Solo voices, SATB chorus, orchestra (2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Bc)

SKU: CA.5165203

Completed and edited by Howard Arman. Composed by Wolfgang Amadeus Mozart. Edited by Howard Arman. Arranged by Howard Arman. Vocal score. KV 626. Duration 50 minutes. Carus Verlag #5165203. Published by Carus Verlag (CA.5165203).

ISBN 9790007294243. Key: D minor. Latin.

The English conductor and composer Howard Arman has presented us with a completed version of Mozartâ??s Requiem. â??Another one?â? you might ask, since this publication is only the latest in a long line reaching back to the traditional SüÃ?mayr version. Yet such is the enormous power of Mozartâ??s score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Armanâ??s additions to Mozartâ??s great original show the requisite care and respect while incorporating many new insights.

Armanâ? ?s approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozartâ??s brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrumentâ??s unique sound is given an opportunity to shine. Armanâ??s Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather â?? in the spirit of Mozart â?? on creating a sense of drama and illuminating the theme in all its possible facets. Mozartâ??s fragment ends with the Hostias, and so does Armanâ??s completion.

For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to Sü�mayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.

Armanâ??s version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike â?? and celebrated as offering a scholarly, entirely fresh perspective on Mozartâ??s masterpiece.

- World premiere by the Bavarian Radio Choir
- Enthusiastically received by audience and press.

Soloists, Mixed choir (SATB), Orchestra (Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Orchestra)

SKU: BA.BA11310-90

Composed by Wolfgang Amadeus Mozart. Edited by Michael Ostrzyga. This edition: urtext edition. Paperback. New Completion. Vocal Score. Baerenreiter Verlag #BA11310_90. Published by Baerenreiter Verlag (BA.BA11310-90).

ISBN 9790006569267. 27 x 19 cm inches. Text Language: Latin.

This publication offers a source-critical edition of Mozartâ??s fragmentary â??Requiemâ? as well as an alternative to the traditional SüÃ?mayr version. It makes it possible to perform 1) the fragment, identified in print in both the score and the parts, 2) the authentic sections left incomplete by Mozart, now in a stylistically appropriate orchestration, and 3) those sections missing entirely in the fragment, newly added in Mozartâ??s idiom taking into account historical additions by SüÃ?mayr and Eybler.

When completing the fragment, the editor drew on comprehensive comparative and analytical studies of Mozartâ??s church style and compositional workmanship. The influence of Handel and Bach manifested in his final years, particularly in the â??Requiemâ? fragment, is taken into account in those sections requiring completion or fresh composition.

At two points readers may choose between alternative movements (or sections), since proceeding from SüÃ?mayrâ??s historical version, two divergent options cannot be weighed against each other but each one may well reflect Mozartâ??s intentions: the â??Lacrimosaâ? may end with or without â??Amenâ? fugue, and the â??Sanctusâ? may begin in the customary D major or in D minor. Above all, this makes it possible to retain the B-flat major â??Hosannaâ? from SüÃ?mayrâ??s autograph, a movement which, until now, has not been appreciated as compositionally flawless.

â?¢ Scholarly-critical edition of the â??Requiemâ? fragment
â?¢ With performance material for presentation of
1) the fragment,
2) a version with completions of the authentic Mozart sections or
3) a full completion consistent with Mozartâ??s musical idiom
â?¢ Missing sections were completed by drawing from other fragmentary sacred works by Mozart
â?¢ Added or completed sections incorporate influences from Bach and Handel already detectable in the fragment
â?¢ Alternative performance options for the â??Lacrimosaâ?, â??Sanctusâ? and â??Benedictusâ?
â ?¢ Easy-to-play piano reduction
â?¢ Extensive foreword (Ger/Eng) on the workâ??s history, reception and modern completions, with analytical stylistic critique
� Detailed Critical Commentary (Eng), partly available on the Bärenreiter website
â?¢ Tried and tested on many occasions, e.g. at Harvard University, the Rheingau Music Festival, the Monadnock Music Festival (New Hampshire), in Salt Lake City (Utah), as well as in radio broadcasts (NDR, SWR, WDR) and CD recordings with Concerto Köln, Chorwerk Ruhr and Florian Helgath (â??Le Disque classique du jourâ? from francemusique.fr and three nominations for Opus Klassik 2021 in the categories â??Ensembleâ?, â??Choral Recordingâ? and â??Editorial Achievementâ?)

