Soloists, Mixed choir, Orchestra

SKU: BA.BA04025-01

Composed by George Frideric Handel. Edited by Georg-Friedrich-Händel -Gesellschaft e. V. Risinger and Mark. This edition: Complete edition. Linen. Complete edition, Score. HWV 58. Baerenreiter Verlag #BA04025-01. Published by Baerenreiter Verlag (BA.BA04025-01).

ISBN 9790006443222. 33 x 26 cm inches. Text Language: English.

Handelâ?? s â??Semeleâ?, which premiered in February 1744, is based on an adapted version of William Congreveâ??s opera libretto titled â??The Story of Semeleâ?, originally published in 1706. However, neither Handel nor his librettist referred to â??Semeleâ? as an opera or an oratorio, which, according to the understanding at the time, would have required a biblical and/or Christian subject matter. Contemporary audiences also disagreed on the genre. The problematic classification as an oratorio has persisted into the present day, likely due to the edition labeled as such by Chrysander. The â??Halle Handel Editionâ? (HHA) distances itself from this classification and, considering the available sources, refrains from assigning a genre label.

Congreve deviates from the mythological source multiple times in order to create tensions among the characters. The desired marriage between Semele and Athamas, whom she does not love, is an addition by Congreve to provoke the envy of her sister Ino, who desires Athamas herself. Therefore, Ino sees her own advantage in Semeleâ??s abduction by Jupiter. While Jupiterâ??s wife Juno decides to destroy Semele out of jealousy for his relationship with her, Jupiter brings Ino to his palace to console Semele. The vengeful Juno takes advantage of Inoâ??s presence and transforms into her likeness, persuading Semele to carry out a plan that later proves fatal. In the end, Ino emerges as the winner, as she is able to convince their father, Cadmus, to marry her to Athamas. The appearance of Apollo in the final scene to announce that Semeleâ??s immortal son Bacchus was saved from her ashes provides little consolation. However, this twist allows the drama to conclude with exuberant joy and a magnificent final chorus after the tragic scenes in the third act, culminating in the death of the protagonist.

Hande lâ??s autograph score shows significant deviations from and numerous revisions of the original version premiered. All surviving early versions, the musical movements deleted before the premiere, and the version of the December 1744, are given in the appendix to the HHA.

(2+2.3+1.3+1.3+1/6.4.3.1+ Tenor,6timp(2 players),perc,2hp,str)

SKU: TM.05353SC

Composed by Gustav Holst. Score. Lucks Music Library #A8202. Published by Lucks Music Library (TM.05353SC).

Transposed: tpts, tbns (others in modern). Piccolo I, II part are labeled Flute III and Flute IV.

(2+2.3+1.3+1.3+1/6.4.3.1+ Tenor,6timp(2 players),perc,2hp,str)

SKU: TM.05353SET

Composed by Gustav Holst. Set Type: D. Set of parts. Lucks Music Library #A8202. Published by Lucks Music Library (TM.05353SET).

Transposed: tpts, tbns (others in modern). Piccolo I, II part are labeled Flute III and Flute IV.

Dramma per musica in three Acts. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Daniel Heartz. Arranged by Hans-Georg Kluge. This edition: urtext edition. Hardback. Barenreiter Urtext. Vocal score vokal. KV 366. Baerenreiter Verlag #BA04562- 93. Published by Baerenreiter Verlag

Orchestra SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins, viola, cello piccolo, basso continuo - Grade 3

SKU: CA.3100613

Easter Monday. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. German title: Bleib bei uns, denn. Sacred vocal music, Cantatas, Easter and Eastertide, Morning, midday, evening. Single Part, Viola Solo + Viola. Composed 1725. BWV 6. 8 pages. Duration 26 minutes. Carus Verlag #CV 31.006/13. Published by Carus Verlag (CA.3100613).

ISBN 9790007041755. Key: C minor / g minor. Language: German/English.

