SATB vocal soli, SATB choir, 2 violins, cello/contrabass, harp ad lib, basso continuo

SKU: CA.1036911

Christmas cantata. Composed by Christian August Jacobi. Edited by Tobias Nicolaus. Also Hat Gott Die Welt Geliebet. Sacred vocal music, Cantatas, Christmas. Single Part, Violin 1. Composed 1708. 4 pages. Duration 19 minutes. Carus Verlag #CV 10.369/11. Published by Carus Verlag (CA.1036911).

ISBN 9790007190521. Key: F major. Language: German/English.

The Bach contemporary Christian August Jacobi is among those composers who made a lasting impression among 18th century Middle German composers, since the influence of the Thomaskantor himself was limited primarily to Leipzig. Jacobi's cantatas are richly varied and they not too difficult to perform. Five of the six movements of the Christmas cantata Also hat Gott die Welt geliebet for soli, choir, strings and basso continuo are based on Luther's Christmas chorale Vom Himmel hoch, da komm ich her, which give the work a traditional character (the text of the first movement is based on the Gospel of St. John). The richly varied instrumentation and alternation between choral movements and duets by the soloists bring to the sound of the cantata a variety which will also be enhanced by the use of the harp (ad libitum). Score and part available separately - see item CA.1036900.

SATB vocal soli, SATB choir, 2 violins, cello/contrabass, harp ad lib, basso continuo

SKU: CA.1036912

Christmas cantata. Composed by Christian August Jacobi. Edited by Tobias Nicolaus. Also Hat Gott Die Welt Geliebet. Sacred vocal music, Cantatas, Christmas. Single Part, Violin 2. Composed 1708. 4 pages. Duration 19 minutes. Carus Verlag #CV 10.369/12. Published by Carus Verlag (CA.1036912).

ISBN 9790007190538. Key: F major. Language: German/English.

The Bach contemporary Christian August Jacobi is among those composers who made a lasting impression among 18th century Middle German composers, since the influence of the Thomaskantor himself was limited primarily to Leipzig. Jacobi's cantatas are richly varied and they not too difficult to perform. Five of the six movements of the Christmas cantata Also hat Gott die Welt geliebet for soli, choir, strings and basso continuo are based on Luther's Christmas chorale Vom Himmel hoch, da komm ich her, which give the work a traditional character (the text of the first movement is based on the Gospel of St. John). The richly varied instrumentation and alternation between choral movements and duets by the soloists bring to the sound of the cantata a variety which will also be enhanced by the use of the harp (ad libitum). Score and part available separately - see item CA.1036900.

SATB vocal soli, SATB choir, 2 violins, cello/contrabass, harp ad lib, basso continuo

SKU: CA.1036900

Christmas cantata. Composed by Christian August Jacobi. Edited by Tobias Nicolaus. This edition: Paperbound. German title: Also Hat Gott Die Welt Geliebet. Sacred vocal music, Cantatas, Christmas. Full score. Composed 1708. 32 pages. Duration 19 minutes. Carus Verlag #CV 10.369/00. Published by Carus Verlag (CA.1036900).

ISBN 9790007025724. Key: F major. Language: German/English.

The Bach contemporary Christian August Jacobi is among those composers who made a lasting impression among 18th century Middle German composers, since the influence of the Thomaskantor himself was limited primarily to Leipzig. Jacobi's cantatas are richly varied and they not too difficult to perform. Five of the six movements of the Christmas cantata Also hat Gott die Welt geliebet for soli, choir, strings and basso continuo are based on Luther's Christmas chorale Vom Himmel hoch, da komm ich her, which give the work a traditional character (the text of the first movement is based on the Gospel of St. John). The richly varied instrumentation and alternation between choral movements and duets by the soloists bring to the sound of the cantata a variety which will also be enhanced by the use of the harp (ad libitum).

SATB vocal soli, SATB choir, 2 violins, cello/contrabass, harp ad lib, basso continuo

SKU: CA.1036914

Christmas cantata. Composed by Christian August Jacobi. Edited by Tobias Nicolaus. Also Hat Gott Die Welt Geliebet. Sacred vocal music, Cantatas, Christmas. Single Part, Cello/Double Bass. Composed 1708. 4 pages. Duration 19 minutes. Carus Verlag #CV 10.369/14. Published by Carus Verlag (CA.1036914).

