Solo tenor and bass voices (soprano and alto), SATB choir, 2 horn, 2 violin, viola, basso continuo

SKU: CA.9104805

Composed by Michael Haydn. Edited by Otto Biba. Coppenrath Series. German title: Duetto Pastorum 1200101. Sacred vocal music, Cantatas, Christmas. Choral Score. MH. 4 pages. Carus Verlag #CV 91.048/05. Published by Carus Verlag (CA.9104805).

ISBN 9790007115081. Language: Latin.

Score available separately - see item CA.9104800.

Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For SSATB vocal soli, SSAATTBB choir, 2 flute, 3 oboe/2 oboe d'amore, 2 bassoon, horn, 3 trumpet, timpani, 2 violin, viola, basso continuo. This edition: Paperbound. Latin Masses. Study score. Language: Latin. BWV 232. 312 pages. Duration 100 minutes. Published by Carus Verlag

Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For SSATB vocal soli, SSAATTBB choir, 2 flute, 3 oboe/2 oboe d'amore, 2 bassoon, horn, 3 trumpet, timpani, 2 violin, viola, basso continuo. This edition: Paperbound. Latin Masses. Vocal score. Language: Latin. BWV 232. 184 pages. Duration 100 minutes. Published by Carus Verlag

By PDQ Bach. Arranged by Peter Schickele. Text by Peter Schickele. For 2 Trumpet, 2 Violin, Viola, Violoncello, Contrabass, 2 Slide Whistles, 2 Kazoos, Tromboon, Windbreaker, Shower Hose, Foghorn, Soprano, Alto, Tenor, Bass, SATB, Timpani. Piano/Vocal Score. S. 1! tsp. Duration 20:0. Published by Theodore Presser Company.

Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For SSATB vocal soli, SSAATTBB choir, 2 flutes, 3 oboes/2 oboes d'amore, 2 bassoons, corno da caccia, 3 trumpets, timpani, 2 violins, viola, basso continuo. This edition: Linen cover. Latin Masses. Full score and DVD. Text language: Latin. BWV 232. 304 pages. Duration 100 minutes. Published by Carus Verlag

Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For SSATB vocal soli, SSAATTBB choir, 2 flutes, 3 oboes/2 oboes d'amore, 2 bassoons, corno da caccia, 3 trumpets, timpani, 2 violins, viola, basso continuo. This edition: paperback. Latin Masses. Full score. Text language: Latin. BWV 232. 304 pages. Duration 100 minutes. Published by Carus Verlag

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3116412

Cantata for the 13th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Whitsun. Single Part, Violin 2. Composed 1725. BWV 164. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.164/12. Published by Carus Verlag (CA.3116412).

ISBN 9790007209032. Text language: German/English.

Thi s six-movement cantata was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 1715 in his collection Evangelisches Andachts-Opffer. Here, Bach bases his work around the form of the Weimar cantatas which take their texts from Franck's printed collection (BWV 132, 152, 161-163, 165): movements 1-5 are performed by vocal soloists, whilst only the final chorus is given to the chorus. The key concepts of the text are Barmherzigkeit [compassion], Erbarmen [mercy] and wahre Christenliebe [true Christian love]; the chamber music arrangement of the cantata corresponds with this. The two arias for tenor and alto, and the duet for soprano and bass do not contain da capo sections, but repeat the entire text in a condensed form. The instruments do not contrast as a rule, but are treated as a string group (movements 1, 4), duetting (movement 3), and as full unison (movement 5). What is remarkable in all three movements is the thematic linking of the instrumental ritornello parts with the vocal parts through which Bach achieves a kind of unity of form. Score and part available separately - see item CA.3116400.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3116411

Cantata for the 13th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Whitsun. Single Part, Violin 1. Composed 1725. BWV 164. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.164/11. Published by Carus Verlag (CA.3116411).

ISBN 9790007209025. Text language: German/English.