Bac h composed the cantata Stay with us, for it draws on toward evening BWV 6 for Easter Monday 1725. In fact, it is certain that a chorale cantata had been planned for that feast day, but for some unknown reason, the annual cycle of chorale cantatas broke off just before Easter 1725. For BWV 6, Bach fell back on a text by an author whose texts he had already set numerous times in his first Leipzig annual cycle of cantatas (which are conspicuous by their ever constant structure and use of two chorale settings). From the gospel for Easter Monday, the story of the Emmaus disciples, only the disappearing daylight and the fear of being left alone are made the subject of discussion. A truly magnificent choral movement opens the cantata. The first chorale for soprano and violoncello piccolo, which Bach later included in his Schubler-Chorale, is also well-known outside of the cantata. Score and part available separately - see item CA.3100600.

Orchestra SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins, viola, cello piccolo, basso continuo - Grade 3

SKU: CA.3100614

Easter Monday. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. German title: Bleib bei uns, denn. Sacred vocal music, Cantatas, Easter and Eastertide, Morning, midday, evening. Single Part, Cello Solo +. Composed 1725. BWV 6. 12 pages. Duration 26 minutes. Carus Verlag #CV 31.006/14. Published by Carus Verlag (CA.3100614).

ISBN 9790007041762. Key: C minor / g minor. Language: German/English.

Bac h composed the cantata Stay with us, for it draws on toward evening BWV 6 for Easter Monday 1725. In fact, it is certain that a chorale cantata had been planned for that feast day, but for some unknown reason, the annual cycle of chorale cantatas broke off just before Easter 1725. For BWV 6, Bach fell back on a text by an author whose texts he had already set numerous times in his first Leipzig annual cycle of cantatas (which are conspicuous by their ever constant structure and use of two chorale settings). From the gospel for Easter Monday, the story of the Emmaus disciples, only the disappearing daylight and the fear of being left alone are made the subject of discussion. A truly magnificent choral movement opens the cantata. The first chorale for soprano and violoncello piccolo, which Bach later included in his Schubler-Chorale, is also well-known outside of the cantata. Score and part available separately - see item CA.3100600.

Orchestra SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins, viola, cello piccolo, basso continuo - Grade 3

SKU: CA.3100609

Easter Monday. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. 1x 31.006/21 oboe 1, 1x 31.006/22 oboe 2, 1x 31.006/23 oboe da caccia. German title: Bleib bei uns, denn es will Abend werden 3. Sacred vocal music, Cantatas, Easter and Eastertide, Morning, midday, evening. Set of Orchestra Parts. Composed 1725. BWV 6. 14 pages. Duration 26 minutes. Carus Verlag #CV 31.006/09. Published by Carus Verlag (CA.3100609).

ISBN 9790007041724. Key: C minor / g minor. Language: German/English.

Bac h composed the cantata Stay with us, for it draws on toward evening BWV 6 for Easter Monday 1725. In fact, it is certain that a chorale cantata had been planned for that feast day, but for some unknown reason, the annual cycle of chorale cantatas broke off just before Easter 1725. For BWV 6, Bach fell back on a text by an author whose texts he had already set numerous times in his first Leipzig annual cycle of cantatas (which are conspicuous by their ever constant structure and use of two chorale settings). From the gospel for Easter Monday, the story of the Emmaus disciples, only the disappearing daylight and the fear of being left alone are made the subject of discussion. A truly magnificent choral movement opens the cantata. The first chorale for soprano and violoncello piccolo, which Bach later included in his Schubler-Chorale, is also well-known outside of the cantata. Score and parts available separately - see item CA.3100600.

Orchestra SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins, viola, cello piccolo, basso continuo - Grade 3

SKU: CA.3100611

Easter Monday. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. German title: Bleib bei uns, denn. Sacred vocal music, Cantatas, Easter and Eastertide, Morning, midday, evening. Single Part, Violin 1. Composed 1725. BWV 6. 8 pages. Duration 26 minutes. Carus Verlag #CV 31.006/11. Published by Carus Verlag (CA.3100611).

ISBN 9790007041731. Key: C minor / g minor. Language: German/English.

