SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 horns, 2 clarinos/trumpets, timpani, 3 trombones, 2 violins, viola, basso continuo

SKU: CA.5483809

Composed by Michael Haydn. Edited by Armin Kircher. This edition: urtext. 1x 54.838/21 oboe 1, 1x 54.838/22 oboe 2, 1x 54.838/23 bassoon 1, 1x 54.838/24 bassoon 2, 1x 54.838/31 horn 1, 1x 54.838/32 horn 2, 1x 54.838/33 trumpet 1, 1x 54.838/34 trumpet 2, 1x 54.838/35 trombone 1, 1x 54.838/36 trombone 2, 1x 54.838/37 trombone 3, . Stuttgart Urtext Edition: Johann Michael Haydn. Requiem In B Mh 838. Sacred vocal music, Requiem, Mourning, death. Set of Orchestra Parts. MH 838. 192 pages. Duration 55 minutes. Carus Verlag #CV 54.838/09. Published by Carus Verlag (CA.5483809).

ISBN 9790007226336. Key: B flat major. Language: Latin.

The Requiem in B flat major is Johann Michael Haydn's second setting of the liturgical text of the Mass of the dead (another Requiem, MH 599, has since been identified as the work of Father Georg Pasterwiz) and it is also his last work, his Opus ultimum. On commission from Empress Maria Theresia he began the composition in 1805, but due to a serious illness he made only slow progress with the work. Like W. A. Mozart, he could not complete this Requiem. In 1839 Father Gunther Kronecker, Benedictine Father in the monastery of Kremsmunster in Upper Austria, completed the torso in the spirit and style of Haydn. During his student days in Vienna Father Gunther belonged to the circle of friends who were associated with Franz Schubert. Score and parts available separately - see item CA.5483800.

Orchestra SSATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.4048309

Composed by Felix Bartholdy Mendelssohn. Edited by Pietro Zappala. This edition: urtext. 1x 40.483/21 flute 1, 1x 40.483/22 flute 2, 1x 40.483/23 oboe 1, 1x 40.483/24 oboe 2, 1x 40.483/25 clarinet 1, 1x 40.483/26 clarinet 2, 1x 40.483/27 bassoon 1, 1x 40.483/28 bassoon 2, 1x 40.483/31 horn 1, 1x 40.483/32 horn 2, 1x 40.483/33 trumpet 1, 1x 40. Stuttgart Urtext Edition: Mendelssohn. Harmony parts. Innovative practice aids, Sacred vocal music, Mass sections, Christmas. Set of Orchestra Parts. Composed 1821/22. MWV A 1. 42 pages. Duration 21 minutes. Carus Verlag #CV 40.483/09. Published by Carus Verlag (CA.4048309).

ISBN 9790007218751. Key: E flat major. Language: Latin.

The Gloria, composed in early 1822 at the age of 13, is Mendelssohn's first creative venture in the field of church music on a larger scale. It is a direct result of his composition studies under the director of the Berlin Singakademie Carl Friedrich Zelter, but was no longer wholly a student work because the young composer hoped that Zelter would provide him with an opportunity to perform this work with the Singakademie. The enthusiasm for Handel and Bach which was sustained by the performances at the Singakademie influenced Mendelssohn's early creative style. In the Gloria Mendelssohn sought to emulate the model of the large-scale baroque cantata. The concluding fugue, the mysterious Qui tollis and lyrical solos ensembles in the place of solo arias give testimony to Mendelssohn's great talent and willingness to experiment. Score and parts available separately - see item CA.4048300.

Orchestra SSATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.4048311

Composed by Felix Bartholdy Mendelssohn. Edited by Pietro Zappala. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. Violin 1. Innovative practice aids, Sacred vocal music, Mass sections, Christmas. Single Part, Violin 1. Composed 1821/22. MWV A 1. 8 pages. Duration 21 minutes. Carus Verlag #CV 40.483/11. Published by Carus Verlag (CA.4048311).

ISBN 9790007218768. Key: E flat major. Language: Latin.

The Gloria, composed in early 1822 at the age of 13, is Mendelssohn's first creative venture in the field of church music on a larger scale. It is a direct result of his composition studies under the director of the Berlin Singakademie Carl Friedrich Zelter, but was no longer wholly a student work because the young composer hoped that Zelter would provide him with an opportunity to perform this work with the Singakademie. The enthusiasm for Handel and Bach which was sustained by the performances at the Singakademie influenced Mendelssohn's early creative style. In the Gloria Mendelssohn sought to emulate the model of the large-scale baroque cantata. The concluding fugue, the mysterious Qui tollis and lyrical solos ensembles in the place of solo arias give testimony to Mendelssohn's great talent and willingness to experiment. Score and part available separately - see item CA.4048300.