You will find a detailed brochure on the new completion of Mozart's Requiem here.

STB vocal soli, SATB choir, [bassoon], 2 violins, 2 violas, basso continuo - Level 3

SKU: CA.3106119

Cantata for the 1st Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal; Hymns by Martin Luther: Nun komm, der Heiden Heiland. German title: Nun Komm, Der Heiden Heiland I Rev. Sacred vocal music, Cantatas, Advent. Set of Orchestra Parts. Composed 1714. BWV 61. Duration 23 minutes. Carus Verlag #CV 31.061/19. Published by Carus Verlag (CA.3106119).

ISBN 9790007136222. Key: A minor / g major. Language: German/English. Text: Neumeister, Erdmann. Text: Erdmann Neumeister.

The opening chorus uses the first verse of the old plainsong hymn Veni redemptor gentium, which in the paraphrase by Martin Luther has become the most important Advent hymn of the Protestant Church. Bach introduces the traditional plainsong melody in the form of a French overture, here symbolizing the entry of the King of Heaven, thus creating an unusual and splendid opening piece for the beginning of the church year. Score and parts available separately - see item CA.3106100.

Soli SAATBB, Coro SATB (auch SSAATB), 2 Bfl, 2 Ob, 2 Tr, Timp, 2 Vl, Va, Bc - Grade 3

SKU: CA.1025000

Composed by Henry Purcell. Edited by Julia Rosemeyer. Carus digital: Extra digital products. Full Score. Composed 1692. Z 328. Duration 55 minutes. Carus Verlag #1025000. Published by Carus Verlag (CA.1025000).

ISBN 9790007251826. Key: D major. English.

â??Hail! bright Cecilia, hail to thee. Great patroness of us and harmony!â? â?? this exclamation opens the final chorus of Henry Purcellâ??s eponymous Ode to St. Cecilia from 1692. A paean to the power of music, the work is one of the undoubted masterpieces of English choral odes of that time. A resolution of the Musical Society of London in 1683 launched the great tradition of annual celebrations for St. Ceciliaâ??s Day (November 22), featuring a church service followed by performances of specially composed music. Over the years, Purcell wrote several odes for the occasion, of which this example from 1692 is one of the most popular. Four decades later, Handel would also contribute to the celebrations with his Alexanderâ??s Feast, HWV 75 (Carus 55.075), and his Ode for St. Ceciliaâ??s Day, HWV 76 (Carus 55.076).Purcellâ ??s magnificent music, which features a huge range of tonal color and form, offers delightful parts for a variety of solo, ensemble, and choral settings. With its richly expressive palette, the Ode to St. Cecilia is an extremely rewarding work by the â??Orpheus Britannicusâ?, as Purcell was admiringly called by contemporaries.- Festive, rousing ode to music- Highlight of the choral ode genre in the 17th century

(Soli SAATBB, Coro SATB (auch SSAATB), 2 Bfl, 2 Ob, 2 Tr, Timp, 2 Vl, Va, Bc) - Grade 3

SKU: CA.1025014

Composed by Henry Purcell. Edited by Julia Rosemeyer. Single Part, basso continuo. Composed 1692. Z 328. Duration 55 minutes. Carus Verlag #1025014. Published by Carus Verlag (CA.1025014).

ISBN 9790007329792. Key: D major. English.

�Hail ! bright Cecilia, hail to thee. Great patroness of us and harmony!� � this exclamation opens the final chorus of Henry Purcell�s eponymous Ode to St. Cecilia from 1692. A paean to the power of music, the work is one of the undoubted masterpieces of English choral odes of that time.