ISBN 9790007190552. Key: F major. Language: German/English.

The Bach contemporary Christian August Jacobi is among those composers who made a lasting impression among 18th century Middle German composers, since the influence of the Thomaskantor himself was limited primarily to Leipzig. Jacobi's cantatas are richly varied and they not too difficult to perform. Five of the six movements of the Christmas cantata Also hat Gott die Welt geliebet for soli, choir, strings and basso continuo are based on Luther's Christmas chorale Vom Himmel hoch, da komm ich her, which give the work a traditional character (the text of the first movement is based on the Gospel of St. John). The richly varied instrumentation and alternation between choral movements and duets by the soloists bring to the sound of the cantata a variety which will also be enhanced by the use of the harp (ad libitum). Score and part available separately - see item CA.1036900.

SATB vocal soli, SATB choir, 2 violins, cello/contrabass, harp ad lib, basso continuo

SKU: CA.1036913

Christmas cantata. Composed by Christian August Jacobi. Edited by Tobias Nicolaus. Also Hat Gott Die Welt Geliebet. Sacred vocal music, Cantatas, Christmas. Single Part, Viola. Composed 1708. 2 pages. Duration 19 minutes. Carus Verlag #CV 10.369/13. Published by Carus Verlag (CA.1036913).

ISBN 9790007190545. Key: F major. Language: German/English.

The Bach contemporary Christian August Jacobi is among those composers who made a lasting impression among 18th century Middle German composers, since the influence of the Thomaskantor himself was limited primarily to Leipzig. Jacobi's cantatas are richly varied and they not too difficult to perform. Five of the six movements of the Christmas cantata Also hat Gott die Welt geliebet for soli, choir, strings and basso continuo are based on Luther's Christmas chorale Vom Himmel hoch, da komm ich her, which give the work a traditional character (the text of the first movement is based on the Gospel of St. John). The richly varied instrumentation and alternation between choral movements and duets by the soloists bring to the sound of the cantata a variety which will also be enhanced by the use of the harp (ad libitum). Score and part available separately - see item CA.1036900.

SATB vocal soli, SATB choir, 2 violins, cello/contrabass, harp ad lib, basso continuo

SKU: CA.1036949

Christmas cantata. Composed by Christian August Jacobi. Edited by Tobias Nicolaus. Also Hat Gott Die Welt Geliebet. Sacred vocal music, Cantatas, Christmas. Single Part, Organ. Composed 1708. 8 pages. Duration 19 minutes. Carus Verlag #CV 10.369/49. Published by Carus Verlag (CA.1036949).

ISBN 9790007190576. Key: F major. Language: German/English.

The Bach contemporary Christian August Jacobi is among those composers who made a lasting impression among 18th century Middle German composers, since the influence of the Thomaskantor himself was limited primarily to Leipzig. Jacobi's cantatas are richly varied and they not too difficult to perform. Five of the six movements of the Christmas cantata Also hat Gott die Welt geliebet for soli, choir, strings and basso continuo are based on Luther's Christmas chorale Vom Himmel hoch, da komm ich her, which give the work a traditional character (the text of the first movement is based on the Gospel of St. John). The richly varied instrumentation and alternation between choral movements and duets by the soloists bring to the sound of the cantata a variety which will also be enhanced by the use of the harp (ad libitum). Score and part available separately - see item CA.1036900.

SATB vocal soli, SATB choir, 2 violins, cello/contrabass, harp ad lib, basso continuo

SKU: CA.1036905

Christmas cantata. Composed by Christian August Jacobi. Edited by Tobias Nicolaus. Also Hat Gott Die Welt Geliebet. Sacred vocal music, Cantatas, Christmas. Choral Score. Composed 1708. 12 pages. Duration 19 minutes. Carus Verlag #CV 10.369/05. Published by Carus Verlag (CA.1036905).

ISBN 9790007109349. Key: F major. Language: German/English.

