Soloists, Choir, Orchestra (singing voice, choir, Orchestra)

SKU: BA.BA10506-01

Commedia in due atti (comedy in two acts). Composed by Gioachino Rossini. Edited by Patricia B. Brauner. This edition: Edition of selected works, Urtext edition. Linen. Works of Gioachino Rossini, Volume 2. Edition of selected works, Score. Baerenreiter Verlag #BA10506_01. Published by Baerenreiter Verlag (BA.BA10506-01).

ISBN 9790006552009. 33 x 26 cm inches. Text Language: Italian. Text: Sterbini, Cesare.

Barenreiter 's publication of a new volume of theWorks of Gioachino Rossini, in collaboration with the Center for Italian Opera Studies at the University of Chicago, makes available an edition of the operaIl barbiere di Sivigliawhich meets modern demands. The editors have recently identified numerous carelessly edited places in the last critical edition by referring to additional sources. The greatest changes relate to the overture; for the new edition, no fewer than twenty different autograph manuscripts have been consulted.

A detailed appendix containing alternative vocal parts, advice on ornamentation and compositions by Rossini significant in the performance history of the opera complete the volume.

A 420-page Critical Commentary is published separately. With this, a critical edition is now available to interpreters, enabling them to perform Rossini's ,,Barber of Sevillewith the greatest possible confidence in the accuracy of the musical material. The performance material is available on hire, and a vocal score will be published at the end of 2009.

Through 1829 Rossini was an extraordinarily prolific composer of operas, comic, serious, and semiserious, in Italian and French, as well as of a great deal of vocal and instrumental music. He composed sacred music, vocal treatises, cantatas. Then, for many different reasons, he wrote very little music for more than twentyfive years, if we except some songs and the ' Stabat Mater' . Only after he left Italy definitively for Paris in 1855 did he find his voice again.

Between 1857 and 1868 a fresh group of masterpieces issued from his pen, the so-called ' Peches de vieillesse' (Sins of Old Age), including chamber music, songs, and the 'Petite Messe Solennelle'.

Philip Gossett, General Editor of Works of Gioachino Rossini, is the Robert W. Reneker Distinguished Service Professor at The University of Chicago and a professordi chiara famaat the University of RomeLa Sapienza. He is also general editor of The Works of Giuseppe Verdi.

Barenreiter in cooperation with the Center for Italian Opera Studies at The University of Chicago will publish ten volumes in the series Works of Gioachino Rossini, in critical editions, during the period 2007-2011. These are all volumes that were not issued in theEdizione critica delle opere di Gioachino Rossini.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Opera buffa in 4 acts. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Ludwig Finscher. Arranged by Eugen Epplee. This edition: urtext edition. Hardback. Barenreiter Urtext. Vocal score vokal. KV 492. Baerenreiter Verlag #BA04565- 93. Published by Baerenreiter Verlag

(nach der Abschrift von J. S. Bach). By George Frideric Handel (1685-1759). Edited by Traub, Andreas. For STB soli, SATB choir, 2 oboes, taille, 2 bassoon, 2 violins, viola and basso continuo. This edition: paperbound. HWV 48. Full score available separately - see item CA.5504800. Oratorios, Passions; Stuttgart Urtext editions; Use during church year: Lent and Passiontide, Holy Week. Piano/Vocal score. Language: German. 152 pages. Duration 150 min

Orchestra SATB vocal soli, SATB choir, 2 oboes/2 oboe d'amore, oboe d'caccia, [3 trumpets, timpani], 2 violins, viola, basso continuo - Grade 3

SKU: CA.3108013

Cantata for Reformation Day. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal; Hymns by Martin Luther: Ein feste Burg ist unser Gott. German title: Ein feste Burg. Innovative practice aids, Sacred vocal music, Cantatas, Reformation day. Single Part, Viola. BWV 80. 12 pages. Duration 30 minutes. Carus Verlag #CV 31.080/13. Published by Carus Verlag (CA.3108013).

ISBN 9790007045371. Key: D major. Language: German/English. Text: Luther, Martin. Text: Martin Luther, Salomo Franck.