A resolution of the Musical Society of London in 1683 launched the great tradition of annual celebrations for St. Cecilia�s Day (November 22), featuring a church service followed by performances of specially composed music. Over the years, Purcell wrote several odes for the occasion, of which this example from 1692 is one of the most popular. Four decades later, Handel would also contribute to the celebrations with his Alexander�s Feast, HWV 75 (Carus 55.075), and his Ode for St. Cecilia�s Day, HWV 76 (Carus 55.076).

Purcellï ¿½s magnificent music, which features a huge range of tonal color and form, offers delightful parts for a variety of solo, ensemble, and choral settings. With its richly expressive palette, the Ode to St. Cecilia is an extremely rewarding work by the �Orpheus Britannicus�, as Purcell was admiringly called by contemporaries.

- Festive, rousing ode to music
- Highlight of the choral ode genre in the 17th century
. Score and part available separately - see item CA.1025000.

(Orchesterfassung). By Antonin Dvorak (1841-1904). Edited by Klaus Doge. For Orchestra version: Soli SATB, SATB Choir, 2 Oboes, 2 Bassoons, 3 Horns, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ; Organ version: Soli SATB, SATB Choir, Organ. This edition: Paperbound. D-Dur (D major). Masses, Latin. Level 3. Full score. Language: Latin. Composed 1887. Opus 86. 160 pages. Duration 43 min. Published by Carus Verlag

(Passion Oratorio in three parts). By Carl Loewe (1796-1869). Edited by Claudia Mucke. For voice, mixed choir, orchestra (soprano voice solo/alto voice solo/2 tenor voice solos/2 bass voice solos/SATB choir/2 violins/viola/cello/doubl e bass/timpani). This edition: Paperback, Urtext edition. Level 3. Score. Language: German, Text Language: German. WoO. 144 pages. Duration 2 hours 15 minutes. Published by Baerenreiter Verlag

Orchestra Solo STB, Coro SATB (auch Mannerchor TTTBB), 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb

SKU: CA.2302007

Composed by Ludwig van Beethoven. Edited by Clemens Harasim. Innovative practice aids, Sacred vocal music, Oratorios. Study score. Op. 85. Duration 54 minutes. Carus Verlag #CV 23.020/07. Published by Carus Verlag (CA.2302007).

ISBN M-007-24884-0. German/English. Text: Franz Xaver Huber.

In his Passion oratorio Christus am Olberge [The Mount of Olives], Beethoven succeeded firstly in building on the 18th century tradition, and secondly in putting his own personal stamp on the nascent genre of German-language oratorio - the Vienna performances of Haydn's Die Schopfung and Die Jahreszeiten had only taken place a few years earlier. In composing the work he looked towards contemporary opera, using a text by an opera librettist to depict in music the dramatic situation of the doubting Jesus in the Garden of Gethsemane and his arrest. Yet we do not do justice to Beethoven's work if we simply regard it as a successor work to Graun's Der Tod Jesu or even Bach's St Matthew Passion. Beethoven's Christus am Olberge is characterized less by religious devotion and much more by the dramatic realization of a specific situation in the Passion story in deeply-felt musical scenes. With its magnificent, almost operatic music, this is a different Passion oratorio which is definitely worth hearing and experiencing - and in this form it is without doubt unique in the history of vocal-instrumental sacred music. The edition follows the first printed edition in music and text; differences in the text in the libretto originally set by Beethoven are given as a second text, and a singable English translation is underlaid. Score available separately - see item CA.2302000.

SATB vocal soli, SATB choir, 2 violins, cello/contrabass, harp ad lib, basso continuo

SKU: CA.1036911

Christmas cantata. Composed by Christian August Jacobi. Edited by Tobias Nicolaus. Also Hat Gott Die Welt Geliebet. Sacred vocal music, Cantatas, Christmas. Single Part, Violin 1. Composed 1708. 4 pages. Duration 19 minutes. Carus Verlag #CV 10.369/11. Published by Carus Verlag (CA.1036911).

ISBN 9790007190521. Key: F major. Language: German/English.