Thi s six-movement cantata was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 1715 in his collection Evangelisches Andachts-Opffer. Here, Bach bases his work around the form of the Weimar cantatas which take their texts from Franck's printed collection (BWV 132, 152, 161-163, 165): movements 1-5 are performed by vocal soloists, whilst only the final chorus is given to the chorus. The key concepts of the text are Barmherzigkeit [compassion], Erbarmen [mercy] and wahre Christenliebe [true Christian love]; the chamber music arrangement of the cantata corresponds with this. The two arias for tenor and alto, and the duet for soprano and bass do not contain da capo sections, but repeat the entire text in a condensed form. The instruments do not contrast as a rule, but are treated as a string group (movements 1, 4), duetting (movement 3), and as full unison (movement 5). What is remarkable in all three movements is the thematic linking of the instrumental ritornello parts with the vocal parts through which Bach achieves a kind of unity of form. Score and part available separately - see item CA.3116400.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3116414

Cantata for the 13th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas, Whitsun. Single Part, basso continuo. Composed 1725. BWV 164. 12 pages. Duration 17 minutes. Carus Verlag #CV 31.164/14. Published by Carus Verlag (CA.3116414).

ISBN 9790007209056. Text language: German/English.

Thi s six-movement cantata was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 1715 in his collection Evangelisches Andachts-Opffer. Here, Bach bases his work around the form of the Weimar cantatas which take their texts from Franck's printed collection (BWV 132, 152, 161-163, 165): movements 1-5 are performed by vocal soloists, whilst only the final chorus is given to the chorus. The key concepts of the text are Barmherzigkeit [compassion], Erbarmen [mercy] and wahre Christenliebe [true Christian love]; the chamber music arrangement of the cantata corresponds with this. The two arias for tenor and alto, and the duet for soprano and bass do not contain da capo sections, but repeat the entire text in a condensed form. The instruments do not contrast as a rule, but are treated as a string group (movements 1, 4), duetting (movement 3), and as full unison (movement 5). What is remarkable in all three movements is the thematic linking of the instrumental ritornello parts with the vocal parts through which Bach achieves a kind of unity of form. Score and part available separately - see item CA.3116400.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3116413

Cantata for the 13th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Whitsun. Single Part, Viola. Composed 1725. BWV 164. 4 pages. Duration 17 minutes. Carus Verlag #CV 31.164/13. Published by Carus Verlag (CA.3116413).

ISBN 9790007209049. Text language: German/English.

Thi s six-movement cantata was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 1715 in his collection Evangelisches Andachts-Opffer. Here, Bach bases his work around the form of the Weimar cantatas which take their texts from Franck's printed collection (BWV 132, 152, 161-163, 165): movements 1-5 are performed by vocal soloists, whilst only the final chorus is given to the chorus. The key concepts of the text are Barmherzigkeit [compassion], Erbarmen [mercy] and wahre Christenliebe [true Christian love]; the chamber music arrangement of the cantata corresponds with this. The two arias for tenor and alto, and the duet for soprano and bass do not contain da capo sections, but repeat the entire text in a condensed form. The instruments do not contrast as a rule, but are treated as a string group (movements 1, 4), duetting (movement 3), and as full unison (movement 5). What is remarkable in all three movements is the thematic linking of the instrumental ritornello parts with the vocal parts through which Bach achieves a kind of unity of form. Score and part available separately - see item CA.3116400.

SSATB vocal soli, SATB choir, 2 flutes (horn), 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3911512

Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Violin 2. Sacred vocal music, Cantatas, Christmas. Single Part, Violin 2. TVWV 1:1452. 8 pages. Duration 22 minutes. Carus Verlag #CV 39.115/12. Published by Carus Verlag (CA.3911512).

ISBN 9790007215613. Language: German.

