The Seasonings Soli, choeur mixte et accompagnement [Vocal Score] Theodore Presser Co.
By PDQ Bach. Arranged by Peter Schickele. Text by Peter Schickele. For 2 Trumpet...(+)
By PDQ Bach. Arranged by
Peter Schickele. Text by
Peter Schickele. For 2
Trumpet, 2 Violin, Viola,
Violoncello, Contrabass,
2 Slide Whistles, 2
Kazoos, Tromboon,
Windbreaker, Shower Hose,
Foghorn, Soprano, Alto,
Tenor, Bass, SATB,
Timpani. Piano/Vocal
Score. S. 1! tsp.
Duration 20:0. Published
by Theodore Presser
Company.
Composed by Johann
Sebastian Bach. Edited by
Alfred Durr. This
edition: complete
edition, urtext edition.
Linen. New Bach Edition
(NBA) I/35. Complete
edition, Score,
anthology. Baerenreiter
Verlag #BA05023_01.
Published by Baerenreiter
Verlag (BA.BA05023-01).
ISBN 9790006461875. 33
x 26 cm
inches.
Urtext der
Neuen Mozart-Ausgabe.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Opera buffa in 4 acts. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited...(+)
Opera buffa in 4 acts.
Composed by Wolfgang
Amadeus
Mozart (1756-1791).
Edited by
Ludwig Finscher. Arranged
by
Eugen Epplee. This
edition:
urtext edition. Hardback.
Barenreiter Urtext. Vocal
score vokal. KV 492.
Baerenreiter Verlag
#BA04565-
93. Published by
Baerenreiter
Verlag
The newly born child Soli, choeur mixte et accompagnement [Vocal Score] Carus Verlag
(Cantata for the Sunday after Christmas). Composed by Johann Sebastian Bach (168...(+)
(Cantata for the Sunday
after Christmas).
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Christiane Hausmann.
Arranged by Paul Horn.
For SATB vocal soli, 3
recorders, 2 oboes,
english horn, 2 violins,
viola, basso continuo.
This edition: Paperbound.
Stuttgart Urtext Edition.
German title: Das
neugeborne Kindelein.
Cantatas, Christmas.
Vocal score. Language:
German/English. Composed
1724. BWV 122. 20 pages.
Duration 16 minutes.
Published by Carus Verlag
Cantata
for the 20th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frauke Heinze.
Arranged by Masaaki
Suzuki. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Complete orchestral
parts. Sacred vocal
music, Cantatas, Whitsun,
Mourning, death. Set of
Orchestra Parts. Composed
1716. BWV 162. Duration
18 minutes. Carus Verlag
#CV 31.162/19. Published
by Carus Verlag
(CA.3116219).
ISBN
9790007172244. Language:
German/English.
Scripture: Matthew
22:1-14.
The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki. Score and
parts available
separately - see item
CA.3116200.
Cantata
for the 20th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frauke Heinze.
Arranged by Masaaki
Suzuki. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Organ. Sacred vocal
music, Cantatas, Whitsun,
Mourning, death. Single
Part, Organ. Composed
1716. BWV 162. 16 pages.
Duration 18 minutes.
Carus Verlag #CV
31.162/49. Published by
Carus Verlag
(CA.3116249).
ISBN
9790007208943. Language:
German/English.
Scripture: Matthew
22:1-14.
The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki. Score and
part available separately
- see item
CA.3116200.
Cantata for the 20th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frauke Heinze. Arranged
by Masaaki Suzuki. This
edition: urtext,
paperback. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Whitsun,
Mourning, death. Vocal
score. Composed 1716. BWV
162. 24 pages. Duration
18 minutes. Carus Verlag
#CV 31.162/03. Published
by Carus Verlag
(CA.3116203).
ISBN
9790007171544. Language:
German/English.
Scripture: Matthew
22:1-14.
The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki. Score
available separately -
see item CA.3116200.
Cantata
for the 20th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frauke Heinze.
Arranged by Masaaki
Suzuki. This edition:
urtext. 1x 31.162/21
flute, 1x 31.162/31 horn.
