Missa
in C. Composed by
Ignaz Holzbauer. Edited
by Jochen Reutter. Awards
/ Prizes: Deutscher
Musikeditionspreis Best
Edition. Awards / Prizes:
Deutscher
Musikeditionspreis Best
Edition. Viola. Masses,
Latin. Single Part,
Viola. Composed circa
1770. 16 pages. Duration
40 minutes. Carus Verlag
#CV 50.501/13. Published
by Carus Verlag
(CA.5050113).
ISBN
9790007224172. Key: C
major. Language:
Latin.
One of the
most important masses of
the pre-classical period,
and one of the earliest
examples of symphonic
church music, published
for the first time. Score
and part available
separately - see item
CA.5050100.
Funeral
ode. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Trauerode.
Cantatas. Single Part,
Viola. Composed 1727. BWV
198. 12 pages. Duration
35 minutes. Carus Verlag
#CV 31.198/13. Published
by Carus Verlag
(CA.3119813).
ISBN
9790007210618. Text
language:
German/English.
Com
posed in 1727 for a
eulogy and funeral
oration for Electress
Christiane Eberhardine in
the Leipzig University
church, the music for the
funeral ode is well-known
today above all through
reconstructions of Bach's
St Mark Passion, in which
large parts of this
cantata were probably
re-used, but of which
only the text survives.
With the funeral ode we
have one of Bach's
strongest and most
fascinating vocal
compositions. Although
Gottsched's text is
associated with a
particular occasion, it
is distinguished in its
literary quality from
many secular cantatas and
it is entirely
appropriate to perform
this impressive cantata
in concerts. Score and
part available separately
- see item
CA.3119800.
Composed
by Jose Nunes Garcia.
Viola 1. Sacred vocal
music, Requiem. Single
Part, Viola 1. 12 pages.
Duration 35 minutes.
Carus Verlag #CV
23.008/13. Published by
Carus Verlag
(CA.2300813).
ISBN
9790007037772. Language:
Latin.
Garcia, born
in 1767 in Rio de
Janeiro, and priest and
music director at the
cathedral there, is still
hardly known. Among his
spiritual works are four
settings of the Mass for
the Dead. The present
,,Missa dos Defunktos was
commissioned by the
Portuguese King Dom Joao
VI in the memory of Queen
Maria I, who died in
1816. The composition, in
the key of D minor, shows
parallels in several
places to Mozart's
Requiem, which Garcia
performed two years later
(1819) for the first time
in Brasil. Score and part
available separately -
see item CA.2300800.
Funeral
ode. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Trauerode.
Cantatas. Single Part,
Viola da gamba 1.
Composed 1727. BWV 198.
12 pages. Duration 35
minutes. Carus Verlag #CV
31.198/14. Published by
Carus Verlag
(CA.3119814).
ISBN
9790007210625. Text
language:
German/English.
Com
posed in 1727 for a
eulogy and funeral
oration for Electress
Christiane Eberhardine in
the Leipzig University
church, the music for the
funeral ode is well-known
today above all through
reconstructions of Bach's
St Mark Passion, in which
large parts of this
cantata were probably
re-used, but of which
only the text survives.
With the funeral ode we
have one of Bach's
strongest and most
fascinating vocal
compositions. Although
Gottsched's text is
associated with a
particular occasion, it
is distinguished in its
literary quality from
many secular cantatas and
it is entirely
appropriate to perform
this impressive cantata
in concerts. Score and
part available separately
- see item
CA.3119800.
Composed
by Jose Nunes Garcia.
Viola 2. Sacred vocal
music, Requiem. Single
Part, Viola 2. 12 pages.
Duration 35 minutes.
Carus Verlag #CV
23.008/14. Published by
Carus Verlag
(CA.2300814).
ISBN
9790007037789. Language:
Latin.