Uns ist ein Kind geboren is one of Telemann's most beautiful Christmas cantatas, which features an opening duet for two sopranos based on Polish-Moravian folklore, as well as two substantial choral movements. The two horns allotted to the second choral movement to the text Ehre sei Gott in der Hohe can be replaced by two flutes. This is supported by a source from the Telemann tradition in Frankfurt, in which these parts are present. Score and part available separately - see item CA.3911500.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3104411

Cantata for Exaudi. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas. Single Part, Violin 1. Composed circa 1724? BWV 44. 4 pages. Duration 22 minutes. Carus Verlag #CV 31.044/11. Published by Carus Verlag (CA.3104411).

ISBN 9790007205966. Language: German/English.

The cantata Sie werden euch in den Bann tun, part of Bach's first Leipzig annual cycle of cantatas and the earlier of two compositions of the same name, was probably first performed on the last Sunday after Ascension in May 1724. The text is concerned with suffering and the Antichrist, both of which are overcome by Christian faith. By employing all four ranges in solo capacities Bach creates the greatest possible variety. It opens, unusually, with a duet for tenor and bass, accompanied by two oboes and basso continuo. Score and part available separately - see item CA.3104400.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3104412

Cantata for Exaudi. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas. Single Part, Violin 2. Composed circa 1724? BWV 44. 4 pages. Duration 22 minutes. Carus Verlag #CV 31.044/12. Published by Carus Verlag (CA.3104412).

ISBN 9790007205973. Language: German/English.

The cantata Sie werden euch in den Bann tun, part of Bach's first Leipzig annual cycle of cantatas and the earlier of two compositions of the same name, was probably first performed on the last Sunday after Ascension in May 1724. The text is concerned with suffering and the Antichrist, both of which are overcome by Christian faith. By employing all four ranges in solo capacities Bach creates the greatest possible variety. It opens, unusually, with a duet for tenor and bass, accompanied by two oboes and basso continuo. Score and part available separately - see item CA.3104400.

SATB vocal soli, SATB choir, 2 flute, 2 violin, viola, basso continuo

SKU: CA.3117312

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Whitsun. Single Part, Violin 2. Composed 1728ca. BWV 173. 8 pages. Duration 15 minutes. Carus Verlag #CV 31.173/12. Published by Carus Verlag (CA.3117312).

ISBN 9790007209599. Text language: German/English.

Bac h created the cantata Erhohtes Fleisch und Blut by setting the sacred words to what had originally been the music of a secular cantata, presumably for the festival of Pentecost in 1727. Bach made few alterations to the musical structure, but he enlarged the original solo scoring for soprano and bass to a four-voice ensemble. Particularly notable among the solo movements is the extensive duet for soprano and bass in the form of a minuet, which in its musical language is certainly unique in Bach's cantatas. The dancelike final chorus brings the four voices together, and gives highly effective expression to the joy of Pentecost. Score and part available separately - see item CA.3117300.

SATB vocal soli, SATB choir, 2 flute, 2 violin, viola, basso continuo

SKU: CA.3117311

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Whitsun. Single Part, Violin 1. Composed 1728ca. BWV 173. 12 pages. Duration 15 minutes. Carus Verlag #CV 31.173/11. Published by Carus Verlag (CA.3117311).

ISBN 9790007209582. Text language: German/English.

Bac h created the cantata Erhohtes Fleisch und Blut by setting the sacred words to what had originally been the music of a secular cantata, presumably for the festival of Pentecost in 1727. Bach made few alterations to the musical structure, but he enlarged the original solo scoring for soprano and bass to a four-voice ensemble. Particularly notable among the solo movements is the extensive duet for soprano and bass in the form of a minuet, which in its musical language is certainly unique in Bach's cantatas. The dancelike final chorus brings the four voices together, and gives highly effective expression to the joy of Pentecost. Score and part available separately - see item CA.3117300.

SATB vocal soli, SATB choir, 2 oboe d'amore, [horn, trombone], 2 violins, viola, basso continuo - Level 4

SKU: CA.3100312

2nd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. German title: Ach Gott, wie manches. Sacred vocal music, Cantatas, Epiphany. Single Part, Violin 2. Composed 1725. BWV 3. 4 pages. Duration 27 minutes. Carus Verlag #CV 31.003/12. Published by Carus Verlag (CA.3100312).