Bach's Reformation cantata, based on what is probably Martin Luther's most famous hymn, evolved over a period of several years. At the beginning was a Weimar cantata for Oculi Sunday 1716, now missing, which was based on the hymn with an instrumental quotation in the opening aria and with the final chorale. In the Leipzig years around 1730, Bach wrote a cantata for Reformation Day using this material. It began with the first verses of Luther's hymn in a simple four-part setting and also included the other verses. Later on, in the 1730s or 1740s, Bach replaced the introductory chorale movement with a chorale setting which was unique, spacious and motet-like in its style; this - uniquely in this respect - incorporated the choral writing in an instrumental canon for oboes and organ continuo. The powerful opening chorus is followed by recitatives and arias which reflect the full breadth of Bach's art of word painting and emotion. One of Bach's most magnificent cantatas, one of the greatest works in the history of music. In addition to the complete performance material the arrangements of movements 1 and 5 (with 3 trumpets, timpani as playing score) by Wilhelm Friedemann Bach are available (Carus 3108089). Score and part available separately - see item CA.3108000.

Orchestra SATB vocal soli, SATB choir, 2 oboes/2 oboes d'amore, oboe da caccia, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3108089

Cantata for Reformation Day. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal; Hymns by Martin Luther: Ein feste Burg ist unser Gott. Harmony parts. Innovative practice aids, Sacred vocal music, Cantatas, Reformation day. Set of Orchestra Parts. BWV 80. 12 pages. Duration 30 minutes. Carus Verlag #CV 31.080/89. Published by Carus Verlag (CA.3108089).

ISBN 9790007206840. Key: D major. Text language: German/English. Text: Luther, Martin.

Bach's Reformation cantata, based on what is probably Martin Luther's most famous hymn, evolved over a period of several years. At the beginning was a Weimar cantata for Oculi Sunday 1716, now missing, which was based on the hymn with an instrumental quotation in the opening aria and with the final chorale. In the Leipzig years around 1730, Bach wrote a cantata for Reformation Day using this material. It began with the first verses of Luther's hymn in a simple four-part setting and also included the other verses. Later on, in the 1730s or 1740s, Bach replaced the introductory chorale movement with a chorale setting which was unique, spacious and motet-like in its style; this - uniquely in this respect - incorporated the choral writing in an instrumental canon for oboes and organ continuo. The powerful opening chorus is followed by recitatives and arias which reflect the full breadth of Bach's art of word painting and emotion. One of Bach's most magnificent cantatas, one of the greatest works in the history of music. In addition to the complete performance material the arrangements of movements 1 and 5 (with 3 trumpets, timpani as playing score) by Wilhelm Friedemann Bach are available (Carus 3108089). Score and parts available separately - see item CA.3108000.

Soli e Coro SST(A)TB, 2 Fl, 2 Ob, 2 Tr, Timp, 2 Vl, 2 Va (Va, Vl), Vc/ Fg/ Tiorba, Bc

SKU: CA.2103203

Composed by Marc-Antoine Charpentier. Edited by Hans Ryschawy. Sacred vocal music, Motets, Praise and thanks. Vocal score. H 146. 48 pages. Duration 25 minutes. Carus Verlag #CV 21.032/03. Published by Carus Verlag (CA.2103203).

ISBN 9790007186142. Language: Latin.

In 1953, with timpani and trumpets a la Marseillaise, a French piece of music once again captured public attention (Eurovision Hymn) and a composer was rediscovered: the first recording of Marc-Antoine Charpentier's Te Deum H 146 was released. The introductory fanfare not only praised God but the Sun King Louis XIV, and it opens one of the greatest works of French Baroque music. Magnificent celebration and ardent pleading, effective choruses, arias and small ensembles, plus instrumental interludes combine to create a harmonious whole, drawing its higher meaning from Charpentier's musical-theological interpretation of the Latin hymn of praise that it is based on. Score available separately - see item CA.2103200.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3104412

Cantata for Exaudi. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas. Single Part, Violin 2. Composed circa 1724? BWV 44. 4 pages. Duration 22 minutes. Carus Verlag #CV 31.044/12. Published by Carus Verlag (CA.3104412).

ISBN 9790007205973. Language: German/English.