The Bach contemporary Christian August Jacobi is among those composers who made a lasting impression among 18th century Middle German composers, since the influence of the Thomaskantor himself was limited primarily to Leipzig. Jacobi's cantatas are richly varied and they not too difficult to perform. Five of the six movements of the Christmas cantata Also hat Gott die Welt geliebet for soli, choir, strings and basso continuo are based on Luther's Christmas chorale Vom Himmel hoch, da komm ich her, which give the work a traditional character (the text of the first movement is based on the Gospel of St. John). The richly varied instrumentation and alternation between choral movements and duets by the soloists bring to the sound of the cantata a variety which will also be enhanced by the use of the harp (ad libitum). Score and part available separately - see item CA.1036900.

SATB vocal soli, SATB choir, 2 violins, cello/contrabass, harp ad lib, basso continuo

SKU: CA.1036912

Christmas cantata. Composed by Christian August Jacobi. Edited by Tobias Nicolaus. Also Hat Gott Die Welt Geliebet. Sacred vocal music, Cantatas, Christmas. Single Part, Violin 2. Composed 1708. 4 pages. Duration 19 minutes. Carus Verlag #CV 10.369/12. Published by Carus Verlag (CA.1036912).

ISBN 9790007190538. Key: F major. Language: German/English.

The Bach contemporary Christian August Jacobi is among those composers who made a lasting impression among 18th century Middle German composers, since the influence of the Thomaskantor himself was limited primarily to Leipzig. Jacobi's cantatas are richly varied and they not too difficult to perform. Five of the six movements of the Christmas cantata Also hat Gott die Welt geliebet for soli, choir, strings and basso continuo are based on Luther's Christmas chorale Vom Himmel hoch, da komm ich her, which give the work a traditional character (the text of the first movement is based on the Gospel of St. John). The richly varied instrumentation and alternation between choral movements and duets by the soloists bring to the sound of the cantata a variety which will also be enhanced by the use of the harp (ad libitum). Score and part available separately - see item CA.1036900.

SATB vocal soli, SATB choir, 2 violins, cello/contrabass, harp ad lib, basso continuo

SKU: CA.1036900

Christmas cantata. Composed by Christian August Jacobi. Edited by Tobias Nicolaus. This edition: Paperbound. German title: Also Hat Gott Die Welt Geliebet. Sacred vocal music, Cantatas, Christmas. Full score. Composed 1708. 32 pages. Duration 19 minutes. Carus Verlag #CV 10.369/00. Published by Carus Verlag (CA.1036900).

ISBN 9790007025724. Key: F major. Language: German/English.

The Bach contemporary Christian August Jacobi is among those composers who made a lasting impression among 18th century Middle German composers, since the influence of the Thomaskantor himself was limited primarily to Leipzig. Jacobi's cantatas are richly varied and they not too difficult to perform. Five of the six movements of the Christmas cantata Also hat Gott die Welt geliebet for soli, choir, strings and basso continuo are based on Luther's Christmas chorale Vom Himmel hoch, da komm ich her, which give the work a traditional character (the text of the first movement is based on the Gospel of St. John). The richly varied instrumentation and alternation between choral movements and duets by the soloists bring to the sound of the cantata a variety which will also be enhanced by the use of the harp (ad libitum).

SATB vocal soli, SATB choir, 2 violins, cello/contrabass, harp ad lib, basso continuo

SKU: CA.1036914

Christmas cantata. Composed by Christian August Jacobi. Edited by Tobias Nicolaus. Also Hat Gott Die Welt Geliebet. Sacred vocal music, Cantatas, Christmas. Single Part, Cello/Double Bass. Composed 1708. 4 pages. Duration 19 minutes. Carus Verlag #CV 10.369/14. Published by Carus Verlag (CA.1036914).

ISBN 9790007190552. Key: F major. Language: German/English.

The Bach contemporary Christian August Jacobi is among those composers who made a lasting impression among 18th century Middle German composers, since the influence of the Thomaskantor himself was limited primarily to Leipzig. Jacobi's cantatas are richly varied and they not too difficult to perform. Five of the six movements of the Christmas cantata Also hat Gott die Welt geliebet for soli, choir, strings and basso continuo are based on Luther's Christmas chorale Vom Himmel hoch, da komm ich her, which give the work a traditional character (the text of the first movement is based on the Gospel of St. John). The richly varied instrumentation and alternation between choral movements and duets by the soloists bring to the sound of the cantata a variety which will also be enhanced by the use of the harp (ad libitum). Score and part available separately - see item CA.1036900.

