Solo tenor voice (Evangelist), solo bass voice (Jesus), SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, viola da gamba, basso continuo

SKU: CA.3124582

Version IV. Composed by Johann Sebastian Bach. Edited by Peter Wollny. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Johannespassion 1749. Innovative practice aids, Sacred vocal music, Oratorios, Passions, Lent and Passiontide. Single Part, Laute. Composed 1749. BWV 245. 4 pages. Duration 120 minutes. Carus Verlag #CV 31.245/82. Published by Carus Verlag (CA.3124582).

ISBN 9790007211448. Language: German/English.

Wit h the unfinished revision (1739) as an appendix. The St. John Passion ranks among the great vocal works from Bach's Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined readings from various layers of sources. The wish often expressed by conductors to perform an authentic version is made possible for the first time with the present edition in this fourth and final version which was performed under Bach's direction in 1749. At the same time, with the aid of the appendix it is possible to perform the work in the traditional mixed version.. Score and part available separately - see item CA.3124500.

Solo tenor voice (Evangelist), solo bass voice (Jesus), SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, viola da gamba, basso continuo

SKU: CA.3124581

Version IV. Composed by Johann Sebastian Bach. Edited by Peter Wollny. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Johannespassion 1749. Innovative practice aids, Sacred vocal music, Oratorios, Passions, Lent and Passiontide. Single Part, 2 Violen d'amore. Composed 1749. BWV 245. 8 pages. Duration 120 minutes. Carus Verlag #CV 31.245/81. Published by Carus Verlag (CA.3124581).

ISBN 9790007211431. Language: German/English.

Wit h the unfinished revision (1739) as an appendix. The St. John Passion ranks among the great vocal works from Bach's Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined readings from various layers of sources. The wish often expressed by conductors to perform an authentic version is made possible for the first time with the present edition in this fourth and final version which was performed under Bach's direction in 1749. At the same time, with the aid of the appendix it is possible to perform the work in the traditional mixed version.. Score and part available separately - see item CA.3124500.

Solo tenor voice (Evangelist), solo bass voice (Jesus), SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, viola da gamba, basso continuo

SKU: CA.4033140

Version IV. Composed by Johann Sebastian Bach. Arranged by Paul Horn. Hymns by Martin Luther: War Gott nicht mit uns diese Zeit. German title: Faksimile Johannes-Passion Bwv 245. Post card. Composed 1749. BWV 245. 100 pages. Duration 120 minutes. Carus Verlag #CV 40.331/40. Published by Carus Verlag (CA.4033140).

ISBN 9790007104825. Language: German/English.

Wit h the unfinished revision (1739) as an appendix. The St. John Passion ranks among the great vocal works from Bach's Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined readings from various layers of sources. The wish often expressed by conductors to perform an authentic version is made possible for the first time with the present edition in this fourth and final version which was performed under Bach's direction in 1749. At the same time, with the aid of the appendix it is possible to perform the work in the traditional mixed version.. Score available separately - see item CA.4033100.

STB vocal soli, SATB choir, [bassoon], 2 violins, 2 violas, basso continuo - Level 3

SKU: CA.3106119

Cantata for the 1st Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal; Hymns by Martin Luther: Nun komm, der Heiden Heiland. German title: Nun Komm, Der Heiden Heiland I Rev. Sacred vocal music, Cantatas, Advent. Set of Orchestra Parts. Composed 1714. BWV 61. Duration 23 minutes. Carus Verlag #CV 31.061/19. Published by Carus Verlag (CA.3106119).

ISBN 9790007136222. Key: A minor / g major. Language: German/English. Text: Neumeister, Erdmann. Text: Erdmann Neumeister.

The opening chorus uses the first verse of the old plainsong hymn Veni redemptor gentium, which in the paraphrase by Martin Luther has become the most important Advent hymn of the Protestant Church. Bach introduces the traditional plainsong melody in the form of a French overture, here symbolizing the entry of the King of Heaven, thus creating an unusual and splendid opening piece for the beginning of the church year. Score and parts available separately - see item CA.3106100.

SATB vocal soli, SATB choir, 2 violins, cello/contrabass, harp ad lib, basso continuo

SKU: CA.1036911

Christmas cantata. Composed by Christian August Jacobi. Edited by Tobias Nicolaus. Also Hat Gott Die Welt Geliebet. Sacred vocal music, Cantatas, Christmas. Single Part, Violin 1. Composed 1708. 4 pages. Duration 19 minutes. Carus Verlag #CV 10.369/11. Published by Carus Verlag (CA.1036911).