Stuttgart Urtext Edition:
Bach vocal. Harmony
parts. Sacred vocal
music, Cantatas, Whitsun,
Mourning, death. Set of
Orchestra Parts. Composed
1716. BWV 162. Duration
18 minutes. Carus Verlag
#CV 31.162/09. Published
by Carus Verlag
(CA.3116209).
ISBN
9790007208899. Language:
German/English.
Scripture: Matthew
22:1-14.
The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki. Score and
parts available
separately - see item
CA.3116200.
Cantata
for the 20th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frauke Heinze.
Arranged by Masaaki
Suzuki. This edition:
urtext, paperback.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, Whitsun,
Mourning, death. Full
score. Composed 1716. BWV
162. 28 pages. Duration
18 minutes. Carus Verlag
#CV 31.162/00. Published
by Carus Verlag
(CA.3116200).
ISBN
9790007171452. Language:
German/English.
Scripture: Matthew
22:1-14.
The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki.
Harmoniemesse in B Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] Carus Verlag
By Franz Joseph Haydn (1732-1809). Edited by Andreas Traub. For SATB Soli, SATB ...(+)
By Franz Joseph Haydn
(1732-1809). Edited by
Andreas Traub. For SATB
Soli, SATB Choir, Flute,
2 oboes, 2 clarinets, 2
bassoons, 2 horns, 2
clarinos/trumpets,
timpani, 2 Violin, viola,
basso continuo. This
edition: Paperbound.
B-Dur (B-flat major).
Stuttgart Urtext Edition.
German title:
Harmoniemesse in B
XXII:14. Masses, Latin.
Full score. Language:
Latin. Hob. XXII:14. 216
pages. Duration 45
minutes. Published by
Carus Verlag
Dream On, Dream On (Choral Score) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier MorningStar Music Publishers
By Hae Jong Kim and Sun Kyung Lee. Arranged by Michael Burkhardt. For SATB choir...(+)
By Hae Jong Kim and Sun
Kyung Lee. Arranged by
Michael Burkhardt. For
SATB choir adult choir,
SATB youth choir, treble
children's choir, piano
accompaniment, handbells,
wind chimes. General.
Moderately Easy.
Published by MorningStar
Music Publishers (MN.50-
Kantate
zum 2. Pfingsttag.
Composed by Georg Philipp
Telemann. Edited by
Wolfram Steude. This
edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. German
title: Stehe auf,
Nordwind. Sacred vocal
music, Cantatas, Whitsun.
Full score. TVWV 1:1397.
28 pages. Duration 12
minutes. Carus Verlag #CV
39.133/00. Published by
Carus Verlag
(CA.3913300).
ISBN
9790007055981. Language:
German.
This early
work, probably composed
during the period
1701-1705, is in a style
and form customary during
the 17th century,
combining biblical words
with paraphrased verses.
The words depict gentle
breezes giving place to
the rushing wind at the
coming of the Holy
Spirit. Suitable for
Whitsun.
Kantate
zum 2. Pfingsttag.
Composed by Georg Philipp
Telemann. Edited by
Wolfram Steude. This
edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. German
title: Stehe auf,
Nordwind. Sacred vocal
music, Cantatas, Whitsun.
Set of Orchestra Parts.
TVWV 1:1397. Duration 12
minutes. Carus Verlag #CV
39.133/19. Published by
Carus Verlag
(CA.3913319).
ISBN
9790007139766. Language:
German.
This early
work, probably composed
during the period
1701-1705, is in a style
and form customary during
the 17th century,
combining biblical words
with paraphrased verses.
The words depict gentle
breezes giving place to
the rushing wind at the
coming of the Holy
Spirit. Suitable for
Whitsun. Score and parts
available separately -
see item CA.3913300.
Cantata for the 20th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frauke Heinze. Arranged
by Masaaki Suzuki. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas, Whitsun,
Mourning, death. Single
Part, basso continuo.
Composed 1716. BWV 162.
12 pages. Duration 18
minutes. Carus Verlag #CV
31.162/14. Published by
Carus Verlag
(CA.3116214).