SATB vocal soli, SATB choir, 2 violins, cello/contrabass, harp ad lib, basso continuo

SKU: CA.1036913

Christmas cantata. Composed by Christian August Jacobi. Edited by Tobias Nicolaus. Also Hat Gott Die Welt Geliebet. Sacred vocal music, Cantatas, Christmas. Single Part, Viola. Composed 1708. 2 pages. Duration 19 minutes. Carus Verlag #CV 10.369/13. Published by Carus Verlag (CA.1036913).

ISBN 9790007190545. Key: F major. Language: German/English.

The Bach contemporary Christian August Jacobi is among those composers who made a lasting impression among 18th century Middle German composers, since the influence of the Thomaskantor himself was limited primarily to Leipzig. Jacobi's cantatas are richly varied and they not too difficult to perform. Five of the six movements of the Christmas cantata Also hat Gott die Welt geliebet for soli, choir, strings and basso continuo are based on Luther's Christmas chorale Vom Himmel hoch, da komm ich her, which give the work a traditional character (the text of the first movement is based on the Gospel of St. John). The richly varied instrumentation and alternation between choral movements and duets by the soloists bring to the sound of the cantata a variety which will also be enhanced by the use of the harp (ad libitum). Score and part available separately - see item CA.1036900.

SATB vocal soli, SATB choir, 2 violins, cello/contrabass, harp ad lib, basso continuo

SKU: CA.1036949

Christmas cantata. Composed by Christian August Jacobi. Edited by Tobias Nicolaus. Also Hat Gott Die Welt Geliebet. Sacred vocal music, Cantatas, Christmas. Single Part, Organ. Composed 1708. 8 pages. Duration 19 minutes. Carus Verlag #CV 10.369/49. Published by Carus Verlag (CA.1036949).

ISBN 9790007190576. Key: F major. Language: German/English.

The Bach contemporary Christian August Jacobi is among those composers who made a lasting impression among 18th century Middle German composers, since the influence of the Thomaskantor himself was limited primarily to Leipzig. Jacobi's cantatas are richly varied and they not too difficult to perform. Five of the six movements of the Christmas cantata Also hat Gott die Welt geliebet for soli, choir, strings and basso continuo are based on Luther's Christmas chorale Vom Himmel hoch, da komm ich her, which give the work a traditional character (the text of the first movement is based on the Gospel of St. John). The richly varied instrumentation and alternation between choral movements and duets by the soloists bring to the sound of the cantata a variety which will also be enhanced by the use of the harp (ad libitum). Score and part available separately - see item CA.1036900.

SATB vocal soli, SATB choir, 2 violins, cello/contrabass, harp ad lib, basso continuo

SKU: CA.1036905

Christmas cantata. Composed by Christian August Jacobi. Edited by Tobias Nicolaus. Also Hat Gott Die Welt Geliebet. Sacred vocal music, Cantatas, Christmas. Choral Score. Composed 1708. 12 pages. Duration 19 minutes. Carus Verlag #CV 10.369/05. Published by Carus Verlag (CA.1036905).

ISBN 9790007109349. Key: F major. Language: German/English.

The Bach contemporary Christian August Jacobi is among those composers who made a lasting impression among 18th century Middle German composers, since the influence of the Thomaskantor himself was limited primarily to Leipzig. Jacobi's cantatas are richly varied and they not too difficult to perform. Five of the six movements of the Christmas cantata Also hat Gott die Welt geliebet for soli, choir, strings and basso continuo are based on Luther's Christmas chorale Vom Himmel hoch, da komm ich her, which give the work a traditional character (the text of the first movement is based on the Gospel of St. John). The richly varied instrumentation and alternation between choral movements and duets by the soloists bring to the sound of the cantata a variety which will also be enhanced by the use of the harp (ad libitum). Score available separately - see item CA.1036900.