ISBN 9790007190521. Key: F major. Language: German/English.

The Bach contemporary Christian August Jacobi is among those composers who made a lasting impression among 18th century Middle German composers, since the influence of the Thomaskantor himself was limited primarily to Leipzig. Jacobi's cantatas are richly varied and they not too difficult to perform. Five of the six movements of the Christmas cantata Also hat Gott die Welt geliebet for soli, choir, strings and basso continuo are based on Luther's Christmas chorale Vom Himmel hoch, da komm ich her, which give the work a traditional character (the text of the first movement is based on the Gospel of St. John). The richly varied instrumentation and alternation between choral movements and duets by the soloists bring to the sound of the cantata a variety which will also be enhanced by the use of the harp (ad libitum). Score and part available separately - see item CA.1036900.

SATB vocal soli, SATB choir, 2 violins, cello/contrabass, harp ad lib, basso continuo

SKU: CA.1036912

Christmas cantata. Composed by Christian August Jacobi. Edited by Tobias Nicolaus. Also Hat Gott Die Welt Geliebet. Sacred vocal music, Cantatas, Christmas. Single Part, Violin 2. Composed 1708. 4 pages. Duration 19 minutes. Carus Verlag #CV 10.369/12. Published by Carus Verlag (CA.1036912).

ISBN 9790007190538. Key: F major. Language: German/English.

The Bach contemporary Christian August Jacobi is among those composers who made a lasting impression among 18th century Middle German composers, since the influence of the Thomaskantor himself was limited primarily to Leipzig. Jacobi's cantatas are richly varied and they not too difficult to perform. Five of the six movements of the Christmas cantata Also hat Gott die Welt geliebet for soli, choir, strings and basso continuo are based on Luther's Christmas chorale Vom Himmel hoch, da komm ich her, which give the work a traditional character (the text of the first movement is based on the Gospel of St. John). The richly varied instrumentation and alternation between choral movements and duets by the soloists bring to the sound of the cantata a variety which will also be enhanced by the use of the harp (ad libitum). Score and part available separately - see item CA.1036900.

SATB vocal soli, SATB choir, 2 violins, cello/contrabass, harp ad lib, basso continuo

SKU: CA.1036900

Christmas cantata. Composed by Christian August Jacobi. Edited by Tobias Nicolaus. This edition: Paperbound. German title: Also Hat Gott Die Welt Geliebet. Sacred vocal music, Cantatas, Christmas. Full score. Composed 1708. 32 pages. Duration 19 minutes. Carus Verlag #CV 10.369/00. Published by Carus Verlag (CA.1036900).

ISBN 9790007025724. Key: F major. Language: German/English.

The Bach contemporary Christian August Jacobi is among those composers who made a lasting impression among 18th century Middle German composers, since the influence of the Thomaskantor himself was limited primarily to Leipzig. Jacobi's cantatas are richly varied and they not too difficult to perform. Five of the six movements of the Christmas cantata Also hat Gott die Welt geliebet for soli, choir, strings and basso continuo are based on Luther's Christmas chorale Vom Himmel hoch, da komm ich her, which give the work a traditional character (the text of the first movement is based on the Gospel of St. John). The richly varied instrumentation and alternation between choral movements and duets by the soloists bring to the sound of the cantata a variety which will also be enhanced by the use of the harp (ad libitum).

SATB vocal soli, SATB choir, 2 violins, cello/contrabass, harp ad lib, basso continuo

SKU: CA.1036914

Christmas cantata. Composed by Christian August Jacobi. Edited by Tobias Nicolaus. Also Hat Gott Die Welt Geliebet. Sacred vocal music, Cantatas, Christmas. Single Part, Cello/Double Bass. Composed 1708. 4 pages. Duration 19 minutes. Carus Verlag #CV 10.369/14. Published by Carus Verlag (CA.1036914).

ISBN 9790007190552. Key: F major. Language: German/English.

The Bach contemporary Christian August Jacobi is among those composers who made a lasting impression among 18th century Middle German composers, since the influence of the Thomaskantor himself was limited primarily to Leipzig. Jacobi's cantatas are richly varied and they not too difficult to perform. Five of the six movements of the Christmas cantata Also hat Gott die Welt geliebet for soli, choir, strings and basso continuo are based on Luther's Christmas chorale Vom Himmel hoch, da komm ich her, which give the work a traditional character (the text of the first movement is based on the Gospel of St. John). The richly varied instrumentation and alternation between choral movements and duets by the soloists bring to the sound of the cantata a variety which will also be enhanced by the use of the harp (ad libitum). Score and part available separately - see item CA.1036900.