The cantata Sie werden euch in den Bann tun, part of Bach's first Leipzig annual cycle of cantatas and the earlier of two compositions of the same name, was probably first performed on the last Sunday after Ascension in May 1724. The text is concerned with suffering and the Antichrist, both of which are overcome by Christian faith. By employing all four ranges in solo capacities Bach creates the greatest possible variety. It opens, unusually, with a duet for tenor and bass, accompanied by two oboes and basso continuo. Score and part available separately - see item CA.3104400.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3104409

Cantata for Exaudi. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. This edition: urtext. 1x 31.044/21 oboe 1, 1x 31.044/22 oboe 2. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed circa 1724? BWV 44. 12 pages. Duration 22 minutes. Carus Verlag #CV 31.044/09. Published by Carus Verlag (CA.3104409).

ISBN 9790007205959. Language: German/English.

The cantata Sie werden euch in den Bann tun, part of Bach's first Leipzig annual cycle of cantatas and the earlier of two compositions of the same name, was probably first performed on the last Sunday after Ascension in May 1724. The text is concerned with suffering and the Antichrist, both of which are overcome by Christian faith. By employing all four ranges in solo capacities Bach creates the greatest possible variety. It opens, unusually, with a duet for tenor and bass, accompanied by two oboes and basso continuo. Score and parts available separately - see item CA.3104400.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3104405

Cantata for Exaudi. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas. Choral Score. Composed circa 1724? BWV 44. 4 pages. Duration 22 minutes. Carus Verlag #CV 31.044/05. Published by Carus Verlag (CA.3104405).

ISBN 9790007129194. Language: German/English.

The cantata Sie werden euch in den Bann tun, part of Bach's first Leipzig annual cycle of cantatas and the earlier of two compositions of the same name, was probably first performed on the last Sunday after Ascension in May 1724. The text is concerned with suffering and the Antichrist, both of which are overcome by Christian faith. By employing all four ranges in solo capacities Bach creates the greatest possible variety. It opens, unusually, with a duet for tenor and bass, accompanied by two oboes and basso continuo. Score available separately - see item CA.3104400.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3104403

Cantata for Exaudi. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas. Vocal score. Composed circa 1724? BWV 44. 20 pages. Duration 22 minutes. Carus Verlag #CV 31.044/03. Published by Carus Verlag (CA.3104403).

ISBN 9790007092016. Language: German/English.

The cantata Sie werden euch in den Bann tun, part of Bach's first Leipzig annual cycle of cantatas and the earlier of two compositions of the same name, was probably first performed on the last Sunday after Ascension in May 1724. The text is concerned with suffering and the Antichrist, both of which are overcome by Christian faith. By employing all four ranges in solo capacities Bach creates the greatest possible variety. It opens, unusually, with a duet for tenor and bass, accompanied by two oboes and basso continuo. Score available separately - see item CA.3104400.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3104449

Cantata for Exaudi. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Cantatas. Single Part, Organ. Composed circa 1724? BWV 44. Duration 22 minutes. Carus Verlag #CV 31.044/49. Published by Carus Verlag (CA.3104449).

ISBN 9790007206000. Language: German/English.

The cantata Sie werden euch in den Bann tun, part of Bach's first Leipzig annual cycle of cantatas and the earlier of two compositions of the same name, was probably first performed on the last Sunday after Ascension in May 1724. The text is concerned with suffering and the Antichrist, both of which are overcome by Christian faith. By employing all four ranges in solo capacities Bach creates the greatest possible variety. It opens, unusually, with a duet for tenor and bass, accompanied by two oboes and basso continuo. Score and part available separately - see item CA.3104400.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3104414

Cantata for Exaudi. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violoncello/double bass. Sacred vocal music, Cantatas. Single Part, Cello/Double Bass. Composed circa 1724? BWV 44. 8 pages. Duration 22 minutes. Carus Verlag #CV 31.044/14. Published by Carus Verlag (CA.3104414).

ISBN 9790007205997. Language: German/English.