Soloists, Mixed choir (SATB), Orchestra (Soprano solo, Alto solo (2), Tenor solo (2), Bass solo (2), Mixed choir (SATB), Orchestra)

SKU: BA.BA11311

Composed by George Frideric Handel. Edited by Felix Schroeder. This edition: urtext edition. Paperback. Barenreiter Urtext. Score. HWV 48. Baerenreiter Verlag #BA11311_00. Published by Baerenreiter Verlag (BA.BA11311).

ISBN 9790006574650. 31 x 24.3 cm inches. Language: German. Preface: Schütz, Gudula. Text: Barthold Heinrich Brockes.

Handel composed his only oratorio in German between 1716 and 1717 basing it on the then popular Passion text by Barthold Heinrich Brockes entitled “Der für die Sünde der Welt gemarterte und sterbende Jesus” (“The Story of Jesus, Suffering and Dying for the Sins of the World”). Handel’s affinity to opera is evident in the musical realisation of the emphatic text as he creates a synthesis between traditional Protestant church music and the depiction of human passion in the manner of opera seria.

This edition is based on the corresponding volume of the “Halle Handel Edition” (BA 4021). The full score, parts and vocal score have been newly engraved. The piano reduction has been simplified and brought up to today’s standards, thus making it much more manageable to play.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Soloists, Mixed choir (SATB), Orchestra (Sg-S-solo,2Sg-A-solo,2Sg -T-solo,2Sg-B-solo,mixed choir-SATB,2Ob,2bassoon,2 V,Va,Bc(Vc,Basso,harpsich ord))

SKU: BA.BA11311-90

Composed by George Frideric Handel. Edited by Felix Schroeder. Arranged by Andreas Kohs and Walter Heinz Bernstein. This edition: urtext edition. Paperback. Barenreiter Urtext. Vocal Score. HWV 48. Baerenreiter Verlag #BA11311_90. Published by Baerenreiter Verlag (BA.BA11311-90).

ISBN 9790006574469. 27 x 19 cm inches. Language: German. Preface: Schütz, Gudula. Text: Barthold Heinrich Brockes.

Handel composed his only oratorio in German between 1716 and 1717 basing it on the then popular Passion text by Barthold Heinrich Brockes entitledDer fur die Sunde der Welt gemarterte und sterbende Jesus(The Story of Jesus, Suffering and Dying for the Sins of the World). Handel's affinity to opera is evident in the musical realisation of the emphatic text as he creates a synthesis between traditional Protestant church music and the depiction of human passion in the manner of opera seria.

This edition is based on the corresponding volume of theHalle Handel Edition(BA 4021). The full score, parts and vocal score have been newly engraved. The piano reduction has been simplified and brought up to today's standards, thus making it much more manageable to play.

Solo tenor voice (Evangelist), solo bass voice (Jesus), SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, viola da gamba, basso continuo

SKU: CA.3124582

Version IV. Composed by Johann Sebastian Bach. Edited by Peter Wollny. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Johannespassion 1749. Innovative practice aids, Sacred vocal music, Oratorios, Passions, Lent and Passiontide. Single Part, Laute. Composed 1749. BWV 245. 4 pages. Duration 120 minutes. Carus Verlag #CV 31.245/82. Published by Carus Verlag (CA.3124582).

ISBN 9790007211448. Language: German/English.

Wit h the unfinished revision (1739) as an appendix. The St. John Passion ranks among the great vocal works from Bach's Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined readings from various layers of sources. The wish often expressed by conductors to perform an authentic version is made possible for the first time with the present edition in this fourth and final version which was performed under Bach's direction in 1749. At the same time, with the aid of the appendix it is possible to perform the work in the traditional mixed version.. Score and part available separately - see item CA.3124500.

Solo tenor voice (Evangelist), solo bass voice (Jesus), SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, viola da gamba, basso continuo

SKU: CA.4033140

Version IV. Composed by Johann Sebastian Bach. Arranged by Paul Horn. Hymns by Martin Luther: War Gott nicht mit uns diese Zeit. German title: Faksimile Johannes-Passion Bwv 245. Post card. Composed 1749. BWV 245. 100 pages. Duration 120 minutes. Carus Verlag #CV 40.331/40. Published by Carus Verlag (CA.4033140).