Bac h composed the cantata Stay with us, for it draws on toward evening BWV 6 for Easter Monday 1725. In fact, it is certain that a chorale cantata had been planned for that feast day, but for some unknown reason, the annual cycle of chorale cantatas broke off just before Easter 1725. For BWV 6, Bach fell back on a text by an author whose texts he had already set numerous times in his first Leipzig annual cycle of cantatas (which are conspicuous by their ever constant structure and use of two chorale settings). From the gospel for Easter Monday, the story of the Emmaus disciples, only the disappearing daylight and the fear of being left alone are made the subject of discussion. A truly magnificent choral movement opens the cantata. The first chorale for soprano and violoncello piccolo, which Bach later included in his Schubler-Chorale, is also well-known outside of the cantata. Score and part available separately - see item CA.3100600.

Orchestra SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins, viola, cello piccolo, basso continuo - Grade 3

SKU: CA.3100612

Easter Monday. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. German title: Bleib bei uns, denn. Sacred vocal music, Cantatas, Easter and Eastertide, Morning, midday, evening. Single Part, Violin 2. Composed 1725. BWV 6. 4 pages. Duration 26 minutes. Carus Verlag #CV 31.006/12. Published by Carus Verlag (CA.3100612).

ISBN 9790007041748. Key: C minor / g minor. Language: German/English.

Bac h composed the cantata Stay with us, for it draws on toward evening BWV 6 for Easter Monday 1725. In fact, it is certain that a chorale cantata had been planned for that feast day, but for some unknown reason, the annual cycle of chorale cantatas broke off just before Easter 1725. For BWV 6, Bach fell back on a text by an author whose texts he had already set numerous times in his first Leipzig annual cycle of cantatas (which are conspicuous by their ever constant structure and use of two chorale settings). From the gospel for Easter Monday, the story of the Emmaus disciples, only the disappearing daylight and the fear of being left alone are made the subject of discussion. A truly magnificent choral movement opens the cantata. The first chorale for soprano and violoncello piccolo, which Bach later included in his Schubler-Chorale, is also well-known outside of the cantata. Score and part available separately - see item CA.3100600.

SATB vocal soli, SATB choir, bassoon, clarino/trumpet, 2 violins, basso continuo - Level 4

SKU: CA.4068309

In Nativitate Domini in nocte. Composed by Jakub Jan Ryba. Edited by Karlheinz Ostermann. Arranged by Paul Horn. 1x 40.683/21 bassoon, 1x 40.683/31 clarino. Missa Pastoralis In C Zugl.Orgelstimme. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1808. 8 pages. Duration 16 minutes. Carus Verlag #CV 40.683/09. Published by Carus Verlag (CA.4068309).

ISBN 9790007220273. Key: C major. Language: Latin.

The Missa pastoralis in C, published here for the first time, dates from about 1808. It belongs to a cycle of sacred pieces, a ,,Cursus sacro-harmonicus, which Ryba planned as Ordinarium and Proprium settings for all the Sundays and feast days of the church year. The Missa pastoralis in C is a pastoral Mass for the matutinal service at Christmas. As in the Missa Pastoralis in B flat, in this Mass Ryba makes use of concertante instruments: trumpet and a bassoon, an instrument seldom employed solistically in a Mass, but which gives this work a unique character. Score and parts available separately - see item CA.4068300.

SATB vocal soli, SATB choir, bassoon, clarino/trumpet, 2 violins, basso continuo - Level 4

SKU: CA.4068319

In Nativitate Domini in nocte. Composed by Jakub Jan Ryba. Edited by Karlheinz Ostermann. Arranged by Paul Horn. German title: Missa Pastoralis In C Zugl.Orgelstimme. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1808. Duration 16 minutes. Carus Verlag #CV 40.683/19. Published by Carus Verlag (CA.4068319).

ISBN 9790007138158. Key: C major. Language: Latin.

The Missa pastoralis in C, published here for the first time, dates from about 1808. It belongs to a cycle of sacred pieces, a ,,Cursus sacro-harmonicus, which Ryba planned as Ordinarium and Proprium settings for all the Sundays and feast days of the church year. The Missa pastoralis in C is a pastoral Mass for the matutinal service at Christmas. As in the Missa Pastoralis in B flat, in this Mass Ryba makes use of concertante instruments: trumpet and a bassoon, an instrument seldom employed solistically in a Mass, but which gives this work a unique character. Score and parts available separately - see item CA.4068300.