The Bach contemporary Christian August Jacobi is among those composers who made a lasting impression among 18th century Middle German composers, since the influence of the Thomaskantor himself was limited primarily to Leipzig. Jacobi's cantatas are richly varied and they not too difficult to perform. Five of the six movements of the Christmas cantata Also hat Gott die Welt geliebet for soli, choir, strings and basso continuo are based on Luther's Christmas chorale Vom Himmel hoch, da komm ich her, which give the work a traditional character (the text of the first movement is based on the Gospel of St. John). The richly varied instrumentation and alternation between choral movements and duets by the soloists bring to the sound of the cantata a variety which will also be enhanced by the use of the harp (ad libitum). Score available separately - see item CA.1036900.

(0.2+da caccia.0.0/1.0.0.0,cem,or g,str,SATB soli,SATB chorus)

SKU: TM.01751SC

Composed by Johann Sebastian Bach. Score. Lucks Music Library #A2501. Published by Lucks Music Library (TM.01751SC).

Sandra Dackow Little Known Gem - Grade IV+. Ed. by Hoffmann. This delightful set of works in the keys of G, A, and B-flat major takes full advantage of multiple stops, chords, and fiddle writing that lays easily under the hand and is fun to play. The fast movements are vigorous and the contrasting slow movements are not particularly fussy or florid, though they include some ornamentation. In the Allegro sections, musicians should approach the playing as they would a work by Haydn or Mozart: eighth and quarter notes off the string and at the frog, and sixteenth notes on the string. Stamitz's players would have followed the general rule of the down bow, where the strong beat would begin with a down bow. In Concerto No. 1 in G, the Violin I parts reach to sixth position, requiring high G's. Unusual writing for its time, these passages are both logical and easy for players to find and hear. Cello and bass parts reach high F's on occasion and require third, fourth and fifth positions. The second violin and viola parts do not require extended ranges, making this work practical for an upper intermediate orchestra. The slow movements transition between different keys and requires the low strings to use extension notes such as G-sharp and A-sharp.

(0.2+da caccia.0.0/1.0.0.0,cem,or g,str,SATB soli,SATB chorus)

SKU: TM.01751SET

Composed by Johann Sebastian Bach. Set Type: A. Set of parts. Lucks Music Library #A2501. Published by Lucks Music Library (TM.01751SET).

Sandra Dackow Little Known Gem - Grade IV+. Ed. by Hoffmann. This delightful set of works in the keys of G, A, and B-flat major takes full advantage of multiple stops, chords, and fiddle writing that lays easily under the hand and is fun to play. The fast movements are vigorous and the contrasting slow movements are not particularly fussy or florid, though they include some ornamentation. In the Allegro sections, musicians should approach the playing as they would a work by Haydn or Mozart: eighth and quarter notes off the string and at the frog, and sixteenth notes on the string. Stamitz's players would have followed the general rule of the down bow, where the strong beat would begin with a down bow. In Concerto No. 1 in G, the Violin I parts reach to sixth position, requiring high G's. Unusual writing for its time, these passages are both logical and easy for players to find and hear. Cello and bass parts reach high F's on occasion and require third, fourth and fifth positions. The second violin and viola parts do not require extended ranges, making this work practical for an upper intermediate orchestra. The slow movements transition between different keys and requires the low strings to use extension notes such as G-sharp and A-sharp.

SATB vocal soli, SATB choir, 2 oboes d'amore, ctto, 2 violins, viola, basso continuo

SKU: CA.3113309

Cantata for the 3rd day of Christmas. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Paul Horn. This edition: urtext. 1x 31.133/21 oboe d'amore 1, 1x 31.133/22 oboe d'amore 2, 1x 31.133/31 cornett. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Christmas. Set of Orchestra Parts. Composed 1724. BWV 133. Duration 20 minutes. Carus Verlag #CV 31.133/09. Published by Carus Verlag (CA.3113309).

ISBN 9790007207977. Language: German.