SATB vocal soli, SATB choir, 2 violins, cello/contrabass, harp ad lib, basso continuo

SKU: CA.1036913

Christmas cantata. Composed by Christian August Jacobi. Edited by Tobias Nicolaus. Also Hat Gott Die Welt Geliebet. Sacred vocal music, Cantatas, Christmas. Single Part, Viola. Composed 1708. 2 pages. Duration 19 minutes. Carus Verlag #CV 10.369/13. Published by Carus Verlag (CA.1036913).

ISBN 9790007190545. Key: F major. Language: German/English.

The Bach contemporary Christian August Jacobi is among those composers who made a lasting impression among 18th century Middle German composers, since the influence of the Thomaskantor himself was limited primarily to Leipzig. Jacobi's cantatas are richly varied and they not too difficult to perform. Five of the six movements of the Christmas cantata Also hat Gott die Welt geliebet for soli, choir, strings and basso continuo are based on Luther's Christmas chorale Vom Himmel hoch, da komm ich her, which give the work a traditional character (the text of the first movement is based on the Gospel of St. John). The richly varied instrumentation and alternation between choral movements and duets by the soloists bring to the sound of the cantata a variety which will also be enhanced by the use of the harp (ad libitum). Score and part available separately - see item CA.1036900.

SATB vocal soli, SATB choir, 2 violins, cello/contrabass, harp ad lib, basso continuo

SKU: CA.1036949

Christmas cantata. Composed by Christian August Jacobi. Edited by Tobias Nicolaus. Also Hat Gott Die Welt Geliebet. Sacred vocal music, Cantatas, Christmas. Single Part, Organ. Composed 1708. 8 pages. Duration 19 minutes. Carus Verlag #CV 10.369/49. Published by Carus Verlag (CA.1036949).

ISBN 9790007190576. Key: F major. Language: German/English.

The Bach contemporary Christian August Jacobi is among those composers who made a lasting impression among 18th century Middle German composers, since the influence of the Thomaskantor himself was limited primarily to Leipzig. Jacobi's cantatas are richly varied and they not too difficult to perform. Five of the six movements of the Christmas cantata Also hat Gott die Welt geliebet for soli, choir, strings and basso continuo are based on Luther's Christmas chorale Vom Himmel hoch, da komm ich her, which give the work a traditional character (the text of the first movement is based on the Gospel of St. John). The richly varied instrumentation and alternation between choral movements and duets by the soloists bring to the sound of the cantata a variety which will also be enhanced by the use of the harp (ad libitum). Score and part available separately - see item CA.1036900.

SATB vocal soli, SATB choir, 2 violins, cello/contrabass, harp ad lib, basso continuo

SKU: CA.1036905

Christmas cantata. Composed by Christian August Jacobi. Edited by Tobias Nicolaus. Also Hat Gott Die Welt Geliebet. Sacred vocal music, Cantatas, Christmas. Choral Score. Composed 1708. 12 pages. Duration 19 minutes. Carus Verlag #CV 10.369/05. Published by Carus Verlag (CA.1036905).

ISBN 9790007109349. Key: F major. Language: German/English.

The Bach contemporary Christian August Jacobi is among those composers who made a lasting impression among 18th century Middle German composers, since the influence of the Thomaskantor himself was limited primarily to Leipzig. Jacobi's cantatas are richly varied and they not too difficult to perform. Five of the six movements of the Christmas cantata Also hat Gott die Welt geliebet for soli, choir, strings and basso continuo are based on Luther's Christmas chorale Vom Himmel hoch, da komm ich her, which give the work a traditional character (the text of the first movement is based on the Gospel of St. John). The richly varied instrumentation and alternation between choral movements and duets by the soloists bring to the sound of the cantata a variety which will also be enhanced by the use of the harp (ad libitum). Score available separately - see item CA.1036900.

Orchestra Solo STB, Coro SATB (auch Mannerchor TTTBB), 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb

SKU: CA.2302007

Composed by Ludwig van Beethoven. Edited by Clemens Harasim. Innovative practice aids, Sacred vocal music, Oratorios. Study score. Op. 85. Duration 54 minutes. Carus Verlag #CV 23.020/07. Published by Carus Verlag (CA.2302007).