ISBN
9790007208936. Text
language:
German/English.
The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki. Score and
part available separately
- see item
CA.3116200.
Cantata for the 20th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frauke Heinze. Arranged
by Masaaki Suzuki. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Whitsun,
Mourning, death. Single
Part, Violin 1. Composed
1716. BWV 162. 4 pages.
Duration 18 minutes.
Carus Verlag #CV
31.162/11. Published by
Carus Verlag
(CA.3116211).
ISBN
9790007208905. Text
language:
German/English.
The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki. Score and
part available separately
- see item
CA.3116200.
Cantata for the 20th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frauke Heinze. Arranged
by Masaaki Suzuki. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Cantatas,
Whitsun, Mourning, death.
Single Part, Viola.
Composed 1716. BWV 162. 4
pages. Duration 18
minutes. Carus Verlag #CV
31.162/13. Published by
Carus Verlag
(CA.3116213).
ISBN
9790007208929. Text
language:
German/English.
The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki. Score and
part available separately
- see item
CA.3116200.
Cantata for the 20th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frauke Heinze. Arranged
by Masaaki Suzuki. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, Whitsun,
Mourning, death. Single
Part, Violin 2. Composed
1716. BWV 162. 4 pages.
Duration 18 minutes.
Carus Verlag #CV
31.162/12. Published by
Carus Verlag
(CA.3116212).
ISBN
9790007208912. Text
language:
German/English.
The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki. Score and
part available separately
- see item
CA.3116200.
Kantate
zum 2. Pfingsttag.
Composed by Georg Philipp
Telemann. Edited by
Wolfram Steude. This
edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. Violin
1. Sacred vocal music,
Cantatas, Whitsun. Single
Part, Violin 1. TVWV
1:1397. 2 pages. Duration
12 minutes. Carus Verlag
#CV 39.133/11. Published
by Carus Verlag
(CA.3913311).
ISBN
9790007056001. Language:
German.
This early
work, probably composed
during the period
1701-1705, is in a style
and form customary during
the 17th century,
combining biblical words
with paraphrased verses.
The words depict gentle
breezes giving place to
the rushing wind at the
coming of the Holy
Spirit. Suitable for
Whitsun. Score and part
available separately -
see item CA.3913300.
Kantate
zum 2. Pfingsttag.
Composed by Georg Philipp
Telemann. Edited by
Wolfram Steude. This
edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. Violin
2. Sacred vocal music,
Cantatas, Whitsun. Single
Part, Violin 2. TVWV
1:1397. 2 pages. Duration
12 minutes. Carus Verlag
#CV 39.133/12. Published
by Carus Verlag
(CA.3913312).
ISBN
9790007056018. Language:
German.
This early
work, probably composed
during the period
1701-1705, is in a style
and form customary during
the 17th century,
combining biblical words
with paraphrased verses.
The words depict gentle
breezes giving place to
the rushing wind at the
coming of the Holy
Spirit. Suitable for
Whitsun. Score and part
available separately -
see item CA.3913300.
Kantate
zum 2. Pfingsttag.
Composed by Georg Philipp
Telemann. Edited by
Wolfram Steude. This
edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. Organ.
Sacred vocal music,
Cantatas, Whitsun. Single
Part, Organ. TVWV 1:1397.
8 pages. Duration 12
minutes. Carus Verlag #CV
39.133/49. Published by
Carus Verlag
(CA.3913349).
ISBN
9790007056063. Language:
German.
This early
work, probably composed
during the period
1701-1705, is in a style
and form customary during
the 17th century,
combining biblical words
with paraphrased verses.
The words depict gentle
breezes giving place to
the rushing wind at the
coming of the Holy
Spirit. Suitable for
Whitsun. Score and part
available separately -
see item CA.3913300.
Kantate
zum 2. Pfingsttag.
Composed by Georg Philipp
Telemann. Edited by
Wolfram Steude. This
edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. Sacred
vocal music, Cantatas,
Whitsun. Choral Score.