The cantata Ich freue mich in dir was first performed during Bach's second year as Thomaskantor, on the 3rd day of Christmas, and belongs to the so-called annual cycle of chorale cantatas. Here the focus of the composition is the hymn of the same name by Philipp Ziegler, in which the first and final strophes were adopted, word for word, in the first and sixth movements of the cantata. The soprano, which carries the chorale, is supported by the conrnett (Zink), which already at this time had become a seldom-used instrument. The joyful, lively choral movement with instrumental interludes directly follows the first aria, and begins with a marked, ascending motive at the word Getrost! (safely). The oboes d'amore which accompany the alto lend the movement a special color. In the second aria (for soprano), Bach again shows himself to be the master of text interpretation. The words Wie lieblich klingt es in den Ohren are emphasized in an exchange between open strings and sixteenth note figures. Score and parts available separately - see item CA.3113300.

SATB vocal soli, SATB choir, 2 oboes d'amore, ctto, 2 violins, viola, basso continuo

SKU: CA.3113319

Cantata for the 3rd day of Christmas. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Christmas. Set of Orchestra Parts. Composed 1724. BWV 133. 152 pages. Duration 20 minutes. Carus Verlag #CV 31.133/19. Published by Carus Verlag (CA.3113319).

ISBN 9790007141127. Language: German.

The cantata Ich freue mich in dir was first performed during Bach's second year as Thomaskantor, on the 3rd day of Christmas, and belongs to the so-called annual cycle of chorale cantatas. Here the focus of the composition is the hymn of the same name by Philipp Ziegler, in which the first and final strophes were adopted, word for word, in the first and sixth movements of the cantata. The soprano, which carries the chorale, is supported by the conrnett (Zink), which already at this time had become a seldom-used instrument. The joyful, lively choral movement with instrumental interludes directly follows the first aria, and begins with a marked, ascending motive at the word Getrost! (safely). The oboes d'amore which accompany the alto lend the movement a special color. In the second aria (for soprano), Bach again shows himself to be the master of text interpretation. The words Wie lieblich klingt es in den Ohren are emphasized in an exchange between open strings and sixteenth note figures. Score and parts available separately - see item CA.3113300.

SATB vocal soli, SATB choir, 2 oboes d'amore, cornetto, 2 violins, viola, basso continuo

SKU: CA.3113300

Cantata for the 3rd day of Christmas. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Christmas. Full score. Composed 1724. BWV 133. 36 pages. Duration 20 minutes. Carus Verlag #CV 31.133/00. Published by Carus Verlag (CA.3113300).

ISBN 9790007097486. Language: German.

The cantata Ich freue mich in dir was first performed during Bach's second year as Thomaskantor, on the 3rd day of Christmas, and belongs to the so-called annual cycle of chorale cantatas. Here the focus of the composition is the hymn of the same name by Philipp Ziegler, in which the first and final strophes were adopted, word for word, in the first and sixth movements of the cantata. The soprano, which carries the chorale, is supported by the conrnett (Zink), which already at this time had become a seldom-used instrument. The joyful, lively choral movement with instrumental interludes directly follows the first aria, and begins with a marked, ascending motive at the word Getrost! (safely). The oboes d'amore which accompany the alto lend the movement a special color. In the second aria (for soprano), Bach again shows himself to be the master of text interpretation. The words Wie lieblich klingt es in den Ohren are emphasized in an exchange between open strings and sixteenth note figures.

SATB vocal soli, SATB choir, 2 oboes d'amore, ctto, 2 violins, viola, basso continuo

SKU: CA.3113349

Cantata for the 3rd day of Christmas. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Christmas. Single Part, Organ. Composed 1724. BWV 133. 16 pages. Duration 20 minutes. Carus Verlag #CV 31.133/49. Published by Carus Verlag (CA.3113349).

ISBN 9790007207984. Language: German.

The cantata Ich freue mich in dir was first performed during Bach's second year as Thomaskantor, on the 3rd day of Christmas, and belongs to the so-called annual cycle of chorale cantatas. Here the focus of the composition is the hymn of the same name by Philipp Ziegler, in which the first and final strophes were adopted, word for word, in the first and sixth movements of the cantata. The soprano, which carries the chorale, is supported by the conrnett (Zink), which already at this time had become a seldom-used instrument. The joyful, lively choral movement with instrumental interludes directly follows the first aria, and begins with a marked, ascending motive at the word Getrost! (safely). The oboes d'amore which accompany the alto lend the movement a special color. In the second aria (for soprano), Bach again shows himself to be the master of text interpretation. The words Wie lieblich klingt es in den Ohren are emphasized in an exchange between open strings and sixteenth note figures. Score and part available separately - see item CA.3113300.