ISBN 9790007041458. Key: A major. Language: German/English. Text: Moller, Martin. Text: Martin Moller.

For the 2nd Epiphany Sunday 1725, Bach composed the cantata O God, what glut of care and pain. It forms part of the annual cycle of chorale cantatas. In the large-scale opening movement, a choral setting full of anguish with expansive orchestral sections, the bass presents the cantus firmus in segments, reinforced by one trombone. This is followed directly by the second chorale verse in a four-part setting in which, however, each chorale line is interrupted by a short recitative (each one sung by a different voice). The bass, who closes the recitative, also sings the following continuo aria which is rich in melismatic passages. The second aria is a duet expanded into a quartet setting by the addition of oboes d'amore and continuo; it leads into the closing chorale containing a wealth of transitions. Score and part available separately - see item CA.3100300.

SATB vocal soli, SATB choir, 3 oboes, bassoon, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3114912

Cantata for St. Michael. Composed by Johann Sebastian Bach. Edited by Ingrid Jach. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Man singet mit Freuden vom Sieg. Sacred vocal music, Cantatas, Special days. Single Part, Violin 2. BWV 149. 4 pages. Duration 22 minutes. Carus Verlag #CV 31.149/12. Published by Carus Verlag (CA.3114912).

ISBN 9790007208578. Key: D major. Language: German/English. Text: Henrici (Picander), Christian Friedrich. Text: Christian Friedrich Henrici (Picander).

In composing the Cantata BWV 149 Bach reverted to parts of an earlier work: The opening chorus is a parody of the Jadgkantate BWV 208 (Hunting Cantata). In addition to smaller changes which were made necessary due to the text, Bach used trumpets instead of horns. For this purpose he transposed the movement from F major to C major. Musically, the form of the three arias and their instrumentation is rich in variety. The bass aria (2nd mvt.) is characterized by an active continuo accompaniment. After the secco recitative an extended dance like soprano aria with string accompaniment follows. The third aria (6th mvt.) is impressive due to the animated melody and the forming of a canon between the voices, and especially through the entry of the bassoon as the instrumental counterpart to a duet between the alto and tenor. Score and part available separately - see item CA.3114900.

SATB vocal soli, SATB choir, flute (recorder), 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3910911

Cantata for harvest festivals (Tempore Messis) and other festivals of thanksgiving. Composed by Georg Philipp Telemann. Edited by Jurgen Neubacher. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Nun danket alle Gott. Sacred vocal music, Cantatas, Praise and thanks. Single Part, Violin 1. TVWV 1:1166. 4 pages. Duration 15 minutes. Carus Verlag #CV 39.109/11. Published by Carus Verlag (CA.3910911).

ISBN 9790007215439. Language: German/English.

Tel emann's cantata Now thank we all our God cannot be assigned to any of the composer's known annual cycles of cantatas. The given designation, Tempore Messis, which appears in the title in the sole surviving source, suggests it was composed on the occasion of a harvest thanksgiving festival, but the general nature of the text means that other occasions for performance such as New Year, Reformation Day, church or organ consecrations and weddings are conceivable. Musically, the work is distinguished by two spirited choral movements reinforced by trumpets which frame a duet for tenor and bass and an aria for alto and transverse flute. Score and part available separately - see item CA.3910900.

SATB vocal soli, SATB choir, flute (recorder), 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3910912

Cantata for harvest festivals (Tempore Messis) and other festivals of thanksgiving. Composed by Georg Philipp Telemann. Edited by Jurgen Neubacher. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Nun danket alle Gott. Sacred vocal music, Cantatas, Praise and thanks. Single Part, Violin 2. TVWV 1:1166. 4 pages. Duration 15 minutes. Carus Verlag #CV 39.109/12. Published by Carus Verlag (CA.3910912).

ISBN 9790007215446. Language: German/English.

