semeleâ? as an
opera or an oratorio,
which, according to the
understanding at the
time, would have required
a biblical and/or
Christian subject matter.
Contemporary audiences
also disagreed on the
genre. The problematic
classification as an
oratorio has persisted
into the present day,
likely due to the edition
labeled as such by
Chrysander. The â??Halle
Handel Editionâ? (HHA)
distances itself from
this classification and,
considering the available
sources, refrains from
assigning a genre
label.
Congreve
deviates from the
mythological source
multiple times in order
to create tensions among
the characters. The
desired marriage between
Semele and Athamas, whom
she does not love, is an
addition by Congreve to
provoke the envy of her
sister Ino, who desires
Athamas herself.
Therefore, Ino sees her
own advantage in
Semeleâ??s abduction by
Jupiter. While
Jupiterâ??s wife Juno
decides to destroy Semele
out of jealousy for his
relationship with her,
Jupiter brings Ino to his
palace to console Semele.
The vengeful Juno takes
advantage of Inoâ??s
presence and transforms
into her likeness,
persuading Semele to
carry out a plan that
later proves fatal. In
the end, Ino emerges as
the winner, as she is
able to convince their
father, Cadmus, to marry
her to Athamas. The
appearance of Apollo in
the final scene to
announce that Semeleâ??s
immortal son Bacchus was
saved from her ashes
provides little
consolation. However,
this twist allows the
drama to conclude with
exuberant joy and a
magnificent final chorus
after the tragic scenes
in the third act,
culminating in the death
of the
protagonist.
Hande
lâ??s autograph score
shows significant
deviations from and
numerous revisions of the
original version
premiered. All surviving
early versions, the
musical movements deleted
before the premiere, and
the version of the
December 1744, are given
in the appendix to the
HHA.
$861.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Beethoven: Christus am Olberge Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Carus Verlag
Orchestra Solo STB, Coro SATB (auch Mannerchor TTTBB), 2 Fl, 2 Ob, 2 Clt, 2 Fg, ...(+)
Orchestra Solo STB, Coro
SATB (auch Mannerchor
TTTBB), 2 Fl, 2 Ob, 2
Clt, 2 Fg, 2 Cor, 2 Tr, 3
Trb, Timp, 2 Vl, Va, Vc,
Cb SKU: CA.2302007
Composed by Ludwig van
Beethoven. Edited by
Clemens Harasim.
Innovative practice aids,
Sacred vocal music,
Oratorios. Study score.
Op. 85. Duration 54
minutes. Carus Verlag #CV
23.020/07. Published by
Carus Verlag
(CA.2302007). ISBN
M-007-24884-0.
German/English. Text:
Franz Xaver
Huber. In his
Passion oratorio Christus
am Olberge [The Mount of
Olives], Beethoven
succeeded firstly in
building on the 18th
century tradition, and
secondly in putting his
own personal stamp on the
nascent genre of
German-language oratorio
- the Vienna performances
of Haydn's Die Schopfung
and Die Jahreszeiten had
only taken place a few
years earlier. In
composing the work he
looked towards
contemporary opera, using
a text by an opera
librettist to depict in
music the dramatic
situation of the doubting
Jesus in the Garden of
Gethsemane and his
arrest. Yet we do not do
justice to Beethoven's
work if we simply regard
it as a successor work to
Graun's Der Tod Jesu or
even Bach's St Matthew
Passion. Beethoven's
Christus am Olberge is
characterized less by
religious devotion and
much more by the dramatic
realization of a specific
situation in the Passion
story in deeply-felt
musical scenes. With its
magnificent, almost
operatic music, this is a
different Passion
oratorio which is
definitely worth hearing
and experiencing - and in
this form it is without
doubt unique in the
history of
vocal-instrumental sacred
music. The edition
follows the first printed
edition in music and
text; differences in the
text in the libretto
originally set by
Beethoven are given as a
second text, and a
singable English
translation is underlaid.
Score available
separately - see item
CA.2302000. $37.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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