Orchestra SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, cello/contrabass, organ, [2 horns, 3 trombones]

SKU: CA.4065712

Composed by Franz Schubert. Edited by Manuela Jahrmarker. This edition: urtext. Stuttgart Urtext Edition: Schubert. German title: Messe In B Rev.2001. Sacred vocal music, Masses, Latin. Single Part, Violin 2. Composed 1815. D 324. 16 pages. Duration 30 minutes. Carus Verlag #CV 40.657/12. Published by Carus Verlag (CA.4065712).

ISBN 9790007085292. Key: B flat major. Language: Latin.

With a total duration of about 30 minutes, Schubert's Mass in B flat major (D 324), written in 1815, is considerably longer than Mozart's and Haydn's classical Brevis masses, and its large instrumental ensemble with strings, woodwinds, brass and timpani even gives it a clearly solemn character. Overall, Schubert was inspired by the late Haydn style of the symphonic mass (e.g., the division into six large movements, the omission of arias for the vocal soloists who are instead juxtaposed with the choir, singing short passages either singly or as a group) without, of course, achieving its temporal expansion. This is a representative, musically appealing work that excels with its multi-layered, detailed text treatment. It is, therefore, suitable for special occasions and the high feasts of the church year and can be mastered well by experienced church choirs. Score and part available separately - see item CA.4065700.

Orchestra SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, cello/contrabass, organ, [2 horns, 3 trombones]

SKU: CA.4065711

Composed by Franz Schubert. Edited by Manuela Jahrmarker. This edition: urtext. Stuttgart Urtext Edition: Schubert. German title: Messe In B Rev.2001. Sacred vocal music, Masses, Latin. Single Part, Violin 1. Composed 1815. D 324. 16 pages. Duration 30 minutes. Carus Verlag #CV 40.657/11. Published by Carus Verlag (CA.4065711).

ISBN 9790007085285. Key: B flat major. Language: Latin.

With a total duration of about 30 minutes, Schubert's Mass in B flat major (D 324), written in 1815, is considerably longer than Mozart's and Haydn's classical Brevis masses, and its large instrumental ensemble with strings, woodwinds, brass and timpani even gives it a clearly solemn character. Overall, Schubert was inspired by the late Haydn style of the symphonic mass (e.g., the division into six large movements, the omission of arias for the vocal soloists who are instead juxtaposed with the choir, singing short passages either singly or as a group) without, of course, achieving its temporal expansion. This is a representative, musically appealing work that excels with its multi-layered, detailed text treatment. It is, therefore, suitable for special occasions and the high feasts of the church year and can be mastered well by experienced church choirs. Score and part available separately - see item CA.4065700.

Orchestra SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, cello/contrabass, organ, [2 horns, 3 trombones]

SKU: CA.4065719

Composed by Franz Schubert. Edited by Manuela Jahrmarker. This edition: urtext. Stuttgart Urtext Edition: Schubert. German title: Messe In B Rev.2001. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1815. D 324. Duration 30 minutes. Carus Verlag #CV 40.657/19. Published by Carus Verlag (CA.4065719).

ISBN 9790007134570. Key: B flat major. Language: Latin.

With a total duration of about 30 minutes, Schubert's Mass in B flat major (D 324), written in 1815, is considerably longer than Mozart's and Haydn's classical Brevis masses, and its large instrumental ensemble with strings, woodwinds, brass and timpani even gives it a clearly solemn character. Overall, Schubert was inspired by the late Haydn style of the symphonic mass (e.g., the division into six large movements, the omission of arias for the vocal soloists who are instead juxtaposed with the choir, singing short passages either singly or as a group) without, of course, achieving its temporal expansion. This is a representative, musically appealing work that excels with its multi-layered, detailed text treatment. It is, therefore, suitable for special occasions and the high feasts of the church year and can be mastered well by experienced church choirs. Score and parts available separately - see item CA.4065700.