Tel emann's cantata Now thank we all our God cannot be assigned to any of the composer's known annual cycles of cantatas. The given designation, Tempore Messis, which appears in the title in the sole surviving source, suggests it was composed on the occasion of a harvest thanksgiving festival, but the general nature of the text means that other occasions for performance such as New Year, Reformation Day, church or organ consecrations and weddings are conceivable. Musically, the work is distinguished by two spirited choral movements reinforced by trumpets which frame a duet for tenor and bass and an aria for alto and transverse flute. Score and part available separately - see item CA.3910900.

SATB vocal soli, SATB choir, 3 oboes, bassoon, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3114911

Cantata for St. Michael. Composed by Johann Sebastian Bach. Edited by Ingrid Jach. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Man singet mit Freuden vom Sieg. Sacred vocal music, Cantatas, Special days. Single Part, Violin 1. BWV 149. 4 pages. Duration 22 minutes. Carus Verlag #CV 31.149/11. Published by Carus Verlag (CA.3114911).

ISBN 9790007208561. Key: D major. Language: German/English. Text: Henrici (Picander), Christian Friedrich. Text: Christian Friedrich Henrici (Picander).

In composing the Cantata BWV 149 Bach reverted to parts of an earlier work: The opening chorus is a parody of the Jadgkantate BWV 208 (Hunting Cantata). In addition to smaller changes which were made necessary due to the text, Bach used trumpets instead of horns. For this purpose he transposed the movement from F major to C major. Musically, the form of the three arias and their instrumentation is rich in variety. The bass aria (2nd mvt.) is characterized by an active continuo accompaniment. After the secco recitative an extended dance like soprano aria with string accompaniment follows. The third aria (6th mvt.) is impressive due to the animated melody and the forming of a canon between the voices, and especially through the entry of the bassoon as the instrumental counterpart to a duet between the alto and tenor. Score and part available separately - see item CA.3114900.

SATB vocal soli, SATB choir, 2 Violins, Viola, Basso continuo

SKU: CA.3912411

Singet dem Herrn ein neues Lied. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Violin 1. Sacred vocal music, Cantatas, Psalms, German, Easter and Eastertide, Psalms. Single Part, Violin 1. TVWV 7:30. 8 pages. Duration 20 minutes. Carus Verlag #CV 39.124/11. Published by Carus Verlag (CA.3912411).

ISBN 9790007055783. Key: D major. Language: German/English.

Thi s nine-movement psalm composition allows all the participants to shine, in some cases with rich virtuosity: the string ensemble in the opening Sonata; the solo singers and choir in the chaconne-like first vocal movement, Singet dem Herrn; also the solo singers in two duets (alto + tenor, soprano + alto), an alto solo and an extensive bass solo; the choir in two further movements - a fugue on the 6th verse of the psalm Es stehet herrlich und prachtig fur ihm and the concluding movement in two sections, Betet an den Herrn, which ends with a brilliant fugue on Es furchte ihn alle Welt. This is a festive sacred work suitable for many occasions (including weekday Epiphany psalm services and for services on the 4th Sunday after Easter). The present edition presents the source material in revides form, transcribed into current editorial and performance usage. Score and part available separately - see item CA.3912400.

SATB vocal soli, SATB choir, 2 Violins, Viola, Basso continuo

SKU: CA.3912412

Singet dem Herrn ein neues Lied. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Violin 2. Sacred vocal music, Cantatas, Psalms, German, Easter and Eastertide, Psalms. Single Part, Violin 2. TVWV 7:30. 8 pages. Duration 20 minutes. Carus Verlag #CV 39.124/12. Published by Carus Verlag (CA.3912412).

ISBN 9790007055790. Key: D major. Language: German/English.

