| Il trionfo del Tempo e della Verità, HWV 46 b Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Soloists, Mixed choir, Orchestra SKU: BA.BA10726-01 Oratorio in three ...(+)
Soloists, Mixed choir,
Orchestra SKU:
BA.BA10726-01
Oratorio in three
parts. Composed by
George Frideric Handel.
Edited by Michael
Pacholke. This edition:
Complete edition. Linen.
Complete edition, Score.
HWV 46. Baerenreiter
Verlag #BA10726-01.
Published by Baerenreiter
Verlag (BA.BA10726-01).
ISBN 9790006575596. 33
x 26 cm inches. Text
Language: Italian.
Preface: Pacholke,
Michael. In the
brief half-year period
from August 14, 1736, to
January 27, 1737, Georg
Friedrich Handel achieved
an unprecedented level of
productivity in his opera
compositions, creating
three operas.
Additionally, in March
1737, he also composed a
largely new oratorio
titled â??Il trionfo del
Tempo e della
Verità â? (â??The
Triumph of Time and
Truthâ?) HWV 46b. The
libretto of this oratorio
closely corresponds to
that of the oratorio
â??La Bellezza ravveduta
nel trionfo del Tempo e
del Disingannoâ?
(â??Beauty Reconciled in
the Triumph of Time and
Enlightenmentâ?) HWV
46a written in 1707. With
â??La Bellezza
ravvedutaâ?, Handel
composed an allegorical
and particularly dramatic
oratorio right at the
beginning of his oratorio
compositions. In this
work, there is no chorus
inclined towards
reflection. Not only do
the four allegorical
figures, Bellezza
(Beauty), Piacere
(Pleasure), Tempo (Time),
and Disinganno
(Enlightenment), listen
to each other and react
to the ideas presented by
the others, but this
prevailing dramatic
principle of dispute is
also found in the
recitatives.
In
1737, when reworking the
oratorio material as
â??Il trionfo del Tempo
e della Verità â?,
Handel approached the
task pragmatically. He
needed a new non-dramatic
work to fulfill the
eveningâ??s program for
his audience at the
Covent Garden Theatre
during the fasting season
when theatrical
performances were
prohibited. Although he
had excellent Italian
vocal soloists, notorious
for their pronunciation
in Handelâ??s English
oratorios and who
naturally preferred
singing in Italian,
Handel found a solution.
It was evident to Handel
that, in response to the
ban on performances of
his Italian operas during
the fasting season of
1737, he should promptly
create a new oratorio in
the Italian language but
following the three-part
â??Englishâ? oratorio
form that he had
developed in
â??Estherâ? HWV 50b
in 1732. Unlike in Rome
in 1707, he had access to
a chorus in London in
1737, and the English
oratorio, with its
substantial choral
sections, a preference
for concert-like rather
than dramatic
composition, and frequent
inclusion of organ
concertos loosely related
to the narrative, was
already
established.
The
new volume of the HHA
includes the original
version of the 1737
premiere as well as all
the surviving early and
later versions (the
latter being exceptional
highlights) of individual
musical pieces from
â??Il trionfo del Tempo
e della
Verità â?.
$527.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Cantata Misericordium, Op. 69 Soli, choeur mixte et accompagnement [Vocal Score] Boosey and Hawkes
By Benjamin Britten. (Vocal Score). Boosey and Hawkes Large Choral. Size 7.25x1...(+)
By Benjamin Britten.
(Vocal Score). Boosey and
Hawkes Large Choral. Size
7.25x10.25 inches. 45
pages. Published by
Boosey and Hawkes.
$26.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Compassion from Invictus: A Passion Soli, choeur mixte et accompagnement [Conducteur et Parties séparées] - Facile MorningStar Music Publishers
Soprano voice solo, SATB choir, and piano (E-flat Soprano saxophone, 2 Horns in ...(+)
Soprano voice solo, SATB
choir, and piano (E-flat
Soprano saxophone, 2
Horns in F, Piano, Organ
(or digital keyboard),
Double String Quartet,
Double Bass) - Early
Intermediate SKU:
MN.56-0108 Composed
by Howard Goodall. Lent,
Holy Week, Triduum/Three
Days, Tenebrae, 21st
Century. Score &
instrument parts.
Duration 6 minutes, 19
seconds. MorningStar
Music Publishers
#56-0108. Published by
MorningStar Music
Publishers (MN.56-0108).
UPC: 688670221255.
English, Latin. Psalms
142; Jeremiah 3:48, 52,
56. Invictus: A
Passion addresses one of
the world’s most
powerful stories through
the lens of the modern
world. The texts, written
or inspired by women,
describe not only human
suffering and persecution
but also the human
capacity for love and
humility in the face of
tyranny. Composer Howard
Goodall is uniquely
suited to bring these
texts to life with music
of emotional clarity and
sweeping force. This
excerpt is scored for
soprano solo, SATB choir
and piano. This fourth
movement of the larger
work is inspired by the
extraordinary story of
Irena Sendler née
Krzyżanowska, a Polish
nurse and head of
Żegota, the Polish
Council to Aid Jews in
the Second World War,
whose personal
interventions saved the
lives of approximately
2,500 Jewish children in
the Warsaw Ghetto,
smuggling them to safety,
acts of humanitarian
bravery that eventually
caused her arrest and
torture by the Gestapo.
She is honoured as
Righteous Amongst the
Nations at Yad Vashem,
Jerusalem. The Latin
texts of this movement
are taken from the Book
of Lamentations
(“My eye hath run
down with streams of
water, for the
destruction of the
daughter of my people. My
enemies have chased me
and caught me like a
bird, without
cause…â€) and
from Psalm 142, the Old
Testament being the
meeting-point of
Sendler’s
Catholicism and the
Jewish tradition of those
whose lives she saved.
Duration 6:19. $3.35 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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