ISBN 9790007104825. Language: German/English.

Wit h the unfinished revision (1739) as an appendix. The St. John Passion ranks among the great vocal works from Bach's Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined readings from various layers of sources. The wish often expressed by conductors to perform an authentic version is made possible for the first time with the present edition in this fourth and final version which was performed under Bach's direction in 1749. At the same time, with the aid of the appendix it is possible to perform the work in the traditional mixed version.. Score available separately - see item CA.4033100.

Solo tenor voice (Evangelist), solo bass voice (Jesus), SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, viola da gamba, basso continuo

SKU: CA.3124581

Version IV. Composed by Johann Sebastian Bach. Edited by Peter Wollny. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Johannespassion 1749. Innovative practice aids, Sacred vocal music, Oratorios, Passions, Lent and Passiontide. Single Part, 2 Violen d'amore. Composed 1749. BWV 245. 8 pages. Duration 120 minutes. Carus Verlag #CV 31.245/81. Published by Carus Verlag (CA.3124581).

ISBN 9790007211431. Language: German/English.

Wit h the unfinished revision (1739) as an appendix. The St. John Passion ranks among the great vocal works from Bach's Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined readings from various layers of sources. The wish often expressed by conductors to perform an authentic version is made possible for the first time with the present edition in this fourth and final version which was performed under Bach's direction in 1749. At the same time, with the aid of the appendix it is possible to perform the work in the traditional mixed version.. Score and part available separately - see item CA.3124500.

Composed by George Frideric Handel (1685-1759). Edited by Amanda Babington. Arranged by Andreas Kohs. For alto voice solo, tenor voice solo, bass voice solo, SSATB choir, piano reduction. This edition: urtext edition. Paperback. Level 3. Vocal score. HWV 283. Published by Baerenreiter Verlag

SATB vocal soli, SATB choir, orchestra

SKU: CA.5401313

Composed by Michael Haydn. Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Missa Stae Cyrilli Et Methodii Mh 13. Sacred vocal music, Masses, Latin. Single Part, basso continuo. MH 13. 28 pages. Duration 55 minutes. Carus Verlag #CV 54.013/13. Published by Carus Verlag (CA.5401313).

ISBN 9790007225896. Language: Latin.

The thirty or so settings of the Mass by Johann Michael Haydn (Joseph's younger brother) are masterpieces of their class, and were greatly loved during his lifetime. As part of its Urtext complete edition Carus now presents the Missa Sancti Cyrilli et Methodii. This composition of 1758 is an early work, still written in the baroque stylistic tradition of the southern German region, Out it also reveals subjective inspiration which separates it from many mass settings by Haydn's contemporaries. With this mass dedicated to the Slavic apostles Cyrill and Methodius it is possible that Haydn applied for a position in Brno and it actually appears as if the 21-year-old composer wanted to present a masterpiece demonstrating his skills. This mass is published here in the first edition. Score and part available separately - see item CA.5401300.

SATB vocal soli, SATB choir, orchestra

SKU: CA.5401305

Composed by Michael Haydn. Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Missa Stae Cyrilli Et Methodii Mh 13. Sacred vocal music, Masses, Latin. Choral Score. MH 13. 32 pages. Duration 55 minutes. Carus Verlag #CV 54.013/05. Published by Carus Verlag (CA.5401305).

ISBN 9790007165307. Language: Latin.

The thirty or so settings of the Mass by Johann Michael Haydn (Joseph's younger brother) are masterpieces of their class, and were greatly loved during his lifetime. As part of its Urtext complete edition Carus now presents the Missa Sancti Cyrilli et Methodii. This composition of 1758 is an early work, still written in the baroque stylistic tradition of the southern German region, Out it also reveals subjective inspiration which separates it from many mass settings by Haydn's contemporaries. With this mass dedicated to the Slavic apostles Cyrill and Methodius it is possible that Haydn applied for a position in Brno and it actually appears as if the 21-year-old composer wanted to present a masterpiece demonstrating his skills. This mass is published here in the first edition. Score available separately - see item CA.5401300.