TVWV 1:1397. 4 pages.
Duration 12 minutes.
Carus Verlag #CV
39.133/05. Published by
Carus Verlag
(CA.3913305).
ISBN
9790007055998. Language:
German.
This early
work, probably composed
during the period
1701-1705, is in a style
and form customary during
the 17th century,
combining biblical words
with paraphrased verses.
The words depict gentle
breezes giving place to
the rushing wind at the
coming of the Holy
Spirit. Suitable for
Whitsun. Score available
separately - see item
CA.3913300.
Kantate
zum 2. Pfingsttag.
Composed by Georg Philipp
Telemann. Edited by
Wolfram Steude. This
edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv.
Violoncello/double bass.
Sacred vocal music,
Cantatas, Whitsun. Single
Part, Cello/Double Bass.
TVWV 1:1397. 4 pages.
Duration 12 minutes.
Carus Verlag #CV
39.133/14. Published by
Carus Verlag
(CA.3913314).
ISBN
9790007056032. Language:
German.
This early
work, probably composed
during the period
1701-1705, is in a style
and form customary during
the 17th century,
combining biblical words
with paraphrased verses.
The words depict gentle
breezes giving place to
the rushing wind at the
coming of the Holy
Spirit. Suitable for
Whitsun. Score and part
available separately -
see item CA.3913300.
Cantata
for 12th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Violin 1. BWV BWV
69a. 8 pages. Duration 25
minutes. Carus Verlag #CV
31.069/61. Published by
Carus Verlag
(CA.3106961).
ISBN
9790007206697. Text
language:
German/English.
Bac
h's Cantata BWV 69a of
1723, which has remained
largely unknown to the
present day, is now
available for the first
time in a practical
edition with this Carus
publication. It has been
unjustly neglected as it
was overshadowed by the
Cantata BWV 69 of the
same name, a piece which
Bach reworked to
celebrate the
inauguration of Leipzig
Town Council in 1748. On
that occasion Bach
re-used the parts from
1723 for simplicity, and
adapted them for the new
use by means of cuts,
alterations, and
additions - something
which certainly did not
mean that he rejected the
1723 version. This
version can readily be
recovered from the parts
of 1723, if we explore
beyond the alterations of
1748. With its rich wind
instruments and great
opening chorus, the 1723
cantata is in no way
inferior to the later
festive music in terms of
musical splendor. The
text takes the Gospel
reading about the healing
of the deaf and dumb man
as a reason for praise
and thanks for God's good
deeds. In contrast to the
later version, in which
God is thanked for the
wisdom of the Leipzig
authorities, the original
version of 1723 is free
of such contemporary
references, and is
suitable for use in
worship and concerts in
many different ways.
Score and part available
separately - see item
CA.3106900.
Cantata
for 12th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas, Trinity.
Single Part, basso
continuo. BWV BWV 69a. 12
pages. Duration 25
minutes. Carus Verlag #CV
31.069/64. Published by
Carus Verlag
(CA.3106964).
ISBN
9790007206727. Text
language:
German/English.
Bac
h's Cantata BWV 69a of
1723, which has remained
largely unknown to the
present day, is now
available for the first
time in a practical
edition with this Carus
publication. It has been
unjustly neglected as it
was overshadowed by the
Cantata BWV 69 of the
same name, a piece which
Bach reworked to
celebrate the
inauguration of Leipzig
Town Council in 1748. On
that occasion Bach
re-used the parts from
1723 for simplicity, and
adapted them for the new
use by means of cuts,
alterations, and
additions - something
which certainly did not
mean that he rejected the
1723 version. This
version can readily be
recovered from the parts
of 1723, if we explore
beyond the alterations of
1748. With its rich wind
instruments and great
opening chorus, the 1723
cantata is in no way
inferior to the later
festive music in terms of
musical splendor. The
text takes the Gospel
reading about the healing
of the deaf and dumb man
as a reason for praise
and thanks for God's good
deeds. In contrast to the
later version, in which
God is thanked for the
wisdom of the Leipzig
authorities, the original
version of 1723 is free
of such contemporary
references, and is
suitable for use in
worship and concerts in
many different ways.