Garcia, born
in 1767 in Rio de
Janeiro, and priest and
music director at the
cathedral there, is still
hardly known. Among his
spiritual works are four
settings of the Mass for
the Dead. The present
,,Missa dos Defunktos was
commissioned by the
Portuguese King Dom Joao
VI in the memory of Queen
Maria I, who died in
1816. The composition, in
the key of D minor, shows
parallels in several
places to Mozart's
Requiem, which Garcia
performed two years later
(1819) for the first time
in Brasil. Score and part
available separately -
see item CA.2300800.
Funeral
ode. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Trauerode.
Cantatas. Single Part,
Viola da gamba 2.
Composed 1727. BWV 198.
12 pages. Duration 35
minutes. Carus Verlag #CV
31.198/15. Published by
Carus Verlag
(CA.3119815).
ISBN
9790007210632. Text
language:
German/English.
Com
posed in 1727 for a
eulogy and funeral
oration for Electress
Christiane Eberhardine in
the Leipzig University
church, the music for the
funeral ode is well-known
today above all through
reconstructions of Bach's
St Mark Passion, in which
large parts of this
cantata were probably
re-used, but of which
only the text survives.
With the funeral ode we
have one of Bach's
strongest and most
fascinating vocal
compositions. Although
Gottsched's text is
associated with a
particular occasion, it
is distinguished in its
literary quality from
many secular cantatas and
it is entirely
appropriate to perform
this impressive cantata
in concerts. Score and
part available separately
- see item
CA.3119800.
St. Mark Passion Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] Carus Verlag
(Version Hellmann/Glockner). Composed by Johann Sebastian Bach (1685-1750). Edit...(+)
(Version
Hellmann/Glockner).
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Andreas Glockner.
Arranged by Diethard
Hellmann. For SAT vocal
soli, SATB choir, 2
flutes, 2 oboes/2 oboe
d'amore, 2 violins,
viola, 2 viola da gamba,
basso continuo, [2
lutes]. This edition:
Paperbound. Stuttgart
Urtext Edition. German
title: Markuspassion
Glockner. Oratorios,
Passions, Lent and
Passiontide, Holy Week.
Full score. Language:
German. Composed
1723/1964/2001. BWV 247.
Duration 75 minutes.
Published by Carus Verlag
Christmas cantata.
Composed by Friedrich
Wilhelm Zachow. German
title: Uns ist ein Kind
geboren. Sacred vocal
music, Cantatas,
Christmas. Single Part,
Viola 1. 8 pages. Carus
Verlag #CV 10.247/13.
Published by Carus Verlag
(CA.1024713).
Mein Freund ist mein Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Carus Verlag
By Georg Bohm. For Soli SATB, SATB Choir, Bassoon, 2 Violins, 2 Violas, Basso co...(+)
By Georg Bohm. For Soli
SATB, SATB Choir,
Bassoon, 2 Violins, 2
Violas, Basso continuo.
Full score available
separately - see item
CA.1004200. Cantatas; Use
during church year: End
of the church year. Part:
Viola 1. Language:
German. 4 pages.
Published by Carus Verlag
(Kantate fur einen Bussgottesdienst (Fassung in g)). By Johann Sebastian Bach (1...(+)
(Kantate fur einen
Bussgottesdienst (Fassung
in g)). By Johann
Sebastian Bach
(1685-1750). Edited by
Ulrich Leisinger. For
SATB vocal soli, SATB
choir, oboe, bassoon,
violin, 2 violas, basso
continuo. G-Moll (G
minor). Stuttgart Urtext
editions. Score available
separately - see item
CA.3113100. Cantatas,
Psalms, German, Special
days. Part: viola 2.
Language: German/English.
Composed 1707/1708. BWV
131. 4 pages. Duration 24
min. Published by Carus
Verlag
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. Edition
Bach-Archiv Leipzig -
Musical Monuments. German
title: Markuspassion.
Sacred vocal music,
Passions, Lent and
Passiontide, Holy Week.
Single Part, Viola 2.
Composed circa 1747. 12
pages. Duration 90
minutes. Carus Verlag #CV
35.502/14. Published by
Carus Verlag
(CA.3550214).