Thi s nine-movement psalm composition allows all the participants to shine, in some cases with rich virtuosity: the string ensemble in the opening Sonata; the solo singers and choir in the chaconne-like first vocal movement, Singet dem Herrn; also the solo singers in two duets (alto + tenor, soprano + alto), an alto solo and an extensive bass solo; the choir in two further movements - a fugue on the 6th verse of the psalm Es stehet herrlich und prachtig fur ihm and the concluding movement in two sections, Betet an den Herrn, which ends with a brilliant fugue on Es furchte ihn alle Welt. This is a festive sacred work suitable for many occasions (including weekday Epiphany psalm services and for services on the 4th Sunday after Easter). The present edition presents the source material in revides form, transcribed into current editorial and performance usage. Score and part available separately - see item CA.3912400.

SATB vocal soli, SATB choir, 2 violins, cello/contrabass, harp ad lib, basso continuo

SKU: CA.1036911

Christmas cantata. Composed by Christian August Jacobi. Edited by Tobias Nicolaus. Also Hat Gott Die Welt Geliebet. Sacred vocal music, Cantatas, Christmas. Single Part, Violin 1. Composed 1708. 4 pages. Duration 19 minutes. Carus Verlag #CV 10.369/11. Published by Carus Verlag (CA.1036911).

ISBN 9790007190521. Key: F major. Language: German/English.

The Bach contemporary Christian August Jacobi is among those composers who made a lasting impression among 18th century Middle German composers, since the influence of the Thomaskantor himself was limited primarily to Leipzig. Jacobi's cantatas are richly varied and they not too difficult to perform. Five of the six movements of the Christmas cantata Also hat Gott die Welt geliebet for soli, choir, strings and basso continuo are based on Luther's Christmas chorale Vom Himmel hoch, da komm ich her, which give the work a traditional character (the text of the first movement is based on the Gospel of St. John). The richly varied instrumentation and alternation between choral movements and duets by the soloists bring to the sound of the cantata a variety which will also be enhanced by the use of the harp (ad libitum). Score and part available separately - see item CA.1036900.

SATB vocal soli, SATB choir, 2 violins, cello/contrabass, harp ad lib, basso continuo

SKU: CA.1036912

Christmas cantata. Composed by Christian August Jacobi. Edited by Tobias Nicolaus. Also Hat Gott Die Welt Geliebet. Sacred vocal music, Cantatas, Christmas. Single Part, Violin 2. Composed 1708. 4 pages. Duration 19 minutes. Carus Verlag #CV 10.369/12. Published by Carus Verlag (CA.1036912).

ISBN 9790007190538. Key: F major. Language: German/English.

The Bach contemporary Christian August Jacobi is among those composers who made a lasting impression among 18th century Middle German composers, since the influence of the Thomaskantor himself was limited primarily to Leipzig. Jacobi's cantatas are richly varied and they not too difficult to perform. Five of the six movements of the Christmas cantata Also hat Gott die Welt geliebet for soli, choir, strings and basso continuo are based on Luther's Christmas chorale Vom Himmel hoch, da komm ich her, which give the work a traditional character (the text of the first movement is based on the Gospel of St. John). The richly varied instrumentation and alternation between choral movements and duets by the soloists bring to the sound of the cantata a variety which will also be enhanced by the use of the harp (ad libitum). Score and part available separately - see item CA.1036900.

SATB vocal soli, SATB choir, 2 flute, 2 violin, viola, basso continuo

SKU: CA.3117309

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. This edition: urtext. 2x 31.173/21 flute. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, Whitsun. Set of Orchestra Parts. Composed 1728ca. BWV 173. Duration 15 minutes. Carus Verlag #CV 31.173/09. Published by Carus Verlag (CA.3117309).

ISBN 9790007209575. Text language: German/English.

Bac h created the cantata Erhohtes Fleisch und Blut by setting the sacred words to what had originally been the music of a secular cantata, presumably for the festival of Pentecost in 1727. Bach made few alterations to the musical structure, but he enlarged the original solo scoring for soprano and bass to a four-voice ensemble. Particularly notable among the solo movements is the extensive duet for soprano and bass in the form of a minuet, which in its musical language is certainly unique in Bach's cantatas. The dancelike final chorus brings the four voices together, and gives highly effective expression to the joy of Pentecost. Score and parts available separately - see item CA.3117300.