Orchestra SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, cello/contrabass, organ, [2 horns, 3 trombones]

SKU: CA.4065749

Composed by Franz Schubert. Edited by Manuela Jahrmarker. This edition: urtext. Stuttgart Urtext Edition: Schubert. German title: Messe In B Rev.2001. Sacred vocal music, Masses, Latin. Single Part, Organ. Composed 1815. D 324. 16 pages. Duration 30 minutes. Carus Verlag #CV 40.657/49. Published by Carus Verlag (CA.4065749).

ISBN 9790007085322. Key: B flat major. Language: Latin.

With a total duration of about 30 minutes, Schubert's Mass in B flat major (D 324), written in 1815, is considerably longer than Mozart's and Haydn's classical Brevis masses, and its large instrumental ensemble with strings, woodwinds, brass and timpani even gives it a clearly solemn character. Overall, Schubert was inspired by the late Haydn style of the symphonic mass (e.g., the division into six large movements, the omission of arias for the vocal soloists who are instead juxtaposed with the choir, singing short passages either singly or as a group) without, of course, achieving its temporal expansion. This is a representative, musically appealing work that excels with its multi-layered, detailed text treatment. It is, therefore, suitable for special occasions and the high feasts of the church year and can be mastered well by experienced church choirs. Score and part available separately - see item CA.4065700.

Orchestra SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, cello/contrabass, organ, [2 horns, 3 trombones]

SKU: CA.4065713

Composed by Franz Schubert. Edited by Manuela Jahrmarker. This edition: urtext. Stuttgart Urtext Edition: Schubert. German title: Messe In B Rev.2001. Sacred vocal music, Masses, Latin. Single Part, Viola. Composed 1815. D 324. 8 pages. Duration 30 minutes. Carus Verlag #CV 40.657/13. Published by Carus Verlag (CA.4065713).

ISBN 9790007085308. Key: B flat major. Language: Latin.

With a total duration of about 30 minutes, Schubert's Mass in B flat major (D 324), written in 1815, is considerably longer than Mozart's and Haydn's classical Brevis masses, and its large instrumental ensemble with strings, woodwinds, brass and timpani even gives it a clearly solemn character. Overall, Schubert was inspired by the late Haydn style of the symphonic mass (e.g., the division into six large movements, the omission of arias for the vocal soloists who are instead juxtaposed with the choir, singing short passages either singly or as a group) without, of course, achieving its temporal expansion. This is a representative, musically appealing work that excels with its multi-layered, detailed text treatment. It is, therefore, suitable for special occasions and the high feasts of the church year and can be mastered well by experienced church choirs. Score and part available separately - see item CA.4065700.

Orchestra SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, cello/contrabass, organ, [2 horns, 3 trombones]

SKU: CA.4065714

Composed by Franz Schubert. Edited by Manuela Jahrmarker. This edition: urtext. Stuttgart Urtext Edition: Schubert. German title: Messe In B Rev.2001. Sacred vocal music, Masses, Latin. Single Part, Cello/Double Bass. Composed 1815. D 324. 8 pages. Duration 30 minutes. Carus Verlag #CV 40.657/14. Published by Carus Verlag (CA.4065714).

ISBN 9790007085315. Key: B flat major. Language: Latin.

With a total duration of about 30 minutes, Schubert's Mass in B flat major (D 324), written in 1815, is considerably longer than Mozart's and Haydn's classical Brevis masses, and its large instrumental ensemble with strings, woodwinds, brass and timpani even gives it a clearly solemn character. Overall, Schubert was inspired by the late Haydn style of the symphonic mass (e.g., the division into six large movements, the omission of arias for the vocal soloists who are instead juxtaposed with the choir, singing short passages either singly or as a group) without, of course, achieving its temporal expansion. This is a representative, musically appealing work that excels with its multi-layered, detailed text treatment. It is, therefore, suitable for special occasions and the high feasts of the church year and can be mastered well by experienced church choirs. Score and part available separately - see item CA.4065700.