SATB vocal soli, SATB choir, bassoon, clarino/trumpet, 2 violins, basso continuo - Level 4

SKU: CA.4068305

In Nativitate Domini in nocte. Composed by Jakub Jan Ryba. Edited by Karlheinz Ostermann. Arranged by Paul Horn. Missa Pastoralis In C Zugl.Orgelstimme. Sacred vocal music, Masses, Latin. Choral Score. Composed 1808. 8 pages. Duration 16 minutes. Carus Verlag #CV 40.683/05. Published by Carus Verlag (CA.4068305).

ISBN 9790007112486. Key: C major. Language: Latin.

The Missa pastoralis in C, published here for the first time, dates from about 1808. It belongs to a cycle of sacred pieces, a ,,Cursus sacro-harmonicus, which Ryba planned as Ordinarium and Proprium settings for all the Sundays and feast days of the church year. The Missa pastoralis in C is a pastoral Mass for the matutinal service at Christmas. As in the Missa Pastoralis in B flat, in this Mass Ryba makes use of concertante instruments: trumpet and a bassoon, an instrument seldom employed solistically in a Mass, but which gives this work a unique character. Score available separately - see item CA.4068300.

SATB vocal soli, SATB choir, bassoon, clarino/trumpet, 2 violins, basso continuo - Level 4

SKU: CA.4068312

In Nativitate Domini in nocte. Composed by Jakub Jan Ryba. Edited by Karlheinz Ostermann. Arranged by Paul Horn. Missa Pastoralis In C Zugl.Orgelstimme. Sacred vocal music, Masses, Latin. Single Part, Violin 2. Composed 1808. 8 pages. Duration 16 minutes. Carus Verlag #CV 40.683/12. Published by Carus Verlag (CA.4068312).

ISBN 9790007220297. Key: C major. Language: Latin.

The Missa pastoralis in C, published here for the first time, dates from about 1808. It belongs to a cycle of sacred pieces, a ,,Cursus sacro-harmonicus, which Ryba planned as Ordinarium and Proprium settings for all the Sundays and feast days of the church year. The Missa pastoralis in C is a pastoral Mass for the matutinal service at Christmas. As in the Missa Pastoralis in B flat, in this Mass Ryba makes use of concertante instruments: trumpet and a bassoon, an instrument seldom employed solistically in a Mass, but which gives this work a unique character. Score and part available separately - see item CA.4068300.

SATB vocal soli, SATB choir, bassoon, clarino/trumpet, 2 violins, basso continuo - Level 4

SKU: CA.4068313

In Nativitate Domini in nocte. Composed by Jakub Jan Ryba. Edited by Karlheinz Ostermann. Arranged by Paul Horn. Missa Pastoralis In C Zugl.Orgelstimme. Sacred vocal music, Masses, Latin. Single Part, Cello/Double Bass. Composed 1808. 8 pages. Duration 16 minutes. Carus Verlag #CV 40.683/13. Published by Carus Verlag (CA.4068313).

ISBN 9790007220303. Key: C major. Language: Latin.

The Missa pastoralis in C, published here for the first time, dates from about 1808. It belongs to a cycle of sacred pieces, a ,,Cursus sacro-harmonicus, which Ryba planned as Ordinarium and Proprium settings for all the Sundays and feast days of the church year. The Missa pastoralis in C is a pastoral Mass for the matutinal service at Christmas. As in the Missa Pastoralis in B flat, in this Mass Ryba makes use of concertante instruments: trumpet and a bassoon, an instrument seldom employed solistically in a Mass, but which gives this work a unique character. Score and part available separately - see item CA.4068300.

SATB vocal soli, SATB choir, bassoon, clarino/trumpet, 2 violins, basso continuo - Level 4

SKU: CA.4068300

In Nativitate Domini in nocte. Composed by Jakub Jan Ryba. Edited by Karlheinz Ostermann. Arranged by Paul Horn. This edition: Paperbound. German title: Missa Pastoralis In C Zugl.Orgelstimme. Sacred vocal music, Masses, Latin. Full score. Composed 1808. 44 pages. Duration 16 minutes. Carus Verlag #CV 40.683/00. Published by Carus Verlag (CA.4068300).