The cantata Sie werden euch in den Bann tun, part of Bach's first Leipzig annual cycle of cantatas and the earlier of two compositions of the same name, was probably first performed on the last Sunday after Ascension in May 1724. The text is concerned with suffering and the Antichrist, both of which are overcome by Christian faith. By employing all four ranges in solo capacities Bach creates the greatest possible variety. It opens, unusually, with a duet for tenor and bass, accompanied by two oboes and basso continuo. Score and part available separately - see item CA.3104400.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3104400

Cantata for Exaudi. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Sie werden euch in den Bann tun. Sacred vocal music, Cantatas. Full score. Composed circa 1724? BWV 44. 36 pages. Duration 22 minutes. Carus Verlag #CV 31.044/00. Published by Carus Verlag (CA.3104400).

ISBN 9790007091903. Language: German/English.

The cantata Sie werden euch in den Bann tun, part of Bach's first Leipzig annual cycle of cantatas and the earlier of two compositions of the same name, was probably first performed on the last Sunday after Ascension in May 1724. The text is concerned with suffering and the Antichrist, both of which are overcome by Christian faith. By employing all four ranges in solo capacities Bach creates the greatest possible variety. It opens, unusually, with a duet for tenor and bass, accompanied by two oboes and basso continuo.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3104413

Cantata for Exaudi. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas. Single Part, Viola. Composed circa 1724? BWV 44. 4 pages. Duration 22 minutes. Carus Verlag #CV 31.044/13. Published by Carus Verlag (CA.3104413).

ISBN 9790007205980. Language: German/English.

The cantata Sie werden euch in den Bann tun, part of Bach's first Leipzig annual cycle of cantatas and the earlier of two compositions of the same name, was probably first performed on the last Sunday after Ascension in May 1724. The text is concerned with suffering and the Antichrist, both of which are overcome by Christian faith. By employing all four ranges in solo capacities Bach creates the greatest possible variety. It opens, unusually, with a duet for tenor and bass, accompanied by two oboes and basso continuo. Score and part available separately - see item CA.3104400.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3104419

Cantata for Exaudi. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Sie werden euch in den Bann tun. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed circa 1724? BWV 44. Duration 22 minutes. Carus Verlag #CV 31.044/19. Published by Carus Verlag (CA.3104419).

ISBN 9790007136130. Language: German/English.

The cantata Sie werden euch in den Bann tun, part of Bach's first Leipzig annual cycle of cantatas and the earlier of two compositions of the same name, was probably first performed on the last Sunday after Ascension in May 1724. The text is concerned with suffering and the Antichrist, both of which are overcome by Christian faith. By employing all four ranges in solo capacities Bach creates the greatest possible variety. It opens, unusually, with a duet for tenor and bass, accompanied by two oboes and basso continuo. Score and parts available separately - see item CA.3104400.

Orchestra SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3104407

Cantata for Exaudi. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas. Study score. Composed circa 1724? BWV 44. 36 pages. Duration 22 minutes. Carus Verlag #CV 31.044/07. Published by Carus Verlag (CA.3104407).

ISBN 9790007092948. Language: German/English.

The cantata Sie werden euch in den Bann tun, part of Bach's first Leipzig annual cycle of cantatas and the earlier of two compositions of the same name, was probably first performed on the last Sunday after Ascension in May 1724. The text is concerned with suffering and the Antichrist, both of which are overcome by Christian faith. By employing all four ranges in solo capacities Bach creates the greatest possible variety. It opens, unusually, with a duet for tenor and bass, accompanied by two oboes and basso continuo. Score available separately - see item CA.3104400.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3104411

Cantata for Exaudi. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas. Single Part, Violin 1. Composed circa 1724? BWV 44. 4 pages. Duration 22 minutes. Carus Verlag #CV 31.044/11. Published by Carus Verlag (CA.3104411).

ISBN 9790007205966. Language: German/English.

The cantata Sie werden euch in den Bann tun, part of Bach's first Leipzig annual cycle of cantatas and the earlier of two compositions of the same name, was probably first performed on the last Sunday after Ascension in May 1724. The text is concerned with suffering and the Antichrist, both of which are overcome by Christian faith. By employing all four ranges in solo capacities Bach creates the greatest possible variety. It opens, unusually, with a duet for tenor and bass, accompanied by two oboes and basso continuo. Score and part available separately - see item CA.3104400.