Orchestra SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, cello/contrabass, organ, [2 horns, 3 trombones]

SKU: CA.4065705

Composed by Franz Schubert. Edited by Manuela Jahrmarker. This edition: urtext. Stuttgart Urtext Edition: Schubert. German title: Messe In B Rev.2001. Sacred vocal music, Masses, Latin. Choral Score. Composed 1815. D 324. 20 pages. Duration 30 minutes. Carus Verlag #CV 40.657/05. Published by Carus Verlag (CA.4065705).

ISBN 9790007085254. Key: B flat major. Language: Latin.

With a total duration of about 30 minutes, Schubert's Mass in B flat major (D 324), written in 1815, is considerably longer than Mozart's and Haydn's classical Brevis masses, and its large instrumental ensemble with strings, woodwinds, brass and timpani even gives it a clearly solemn character. Overall, Schubert was inspired by the late Haydn style of the symphonic mass (e.g., the division into six large movements, the omission of arias for the vocal soloists who are instead juxtaposed with the choir, singing short passages either singly or as a group) without, of course, achieving its temporal expansion. This is a representative, musically appealing work that excels with its multi-layered, detailed text treatment. It is, therefore, suitable for special occasions and the high feasts of the church year and can be mastered well by experienced church choirs. Score available separately - see item CA.4065700.

Orchestra SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, cello/contrabass, organ, [2 horns, 3 trombones]

SKU: CA.4065708

Composed by Franz Schubert. Edited by Manuela Jahrmarker. This edition: urtext. Stuttgart Urtext Edition: Schubert. German title: Messe In B Rev.2001. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1815. D 324. 60 pages. Duration 30 minutes. Carus Verlag #CV 40.657/08. Published by Carus Verlag (CA.4065708).

ISBN 9790007085261. Key: B flat major. Language: Latin.

With a total duration of about 30 minutes, Schubert's Mass in B flat major (D 324), written in 1815, is considerably longer than Mozart's and Haydn's classical Brevis masses, and its large instrumental ensemble with strings, woodwinds, brass and timpani even gives it a clearly solemn character. Overall, Schubert was inspired by the late Haydn style of the symphonic mass (e.g., the division into six large movements, the omission of arias for the vocal soloists who are instead juxtaposed with the choir, singing short passages either singly or as a group) without, of course, achieving its temporal expansion. This is a representative, musically appealing work that excels with its multi-layered, detailed text treatment. It is, therefore, suitable for special occasions and the high feasts of the church year and can be mastered well by experienced church choirs. Score and parts available separately - see item CA.4065700.

Orchestra SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, cello/contrabass, organ, [2 horns, 3 trombones]

SKU: CA.4065709

Composed by Franz Schubert. Edited by Manuela Jahrmarker. This edition: urtext. 1x 40.657/21 oboe 1, 1x 40.657/22 oboe 2, 1x 40.657/23 bassoon 1, 1x 40.657/24 bassoon 2, 1x 40.657/31 trumpet 1, 1x 40.657/32 trumpet 2, 1x 40.657/41 timpani. Stuttgart Urtext Edition: Schubert. German title: Messe In B Rev.2001. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1815. D 324. 60 pages. Duration 30 minutes. Carus Verlag #CV 40.657/09. Published by Carus Verlag (CA.4065709).

ISBN 9790007085278. Key: B flat major. Language: Latin.

With a total duration of about 30 minutes, Schubert's Mass in B flat major (D 324), written in 1815, is considerably longer than Mozart's and Haydn's classical Brevis masses, and its large instrumental ensemble with strings, woodwinds, brass and timpani even gives it a clearly solemn character. Overall, Schubert was inspired by the late Haydn style of the symphonic mass (e.g., the division into six large movements, the omission of arias for the vocal soloists who are instead juxtaposed with the choir, singing short passages either singly or as a group) without, of course, achieving its temporal expansion. This is a representative, musically appealing work that excels with its multi-layered, detailed text treatment. It is, therefore, suitable for special occasions and the high feasts of the church year and can be mastered well by experienced church choirs. Score and parts available separately - see item CA.4065700.