ISBN 9790007087319. Key: C major. Language: Latin.

The Missa pastoralis in C, published here for the first time, dates from about 1808. It belongs to a cycle of sacred pieces, a ,,Cursus sacro-harmonicus, which Ryba planned as Ordinarium and Proprium settings for all the Sundays and feast days of the church year. The Missa pastoralis in C is a pastoral Mass for the matutinal service at Christmas. As in the Missa Pastoralis in B flat, in this Mass Ryba makes use of concertante instruments: trumpet and a bassoon, an instrument seldom employed solistically in a Mass, but which gives this work a unique character.

SATB vocal soli, SATB choir, bassoon, clarino/trumpet, 2 violins, basso continuo - Level 4

SKU: CA.4068311

In Nativitate Domini in nocte. Composed by Jakub Jan Ryba. Edited by Karlheinz Ostermann. Arranged by Paul Horn. Missa Pastoralis In C Zugl.Orgelstimme. Sacred vocal music, Masses, Latin. Single Part, Violin 1. Composed 1808. 8 pages. Duration 16 minutes. Carus Verlag #CV 40.683/11. Published by Carus Verlag (CA.4068311).

ISBN 9790007220280. Key: C major. Language: Latin.

The Missa pastoralis in C, published here for the first time, dates from about 1808. It belongs to a cycle of sacred pieces, a ,,Cursus sacro-harmonicus, which Ryba planned as Ordinarium and Proprium settings for all the Sundays and feast days of the church year. The Missa pastoralis in C is a pastoral Mass for the matutinal service at Christmas. As in the Missa Pastoralis in B flat, in this Mass Ryba makes use of concertante instruments: trumpet and a bassoon, an instrument seldom employed solistically in a Mass, but which gives this work a unique character. Score and part available separately - see item CA.4068300.

(An environmental cantata). Composed by Bob Chilcott. For Children's choir, SATB chamber choir and SATB double choir. Vocal score. 128 pages. Duration 45'. Published by Oxford University Press

(2+2.2+1+bass.3+1.3+1/6.4 .3.1+tenor,6timp(2pl),per c,2hp,org,str)

SKU: TM.05354SC

Composed by Gustav Holst. Score. Published by Lucks Music Library (TM.05354SC).

PTS #26-28 in set are tacet. Transposed:TPT1-4,TBN1&2.

(2+2.2+1+bass.3+1.3+1/4.2 .0.0,timp,1 perc,2hp,cel,str)

SKU: TM.12328SET

Composed by Gustav Holst. Set Type: D. Set of parts. Lucks Music Library #A8431. Published by Lucks Music Library (TM.12328SET).

Transposed: cl 1+2, tpt 1+2. No. 3.

(2+2.2+1+bass.3+1.3+1/4.2 .0.0,timp,1 perc,2hp,cel,str)

SKU: TM.12328SC

Composed by Gustav Holst. Score. Lucks Music Library #A8431. Published by Lucks Music Library (TM.12328SC).

Transposed: cl 1+2, tpt 1+2. No. 3.

(2+2.2+1+bass.3+1.3+1/6.4 .3.1+tenor,6timp(2pl),per c,2hp,org,str)

SKU: TM.05354SET

Composed by Gustav Holst. Set Type: D. Set of parts. Published by Lucks Music Library (TM.05354SET).

PTS #26-28 in set are tacet. Transposed:TPT1-4,TBN1&2.

(1.2.2.1/2.0+2.1.0,perc,p f,str)

SKU: TM.12677SC

Composed by John Philip Sousa. Edited by Olson. Score. Published by Lucks Music Library (TM.12677SC).

Ed. by Olson. Typeset 2022. Piano in set.

(1.2.2.1/2.0+2.1.0,perc,p f,str)

SKU: TM.12677SET

Composed by John Philip Sousa. Edited by Olson. Set Type: D. Set of parts. Published by Lucks Music Library (TM.12677SET).

Ed. by Olson. Typeset 2022. Piano in set.