ISBN
9790007213459. Language:
German.
Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. Score and part
available separately -
see item CA.3550200.
Composed
by Gioachino Rossini.
Edited by Guido Johannes
Joerg. German title:
Messa Di Rimini 1809.
Sacred vocal music,
Masses, Latin. Single
Part, Viola. Composed
1809. 24 pages. Duration
45 minutes. Carus Verlag
#CV 40.674/13. Published
by Carus Verlag
(CA.4067413).
Dominicusmesse.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Paul Horn. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Missa In C
(Dominicus-Messe)
Rev.2002. Sacred vocal
music, Masses, Latin.
Single Part, Viola.
Composed 1769. KV 66. 16
pages. Duration 43
minutes. Carus Verlag #CV
40.613/13. Published by
Carus Verlag
(CA.4061313).
ISBN
9790007073442. Key: C
major. Language:
Latin.
Christmas cantata.
Composed by Friedrich
Wilhelm Zachow. German
title: Uns ist ein Kind
geboren. Sacred vocal
music, Cantatas,
Christmas. Single Part,
Viola 2. 8 pages. Carus
Verlag #CV 10.247/14.
Published by Carus Verlag
(CA.1024714).
Composed
by Johann Christian Bach.
Edited by Traugott
Fedtke. Arranged by
Traugott Fedtke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Gloria In G
E. Sacred vocal music,
Mass sections. Single
Part, Viola 1. Warb CW E
4. 28 pages. Duration 55
minutes. Carus Verlag #CV
38.109/14. Published by
Carus Verlag
(CA.3810914).
ISBN
9790007054342. Language:
Latin.
While the
solos in earlier masses
form an integral part of
the structure of the
entire work, Christian
Bach made the solo
sections independent in
the sense of the
Neopolitan school. The
orchestra is occupied
with longer preludes and
rustling figures. In the
eleven movements, Bach
was able to unite the
compositional techniques
and expressivity of the
Baroque with the
beautiful sound of an
Italian cantilena. From
the forward by Traugott
Fedtke. Score and part
available separately -
see item CA.3810900.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Walter Heinz
Bernstein. This edition:
urtext. Stuttgart Urtext
Edition: Mozart. German
title: Litaniae De
Venerabili Altaris
Rev.2002. Litanies,
Corpus Christi,
Eucharist, Communion,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Single Part, Viola.
Composed 1772. KV 125. 12
pages. Duration 32
minutes. Carus Verlag #CV
40.055/13. Published by
Carus Verlag
(CA.4005513).
ISBN
9790007059392. Key: B
flat major. Language:
Latin.
The
large-scale church works
of Wolfgang Amadeus
Mozart include, along
with his Masses, Requiem
and Vespers, his four
litanies, all composed in
and for Salzburg. The
Litany KV 125, dated
March 1772, employs the
identical text and
nine-movement structure
als its sister work, the
larger-scaled KV 243 of
March 1776. Score and
part available separately
- see item
CA.4005500.
Composed by Sebastian
Knupfer. German title:
Ich will singen von der
Gnade. Sacred vocal
music, Cantatas, Easter
and Eastertide,
Christmas, Praise and
thanks. Single Part,
Viola 2. 2 pages.
Duration 6 minutes. Carus
Verlag #CV 10.081/15.
Published by Carus Verlag
(CA.1008115).
ISBN
9790007018351. Key: F
major. Language:
German.
Composed by Wolfgang C.
Briegel. German title:
Ich will singen von der
Gnade. Sacred vocal
music, Cantatas, Easter
and Eastertide,
Christmas, Praise and
thanks. Single Part,
Viola 2. 4 pages. Carus
Verlag #CV 10.014/14.
Published by Carus Verlag
(CA.1001414).