ISBN M-007-24884-0. German/English. Text: Franz Xaver Huber.

In his Passion oratorio Christus am Olberge [The Mount of Olives], Beethoven succeeded firstly in building on the 18th century tradition, and secondly in putting his own personal stamp on the nascent genre of German-language oratorio - the Vienna performances of Haydn's Die Schopfung and Die Jahreszeiten had only taken place a few years earlier. In composing the work he looked towards contemporary opera, using a text by an opera librettist to depict in music the dramatic situation of the doubting Jesus in the Garden of Gethsemane and his arrest. Yet we do not do justice to Beethoven's work if we simply regard it as a successor work to Graun's Der Tod Jesu or even Bach's St Matthew Passion. Beethoven's Christus am Olberge is characterized less by religious devotion and much more by the dramatic realization of a specific situation in the Passion story in deeply-felt musical scenes. With its magnificent, almost operatic music, this is a different Passion oratorio which is definitely worth hearing and experiencing - and in this form it is without doubt unique in the history of vocal-instrumental sacred music. The edition follows the first printed edition in music and text; differences in the text in the libretto originally set by Beethoven are given as a second text, and a singable English translation is underlaid. Score available separately - see item CA.2302000.

Soloists, Mixed choir (SATB), Orchestra (Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Orchestra)

SKU: BA.BA11310-90

Composed by Wolfgang Amadeus Mozart. Edited by Michael Ostrzyga. This edition: urtext edition. Paperback. New Completion. Vocal Score. Baerenreiter Verlag #BA11310_90. Published by Baerenreiter Verlag (BA.BA11310-90).

ISBN 9790006569267. 27 x 19 cm inches. Text Language: Latin.

This publication offers a source-critical edition of Mozartâ??s fragmentary â??Requiemâ? as well as an alternative to the traditional SüÃ?mayr version. It makes it possible to perform 1) the fragment, identified in print in both the score and the parts, 2) the authentic sections left incomplete by Mozart, now in a stylistically appropriate orchestration, and 3) those sections missing entirely in the fragment, newly added in Mozartâ??s idiom taking into account historical additions by SüÃ?mayr and Eybler.

When completing the fragment, the editor drew on comprehensive comparative and analytical studies of Mozartâ??s church style and compositional workmanship. The influence of Handel and Bach manifested in his final years, particularly in the â??Requiemâ? fragment, is taken into account in those sections requiring completion or fresh composition.

At two points readers may choose between alternative movements (or sections), since proceeding from SüÃ?mayrâ??s historical version, two divergent options cannot be weighed against each other but each one may well reflect Mozartâ??s intentions: the â??Lacrimosaâ? may end with or without â??Amenâ? fugue, and the â??Sanctusâ? may begin in the customary D major or in D minor. Above all, this makes it possible to retain the B-flat major â??Hosannaâ? from SüÃ?mayrâ??s autograph, a movement which, until now, has not been appreciated as compositionally flawless.

â?¢ Scholarly-critical edition of the â??Requiemâ? fragment
â?¢ With performance material for presentation of
1) the fragment,
2) a version with completions of the authentic Mozart sections or
3) a full completion consistent with Mozartâ??s musical idiom
â?¢ Missing sections were completed by drawing from other fragmentary sacred works by Mozart
â?¢ Added or completed sections incorporate influences from Bach and Handel already detectable in the fragment
â?¢ Alternative performance options for the â??Lacrimosaâ?, â??Sanctusâ? and â??Benedictusâ?
â ?¢ Easy-to-play piano reduction
â?¢ Extensive foreword (Ger/Eng) on the workâ??s history, reception and modern completions, with analytical stylistic critique
� Detailed Critical Commentary (Eng), partly available on the Bärenreiter website
â?¢ Tried and tested on many occasions, e.g. at Harvard University, the Rheingau Music Festival, the Monadnock Music Festival (New Hampshire), in Salt Lake City (Utah), as well as in radio broadcasts (NDR, SWR, WDR) and CD recordings with Concerto Köln, Chorwerk Ruhr and Florian Helgath (â??Le Disque classique du jourâ? from francemusique.fr and three nominations for Opus Klassik 2021 in the categories â??Ensembleâ?, â??Choral Recordingâ? and â??Editorial Achievementâ?)

You will find a detailed brochure on the new completion of Mozart's Requiem here.