Score and part available
separately - see item
CA.3106900.
Cantata
for 12th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Violin 2. BWV BWV
69a. 8 pages. Duration 25
minutes. Carus Verlag #CV
31.069/62. Published by
Carus Verlag
(CA.3106962).
ISBN
9790007206703. Text
language:
German/English.
Bac
h's Cantata BWV 69a of
1723, which has remained
largely unknown to the
present day, is now
available for the first
time in a practical
edition with this Carus
publication. It has been
unjustly neglected as it
was overshadowed by the
Cantata BWV 69 of the
same name, a piece which
Bach reworked to
celebrate the
inauguration of Leipzig
Town Council in 1748. On
that occasion Bach
re-used the parts from
1723 for simplicity, and
adapted them for the new
use by means of cuts,
alterations, and
additions - something
which certainly did not
mean that he rejected the
1723 version. This
version can readily be
recovered from the parts
of 1723, if we explore
beyond the alterations of
1748. With its rich wind
instruments and great
opening chorus, the 1723
cantata is in no way
inferior to the later
festive music in terms of
musical splendor. The
text takes the Gospel
reading about the healing
of the deaf and dumb man
as a reason for praise
and thanks for God's good
deeds. In contrast to the
later version, in which
God is thanked for the
wisdom of the Leipzig
authorities, the original
version of 1723 is free
of such contemporary
references, and is
suitable for use in
worship and concerts in
many different ways.
Score and part available
separately - see item
CA.3106900.
Cantata
for 12th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Cantatas,
Trinity. Single Part,
Viola. BWV BWV 69a. 8
pages. Duration 25
minutes. Carus Verlag #CV
31.069/63. Published by
Carus Verlag
(CA.3106963).
ISBN
9790007206710. Text
language:
German/English.
Bac
h's Cantata BWV 69a of
1723, which has remained
largely unknown to the
present day, is now
available for the first
time in a practical
edition with this Carus
publication. It has been
unjustly neglected as it
was overshadowed by the
Cantata BWV 69 of the
same name, a piece which
Bach reworked to
celebrate the
inauguration of Leipzig
Town Council in 1748. On
that occasion Bach
re-used the parts from
1723 for simplicity, and
adapted them for the new
use by means of cuts,
alterations, and
additions - something
which certainly did not
mean that he rejected the
1723 version. This
version can readily be
recovered from the parts
of 1723, if we explore
beyond the alterations of
1748. With its rich wind
instruments and great
opening chorus, the 1723
cantata is in no way
inferior to the later
festive music in terms of
musical splendor. The
text takes the Gospel
reading about the healing
of the deaf and dumb man
as a reason for praise
and thanks for God's good
deeds. In contrast to the
later version, in which
God is thanked for the
wisdom of the Leipzig
authorities, the original
version of 1723 is free
of such contemporary
references, and is
suitable for use in
worship and concerts in
many different ways.
Score and part available
separately - see item
CA.3106900.
Composed
by Franz Joseph Haydn.
Edited by Andreas Traub.
This edition: urtext.
Stuttgart Urtext Edition:
Joseph Haydn, Sacred
vocal music. Haydn:
Harmoniemesse In B
Xxii:14. Sacred vocal
music, Masses, Latin.
Choral Score. Hob.
XXII:14. 24 pages.
Duration 45 minutes.
Carus Verlag #CV
40.612/05. Published by
Carus Verlag
(CA.4061205).
ISBN
9790007129125. Key: B
flat major. Language:
Latin.
The
Harmoniemesse is the last
of the High Masses which
Haydn composed between
1796 and 1802 for the
name day of the Princess
Esterhazy, and at the
same time it was the last
composition which Haydn
ever completed. It was
given its name because of
the important role which
the wind instruments play
in the Mass. In a number
of passages the present
critical edition differs
from previous editions
and, consequently, it
follows other readings of
the sources. Hence it is
also to be regarded as a
contribution towards a
new evaluation of the
work. Score available
separately - see item
CA.4061200.