Orchestra SSATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.4048319

Composed by Felix Bartholdy Mendelssohn. Edited by Pietro Zappala. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. German title: Gloria. Innovative practice aids, Sacred vocal music, Mass sections, Christmas. Set of Orchestra Parts. Composed 1821/22. MWV A 1. Duration 21 minutes. Carus Verlag #CV 40.483/19. Published by Carus Verlag (CA.4048319).

ISBN 9790007137953. Key: E flat major. Language: Latin.

The Gloria, composed in early 1822 at the age of 13, is Mendelssohn's first creative venture in the field of church music on a larger scale. It is a direct result of his composition studies under the director of the Berlin Singakademie Carl Friedrich Zelter, but was no longer wholly a student work because the young composer hoped that Zelter would provide him with an opportunity to perform this work with the Singakademie. The enthusiasm for Handel and Bach which was sustained by the performances at the Singakademie influenced Mendelssohn's early creative style. In the Gloria Mendelssohn sought to emulate the model of the large-scale baroque cantata. The concluding fugue, the mysterious Qui tollis and lyrical solos ensembles in the place of solo arias give testimony to Mendelssohn's great talent and willingness to experiment. Score and parts available separately - see item CA.4048300.

Orchestra SSATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.4048314

Composed by Felix Bartholdy Mendelssohn. Edited by Pietro Zappala. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. Violoncello/double bass. Innovative practice aids, Sacred vocal music, Mass sections, Christmas. Single Part, Cello/Double Bass. Composed 1821/22. MWV A 1. 8 pages. Duration 21 minutes. Carus Verlag #CV 40.483/14. Published by Carus Verlag (CA.4048314).

ISBN 9790007218799. Key: E flat major. Language: Latin.

The Gloria, composed in early 1822 at the age of 13, is Mendelssohn's first creative venture in the field of church music on a larger scale. It is a direct result of his composition studies under the director of the Berlin Singakademie Carl Friedrich Zelter, but was no longer wholly a student work because the young composer hoped that Zelter would provide him with an opportunity to perform this work with the Singakademie. The enthusiasm for Handel and Bach which was sustained by the performances at the Singakademie influenced Mendelssohn's early creative style. In the Gloria Mendelssohn sought to emulate the model of the large-scale baroque cantata. The concluding fugue, the mysterious Qui tollis and lyrical solos ensembles in the place of solo arias give testimony to Mendelssohn's great talent and willingness to experiment. Score and part available separately - see item CA.4048300.

Orchestra SSATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.4048313

Composed by Felix Bartholdy Mendelssohn. Edited by Pietro Zappala. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. Viola. Innovative practice aids, Sacred vocal music, Mass sections, Christmas. Single Part, Viola. Composed 1821/22. MWV A 1. 8 pages. Duration 21 minutes. Carus Verlag #CV 40.483/13. Published by Carus Verlag (CA.4048313).

ISBN 9790007218782. Key: E flat major. Language: Latin.

The Gloria, composed in early 1822 at the age of 13, is Mendelssohn's first creative venture in the field of church music on a larger scale. It is a direct result of his composition studies under the director of the Berlin Singakademie Carl Friedrich Zelter, but was no longer wholly a student work because the young composer hoped that Zelter would provide him with an opportunity to perform this work with the Singakademie. The enthusiasm for Handel and Bach which was sustained by the performances at the Singakademie influenced Mendelssohn's early creative style. In the Gloria Mendelssohn sought to emulate the model of the large-scale baroque cantata. The concluding fugue, the mysterious Qui tollis and lyrical solos ensembles in the place of solo arias give testimony to Mendelssohn's great talent and willingness to experiment. Score and part available separately - see item CA.4048300.

Orchestra SSATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.4048307

Composed by Felix Bartholdy Mendelssohn. Edited by Pietro Zappala. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. Innovative practice aids, Sacred vocal music, Mass sections, Christmas. Study score. Composed 1821/22. MWV A 1. Duration 21 minutes. Carus Verlag #CV 40.483/07. Published by Carus Verlag (CA.4048307).

ISBN 9790007092597. Key: E flat major. Language: Latin.

The Gloria, composed in early 1822 at the age of 13, is Mendelssohn's first creative venture in the field of church music on a larger scale. It is a direct result of his composition studies under the director of the Berlin Singakademie Carl Friedrich Zelter, but was no longer wholly a student work because the young composer hoped that Zelter would provide him with an opportunity to perform this work with the Singakademie. The enthusiasm for Handel and Bach which was sustained by the performances at the Singakademie influenced Mendelssohn's early creative style. In the Gloria Mendelssohn sought to emulate the model of the large-scale baroque cantata. The concluding fugue, the mysterious Qui tollis and lyrical solos ensembles in the place of solo arias give testimony to Mendelssohn's great talent and willingness to experiment. Score available separately - see item CA.4048300.