SATB vocal soli, SATB choir, 2 flute, 2 violin, viola, basso continuo

SKU: CA.3117349

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Cantatas, Whitsun. Single Part, Organ. Composed 1728ca. BWV 173. 12 pages. Duration 15 minutes. Carus Verlag #CV 31.173/49. Published by Carus Verlag (CA.3117349).

ISBN 9790007209629. Text language: German/English.

Bac h created the cantata Erhohtes Fleisch und Blut by setting the sacred words to what had originally been the music of a secular cantata, presumably for the festival of Pentecost in 1727. Bach made few alterations to the musical structure, but he enlarged the original solo scoring for soprano and bass to a four-voice ensemble. Particularly notable among the solo movements is the extensive duet for soprano and bass in the form of a minuet, which in its musical language is certainly unique in Bach's cantatas. The dancelike final chorus brings the four voices together, and gives highly effective expression to the joy of Pentecost. Score and part available separately - see item CA.3117300.

SATB vocal soli, SATB choir, 2 flute, 2 violin, viola, basso continuo

SKU: CA.3117314

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas, Whitsun. Single Part, basso continuo. Composed 1728ca. BWV 173. 8 pages. Duration 15 minutes. Carus Verlag #CV 31.173/14. Published by Carus Verlag (CA.3117314).

ISBN 9790007209612. Text language: German/English.

Bac h created the cantata Erhohtes Fleisch und Blut by setting the sacred words to what had originally been the music of a secular cantata, presumably for the festival of Pentecost in 1727. Bach made few alterations to the musical structure, but he enlarged the original solo scoring for soprano and bass to a four-voice ensemble. Particularly notable among the solo movements is the extensive duet for soprano and bass in the form of a minuet, which in its musical language is certainly unique in Bach's cantatas. The dancelike final chorus brings the four voices together, and gives highly effective expression to the joy of Pentecost. Score and part available separately - see item CA.3117300.

SATB vocal soli, SATB choir, 2 flute, 2 violin, viola, basso continuo

SKU: CA.3117313

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Whitsun. Single Part, Viola. Composed 1728ca. BWV 173. 8 pages. Duration 15 minutes. Carus Verlag #CV 31.173/13. Published by Carus Verlag (CA.3117313).

ISBN 9790007209605. Text language: German/English.

Bac h created the cantata Erhohtes Fleisch und Blut by setting the sacred words to what had originally been the music of a secular cantata, presumably for the festival of Pentecost in 1727. Bach made few alterations to the musical structure, but he enlarged the original solo scoring for soprano and bass to a four-voice ensemble. Particularly notable among the solo movements is the extensive duet for soprano and bass in the form of a minuet, which in its musical language is certainly unique in Bach's cantatas. The dancelike final chorus brings the four voices together, and gives highly effective expression to the joy of Pentecost. Score and part available separately - see item CA.3117300.

SATB vocal soli, SATB choir, 2 flute, 2 violin, viola, basso continuo

SKU: CA.3117303

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Whitsun. Vocal score. Composed 1728ca. BWV 173. 24 pages. Duration 15 minutes. Carus Verlag #CV 31.173/03. Published by Carus Verlag (CA.3117303).

ISBN 9790007144135. Text language: German/English.

Bac h created the cantata Erhohtes Fleisch und Blut by setting the sacred words to what had originally been the music of a secular cantata, presumably for the festival of Pentecost in 1727. Bach made few alterations to the musical structure, but he enlarged the original solo scoring for soprano and bass to a four-voice ensemble. Particularly notable among the solo movements is the extensive duet for soprano and bass in the form of a minuet, which in its musical language is certainly unique in Bach's cantatas. The dancelike final chorus brings the four voices together, and gives highly effective expression to the joy of Pentecost. Score available separately - see item CA.3117300.