(Kantate fur einen Bussgottesdienst (Fassung in g)). By Johann Sebastian Bach (1...(+)
(Kantate fur einen
Bussgottesdienst (Fassung
in g)). By Johann
Sebastian Bach
(1685-1750). Edited by
Ulrich Leisinger. For
SATB vocal soli, SATB
choir, oboe, bassoon,
violin, 2 violas, basso
continuo. G-Moll (G
minor). Stuttgart Urtext
editions. Score available
separately - see item
CA.3113100. Cantatas,
Psalms, German, Special
days. Part: viola 1.
Language: German/English.
Composed 1707/1708. BWV
131. 4 pages. Duration 24
min. Published by Carus
Verlag
Composed by Sebastian
Knupfer. German title:
Ich will singen von der
Gnade. Sacred vocal
music, Cantatas, Easter
and Eastertide,
Christmas, Praise and
thanks. Single Part,
Viola 1. 2 pages.
Duration 6 minutes. Carus
Verlag #CV 10.081/14.
Published by Carus Verlag
(CA.1008114).
ISBN
9790007018344. Key: F
major. Language:
German.
Composed by Wolfgang C.
Briegel. German title:
Ich will singen von der
Gnade. Sacred vocal
music, Cantatas, Easter
and Eastertide,
Christmas, Praise and
thanks. Single Part,
Viola 1. 4 pages. Carus
Verlag #CV 10.014/13.
Published by Carus Verlag
(CA.1001413).
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. Edition
Bach-Archiv Leipzig -
Musical Monuments. German
title: Markuspassion.
Sacred vocal music,
Passions, Lent and
Passiontide, Holy Week.
Single Part, Viola 1.
Composed circa 1747. 12
pages. Duration 90
minutes. Carus Verlag #CV
35.502/13. Published by
Carus Verlag
(CA.3550213).
ISBN
9790007213442. Language:
German.
Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. Score and part
available separately -
see item CA.3550200.
(Easter Sunday). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik....(+)
(Easter Sunday). By
Johann Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. For
SATB vocal soli, SATB
choir, [3 trombones,
cornet], 2 violins, 2
violas, basso continuo.
E-Moll (E minor). German
title: Christ lag in
Todes B Part: viola 2
Cantatas, Easter and
Eastertide
Funeral
ode. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Trauerode.
Cantatas. Single Part,
basso continuo. Composed
1727. BWV 198. 20 pages.
Duration 35 minutes.
Carus Verlag #CV
31.198/16. Published by
Carus Verlag
(CA.3119816).
ISBN
9790007210649. Text
language:
German/English.
Com
posed in 1727 for a
eulogy and funeral
oration for Electress
Christiane Eberhardine in
the Leipzig University
church, the music for the
funeral ode is well-known
today above all through
reconstructions of Bach's
St Mark Passion, in which
large parts of this
cantata were probably
re-used, but of which
only the text survives.
With the funeral ode we
have one of Bach's
strongest and most
fascinating vocal
compositions. Although
Gottsched's text is
associated with a
particular occasion, it
is distinguished in its
literary quality from
many secular cantatas and
it is entirely
appropriate to perform
this impressive cantata
in concerts. Score and
part available separately
- see item
CA.3119800.
Funeral ode.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Trauerode. Cantatas.
Single Part, Organ.
Composed 1727. BWV 198.
24 pages. Duration 35
minutes. Carus Verlag #CV
31.198/49. Published by
Carus Verlag
(CA.3119849).
ISBN
9790007210656. Language:
German/English.
Com
posed in 1727 for a
eulogy and funeral
oration for Electress
Christiane Eberhardine in
the Leipzig University
church, the music for the
funeral ode is well-known
today above all through
reconstructions of Bach's
St Mark Passion, in which
large parts of this
cantata were probably
re-used, but of which
only the text survives.
With the funeral ode we
have one of Bach's
strongest and most
fascinating vocal
compositions. Although
Gottsched's text is
associated with a
particular occasion, it
is distinguished in its
literary quality from
many secular cantatas and
it is entirely
appropriate to perform
this impressive cantata
in concerts. Score and
part available separately
- see item
CA.3119800.